20 //California // T.S.waiting to get that magical hug from taylor!!REP TOUR 7/21/18 Metlife:UPGRADED TO CENTER SNAKE PIT!!!{taylor followed 7/16/15}{taylor liked on 9/2/17 and 12/3/17}{upgraded to 1989 San Diego B-Stage pit 8/29/15 by andrea swift} andrea swift: "hi honey!" "i feel like i've met you before!"
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this whole thing just sucks because if something bad happened then that would be an absolutely crushing and devastating disappointment/betrayal. but if it’s true that they just fell out of love, then that was one of her worst fears playing out
no it’s like there are only two options here and both are equally bad (level: really really fucking bad)
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five albums….three of which he worked on…..a house…..a cat……miss americana…..it’s like their entire fucking lives idk i’m having a breakdown for them
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thinking about when in miss americana taylor said 'when someone fall out of love with you there's nothing you can do to make them change their mind, they just don't love you anymore' i'm soooo ill.
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It hurts my heart to think of performing a massive, sold-out, career-spanning show that you’ve waited for so long with at the same time that your life-defining, endgame relationship is ending.
it’s just like, the prime example of life never ever ever being just one thing.
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if jesus can rise tomorrow then taylor and joe can too
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thinking about taylor saying the lucky one is about "how horrible being famous is" just a few nights ago and now everyone is speculating whether her relationship ended or not
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I think the reason this is so hard to process is that Taylor's music for the last 5 albums has been dripping in this exploration of a deep, real love that we obviously all felt would last a lifetime and it's hard to accept that sometimes that just isn't how things are meant to be
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The denial stage of grief is so much more comfortable to me so glad we’ve returned to that stage
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Idk what stage of grief I’m in but it’s sure as hell no acceptance
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and basically, um, this is a song about a teenage boy named James who is trying to apologize to the love of his life, and her name is Betty. (x)
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“I, emotionally, was really struck by the first time I heard it just the way she talks about how anxiety and fear get in the way of loving someone or create an inability for someone to love. And I think it's incredibly relatable, but it’s expressed in the context of this fairly experimental sound world. The way it came together as a song it just really I think sums up the whole the Big Red Machine record.”
— Aaron Dessner to Zane Lowe on Renegade (x)
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