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Amira’s drawings of artworks in the gallery scene.
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Amira’s rough storyboard sketches of an additional scene in which Chuck picks up Philia after having approached from the left of the screen. We like this idea because of the element of surreality it applies to the animation and that is essentially symbolism for the theme of obsession.
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Amira’s cleaned up animation progression for the inhalation scene.
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First draft of what was intended to be the final image of the first scene. We were advised however, to adjust Chuck’s design.
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Experimentations for the changed design for Chuck.
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