mikaa-mina

[mikaa-mina]

That ol’ chart of mine makes the rounds online periodically and it drives me crazy because it’s frankly not very good. So, I finally got around to remaking it.

I doubt this will get anywhere near as popular, but I wanted to make it.

Good reference for animation, comics, and for visualizing phonetics!

[mikaa-mina]

Granny's Sugar Cookies

Summary: Working in Hero Force’s mail room is the equivalent of being a poison taster for monarchs – it wasn’t a matter of if a disgruntled citizen was going to send Hero Force a bomb, but when.

Based off this prompt (X)

--------.

Travis, your supervisor, makes you take Disposal Training every two weeks to keep your skills fresh for the inevitable day something does show up in the mail.

“You’re lucky,” Travis says with his wide arms folded over his chest. He still wears the mail uniform from the 90’s with the pale blue, short-sleeved button down and the darker blue pinstripes. The Hero Force mask covering half of his face is in the new “regulation black” that every Hero Force personnel has to put on at the start of every shift. You hear Travis complain that they won’t let him wear the old brown one a lot. “But luck won’t ever take you further than training, kid.”

You aren’t a kid. In fact, Travis could almost be your kid. Your pension isn’t supposed to start for another three years, so that’s how long you need this job to last. There are rumors that Travis is trying to get you to quit before then as a way to prevent you from collecting retirement benefits from Hero Force. Save the company some money. You don’t think that’s true. You think that the extra training every second week is actually Travis’ way of being kind – you get to sit in the air-conditioned office for two hours and watch the same videos with your feet propped up.

Still, it is unusual that you haven’t opened anything criminal yet. Lots of people cautioned you against taking the job. Your neighbors, friends, your husband…even your eldest -who also works for Hero Force and who suggested it to you in the first place. They said it was the equivalent of being a poison taster for monarchs – it wasn’t a matter of if a disgruntled citizen was going to send Hero Force a bomb, but when.

“I don’t think it happens as often as people think,” you’d told your husband and child when the offer letter came. What you didn’t say was we don’t have a choice. You’d laughed and petted the coffee table. “Now maybe we can think about getting this old thing refinished, hm?”

Three years isn’t a long time anymore, not with a good 63 of them already under your belt. When the financial advisor ran the numbers and grimly told you how long you’d need to stay in the workforce, you’d been relieved. You’re fortunate that being a baker for most of your life has kept you reasonably fit and that you’re used to being on your feet.

Still, eight hours is a long time for anyone to be staring at bland white envelopes and brown boxes wrapped with yellow tape, so you’re thinking longingly of the bath you know your husband will have drawn for you at home when the blast doors slam down over the exit, trapping you and three of your coworkers in the sorting room.

You blink at the heavy metal plate that nearly took your (seemingly ever-growing) nose right off your face. The WARNING light hanging above the door is lit, casting the room in a striking red glow.

“You scanned that here?” Ring asks. He’s over at the sorting table, standing over the new hire’s shoulder. He gapes down at the screen held between her hands. It shows an x-ray of the box sitting innocuously on the sorting table. “Boxes with that dimension are supposed to be scanned in the disposal room!”

“It’s my last package,” the new hire says. You have to strain to hear her voice despite only being a dozen feet away. She’s already been given a nickname – Mouse. Fear makes her even quieter than before. “I-I thought—It’s to Strongwoman. Who would even think sending her a bomb would work? She got hit by a bus last week and the bus lost.”

“You know we don’t sort based on recipient,” Hawk says, pinching the bridge of her nose under her mask. She’s the veteran in the room, gaining her nickname from being the longest surviving member of the mail room after Travis and for having the highest number of successful disposals in history. Hawk eyed. “Your scan just told the defense system there’s a bomb in a vulnerable part of headquarters. We’ll be trapped here until they can get Demolition out to disarm it.”

“Or until it goes off,” Ring offers helpfully. Ring stands for ring the alarm, something he’s always doing. “Which it probably will before Demolition flies over from freakin’ California.”

Mouse hiccups. Her hands tremble on the scanner. “I-I’m sorry. Maybe it’s not…it could be something else?”

Ring and Hawk look at each other over her head. Ring tilts his head to the scanner. Hawk’s lips thin.

Translation: Unlikely.

“Maybe,” Hawk says. She puts a comforting hand on Mouse’s shoulder. “The only way to tell for sure is to open it.”

“Which protocol says we shouldn’t do,” Ring says.

You rub your nose. You don’t have to go to the bathroom this second, but you know your body. Protocol is not to carry a phone in the sorting room, so none of you have a way to you’re your husband and let him know you’ll be late. “How long do you think it will take for a disposal team to arrive? Supposing there’s one besides Demolition.”

Three heads whip towards you. There’s a range of emotions there, from surprise to dismay to dread.

“Oh no,” Mouse whispers, “I’ve killed Granny too.”

“If you survive, no one will ever forgive you,” Ring says.

Mouse’s eyes well with tears. “R-really?”

