melkstudio - Tumblr blog

[melkstudio]

[melkstudio]

''Useless'' Writing Reminders

Save your documents. Strive to be safe, not sorry.

Back-up your documents. Strive to be safe, not sorry.

Placeholder names can quickly turn into forever names. Picking name(s) on a whim can lead to great things, or it can become your worst nightmare (😁).

Your writing has value. Yes, even the most inadequate of writing. You don't have to boast or even like everything you've ever written, but even the most questionable of writing will have contributed to your growth as a storyteller. Cherish it for what it is.

You can take a break. It is absolutely okay.

First drafts are scary. But you know what's more scary? Not having a draft at all.

Using clichés or ''overdone'' tropes will not kill your story. Firstly, tropes are building blocks. Secondly, humans actively search to consume stories revolving around these tropes.

Write your heart out. Boast about your writing. Boast about your friends' and fellow writers' writing. Everyone deserves recognition, even you, from within your own heart. (Sorry. That's really cheesy. But it's true).

[melkstudio]

I’m so sorry but in the nicest way possible do yall actually read books or just read words??? Cause I’ve been seeing that trend of people not understanding how “snarled” and “eyes darkened” and “eyes softened” etc. was used in a book and like…

Genuinely, do yall just not have imagination?? Or not understand figurative language??? Also eyes do literally darken and soften have you not lived a life??? How do you read with no imagination? Is this how you get through so many books in one month - you simply don’t take the time the understand the words as they are read?

[melkstudio]

Horses: Since There Seems To Be A Knowledge Gap

I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!

Some Of The Most Common Horse + Riding Mistakes I See:

-Anybody can ride any horse if you hold on tight enough/have ridden once before.

Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.

Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.

-Horses are stupid/have no personality.

There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.

My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.

Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.

-Riding bareback is possible to do if you hold onto the horse's mane really tight.

Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.

Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.

-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.

At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.

The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.

Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.

Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.

So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.

-Big Horse = War Horse

Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.

More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.

Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.

-Any horse can be ridden if it likes you enough.

Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.

Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.

When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!

-Horseback riding isn't exercise.

If you're not using every muscle in your body to ride with, you're not doing it right.

Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.

-Horses aren't affectionate.

Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.

-Riding crops are cruel.

Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.

I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?

Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.

-There's only one way to ride a horse.

Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.

Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.

-Wealthy horse owners have no relationship with their horses.

This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.

So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.

-Horses can graze anywhere without concern.

This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.

There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.

[melkstudio]

cannot emphasize enough how a good piece of media can reset a creative slump. stop putting off consuming that media because you "should be writing instead" and then not write either

[melkstudio]

write for yourself. put your fantasies on paper. no one knows what you are writing. no one knows what's in your head. no one is going to write it for you. if you don't write down your ideas they will disappear. if you are too scared to write your thoughts then don't write, try something different. if writing is the only way, get to writing. no one else's opinion matters. no one else's opinion will ever matter

[melkstudio]

Announcement

Hello everyone!

I’ve been away for a long time, trying to write but feeling discouraged because of… a lot of things really. Lately my writing feels so inadequate, like I try to be emotional but it comes out overly dramatic instead (which is funny because I cried with most of those scenes, I, the one writing, felt emotional, so theoretically it should work but it feels hollow now). This last part of the chapter is an emotional one but I keep failing at finding a way to portray it well. It’s a combination of hitting the wall of my current skill, an overall dissatisfaction with life and my (nonexistent) career as a writer, and a disconnect with the story.

I don’t know what to do, even now. I know that if I want to overcome this obstacle the only solution is to keep writing, but I feel really lost on how, and everything seems more appealing than facing a difficult task. Still, I will try.

I unlaunched my patreon page, too. I don’t have the time or the energy to dedicate to such an endeavor, specially when I find it hard to write regularly. Since a long time ago writing oneshots became a chore and it felt like I should have been writing the main story instead.

I may offer the extras and interactive extra as a one-time purchase, but I don’t know when I will write consistently enough to find the effort worthwhile. Right now, I feel like it’s better to try and find a rhythm that works for me, to write for fun and hope for the best.

