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I can’t wait to get a new desktop and hyperfixate on the sims for like 2 months straight 🤭

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johnny + dede and jeno + zie attended the met gala tonight ✨

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just some addition ideas I’ve had recently ✨✨

exo additions :: [saay fc] & [eunji fc] make their debut in the og lineup, brining exo to 14. [saay fc] is apart of exo-m and [eunji fc] is apart of exo-k.

[eunbi fc] debuted in the lineup as the maknae in 2015 with call me baby to help the blow of losing two members. she later also made her debut in sm female super group girls on top.

the girls debuted in their own subunit in spring of 2017. they have released a plentiful of comebacks under said subunit and still do to this day.

all 3 members are still active members of exo to this day, but [eunji fc] and [saay fc] left sm entertainment after their latest contract renewals and are currently under their own company and promote both as a duo and solo.

seventeen additions :: all the girls debuted in the original lineup, with each member besides [seulgi fc] taking part in their predebut reality show.

all of the girls are members of the harmony unit. [mimi fc] is the leader + rapper, [seulgi fc] is the vocalist, [handong fc] is the dancer and [nancy fc] is the all rounder maknae.

[mimi fc] & [nancy fc] are in the rap unit, [seulgi fc] is in the vocal unit and [handong fc] is in the performance unit. [mimi fc] is also apart of the svt leaders unit and [nancy fc] & dino are in a duo subunit called ____

pristin addition :: pledis announced [handong fc] would be going on an indefinite hiatus and would be halting all activities with seventeen in september 2016. a few months later a teaser image was dropped of her with the new gg pristin.

no official statements were ever made to clarify [handong fc]’s situation but she promoted as a member of pristin all throughout 2017 and then made her debut in pristin v in 2018.

[handong fc] returned to seventeen from her indefinite hiatus in Q3 of 2018 for a harmony unit comeback. none of the members of either group were seemingly allowed to talk about the situation and fans have been left in the dark about what was actually going on bts.

hello venus addition :: [seulgi fc] made her debut as an original member of hello venus in 2012.

when group contracts got switched around in 2014, [seulgi fc] was the only member who kept her joint artist contract with both fantagio and pledis. this caused some tension bts when it came to the releases of sticky sticky and wiggle wiggle.

in early 2015, debut teaser images for seventeen dropped and [seulgi fc] was present despite their being no announcement of her leaving hello venus at the time. when fans raised questions, pledis announced that [seulgi fc] would be debuting in seventeen and leaving fantagio and hello venus after their summer comeback.

[seulgi fc] participated in the song and mv of hello venus’ im ill but none of the stages or live shows. she officially left the group in august of 2015.

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I think I wanna do a “what would my ocs be doing if they weren’t idols” post for my kiddos 🤔

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From contract manipulation to emotional abuse, six idols say Mydol crossed every line.

In a shocking turn of events that’s rocking the K-pop industry, six idols have come forward to file a joint lawsuit against their label, Mydol Entertainment, citing serious allegations of mistreatment, underpayment, and long-standing contractual issues.

On April 12, former VENUS member and newly-debuted soloist Bliss announced through her legal representatives that she would be suing Mydol Entertainment for sabotaging her solo debut and failing to compensate her properly for past activities.

“Bliss alleges that her transition into a soloist was intentionally hindered by the label,” said one representative. “Despite showing promising results and public interest, the agency blocked promotional opportunities and refused support.”

Bliss is not alone.

Two popular members of boy group PRIORITY, Aiden and Juwon, have also filed complaints, detailing physical and emotional abuse within the company. Both idols claim they were overworked to the point of injury and frequently gaslit by management when trying to exit the company.

“They were manipulated into staying,” a source close to the two said. “Each time they tried to terminate their contracts, they were told they were being ungrateful or unprofessional. At one point, Juwon was hospitalized for exhaustion, yet was still expected to rehearse within days.”

Another name involved in the lawsuit is Love, a member of the now-inactive girl group LUNARIX. While not as high-profile as the others, Love’s statement has also struck a chord online. She claims that she and her groupmates have not been paid in over two years, and that Mydol completely abandoned the group after their last comeback, despite promising a full-group return.

Perhaps the most shocking allegation comes from Deepdive’s Blue, who legally terminated his contract with Mydol months ago — only to be told his severance pay was “already gone.” Even more disturbing, Blue claims he was personally taunted by the company’s CFO, Kang Jihan — who also happens to be his father.

CLICK HERE TO READ MORE ABOUT BLUE LEAVING DEEPDIVE!

“He told me to stop being dramatic. That the money was spent and I should’ve been smarter. I couldn’t believe it.”

Soloist Analise, known as 'Korea's little sister' due to her long and fruitful career starting from when she was just fourteen, has also joined the lawsuit. Her story has particularly angered fans, as she revealed that she signed a 15-year contract in 2011 when she was only 14. Despite multiple attempts to renegotiate her contract into something more fair and modern, Mydol allegedly refused every time.

