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お待たせしました~ 超お気に入りインタビュー&映��です! マイケルさんの地下鉄路上ライブカッコいい♥
何か最近マイケルさんに惚れ直しちゃってもう夢中って感じですw (今までも夢中だったけど、最近のマイケルさんキラキラしてる☆彡)
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A shot from last year’s Protest Issue with Fanfarlo.
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(via @fanfarlomusic Trying to make stuff. Sigh. on Twitpic)
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tingalayo: bday boy my love @evansito4 and his hoes
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Jónsi: It worked out for me in the end. I knew I was gay, and had like this special thing for boys, and I fell in love with all my friends. I knew there was a definite difference between greater society and myself. This made it necessary for me to rethink everything, the whole of society, the whole world. The straight movies I’d been seeing my whole life, the rules I’d been taught and my whole life. Everything. I had to rethink it all. I think this is a very healthy practice for us. […] I feel like being gay and being a musician helped me a lot actually. I think I wouldn’t have made as much music as I did if I weren’t gay; it really created an urge to create to be fulfilled, to be happy. And I remember the time until I turned sixteen. It was such an innocent and carefree time, I didn’t know anything. I had friends, for sure, but I only had shallow conversations until I met the first boy in my life, my best friend who I fell in love with. He introduced me to the feeling of speaking heart to heart with someone, to being really close and say exactly how you’re feeling. Before I had that, the conversations weren’t deep. Nico Muhly: You had to keep it one level removed, so no one will find out. Jónsi: Of course, that changed my whole life perspective, everything got darker from that point, and more serious. More real. More you had to think of. Before that, I was so carefree. I will always remember those first sixteen years of my life. Carefree and fun. Total freedom. Nico Muhly: Do you feel like you’re sometimes trying to recreate that period, the carefree-ness. Jónsi: Probably in some way. It’s such a beautiful moment. Such an ecstatic, carefree moment. No bullshit – no worries. Nico Muhly: No sixteen layers of not speaking your mind. That’s often what I’m trying to accomplish. Getting back to that first moment, right before that first moment, and write a score for that. That’s the parts of my music people like, and dislike. It’s an uncomfortable thing to exist in that landscape, before. Just delicious moments, always.
- from the Reykjavik Grapevine. Photos by Lilja Birgisdótti and Ingibjörg Birgisdóttir.
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In case you were wondering which TONY scene made Aaron laugh THIS HARD…
What a thing! Who can blame him? 😂
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My seven yr old took this photo of her old man chiggachillin on a chimney #chiggachillin #stjörnulífið
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