Now mind you, I’m not the type of person that easily gives up, I have content written that I could release, but I’m not happy with it (mostly just Hazuki’s part and what comes after). Also, releasing a new update means time spent coding and I would rather try and get into the habit of writing first. But when this last segment of the chapter is done, I’m going to release it all. Don’t know when though, I would rather not think of the end just yet, getting to finish a scene without cringing is enough.

I keep thinking about this other story I have. I really want to write it, but it’s also very emotional, so I might use it to practice writing emotional scenes.

Anyway, I know it’s not the update you guys want, it’s not the one I want to give you. I’ll just… try not to think of the future and just write when I can.

Here’s a small sneak peek into chapter 2 (I have so many documents now… I don’t know what I will do when I finally have to code everything together), from Masa’s solo:

"Well, I need an explanation. At this point, I'm willing to entertain possession. Maybe you were dead this whole time, I don't know!"

(Possession would have been a cool idea, I’ll write it for next time)

[melkstudio]

*Takes you by the shoulders* I ADORE character profiles and character trivia and likes and dislikes sections. I love knowing this ruthless, heartless, cruel man of a character has a childish dislike for mandarin oranges. I believe in the inherent beauty of all characters, no matter the background or moral stance, being made fundamentally human by assigning them insignificant culinary preferences. I stand by the supremacy of humanizing villains by giving them relatable tastes and trivial interests and ordinary hobbies. I treasure the hidden reminders that everyone is inherently human even when everything else we know about a character might suggest the contrary.

[melkstudio]

i don't know who needs to hear this, but 'perfect' writing is a trap. all writing is subjective. what we create today, we may see as flawed tomorrow. what we see as flawed today, we may see as perfect tomorrow.

writing is the act of transmuting the human experience through words. and the human experience? it's a messy, chaotic thing filled with rough edges and uneven lines and mistakes and failures. you can erase all of that. you can. but then you're left with something sterile and artificial. you've effectively squeezed the soul out of your work, and i can think of nothing less appealing.

this isn't to say don't edit your work. please do. but keep it within reason, and make sure you're moving forward and not backward. momentum is key.

don't sit on an idea for three decades waiting for that dance with inspiration, or that dynamite first line, or that eureka plot twist, or the words to flow like magic from your fingertips. because it won't happen. and if it does, it'll strike like lightning and disappear twice as fast. the only surefire way to finish a story is to start.

so write. for the love of god, just write.

along the way, things will fall in line. i promise. and if they don't? then they already have. the magic of art is that everything we create is a snapshot of who we are at the time of creation. it's like a time capsule of human experience, and there's a beauty in that authenticity-- in the mistakes we make and the wrong turns we take. don't run from them. embrace them.

let their lessons flow through you and channel them into something tangible. if it's hard, then start with one word and keep going. don't erase it. don't start over. don't let yourself believe your story isn't worth telling because if you don't tell it, then no one else will. and that'd be a damn shame.

so one word a day. one sentence a week.

whatever it takes.

it might be tough letting go of the idea of perfect. silencing your inner editor. your inner critic. it might be tough realizing that your story will never meet your standards, not completely, but it won't be half as tough as looking back and wondering where all the days, weeks, and years went; that in the pursuit of perfection, you forgot to ever write a story at all.

so leave perfect behind. readers don't want it. why would they? they can't possibly relate to perfect-- none of us can.

instead, give readers a window to your imagination, stormclouds and all. you'll be surprised by how many stick around for the rain, how many relish the sound of your thunder, and how many cherish the worlds that only you could bring to life.

[melkstudio]

Random writing thought: the best stories are often the ones that only you could have written — but also the ones that you could only write at this one moment.

I couldn't write All the Birds in the Sky from scratch now if I tried. But the me of 2013 couldn't have written The Prodigal Mother either.

[melkstudio]

[melkstudio]

I give you permission for your writing to be “cringe.” Have fun!

[melkstudio]

Ways to Skip Time In Your Stories

Finding ways to skip time in stories can feel challenging. Writers often worry it’ll make their work feel too amateur or negatively affect their pacing. 

