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Teleport Warning
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mrfreak-nasty87
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sutona
If we all had a bong, we would all get along
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i keep thinking about jean’s POV of riko going to hit neil.
in aftg, neil is so focused on riko coming down with his racket to hit him that it seems like andrew comes out of no where to save him but i love that jean sees it. and it’s not like he just moves out of goal or anything, no, he HAULS ASS to get to neil to save him. that to me says everything. i love them so bad
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One of the things I’ve noticed working in a bookstore is that a surprising number of people are completely unfamiliar with the normal way books are organized.
(I mean, in the part of the store where we keep the used books, I frequently have to assure people that the books are organized at all, but that’s because we have way more books than we have shelf space and there’s no way to handle that without it looking a bit of a mess.)
On one hand, we get customers who are apparently a completely blank slate in this area. I frequently have to walk people through, like, “Okay, it’s organized by subject / genre, then by author. Oh, ‘by author’ means in alphabetical order by the name of the author. No, their last name.” (Most of the people I give this talk to are, I think, college kids — it’s a bit strange to me that you can reach that age without knowing how bookstores work, but then again, I can kind of see how these days it’s possible to mostly get your books online where you just use a search function.)
One customer responded to the above explanation with “oh, it’s the Dewey Decimal System!” and I had to be like… no. Similar in broad concept, yes, but the Dewey Decimal System is a very specific thing (involving… decimals) and it’s really only used in libraries, not bookstores, because it kind of requires you to label the spines of your books, which bookstores generally don’t like to do for obvious reasons.
On the other hand, we also get customers with pre-existing incorrect assumptions, which are so often similar that I think they’re being imported from other media (though I’m not sure what).
People seem to expect the organization of Fiction to be much more granular — e.g., “where’s historical fiction?” “oh, that’s just in with general fiction.” I think some of that comes from movies (people ask where the “rom-com” section is, and that’s definitely a movie thing), but I’m not sure that’s always the reason.
(Admittedly the fiction organization is a bit more granular in the Used Books area than it is in the New Books, but that’s because there are certain genres that we get tons of from people selling us their old books, but we don’t buy enough of on purpose to justify giving them their own section in New Books.)
At the same time, people have the opposite assumption about Non-Fiction — i.e., they expect there to be one singular section labeled “Non-Fiction”, which is not the case. I’ve had multiple conversations that go like:
Customer: Where can I find non-fiction books?
Me: You’ll have to be more specific.
Customer: You know, non-fiction.
Me: [gesturing at the signs hanging from the ceiling that say things like “science”, “philosophy”, “art”, “history”, etc.] All of these are non-fiction in their own special way.
I try to be nice about it, but I don’t think I always succeed, just because I’m so often legitimately surprised and confused when someone just doesn’t know How Do You Books. I’m getting used to it now, but I’ve been working there for almost five years, so there’s been quite a long adjustment period in between.
Anyway. Just some observations.
#this is so wack to me#isnt it taught in school (dds)#idk maybe ntlbkstr is just sorted very intuitively
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Always love how much folklore especially creature folklore emphasizes that there is a way for you to win. These are the steps to ensure the dead don't rise: take them out through a hole in the wall and give them iron shoes. Vampires cannot abide sunlight. If you hear a dog howl on a churchyard path turn around and get home as fast as you can. Iron and salt and the colour red. None of this doomed idea, the world is incomprehensible but if you're a bit clever you'll survive it just fine, there's always ways out.
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Tbh? I don't like Paul. I don't want Paul. I understand that Paul serves an important narrative function and that Paul is the best possible ending for Camilla and Palamedes given their situation, personalities, and relationship. However what I really want is for Camilla and Palamedes to attend the ATN wedding as two individual humans and for Pal to be a lightweight who loses his tie in the garden fountain after three drinks and for Camilla to do exactly one shot with the group, keep Gideon from ripping the sleeves off her dress shirt, and absolutely kill it at lawn games during cocktail hour. Since this scenario is a wild tonal mismatch for the series and also Palamedes was already dead, this was unlikely to ever happen. However Paul is the final nail in the coffin for the theoretical existence of this scene and I can't help but resent them for that
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Ancient Greek Punishment: UI Edition is an odd little experience that allows you to reenact the punishments bestowed by ancient Greek gods in UI form!
Read More & Play The Full Game, Free (Browser)
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you know the book is good when you dont have a single piece of commentary in your head as you read it and when it comes to that one moment that you absolutely love it all comes gushing out like a dam
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The new Martha Wells book-- Witch King-- is fucking delightful if you like slightly complex fantasy that doesn't hold your hand. This is a book that never ever commits the sin of explaining stuff to a character that should already know about it for the sake of the audience. Exposition only happens in ways that are natural and logical, which sometimes means stuff just isn't explained.
It's not as obviously accessible as The Murderbot Dairies is-- it's plot is a little more opaque, there's more moving pieces, it's less directly comedic-- but man I like it and Kai is in someways a similar protagonist to Murderbot. Powerful but vulnerable and often just a little out of his element. Lonely in the face of a lot of people who are afraid of him.
Its very much a found family story. Like, literally. The book goes back and forth between the past and the present. The parts of the narrative that are set in the past are about Kai meeting the people who become his family, and the parts of the narrative set in the present are about him going to find members of that family that have gone missing. Family is a theme that's always there.
In spite of the swap in narratives there was never a moment where I was listening to one half of these stories wishing I could get back to the other one-- they were woven together very well and I found them equally compelling.
Anyway I am very certain there are people who saw there was a new Martha Wells book, then saw it wasn't Murderbot and decided to peace out. Some people probably won't but I think it's worth trying. Tor released enough excerpts that you can get a feel for what it's like and decide if you'll like it or not. The mystery is fascinating and, like Murderbot, it's casually queer in a really good way. Martha Wells clearly loves her a lesbian power couple.
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DC Twitter must have been INSANE when it got out that Superboy’s dads were Superman and Lex Luthor. Holy shit. The memes. The ship wars. The homophobes. The mpreg jokes. People would have lost their fucking minds. Lex Luthor releases a statement like “he’s a clone of me and Superman no birth was involved” and people are like KINDA GAY OF YOU TO HAVE A SON WITH ANOTHER MAN, LUTHOR. Lexcorp’s PR team locks themselves in a conference room and refuses to come out for love or money.
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