“They told me there was no need to update something that was already working,” Analise said in a now-viral statement. “But it was never working — I was a child, and they knew that.”

This growing legal battle has sparked massive outrage across fandoms, with many demanding accountability and transparency from Mydol Entertainment. Netizens are particularly stunned by the caliber of idols involved — Bliss, Aiden, Juwon, Blue, and Analise have all been considered either standout members of their groups or successful solo acts.

Mydol Entertainment has yet to release an official statement.

Fans are currently trending hashtags like #JusticeForBliss, #FreeAidenAndJuwon, and #ProtectAnalise across platforms, urging both the industry and the public to take allegations of idol mistreatment seriously.

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Or gifs that aren’t from Queer

can I just please find a Drew starkey mood board that isn’t rafe Cameron based 😭

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can I just please find a Drew starkey mood board that isn’t rafe Cameron based 😭

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fighting the urge to have all the xlight girls only date nct boys

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i found this absolute sns vault gem omg

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GUILTY is the first FULL ALBUM by NOAH SON, released unannounced on March 12th, 2025, by OFFBEAT RECORDS, the indie sublabel of Mydol Labels. The album has a 12-track track list, all written, produced, and composed by Noah himself.

The album, originally slated for a 2019 release, was shelved by Mydol Entertainment due to a scandal involving Noah and his manager, Lee Hyerim. Despite teasers, promotional gigs, a reality show, and a sampler being posted, Guilty would never be released, becoming the most infamous piece of Mydol's lost media.

Until today.

Released with no promotion and no fanfare a day before "SMACK" Noah's solo debut single was supposed to drop, the internet caught aflame once the album was discovered by sirens who had been waiting years for this album.

Upon its initial slated release, the album only had six songs. The additional six songs were added to the track list while two songs from the original track list, iBLOOM and THE RIZZ, were seemingly removed.

TRACK I. GUILTY is the title track of the album. The track, with the accompanying video that was filmed nearly six years ago. The lyrics and music video showcase a toxic relationship between an older woman and a younger man. The sensual choreography, in juxtaposition to the uncomfortable lyrics, gives the audience an uncomfortable yet captivating listening and viewing experience. Guilty explores the toxic, destructive side of love where power, manipulation, and emotional entanglement blur the lines between passion and harm. The song portrays a relationship where one person knowingly deceives, manipulates, and controls the other, all while acknowledging their own guilt. 

TRACK II. CROOKED is one of GUILTY's most iconic and sought-after tracks. It blends punk rock and hip-hop elements with an emotional, rebellious energy. Fans have been trying to leak the song since 2019 but have often come up empty. At its core, "Crooked" is about heartbreak, loneliness, and self-destruction. The lyrics express the emotions of someone who feels abandoned and lost, choosing to lash out and act recklessly rather than confront their pain. It captures the feeling of masking sadness with wild, chaotic behavior, partying, acting out, and pretending not to care when, in reality, they’re deeply hurting.

TRACK III. DROWNING was not on the original track list but was recorded in 2020. The song explores being consumed by someone through love, lust, or obsession. Its lyrics reflect the feeling of losing control and the metaphor of water symbolizes emotional, physical, and mental overwhelm. The song balances pleasure and danger, portraying the intoxicating yet suffocating nature of such deep connections, creating an intense and hypnotic experience.

TRACK IV. EYES, NOSE, LIPS is another track from the original album that fans have been trying to leak for years but to no avail. "Eyes, Nose, Lips" is a gut-wrenching breakup song about regret, longing, and lingering love for someone who is no longer there. Taeyang reminisces about a past lover, remembering every detail of her eyes, nose, and lips because he can’t let go. The lyrics are filled with regret and self-blame, as he admits he couldn’t hold onto the person he loved. He doesn’t just miss them; he worships their memory, almost as if they were the most beautiful and irreplaceable thing in his life.

TRACK V. KEYCODE is a song about a private, intimate moment between two lovers. Noah invites his partner to escape the noise of the city and join him on UN Village Hill, a real upscale neighborhood in Seoul known for its luxurious, secluded vibe. The lyrics create a sense of exclusivity and indulgence, making it feel like a private getaway. It’s romantic, a little seductive, and effortlessly cool. Though this track is specific, it has left fans speculating who Noah is referencing and if there's someone special in his life, as it was not originally on the GUILTY tracklist in 2019.

TRACK VI. SHE LOVES ME, SHE LOVES ME NOT was one of the original tracks on the Guilty album from 2019 and was successfully leaked in 2023. The song is about the emotional push and pull of an uncertain relationship. The lyrics explore the agony of mixed signals. One moment, she seems to love him; the next, she feels distant. He’s trapped in an endless cycle of doubt, longing, and obsession, trying to decide whether her feelings are real or fleeting. The song’s childlike title contrasts with its intense, mature emotional turmoil, making it even more heartbreaking.