The truth is that every author includes ways they skip time to maintain their pacing and plot. Check out a few ways to do it with confidence. 

1. Start a New Chapter

Yes, it’s really that simple. Go back to your favorite books and note how each chapter ends. You’ll likely find a few of these tricks that transition the story in ways that match the story’s flow.

Ideas to End a Chapter

The protagonist goes to sleep (likely overused, but practical)

The characters end a conversation

One character informs another of a plot twist

Unexpected action occurs, like a car crash

2. Emphasize the Season

You don’t need to tell the reader exact dates or hours to pass the time. You could mention the season instead.

If a scene or chapter ends in the summer and you need your plot to start in winter, make your protagonist mention something about the leaves changing color and giving way to snow before your action picks up again. It will only take a sentence or two, so it’s also an effective method for short stories.

3. Visualize a Movie Montage

Imagine watching a movie about a character who goes on a summer adventure. They backpack through Europe, but they have to take a flight to get there. 

You likely wouldn’t see them standing in airport security lines, napping in a terminal or watching a full movie on their flight to their destination. Instead, you’d get a montage of them driving to the airport with a shot of their plane cruising over the open ocean.

Writers can do the same thing, minus the soundtrack in the background. Describe how your character got to their destination when a new chapter or scene starts. Your readers will get the general idea and appreciate getting straight to the plot that made them pick up your story in the first place.

Here are a few ideas to do this in just a few sentences:

One delayed flight and a bad airplane dinner later, I was walking out of the Amsterdam-Schiphol Airport with an aching back and excited heart.

My trip began with the perfect flight. I got an entire row of seats to myself, which made napping through the trip much easier. A flight attendant roused me awake when it was time to land. I couldn’t believe how fast I’d arrived in Athens that quickly.

My flight was just long enough to catch up on the movies I’d been missing over the last year. The landing gear bounced along the runway in Rome just as the Barbie credits started flashing across my iPad.

4. Showcase Some Confusion

Sometimes we aren’t aware of what time it is. We only know time has passed. That might be the best way to make time pass in your story if your protagonist gets confused, caught by surprise, or otherwise discombobulated.

These are some examples:

I woke up with a bad taste in my mouth. The sun was already peaking in the clear blue sky. How long had it been since my explosive video call with my ex the night before?

The time machine landed with a thud that knocked me to the ground. The control panel exploded in shimmering sparks. What year was it?

Working a double shift always left my brain spinning. I left work, walking across the parking lot with only the stars watching my back. I could feel the hours aching in my feet, but didn’t care what time it really was. I just needed to sleep.

5. Employ a Phrase

There are many quick phrases you can use to make your time jumps immediately clear. Consider using a few of these when you feel creatively stuck:

Later that morning

A few weeks later

After months of trying

Six hours later

The following week

As the store closed for the night

-----

There are many other ways to make time pass in a story. Starting with these could help you figure out the best way to move your story forward without disrupting its pacing. 

Remember, you’re in control of your story at all times. There’s always a way through creative challenges if you take a deep breath and try something new.

[melkstudio]

🟢 You are still a writer even when you haven't written in a while.

🟢 You are still a writer even when you feel like you aren't writing enough.

🟢 You are still a writer when you feel like your work isn't good.

🟢 You are still a writer when other people don't like your work.

🟢 You are still a writer when you aren't published.

🟢 You are still a writer when you only have works in progress.

🟢 You are still a writer if all you write is fanfiction.

[melkstudio]

Don't you sometimes get an absolutely extrodinary, mind blowing, such an awesome idea for a story, but you just don't have enough skill level to pull it off?

[melkstudio]

Reminders for the Anxious/Depressed Creatives

You’re more than what you make.

Your productivity does not determine your value.

It’s okay to do nothing sometimes.

Not everything you do has to result in a product.

Not everything you make has to be important, significant, or even good.

You can make things just for yourself.

You can keep secrets for yourself, whether it’s not posting some of your projects or not sharing your techniques.

You’re allowed to say no.

You’re allowed to rest.

[melkstudio]

Daydreaming about my book:

Writing my book: