milimoe

[milimoe]

yall have to stop insulting your own art in the caption and preemptively pointing out mistakes 90% of people probably won't notice. allow things to not be perfect. allow yourself some grace

[milimoe]

The song of Achilles

[milimoe]

i wish i could remember who made the recommendation to "make a list of all the different ways someone could feel about a topic in your fictional setting and then make each of them a character" because it is a great technique and is also extremely fun

[milimoe]

hate when people think the only archetype possible for a male sidekick to a female protagonist is a soft boi and/or himbo. like the implication there is that the only reason a man would ever defer to a woman’s authority is if he was a bumbling idiot. love male supporting characters who are smart and strong and confident and can step up when necessary but still kind and humble enough to let someone else take the lead most of the time

[milimoe]

Zoom In, Don’t Glaze Over: How to Describe Appearance Without Losing the Plot

You’ve met her before. The girl with “flowing ebony hair,” “emerald eyes,” and “lips like rose petals.” Or him, with “chiseled jawlines,” “stormy gray eyes,” and “shoulders like a Greek statue.”

We don’t know them.

We’ve just met their tropes.

Describing physical appearance is one of the trickiest — and most overdone — parts of character writing. It’s tempting to reach for shorthand: hair color, eye color, maybe a quick body scan. But if we want a reader to see someone — to feel the charge in the air when they enter a room — we need to stop writing mannequins and start writing people.

So let’s get granular. Here’s how to write physical appearance in a way that’s textured, meaningful, and deeply character-driven.

1. Hair: It’s About Story, Texture, and Care

Hair says a lot — not just about genetics, but about choices. Does your character tame it? Let it run wild? Is it dyed, greying, braided, buzzed, or piled on top of her head in a hurry?

Good hair description considers:

Texture (fine, coiled, wiry, limp, soft)

Context (windblown, sweat-damp, scorched by bleach)

Emotion (does she twist it when nervous? Is he ashamed of losing it?)

Flat: “Her long brown hair framed her face.”

Better: “Her ponytail was too tight, the kind that whispered of control issues and caffeine-fueled 4 a.m. library shifts.”

You don’t need to romanticise it. You need to make it feel real.

2. Eyes: Less Color, More Connection

We get it: her eyes are violet. Cool. But that doesn’t tell us much.

Instead of focusing solely on eye color, think about:

What the eyes do (do they dart, linger, harden?)

What others feel under them (seen, judged, safe?)

The surrounding features (dark circles, crow’s feet, smudged mascara)

Flat: “His piercing blue eyes locked on hers.”

Better: “His gaze was the kind that looked through you — like it had already weighed your worth and moved on.”

You’re not describing a passport photo. You’re describing what it feels like to be seen by them.

3. Facial Features: Use Contrast and Texture

Faces are not symmetrical ovals with random features. They’re full of tension, softness, age, emotion, and life.

Things to look for:

Asymmetry and character (a crooked nose, a scar)

Expression patterns (smiling without the eyes, habitual frowns)

Evidence of lifestyle (laugh lines, sun spots, stress acne)

Flat: “She had a delicate face.”

Better: “There was something unfinished about her face — as if her cheekbones hadn’t quite agreed on where to settle, and her mouth always seemed on the verge of disagreement.”

Let the face be a map of experience.

4. Bodies: Movement > Measurement

Forget dress sizes and six packs. Think about how bodies occupy space. How do they move? What are they hiding or showing? How do they wear their clothes — or how do the clothes wear them?

Ask:

What do others notice first? (a presence, a posture, a sound?)

How does their body express emotion? (do they go rigid, fold inwards, puff up?)

Flat: “He was tall and muscular.”

Better: “He had the kind of height that made ceilings nervous — but he moved like he was trying not to take up too much space.”

Describing someone’s body isn’t about cataloguing. It’s about showing how they exist in the world.

5. Let Emotion Tint the Lens

Who’s doing the describing? A lover? An enemy? A tired narrator? The emotional lens will shape what’s noticed and how it’s described.

In love: The chipped tooth becomes charming.

In rivalry: The smirk becomes smug.

In mourning: The face becomes blurred with memory.

Same person. Different lens. Different description.

6. Specificity is Your Superpower

Generic description = generic character. One well-chosen detail creates intimacy. Let us feel the scratch of their scarf, the clink of her earrings, the smudge of ink on their fingertips.

Examples:

“He had a habit of adjusting his collar when he lied — always clockwise, always twice.”

“Her nail polish was always chipped, but never accidentally.”

Make the reader feel like they’re the only one close enough to notice.

Describing appearance isn’t just about what your character looks like. It’s about what their appearance says — about how they move through the world, how others see them, and how they see themselves.

Zoom in on the details that matter. Skip the clichés. Let each description carry weight, story, and emotion. Because you’re not building paper dolls. You’re building people.

[milimoe]

As , the United States, potentially heads into another forever war I can only think of this quote.

[milimoe]

If a regional war breaks out between Iran and Israel, Gaza will be forgotten. We will continue to suffer this suffering and will not be mentioned in anything. We will be forgotten forever.

[milimoe]

I’ve decided that my 20s are actually age 25 - 35

[milimoe]

why bother caring about the environment when 1. It’s so obviously a lost cause and 2. There’s definitely going to be a nuclear war?

And what are you doing about it Anon? Learn about ecological restoration or get out of my way.

[milimoe]

bed rot instagram | bluesky | patreon

[milimoe]

It's impressive how Neil Gaiman vanished from the internet. Wish Rowling would do the same.

[milimoe]

if you ever need me, just remember im only 6 messages, 8 dms and 12 missed calls away

[milimoe]

😭 how do u win the idgaf war when it comes to shipping

i'm 28

[milimoe]

sketch comm for @lemonsdaily-artdump, thank you again! <3

[milimoe]

In my opinion it's a lot more healthy to be able to own that you dislike someone for petty reasons than to do all kinds of mental gymnastics to make everyone you don't really vibe with out to be a bad person actually

[milimoe]

Spin this wheel first and then this wheel second to generate the title of a YA fantasy novel!

(If the second wheel lands on an option ending with a plus sign, spin it again)

Share what you got!

[milimoe]

"Punishment works!!!" We're drowning in three to four generations of people so pants-shittingly terrified of ever being wrong that half of everyone has constructed a worldview wherein they never even consider the possibility that they could be wrong and the other half behaves like one wrong move will make anything or anyone explode violently into a million irreperable pieces. I don't think it works guys