mjbarrosart

[mjbarrosart]

This is my legacy ♡

I wanna thank @mjbarrosart for their awesome work and giving us the most blursed character in the show. And no, I don't mean Callum

[mjbarrosart]

Do you have any tips to get into storyboarding? Such as studies or art programs. Your stuff is very cool!

Hey, thanks for the kind words. How to get into SB? you have two challenges:

First the technical/skill one, for that there is no a fixed route, you can study a 2D animation or a concept art program or learn by yourself. Anyway it is good to learn not only how to draw, but a lot about cinematography, acting, storytelling, timing, etc. A good complement to formal studies is to do "film studies", take a scene of a movie or show that you like, and analyze it shot by shot, where are the characters? what the composition and lighting are trying to say? how the staging is affecting the narrative? how movement is working? etc. There is a really good YT channel called "Every frame a painting" that has really cool videos about cinematography if you want to start looking.

The second challenge is networking. Depending where in the world you live, this could be easier or harder. I needed to move from South America to Canada in order to properly get into the animation industry, because back home jobs will depend on local small studios, passion projects, or freelancing, and I wanted something more stable. If you are in USA, Canada, or in an EU country, its a easier to you to access to industries like the ones in Vancouver, Toronto, LA, NY, France, London, Spain, etc. But again, it's relative.

Try to practice your craft, open your mind to study cinematography not only from animation, but also live action, and try to put your name out, go to job fairs and animation festivals, meet the local industry of where you live, etc.

Right now the animation industry is going trough a hard phase, but that doesn't mean you can not try!

Hopes this answer your question,

Good luck!

MJ

[mjbarrosart]

Hahahaha, that is awesome to know! I'm glad we all shared the vision and that by the end, Aaron saw the light too!

My Dragon Prince Boards season 7, episode 705, part 2: The Moonberry Surprise.

It's true, the Moonberry Surprise moment, it is my fault

I hope you can forgive me for my sins. Hahahaha.

Ok, let's talk about this little sequence. But first, some... context?

Ok, so, Dragon Prince was my first job as Storyboard Artist, before coming to DPR I was working as a Storyboard Revisionist in Lego NinjaGo Crystalized. So I applied to Dragon Prince with not hopes that they will hire me, and when the offered my the job I was in awe.

So basically, I arrived to work in season 4 as a Junior Storyboard Artist. They gave me little sequences during season 4 (I was mostly helping my unit director with revisions) they gave me more during season 5 and 6, working on my strengths, emotional moments, long talking sequences and some combat. You know what was not there? comedy, because it was not one of the things I knew well how to do. But after a year and a half working in the show, I was seasoned enough to be a proper Storyboard Artist, not a rookie anymore. So they finally assigned me a comedy sequence.

I was terrified. Today after years in the industry, I can say that I am not scared of comedy anymore. But when I read the script and I realized that they were expecting a big comedy moment from me , I knew I was in trouble. But as they say, "you fake it until you make it" I took a deep breath and smile to my unit director like "Of course I can do this!"

But ok, lets talk about the sequence. We start nice, with the moon fam enjoying some time together. Was an opportunity to work with Runaan and Ethari, and that is always cool! I love how Ethari is just happy of everyone being there, and Runaan just wants to kill Callum (in an affectionate way, like he is just a protective dad, you know, a no nonsense dude)

So yeah, they talk a little and Rayla handles Callum a slice of Moonberry Surprise. Is like this almost mythical dessert that is said tastes like nothing else in all Xadia. And Callum is so excited to try it!

So, the script did not call for anything you saw in that sequence. The script instructed to reveal the Moonberry Surprise like something out of this world, and then have Callum almost having an epiphany when he tries it. My first idea was to have Calum almost levitating on his seat while eating it, while the rest of the moon fam looked at them in confusion. But during the launch of the episode (this is the stage where directors and in the case of DPR writers, tell SB artist what they want for every sequence we will board, we pitch ideas, and so on) was more clear to me that they were expecting something more of an "out of this world experience". Like the "I love books" moment that Callum had on season 5, episode 2, but on steroids.