TRACK VII. TEARS! is a new addition to the GUILTY tracklist, featuring a heavier sound. The prominent lyric, “I feel better when I let myself sink deeper, deeper / I feel better when I let myself see clearer, clearer,” reflects how society makes individuals feel inadequate, prompting them to create barriers for protection. The song opens with a solitary noise before the guitar kicks in, drawing listeners into the emotional depth of the lyrics. It ends abruptly, illustrating the struggle of getting stuck in a loop and the liberation that comes from breaking free.

TRACK VIII. HATE/LOVE is about the complicated relationship with the city he calls home. He explores the contrast between feeling connected and alienated at the same time, much like his personal journey with fame, identity, and growth. The lyrics describe the beauty and loneliness of Seoul, highlighting how it’s both a place of warmth and cold indifference. He talks about how living in the city has shaped him, but at times, he also feels drained and lost in its endless pace. HATE/LOVE is a new track and quickly became a fan favorite for the introspective lyricism and how it showcased Noah's diversity when it came to rapping.

TRACK IX. ILLA ILLA is about hitting rock bottom and finding the strength to move forward. Noah uses the imagery of the sea to represent his pain, isolation, and eventual healing. He describes himself as drowning in sorrow, with waves pulling him under. The phrase "illa illa" is a melodic, almost childlike chant, symbolizing a subconscious cry for comfort, like a lullaby he sings to himself in the midst of despair. The lyrics also progress from being consumed by sadness to slowly accepting and learning to live with the pain, like waves washing away his past and carrying him toward something new.

TRACK X. LIKE ACID is a poignant exploration of grief, faith, and love, presented with raw honesty. The gentle acoustic opening sets an intimate tone for Noah's vocals, which carry the emotional weight of the lyrics. He delves into themes of religious doubt and the search for meaning in tragedy. Vivid imagery and introspective questioning reveal a vulnerability that resonates deeply, especially in lines like "Divinity says, 'Destiny can't be earned or returned'" and "I look for the truth in the back of your hand."

TRACK XI. FILE20171405 is a heartfelt plea for a lost love to return, filled with regret and longing. Noah reflects on the haunting memories of an ended relationship, wishing for just one last encounter, even if only in a dream. There’s a profound sense of helplessness and nostalgia, as he realizes the past is unreachable. The title itself, "FILE20171405" adds to the mystery and personal nature of the track. What happened in 2017? Who was this song for? It feels like a diary entry left open-ended.

TRACK XII. PALETTE FT. CHLOE is both Noah and Chloe's personal reflections on growing up, changing tastes, and becoming more comfortable in their own skin. They wrote the song together, making her the only other credited artist on the album. The lyrics are almost diary-like, listing small but meaningful preferences, how he now likes long hair, bright colors, and the little joys of life, showing how their mindsets have evolved. Rather than clinging to the past or fearing the future, he confidently says, “I got this” proving he's at peace with himself. The song beautifully captures the transition from youth to adulthood, where you stop caring about what others think and start embracing your true self.

TW // UNDERAGED RELATIONSHIPS + GROOMING

Filmed in 2019, Noah is considerably younger looking, being just 20 at the time of filming. The video primarily takes place at a school, seemingly depicting a young girl, played by an at the time 20 Chloe Lee of VENUS, having a crush on Noah. The first half of the MV is pretty innocent, the pair exchanging glances, Chloe blushing when she talks to Noah, them brushing hands as they sit together at their desk. It's very Kdrama-esque, very pure, very innocent, but Noah becomes more and more distracted by something off camera.

It isn't until halfway through the seven minute video does the music cut and it's just Noah silently working alone in a dark classroom. Only the sound of his pen dragging against his paper can be heard then the sound of heels echoing through the empty classroom until a teacher, played by renowned soloist and actress Myrah, comes into frame and sits beside Noah.

Their age difference is stark when they're side by side, adding to the unease of it all. She rests her head on his shoulder and squeezes his bicep. He stops writing and the only sounds that can be heard are their breathing. Noah stares ahead for a moment, clenching his pencil tighter in his hand before turning his head towards his teacher, resting his hand over hers.

"Is this wrong?" He would ask. Myrah looks up at him, moving her hand from his arm to his cheek, a repeating visual throughout the rest of the video.

"Do you feel guilty?" She'd ask, making the music pick back up at the chorus.

The rest of the video is a mix of scenes between Noah becoming more distant with Chloe and peers his age and of him and Myrah sneaking around always at night. By the end of the music video, Noah is walking down the school hallway alone in his school uniform with his head down. He passes Chloe and his former friends as he walks towards Myrah's class where she stands at her open door waiting for him gleefully. Chloe watches with a look of sadness and conflict on her face as if she wants to follow him. However, when Myrah shuts her door, Chloe just watches her do so, staring at the shut door for a moment before she's pulled away by her friends.