“Even Neon loves her muffins—"

Hawk hits him over the head hard enough his mask slips down over his eyes. While he curses and sets it to rights, she says, “Sorry, Granny. We’ll probably be waiting a while.”

You tug at your cardigan and shuffle over. The box is too big to be scanned in the sorting room – about the size of a case of flour you used to get delivered to the shop. The three of them make room for you on their side of the table. You squint at the screen. “What type of bomb is it?”

“Not like any I’ve seen before,” Hawk says. She takes the scanner from Mouse and angles it towards you. The box is shown in green and black lines. Inside is a cube of white and some curly bits. There are strange shadows across each shape, as if there are layers and layers of something over the top. “You?”

You raise your eyebrows. You thought it was common knowledge. “Well, I’ve never seen one before outside of training.”

Mouse starts. “Never seen—”

“Granny is lucky,” Ring says. He pats her on the shoulder like Hawk had. It’s nowhere near as comforting. “You’re just unlucky enough to have canceled that out.”

You pull out your glasses. You’re supposed to get the mask with your prescription over the eyes to prevent anyone from recognizing your personal eyewear. You think the prescription masks are itchy, however, so you regularly sneak them in your cardigan pocket. The scanner remains incomprehensible to you, even with them on. “It doesn’t look anything like it does in training.” You frown as the curls begin to look like ribbon the longer you stare at them. “Are you sure this is a bomb?”

“The defense system triggered on it,” Hawk says.

You wave your hand. These new AI systems are wrong all the time. You recently saw a news article about how the facial recognition software at the Hero Academy failed to pick out a top journalist, allowing him complete access to the campus. “They wouldn’t have us here sorting if the system were infallible.”

A strange look crosses Hawk’s face. “That’s one perspective.”

“It’s a state-of-the-art system,” Ring tells Mouse in a low tone. You imagine he thinks you can’t hear him or the faint laughter in his voice. “It’s not wrong.”

That grates. You may be new to the sorting room, but you aren’t wrong to question the systems. You point. “It could be cookies. See these disks here? Sugar cookies, I used to make a recipe just as thick. They’ve been very popular to send to Strongwoman lately; she must like them. And that’s the ribbon tying the box closed.”

“No,” Ring says. “No, it’s not cookies, Granny.”

Your spine stiffens. “I think it is.”

“Granny,” Hawk says tentatively. “Do you…often think things like these are cookies?”

“People do send the heroes a lot of baked goods,” you say. “It’s the best way to show gratitude!”

Mouse’s jaw drops. In a normal voice, she says, “You’ve been sending bombs onto heroes thinking they’re cookies?”

“Because they are,” you say.

“Oh my god,” Ring says. “Granny has seen a bomb, she just hasn’t recognized one before. Oh my god.”

You’re too old to stamp your feet. Instead, you narrow your eyes at Ring like you did when your eldest drew on the walls. “I have not. I open each package—”

“You open them?!”

“Protocol—"

“-and they’re always just cookies,” you say. You snag the package before any of them can move. “I’ll prove it to you!”

There’s a bit of a scuffle. Mouse doesn’t move out of the way of Ring’s lunge in time, and they both topple onto the table. Hawk tries to yank the package away from you, shouting something or other about better to be cautious or Granny stop! But you’re stronger than they think. They may call you Granny, but you’re only 63! Do they think you need a cane to walk?

You rip open the tape. Mouse screams. Ring whimpers. Hawk closes her eyes tight. You shake out the contents of the box.

A pink pastry plops out of the package and onto the scanning table. The three of them are frozen, eyes darting over the pretty ribbon curled into a bow holding it closed. With an indignant huff, you use a letter opener to cut the ribbon and flip back the lid.

Sugar cookies in six sloppy rows and stacked four deep sit inside.

“See?” you say triumphantly. “Sugar cookies!”

Hawk’s brow is furrowed. “That’s not—that can’t be—”

The bomb doors slide down and the WARNING light switches off. The system beeps three times and then falls silent. The quiet that fills the room sounds like victory.

“…so I can go home now?” Mouse asks.

“Yes,” you say smugly. You know it’s bad manners, but all the excitement has dropped your blood sugar. You snag a cookie and bite into it. “We all can.”

Ring and Hawk stay behind, staring from the box to each other and back again as you go home.

----.

You have two days off, and then Travis is off the day you come back so it takes three days for someone to tell you it was a bomb in that box.

That someone is Foresight, the leader of Hero Force.

He looks out of place in the sorting room, smiling and standing by the door as you shuffle from cart to cart to collect your jobs for the day. Travis is there with his arms folded and his eyes narrowed on Foresight.

“We call your class of power S-class,” Foresight explains. “The ability to change reality with a thought – it’s only been observed in a handful of super-powered individuals.”

“I don’t care what power she has,” Travis says. “You aren’t poaching Granny.”

“I would also like to stay in the mail room,” you say.