So I was ok, lets make it as trippy as possible. So we have this fast zoom in into Callums face, that lead us into this "dimension of flavor" he is being transported to.

And he opens his eyes and he is floating in this space of color and flavor, his spirit being lifted by this experience.

He is experiencing all this flavors, eating this huge blue berries (this was my Unit director idea, Thanks Katherine!!), when something catches his eye. A figure, looking to him from the above, almost like a god.

And Callums looks up, revealing... this:

So, I have a really particular sense of humor (not unique, because I feel a lot of people share it, particular because really specific things make me laugh a lot). I was born late 80's grew up on the 90's with all the weird cartoons and anime of that time. For me adding muscular arms to things is the best joke ever.

This is peak humor to me:

So I was like, what if, Callum does the Titanic spinning thing, with a muscular slice of pie? So I did that... And I was SURE they will reject it.

So I finished my roughs, and I sent them to my Unit Director. She was "this is so stupid" (in the best way) so, she added some placeholder music, and send it for review from the directors, while both of us were expecting to have it rejected.

A couple of days after, our Storyboards Supervisor was like "WHO DID THE MOONBERRY SURPRISE SEQUENCE??" And I was like "me?", and he was like "Aaron LOVED IT!" and I was like "?????" so, yeah, was approved.

So yeah, that is my legacy, I guess. I am Runaan in this shot:

So well, those are all my sequences in episode 705.

Sorry again for being responsible for the birth of that thing. But that is my son now, and I kinda love him, even if he looks like that....

Next post will be my last! So yeah, stay tunned for my last post about my boards in The Dragon Prince, episode 708!

[mjbarrosart]

My Dragon Prince boards Index

I just wanted to have one place to go where you can find all the post I made talking about my 4 seasons boarding for The Dragon Prince.

Season 4

Season 5 part 1

Season 5 part 2

Season 5 part 3

Season 6, episode 602

Season 6, episode 605

Season 6, episode 608

Season 7, episode 702

Season 7, episode 705, part 1

Season 7, episode 705, part 2: The Moonberry Surprise.

Season 7, episode 708: My Final Episode

Thanks for all the love and support! Hope I can keep sharing with you some of my work as a Storyboard Artist for other shows soon!

[mjbarrosart]

It's just practice, no project in particular! :)

Quick Storyboard warm up to start the week. I'll try to post more board stuff here.

[mjbarrosart]

Sorry to hear about this, Devon!

Please help if you can!!

Two TDP writers need donations because they lost their home in the fires, please share!

[mjbarrosart]

Quick Storyboard warm up to start the week. I'll try to post more board stuff here.

[mjbarrosart]

"Rivals"

I really love them <3

Watch Revue Starlight if you can, is a masterpiece!

A quick sketch made in SB pro.

[mjbarrosart]

My Dragon Prince Boards season 7, episode 708: My Final Episode

Happy new year!!

Well, the day has arrived! It is time to talk about my last sequence on the last episode of The dragon Prince I worked: season 7, episode 8.

I can not explain you how much work went into the last 3 episodes of season 7. If you check the board artist credits for this episode, several artist worked on each one! Usually a SB unit has 3 artist, but for this last ones every unit was collaborating with each other. There was a lot of work to do.

I boarded the initial sequence of this episode. Or at least the bones of it. 2 things happened that made my input in this episode smaller that in the previous ones:

First, they removed a lot of things from this initial sequence as it was on the script, mostly to make it shorter, because episode 8 is incredible long (almost half an hour!) so they trimmed the beginning to give more space to other sequences that were more relevant. So a lot of the things I did are not there, haha.

Second, By the end of my time in Dragon Prince I got a really cool offer to go to Titmouse (another animation studio) to work on an amazing show (that sadly is still unannounced so I can not talk about it) so, as soon as I finished my boards for episode 8 I left, while most of the team stayed to keep working on revisions of the boards, so while normally I would do the revisions and changes on my own sequences in the past, for this one I was not in Bardel anymore, so some of my talented coworkers did that for me.