The video was praised for the performances by Noah, Myrah, and Chloe, as well as the cinematography showcasing the decline in Noah's mental health the further his relationship with his teacher went on using the lighting and colors of the scenes to depict this shift. Though the video disturbed most, it's been highly praised for touching on such a controversial issue.

CROOKED was clearly filmed much later, persumedly in 2023 judging by Sena and Finn's hair colors, and on a old digital camera by Noah himself. It's really just a fun music video where Noah goes to a MYDOL party and they all go crazy. Every Mydol artist was featured in this video from Venus girls to DoubleTake members, even the CEOS, Son Jinhwa and Kang Jihan, made an appearance once or twice.

Fans loved the video for it's raw yet fun look into the inside of the company as well as how a Mydol party went down or least glimpses of it. Notable scenes include Sena putting on makeup in her bra, Finn lighting Ezra's cigarette with his own cigarette, Junseo of Doubletake just being there in general caused buzz but specifically the clip of him laughing with Taewan in his lap, Klara putting big ass goofy looking sunglasses on Jinhwa, Kiwoo sitting in the corner with a bored expression on his face as a party rages around him, Noah lifting Chloe over her head and her laughing her ass off (never before seen with a man around), and the last scene where the entire company recreates the SKINS UK promo poster.

The music video, released with an announcement unlike GUILTY, would hit 10 million views in 24 hours and is regarded as a fan favorite amongst Mydol fanbases.

Well, it wasn't easy or legal!

OFFBEAT RECORDS, run by the youngest and least controversial Son brother, Daniel Son, has no legal rights to GUILTY or any of Noah's work. Daniel just has access to MYDOL's files and wants to see his nephew succeed. It took a lot of debate, a lot of "what if we just do it?" and a few shots for Noah and Daniel to actually start plotting how they were going to release GUILTY after five years on the shelf.

The original plan was for no promotion. Just drop the album, post the MVS, and pretend nothing happened, but they both knew that wouldn't happen. Once fans caught wind of the album, MYDOL would take it down for a full 24 hours but would inevitably put it back up when they realized how much profit they were going to gain from this. It always boils back down to money for Son Jinhwa once you shove his pride out of the way.

This would spark debate amongst fans on Noah's privilege in MYDOL as he can seemingly do whatever he wants and get away with it. Is it the nepotism?

Of course, it's the nepotism.

This instant of contract breaching with no consequence once again would earn Noah the title of "MYDOL's spoiled brat" a title that is also extended to Baebi on occasion.

The public reception to GUILTY would be the entire reason why the album would stay up and overshadow the release of SMACK.

GUILTY would climb the charts, sitting pretty at the number one spot on BUGS for two weeks before falling to number five. The music video would gain 4 million views in the first 24 hours, which Sirens say is because they were never notified of its release. SMACK would hit it's peak at 20th on BUGS before falling off a week later.

No cared about smack. People were foaming at the mouth for Guilty. Which is why just two weeks after it's release and into the SMACK promotion schedules, MYDOL announced GUILTY would be getting a full promotional run with music show appearances, variety show promotions, and even giving Noah his own variety show "LUNCH BREAK" where him and another idol go on their "lunch breaks" and essentially talk shit for a solid hour.

Notable guests on LUNCH BREAK included Chloe of Venus, Ezra of DeepDive, Cash of Project X, acclaimed soloist Chouka, former Stray Kids member Cleo, Junyeong of Moth Signals, and many more. Lunch Break's ratings would surprisingly skyrocket, leading to an announced second season, coming out later this year.

WATCH LUNCH BREAK'S BEST MOMENTS HERE!

Overall, GUILTY was a success like it was predicated to be in 2019, but now even more so.

idols mentioned ... @venusvity + @hausofanya + @outk4sts + @smokends + @pretty1npnk

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HAPPY BIRTHDAY, JOHNNY SUH! ⋆ ˚｡⋆୨୧

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truly having so much fun making these line distribution vids for the xlight girls

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Finding matching concept photos for the girls in Dream has been pretty easy so far…. I’m scared for 127 and wayv tho 😭

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Started my 21st bday by downing moonshine in my kitchen on FaceTime with my Bestfriends… this is truly what being a girl is all about 🥹

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some of the wild nct manips I found

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                    CHOMP   ,   CHOMP !

NOAH  노아  ‘SMACK’  Teaser  Images

NOAH  노아  Solo  Debut  Single  〖SMACK〗 ➫  2025.02.14  00AM  (KST/JST)

🔗  deepdive-official.mydol 💿  https://noah.lnk.to/SMACK

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this discography was everything to me <//3