Lots of Batman, Good Omens, Cartoons, Comics and Art! Queer Non-Binary mess 🏳️🌈married to the fabulous @the-prince-of-pigs and we have now succumbed to the cringe of Hazbin Hotel because the songs have me in their grip.
Don't wanna be here? Send us removal request.
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dont worry. he will have your tire patched in a jiffy. yes, it will probably be with his own saliva and small twigs, but he will do a great job

(x)
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no for real like sit over there and drink your little beverage and stay tf out of the way let me cook
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Happy Pride! Now that Lunar Boy (our middle grade graphic novel) is out, we wanted to share our thought process behind queer vocabulary in media. The constant censorship, imposed western biases on queer culture, and what it means to introduce queer vocabulary to a young audience.
Check out Lunar Boy wherever american graphic novels are sold, or check it out at a library!
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apparently i vacation as a househusband
me at home: I have Many Chores but must collapse and die now amongst the garbage
me visiting my friends: I WASHED YOUR DISHES SO I HAD ROOM TO MAKE YOU PIE. TIME FOR DINNER, WHICH I ALSO MADE YOU. WHAT YOU DO YOU MEAN, YOU WON'T LET ME CLEAN YOUR GAMING SPACE???
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My stage career began when I was a little under two months old, when I took the spotlight as Baby Jesus in a Christmas pageant. I’m told that I did a wonderful job and slept calmly through the whole thing, which can only speak to my talents as an actress, because I was 1. the wrong gender 2. a colicky screaming demon of a baby and 3. about as far from divine as it’s possible for an allegedly-human child to be.
I continued to be actively involved in theater as a kid (and frequently played roles of various small animals, because I was tiny for my age). Around the age of ten, I was cast as the lead character in a musical about cowboys that I no longer remember the name of. It was my first real lead role, and I took it very, very seriously. And because I am myself, that means I maaaaybe went…a little overboard.
My character’s introduction was early in the play, accompanied by the crack of a bullwhip. This was more-or-less pre internet (or, at least, our director was not tech-savvy enough to find sound effects online) and we didn’t have a sound effect track for that noise. There were plans to acquire the appropriate sound effect before opening night, but I rapidly tired of making my entrance during rehearsals to the sound of someone yelling “BULLWHIP NOISE!”
This, I thought to myself, is a problem I can solve.
I learned early in life that it’s good to be friends with people who have skills; they always come in handy eventually. After rehearsals one day, I put on my cowboy boots and biked a couple miles over to my friend Grace’s house. I went down to their basement and knocked on her older brother’s door.
“Hello,” I said. “I need to learn how to use a bullwhip.”
“….Okay,” he said. It did not seem to occur to him that he might ask further questions about why I, a tiny horrible munchkin composed exclusively of rage and pointy elbows, needed to be weaponized any further. Clearly, I had come to the right person.
My friend’s older brother would have been an SCA nerd, if SCA was a thing where we were. Instead, he was one of those unsupervised 4H kids with weird hobbies, largely oriented around ancient forms of combat. He was somewhere in his late teens at this time, and he liked to make stuff. It was an urge I, even at age ten, could sympathize with. His name was Aron.
Aron got out his bullwhip (which I had noticed hanging on his wall on a prior visit, and had filed away mentally under a for future use tab) and we went to the backyard.
“Step one of using a bullwhip,” Aron began, “Swinging the bullwhip.”
We rapidly discovered that since I was god’s tiniest, angriest creation, a full-size bullwhip was way too long for me to use. Aron’s shins suffered for my attempt.
“…Step one of using a bullwhip,” Aron said, “Making a bullwhip.”
So we went back inside, found a tanned cowhide (that he just…had? I don’t remember if there was a reason for this.) and some razor blades, and I learned how to cut and braid a bullwhip. It took a few tries, and I wound up coming back for a while, because I kept getting frustrated with the bullwhip-braiding process and Aron kept distracting me with bait like: “Hey kid, wanna learn to make some chainmail?” and “Hey kid, wanna fletch some arrows?” and “Hey kid, wanna try doing horseback archery?”
Obviously the answer to these questions was “BOY, WOULD I EVER!” Some delays are necessary to the artistic process.
(At one point my mom asked me “Hellen, what are you doing over at Grace’s house all the time?” And I, perfectly innocent, said, “Making weapons!” and my mother, who never understood why I was like this, but accepted that a girl has needs and those needs occasionally involve stocking a personal armory, said “Okay! Have fun!”)