As I said the structure of the sequence is close to what I boarded but not the same. All the beats are there, mostly.

Anyway, there are still some shots that I would like to share with you:

Most of the sequence with the corrupted banthers was changed,. because certain things did not happened, so a lot of my shots got changed, but this one survived, and I like it, "Are you betraying us AGAIN, Karim?" hahaha lol

I like this two shots, they look cool.

Also, Karim is such an idiot. As I told before, i worked so much with him during all my seasons in the show, that i kinda like him, but also he is insufferable, lol.

I think that when I was boarding this parts, we were not set on how big Aaravos will be. We had a proxy to work with, but looks like at the end they made him slightly smaller.

And yeah, I had the privileged to Kill Karim, haha.

No regrets, tho. The part when Aaravos clean his hand on his chest was added later, so that was not me.

Its is not up to me to talk about the parts that were cut or changed. This is not my show at the end of the day, and that is something that only the people at Wondersotorm could share with you. I always try to respect how creators choose to tell their stories, and this is the same.

And yeah, a little anti-climatic after all the highs of episodes 702 and 705, but anyway was a privilege to work on this episode and on so many season of this amazing show.

I could write long about how important for me and my career this experience was, but i have the feeling that you already know that, haha.

Thank you for being part of this journey.

And feel free to ask if you have any questions, I always enjoy reading your comments and tags!!

[mjbarrosart]

My Dragon Prince Boards season 7, episode 705, part 2: The Moonberry Surprise.

It's true, the Moonberry Surprise moment, it is my fault

I hope you can forgive me for my sins. Hahahaha.

Ok, let's talk about this little sequence. But first, some... context?

Ok, so, Dragon Prince was my first job as Storyboard Artist, before coming to DPR I was working as a Storyboard Revisionist in Lego NinjaGo Crystalized. So I applied to Dragon Prince with not hopes that they will hire me, and when the offered my the job I was in awe.

So basically, I arrived to work in season 4 as a Junior Storyboard Artist. They gave me little sequences during season 4 (I was mostly helping my unit director with revisions) they gave me more during season 5 and 6, working on my strengths, emotional moments, long talking sequences and some combat. You know what was not there? comedy, because it was not one of the things I knew well how to do. But after a year and a half working in the show, I was seasoned enough to be a proper Storyboard Artist, not a rookie anymore. So they finally assigned me a comedy sequence.

I was terrified. Today after years in the industry, I can say that I am not scared of comedy anymore. But when I read the script and I realized that they were expecting a big comedy moment from me , I knew I was in trouble. But as they say, "you fake it until you make it" I took a deep breath and smile to my unit director like "Of course I can do this!"

But ok, lets talk about the sequence. We start nice, with the moon fam enjoying some time together. Was an opportunity to work with Runaan and Ethari, and that is always cool! I love how Ethari is just happy of everyone being there, and Runaan just wants to kill Callum (in an affectionate way, like he is just a protective dad, you know, a no nonsense dude)

So yeah, they talk a little and Rayla handles Callum a slice of Moonberry Surprise. Is like this almost mythical dessert that is said tastes like nothing else in all Xadia. And Callum is so excited to try it!

So, the script did not call for anything you saw in that sequence. The script instructed to reveal the Moonberry Surprise like something out of this world, and then have Callum almost having an epiphany when he tries it. My first idea was to have Calum almost levitating on his seat while eating it, while the rest of the moon fam looked at them in confusion. But during the launch of the episode (this is the stage where directors and in the case of DPR writers, tell SB artist what they want for every sequence we will board, we pitch ideas, and so on) was more clear to me that they were expecting something more of an "out of this world experience". Like the "I love books" moment that Callum had on season 5, episode 2, but on steroids.

So I was ok, lets make it as trippy as possible. So we have this fast zoom in into Callums face, that lead us into this "dimension of flavor" he is being transported to.

And he opens his eyes and he is floating in this space of color and flavor, his spirit being lifted by this experience.

He is experiencing all this flavors, eating this huge blue berries (this was my Unit director idea, Thanks Katherine!!), when something catches his eye. A figure, looking to him from the above, almost like a god.

And Callums looks up, revealing... this:

So, I have a really particular sense of humor (not unique, because I feel a lot of people share it, particular because really specific things make me laugh a lot). I was born late 80's grew up on the 90's with all the weird cartoons and anime of that time. For me adding muscular arms to things is the best joke ever.

This is peak humor to me:

So I was like, what if, Callum does the Titanic spinning thing, with a muscular slice of pie? So I did that... And I was SURE they will reject it.

So I finished my roughs, and I sent them to my Unit Director. She was "this is so stupid" (in the best way) so, she added some placeholder music, and send it for review from the directors, while both of us were expecting to have it rejected.

A couple of days after, our Storyboards Supervisor was like "WHO DID THE MOONBERRY SURPRISE SEQUENCE??" And I was like "me?", and he was like "Aaron LOVED IT!" and I was like "?????" so, yeah, was approved.

So yeah, that is my legacy, I guess. I am Runaan in this shot:

So well, those are all my sequences in episode 705.

Sorry again for being responsible for the birth of that thing. But that is my son now, and I kinda love him, even if he looks like that....

Next post will be my last! So yeah, stay tunned for my last post about my boards in The Dragon Prince, episode 708!

[mjbarrosart]

My Dragon Prince Boards season 7, episode 705, part 1

It's time to talk about my boards for episode 705 of the last season of The Dragon Prince. I did a lot of stuff in this episode, so instead of going in order, I'll divide my work differently for this one, we will talk by group of sequences and not in order of appearance.

Let's start with the sunfire elf side of the plot. As a lot of you know, most of my work in this show was related to the Sunfire elves, and to be honest Janai and Amaya are two of my favorite characters of the show, so every chance to work with them is always a bless.

I did all the scenes of Karim talking with Amaya in this episode. It is hard to explain how I feel about Karim, he is such an idiot, but I am also kinda fond of him because I spent so many hours working on him thinking about his mannerism and motivations. I am fond of him, but I also hate him, hahahaha.

There is not a lot to say about this sequences, they are pretty straight forward. While I can understand why Karim hates humans so much, that doesn't mean he is right about it, and this hate is starting to feel like pettiness, and well fits him, he is a really petty man.

Let! Green! Say! Ass! hahahaha. Its always funny to board this kind of little jokes. I love Green and Amaya dynamics, they are such good friends, and I love how Green is always making sure that Amaya's bluntness is not coming out as "rude". But sometimes I feel he should just translate directly what Amaya is saying, because I don't think Karim deserves special considerations, haha.

That little speech Karim does about how he and Amaya are not the same was interesting to board for me. I wanted him to feel aggressive and menacing, even if his hands were tied. Like he was trying to intimidate Amaya, but she will not bend, she can see thru his BS. I wanted him to trespass into Amaya's personal space, portrait him as the bully he is. He says that his faith comes from knowledge, while the truth is that he leads using fear. Such a pathetic little man.

Another instance where is wish the rigs where able to translate between the expressions from the boards. I wanted him to spit his words trough his teeth when he says "humans are vermin, a plague", like his mouth is full of poison and hate.

But the Amaya, who is mostly motivated by making sure that Janai doesn't regrets the decision of killing her brother, does the right thing and reminds him of the fact that Miyana is pregnant, that there is a future worth to live for. Karim shows some doubts, so Amaya leaves and Miyana enters the stage.

I feel kinda bad for Miyana. I mean she deserves the punishment she got, at the end of the day she betrayed her people. But I feel bad for her, because I think that she honestly loves Karim. Imagine loving such a foolish man. And Karim can not learn a lesson, he keeps being an idiot. He is offered a second chance to be with his family, but the only thing he can see in Miyana is that she is carrying "his heir", and Miyana is right of being offended by that. But she wants to believe that he will made the right choice. And maybe for a minute Karim ponders it. I wanted him to loot vulnerable and maybe open in the final shot, so I made him kneel close to Miyana, laying his head on her belly, close to his child. We know how this will end for him, but for a moment there is maybe hope that he will change... no?

My next scene in this episode is one I am really fond of. Is the one when Terry says that the only person who can stop Claudia is her mom, and Soren is really against that idea.

First, is always fun to have a moment with Terry. I have really small ones during my work in the show, so this one was a blast. Second, I got to have another emotional Soren moment, and that is always nice, because Sores in my boy.

The back and forth of this conversation is pretty straight forward too. What was important for me was what will be the moment that will make Soren change his mind, and support the idea. So I decided to use Corvus for this.

Soren is struggling with the idea of bringing her mother back, even if that means they will have a real shot making Claudia stop. Corvus see his pain, and touch his shoulder. We talked before on how touching is a love language between this two, they don't need tons of words. Corvus is saying "I know that it's hard, but I am here with you". On my boards I had him giving Soren a little nod, they removed that for the final shot, and I think is ok. The nod is not necessary, Soren understand what Corvus means. With his support Soren can do it.

So he gathers strength and gives the drawing to Ezran. I like that in the animation stage they kept Corvus hand all the time on his shoulder. For Soren the idea of facing his mom is one full of pain and conflicted feelings, but he doesn't need to face it alone, he has Corvus at his side (as a partner, friend, soulmate, brother, whatever you see them being).

I love them so much...

The second part of this post is about the last sequence I did for this episode, it is a small one, but one that you could say... brings a "surprise"!

I will posted right away, so stay tuned!

[mjbarrosart]

My Dragon Prince Boards season 7, episode 702

The time has finally come for me to talk about my boards for the last season of the Dragon Prince! Wow, time flies!

To be honest season 7 was such a hard season to make. Telling a good story is always a challenge, but ending one, oof! that is an herculean job!

I remeber everyone being super stressed during the production of this season, because time was always in short supply, and it is really hard to produce great art with little time, haha.

Also, I think that after a year and a half working non stop doing boards for the show, most of us where starting to feel exhausted, and you can see it on my boards, they are much less polished than usual.

But, no matter the context and circumstances, we always try to deliver the best we can and tell the ending of this arc in the most satisfactory way possible.

Lets start with my sequences. First one is the one with Ezran's council in the Banther Lodge.

This one starts with the little exchange between Soren and Corvus, I really like these two. I think they grew on me as a duo during my time in the show. Soren was already one of my favorites, but by the end of season 7, Corvus and Soren was a top pair for me, too.

I think that, whatever you think their relationship is, physical touch is a thing between this two, they are always touching each other, there is some vulnerability that they allow with each other that is endearing.

If you read my comments about my boards in season 6, one of the things I was talking about is how sometimes the expressions we draw in boards don't translate that well to the final animation (This happens in a lot of shows, and it's because of limitation on the face rig of the characters, nothing related to the talent of our crew, because they are all super talented) This little shot is another case, I wanted Callum to feel like "Oh boy, shit is hitting the fan!"

I think this scene is mostly about the conflict between points of view, Callum and Rayla wanting for Ezran to free (and forgive) Runaan as soon as possible, while Ezran is struggling with his emotions. It's a hard one.

To be honest I understand Ezran 100% and I know that the right thing for him would be eventually to forgive Runaan, but is not something that could happen inmediatly. Grieve and angry are feelings that can get poisonus really easily, and they need time to heal and allow perspective.

I think Ralyla made the wrong choice bringing Runaan to Katolis.

Anyway, I wanted to play this sequence (and the next one) a little as a power play between the brothers. There are two forces pulling Callum rigth now, and the tension is growing because of it. I like this shot, I think, is cool.