Foresight opens his mouth. Closes it. Opens it again. He looks bemused as he says, “Alright then. We do need to quantify your power. Does Thursday work for you?”

“Yes,” Travis answers for you. “We’ll be there.”

Your ears perk up. Maybe it will be a long meeting. Maybe you’ll have a chance to sit down. “Thursday it is then. I’ll bring some snacks for everyone.”

----

Thanks for reading! If you'd like to support me and see stories like this one before anyone else, please consider checking out my Patreon(X)!

Next week's story is already posted and is a follow up to this story (X) about Nadezh and Gannon

[mikaa-mina]

How fucking annoying is it when you feel so restless with creative energy but you can’t decide what to do with it and when you finally try to create something it comes out shit so you just give up and sit there being all creatively annoyed and jittery.

[mikaa-mina]

[mikaa-mina]

back in the 00s a single dancing anime chibi gif would feed us for months on end

[mikaa-mina]

really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:

[mikaa-mina]

WRITE IT ANYWAY!!! EVEN IF YOU DONT THINK YOURE GOOD ENOUGH!!! WRITE!!! IT!!!! ANYWAY!!!!!!!

[mikaa-mina]

Obsessed with vampires but specifically when they're really pathetic

[mikaa-mina]

Encouragment for writers that I know seems discouraging at first but I promise it’s motivational-

• Those emotional scenes you’ve planned will never be as good on page as they are in your head. To YOU. Your audience, however, is eating it up. Just because you can’t articulate the emotion of a scene to your satisfaction doesn’t mean it’s not impacting the reader. 

• Sometimes a sentence, a paragraph, or even a whole scene will not be salvagable. Either it wasn’t necessary to the story to begin with, or you can put it to the side and re-write it later, but for now it’s gotta go. It doesn’t make you a bad writer to have to trim, it makes you a good writer to know to trim.

• There are several stories just like yours. And that’s okay, there’s no story in existence of completely original concepts. What makes your story “original” is that it’s yours. No one else can write your story the way you can.

• You have writing weaknesses. Everyone does. But don’t accept your writing weaknesses as unchanging facts about yourself. Don’t be content with being crap at description, dialogue, world building, etc. Writers that are comfortable being crap at things won’t improve, and that’s not you. It’s going to burn, but work that muscle. I promise you’ll like the outcome.

[mikaa-mina]

I do have a piece of writing advice, actually.

See, the first time I grew parsnips, I fucked it up good. I hadn't seen parsnips sprouting before, right, and in my eagerness I was keeping a close eye on the row. And every time I saw some intruding grass coming up, I twitched it right out, and went back to anticipating the germination of my parsnips.

But it turns out parsnips take a bit longer than anything else I'd ever grown to distinguish themselves visually. It's just the two little split leaves, almost identical to a newly seeded bit of kentucky bluegrass when they first come up, and they take a good bit to establish themselves and spread out flat before the main stem with its first distinctive scallopy leaf gets going.

I didn't get any parsnips, not that year, because I'd weeded them all out as soon as they showed their faces, with my 'ugh no that's grass' twitchy horticulture finger.

The next year, having in retrospect come to suspect what had happened, I left the row alone and didn't weed anything until all the sprouts coming up had all had a bit to set in and show their colors, and I've grown lots of parsnips since. They're kind of a slow crop, not a huge return, but I like them and watching them grow and digging them up, and their papery little seeds in the second year, if you don't harvest one either on purpose or because you misjudged the frost, so it's worth it.

Anyway, whenever I see someone stuck and struggling with their writing who's gotten into that frustration loop of typing a few words, rejecting them, backspacing, and starting again, I find myself thinking, you gotta stop weeding your parsnips, man.

[mikaa-mina]

one thing no one ever teaches you is that you can just make things nicer and more intentional- you can take your energy drink, pour it in a rocks glass over ice with a slice of lime on the rim, and sip it slow. and you'll think, "wow i am the biggest faggot to have ever lived". and you know what? you're right.

[mikaa-mina]

10 Non-Lethal Injuries to Add Pain to Your Writing

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[mikaa-mina]

When you turn 18, you go to the Chapel to summon a Familiar, then your future is decided based on its shape. All you can do is name the creature and then the summoning does the rest. After you name it, the priestesses all stare at you with horror in their eyes, then scream when it appears.

[mikaa-mina]

I think my favorite genre of fanfiction is when the author says something like "this was meant to be 3 chapters but it's actually going to be 5" in the notes at the end of a chapter and you can look up at the chapter count and it's like 15 or something

[mikaa-mina]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[mikaa-mina]

16 frame shooting star animation. January 2022-September 2024 Needlepoint

Frames from my shooting star gif. 16 frames total. Each frame is 8x6.5 inches on a 10” mesh. Designed and animated in photoshop and needlepointed by me. I started drafting this 1/14/22 and finished animating it 9/25/24. It took approximately two years and eight months to finish. This is one of the largest projects I’ve ever worked on and I’m very happy with how it turned out.