Soon, the bullwhip, size extra small, was finished. The lessons on actual bullwhip use commenced.
It should be noted that Aron was self-taught, and really had no idea what to do, so this was mostly an exercise in the two of us standing twenty feet apart and flailing wildly with our respective whips until snapping noises happened. And then we figured out what we’d done to make the snapping noises. And then we kept doing that. Extremely vigorously. So vigorously that at one point one of the bullwhips launched into the air and caught on a tree branch and we hand to drag the trampoline over so Aron could bounce me high enough to grab it. But we persisted!
Eventually we reached a point where we could line up pop cans on a fence rail and hit them off three times out of five.
Feeling extremely accomplished and like I finally understood method acting, I packed my bullwhip into my backpack for the next play rehearsal. Soon enough, it was time for me to make my entrance.
I leaped on stage in my cowboy boots and cracked the bullwhip as hard as I could, immediately launching into the song despite the fact that the sound of five feet of braided leather breaking sound barrier had startled the accompanist so badly she’d keysmashed on the piano.
The director shouted something she probably shouldn’t have shouted in a room full of small children, and then demanded, “WHERE DID YOU GET THAT!”
“I made it!” I declared proudly. “I’m a cowgirl! I can make my own bullwhip noise!”
“You…made it?”
“Yes! Because we needed a bullwhip sound effect. And bullwhips are where bullwhip sound effects come from!”
This was, of course, impeccable logic.
It is apparently difficult to argue with a gleeful ten year old who happens to be armed with a bullwhip longer than she is tall. After some negotiation, the director agreed that I could use my bullwhip for my opening song, provided that I didn’t pop it while anyone was anywhere near me on stage and I didn’t let anyone else play with it. These terms were acceptable to me.
Somehow, no one was injured and the play went off without a hitch. We can only chalk up these things to the magic of the theatre.
Nearly a decade later, an unsuspecting college classmate asked me, “Hellen, wanna take a class on bullwhip combat with me?”
And obviously I answered, “BOY, WOULD I EVER!”
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Due to a conservative group called Collective Shout pressuring payment processors, itch.io has deindexed and removed several games with adult content hosted on their platform, including many indie 18+ otome games. This is following a similar removal of games on Steam earlier this week.
JAST BLUE is offering an alternative storefront for those affected by this; you can email [email protected] for more information.
You can read more details about this situation from Blerdy Otome here, or on itch.io here.
If you're in the US, you can help by signing this petition on ACLU here.
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hey man idk what you did but the orc king is asking for you..
so did he look like more angry or sexually areoused…
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I made beautiful sandwich just for my computer to kill the vibe by deciding to update.... This sandwich is meant to be eaten with a YouTube video do you not understand
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I had to have someone tell me that I can’t keep sending gift baskets as a panic response
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FINALLY got around to dumping Spotify after their CEO continued to prove he's a fresh turd. (As if being a billionaire, not paying musicians, shoving AI garbage at us, and having an atrocious carbon footprint wasn't bad enough, he's now the chair of a AI-based weapons manufacturing company.)
I used TuneMyMusic ($24 annual fee you can cancel immediately, effectively paying only once) to transfer almost every single song from our Spotify account to Tidal. Tidal already has much better sound quality and they pay their artists much better. It migrated over 99% of our music, too, so there wasn't a huge loss.
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This is a Moving Forward PSA for everyone using AO3. I am witnessing the results of a culture clash and communication failure. Not a lack of communication, but a misunderstanding caused by changes in fandom culture.
Before fic tagging was common, fics weren’t tagged. You had a pairing, if applicable, an author’s note about genre or general content, and if they were feeling charitable, a vague content warning. There are even a few genres of fic where even vaguely tagging literally spoils the plot and impact (such as horror, psyche thriller, in which the likely content is implicit to the genre). As a result, there is a basic category tag that permits this, as a courtesy to “old-fashioned” writers.
“No Archive Warnings Apply” means the fic is PG13 at worst, probably fluff, totally safe.
“Choose Not to Use Archive Warnings” is the polar opposite. It’s a glaring Enter at Your Own Risk billboard. It means: a shitload of warnings apply but I ain’t telling because this story requires shock value. It’s very important to read the author’s notes for those fics because they might be using that older format from above.
But without the context of fandom culture that generated AO3, it’s understandably easy to conflate the two categories, given their similar wording.
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