My next sequence is the continuation of the Banther Lodge Council scene. Rayla is out of the building right now, and Callum is deeply distracted.

But we start with a little coment of comedy with Soren "testing" the bread. This shot ended flipped, but the idea is still the same, I am glad the keept the moment of Soren putting the bread on his mouth, haha.

Again this scene mix two trains of though or conflicts together, in one hand you have Ezran trying to figure out how to lead his people in a way that makes sure a tragedy like the burning of Katolis doesn't happen again. And in the other hand the struggle between Callum loyalties, and his inhability to be what Ezran needs him to be right now.

This is not hate to Callum, I think that his desicions are pretty ok taking in consideration that is he still a teeneager. But I feel that he gets tunnel vision when things are related to Rayla, and he failed miserably as a brother and member of the council during this time.

While I think Callum is right, Ezran should forgive Runaan, he should be there to provide love and support to his brother, and advice and perspective to his king. Space for Ezran to come to the conclusion that forgivenes is the right path.

Anyway, I had this gesture boarded with Ezran hitting the air, but they ended adding the cup there for him to toss. I don't know how I feel about it, It's fine (specially if you talke into consideration that the Anya pick up the cup and give it back to Ezran) but feels a little off to me. Not sure why, tho.

I like Anya and Ezran relationship. I think I would appreciate it if she also took the place that Callum was failing to fulfill and gave some space to Ezran to grieve and process his sadness in a more intimate level. Like as friends more than as "heads of state". But anyway, she is cool, I am glad Ezran had someone as his side during this time.

I remember that one of the instructions I got for this sequence was to make sure that Ezran feels like a mob boss. Hahaha. Funny, tho. But besides that, I think that something that I was glad to see and board was Ezran taking more action and having more agency.

Maybe we can disagree with his point of view, but it was great to finally see him taking the reins of the kingdom, being active and assertive with his actions.

My last two sequences in this episode were the talk of Callum and Ezran close to the fireplace. I think this was an instance of Callum trying to be Ezran brother, giving him support and love and helping him to see the erron of his ways.

BUT, and this is a big but, I feel that all of this feels empty and, from Ezran point of view, manipulative; because after this talk Callum right away decides not only to "betray" Ezran but also to leave him alone. And that was not pretty wise of him, imo.

It is always a pleasure to draw any character making a suspicious face, hahaha "I don't trust you":

I think during the first part of the talk, the sibilings are on pretty opposite sides, there is a rift between them, and it is hard to close. But then there is more space for vulnerability and trust.

I think a really significant momen is for Ezran to remove his crown. "I am not talking as the king, but as your brother" kind of moment. Humanizes him a lot and shows the sincerity of his words.

He is confesing here, how he is tired, how this dury felt on his shoulders even when he was not ready for it, and how much he is trying to carry the burden, but oh boy, how heavy is the crown!

And I feel that this is the part when Callum made a mistake. Instead of listen to him, to recognize his pain, to offer his aid and support, some kind of "you don't need to do this alone" kind of thing, he brings the topic back to Runaan.

And then he shots the shot: "You forgave Zubeia" And ouch! I mean, he is right, that is something that Ezran did, but I don't think this is the moment to bring it. But again, the conflict here is that none of them can see the other right now. Callum is too worried about Rayla and Runaan, and Ezran is too hurt and overwheelmed.

And I wanted to make the shift clear, so Callum literally points fingers at Ezran. He demands action, he expect his brother to do what he wants him to do, not what Ezran needs to do. In an ideal world there would be a trial for Runaan, one where we can hear both parties, where Ezran can express his feelings his doubts and grieve, that could end in him finding forgivenes in his heart.

But it is not an ideal world. Things are falling apart, and the struggles between the needs and wants of characters are in conflict. So, people make bad decisions. That is good writing if you ask me.

Then Zym intervines, he wants Ezran to forgive Runaan, not for the same reasons than Callum, tho.

I think in Zym's mind is more an attempt to get "the old Ezran back". So Callum and Zym try to make their point together. I wanted to paint it as if Zym has this naive approach to the stituation, while Callum is a little more manipulative (I don't think that on porpouse) being like "look, even Zym agrees" failing to see why Zym is agreeing. I think the sin of Callum in all this episode is blindness (or tunel vision as we said before)

And kinda works. Not because Ezran is ready to forgive, but because I feel that there is something inside Ezran that thinks like Zym too. That maybe there is a way to go back to be like he was before.

And that is the thing, pain and grieve change you, and accept that change is part of growing up. Aaravos talk about that a lot this season. So there is a little truce, a moment of "maybe" from Ezran. I really like to draw this two together.

Sadly this moment gets interrupted by Soren asking for help. And from here is downhill. I think Callum's actions after this point did not help at all to Ezran to heal or change his mind.

The fact that Callum decided to leave probably made Ezran wound worst, and any hope that this conversation could bring for the brothes to get back together gets shattered.

Great setting up of their conflict for this season, imo.

Well that was my work for 702. Thanks for reading this brickwall of text! Hope you like this! And feel free to ask if you have questions about the storyboard process!

See you for 705 boards soon!

[mjbarrosart]

2 weeks until Dragon prince season 7!

We are so close to the end of this arc of the saga! We worked so hard to deliver in every level on season 7, believe me when I tell you that this season will be EPIC.

I worked in episodes 702, 705 and 708, so you can count that I will write some comments on my process doing boards for those episodes. Stay tuned! haha

Also, has been a couple of years since the last time I draw this characters, so I decided to do a some of quick doodles, and see if I still remember how to draw them haha, hope you like them, even if they are pretty sketchy, I did them in SB Pro. (No spoilers of season 7, just random drawings!)

Also, unrelated, but, after years doing this, I feel I reached that moment that every storyboard artist reach when you relize that you are more comfortable drawing in SB Pro that in any other software, also I only can draw messy, I don't know what is a clean line anymore, hahaha.

See you in December 19 for the last chapter of the Mystery of Aaravos.

[mjbarrosart]

Hi! For TDP end credits, did you have to apply or were you invited by them like a guest artist? (How do you get those types of jobs?) Also, do you know what the general career pathway/major for animation/concept art/digital drawing is such as in TDP?

Thank you

Hey! Not sure if I understood your question, but I got in the credits of Dragon Prince because my work in the show, but if you are asking about the art on the credits, I think was done by members of the design team, no guest artists.

About how I got the job? Bardel was looking for SB artists in Vancouver, BC (where I live), and I applied, did a test, and got the job.

How can you get into the animation industry? Depends where you live. Some job can be remote, but a lot of studios get tax incentives for hiring people locally, so for example all the studios in Vancouver try to recruit people from BC, Canada, and the ones in Toronto will choose people who live in Ontario, and so on. Same for USA studios, depending on if the studio is in CA, NY or Texas, etc...So besides having training in animation or art (via a degree or self learning), it is good to be located close to the industry.

Then is a thing of aplying, doing networking and showcasing your work. Making relationships in the industry is the best way to get into cool projects like Dragon Prince.

Hope that helps!

[mjbarrosart]

I don't know if I am ready for Arcane to end this weekend...

[mjbarrosart]

I have been playing reverse 1999 a lot lately, I really love Sonetto

[mjbarrosart]

My Dragon Prince Boards season 6, episode 608

Hello, everyone!

Finally I have some time to write this! You can not imagine how demanding is to work making television shows, everything is for yesterday, haha!

Complains about work aside, it is time to talk about my last episode of season 6, episode 8. This one was... special.

I can say without a doubt that this was one of the most emotional episodes I have ever worked on. I cried every time I watched the animatic, and I cried again watching the final episode a few days ago.

I think is a lot of things together: a lot of important things happens, characters die, Katolis is destroyed, one of the quasars is fake! Aaravos!!! ... but also because I witnessed my team bring together their A game, telling this story in such a beautiful way.

I learned a lot from this episode, specially from my Unit Director, Mike Jones, who was in charge of boarding the "Hearts of Cinder" spell sequence; what a masterclass of emotion, storytelling and cinematography! I love Jason Simpson's performance during the show, but in particular in that sequence, and I think the boards took everything to a new level.

Now, let's go back to my sequences.

My first one was Soren going down to Viren to ask him to perform the spell. It was good to have this last interaction between both of them after all the work I did with the characters in 605.

There is a lot of subtle staging in this one. The way the light is hitting over their heads, how present in the screen the staff is; Viren's hesitance is something that I remember was important for me to portrait properly.

One of the things we talked a lot during this sequence was in how to use the light as narrative element. I was not interested in the classical reading of going into the light as "good" and shadows as "bad".

But light as hope, options, forgiveness, etc.

Viren walks away from the light when he gets offered the staff not because he is going "bad" but because he doesn't feel capable to do what he is being asked to do.

Soren is coming directly to him, removing his chains, giving him back his staff, asking him for help. But Viren hesitates.

And I think that that was a genius think for the script to call. Viren is not a man looking for the first chance to "redeem" himself. I am not even sure that he believes that he deserves that possibility.

But they are running out of time. The situation is dire, and as the light get blocked by the falling debris, the options are becoming clearer. Hope is dim, but there is something to do: Hearts of Cinder.

Viren, still full of doubts, explains to Soren why the spell is so hard to perform: the price is a human heart. A price that the Viren of the past would have pay with not second thought, but not the current one, no the one who understands the weight of dark magic.

But Soren has no doubts: "Take mine" I still have chills listening to the delivery of that line. And I think here is the moment Viren decided to sacrifice himself. While he is being consumed by doubt and fear, his son will is clear, Soren will do the right thing, even if that cost him his life.

And that is what Viren never had before. The willingness to sacrifice himself for the greater good. He looked at his reflection in Soren's golden heart and saw and answer, saw love, hope.

I just think is beautiful that Soren's conviction gave him the chance to do the right thing for once. Soren taught him the ultimate lesson.

I love this two so much.

My next sequence is a simple one, Terry and Claudia arriving to Katolis. I liked to draw Claudia's new hair. I wish I had more sequences with her in this season.

After this is Moon nexus time!

After all the drama with Viren and Soren the massage sequences felt a little silly, hahaha. but was fun to make.

I added the little detail of Rayla having issues landing, while Callum is just so good at it, haha. Fun to have their roles reversed for one, and Rayla being the clumsy one.

I like the moment when Lujanne ask them if they are a couple again and they exchange this nice look. I know that Rayllum is a huge thing in the fandom, and while they are not my type of ship (I am into the sapphics, you know) I think that they are pretty cute together, and Is always fun to make moments between them.

I just wanted to share with you this silly face, lol. Sometimes you draw things in boards that don't translate that well into the final show, but It is fun anyway, you want to inspire the animators to push the performance as much as they can.

Back to serious business. I love the shift when our heroes realized that there is only 2 quasars and 3 coins. Callums turn into Raylla knowing that this will destroy her. I really enjoy how the use of the lens to blur Lujanne in the Background creates this efect of hyperfocus on Callum and Rayla.

She is facing a terrible decision, who to save. So we move the camera to focus only on them. Is an intimate moment.

I like this framing, Rayla is in pain, crying, Callum is listening, but by the framing we can se that he is holding her. Callum is there for her, always.

And that is how I finished my last sequences of season 6, with Rayla crying.

Working on this season was one of the honors of my life. And I can wait to share with you how was making season 7, because was... A LOT, for sure! hahahaha.

Hope you like this! And feel free to ask if you have questions about the storyboard process!

And thanks for all the notes, comments and support! It is truly appreciated!

A little bonus:

Look a the cool crew jacket that Bardel gave us when we wrapped seasons 4 to 7! (Finally I can show it without making it an spoiler of the name of season 7!!)