moonlight-and-ash

[moonlight-and-ash]

“i am a monument to all your sins” is such a fucking raw line for a villain it’s amazing that it came from halo, a modernish video game, and not some classical text or mythos

[moonlight-and-ash]

Cam’s streams are chaos in the best way. I’m not someone who normally interacts when watching people stream, but this is one of the most welcoming communities I’ve ever been a part of.

I’ve gotten to enjoy more games than I ever would have thought I would like, across all sorts of genres including some new personal favourites. I’ve learned more about streaming from them, and it’s actually gotten me interested in trying it myself.

You want a stream you can interact with? The chat can be pretty lively, and it doesn’t matter if you’ve been there for one day or over a year, you can chat and be noticed. You want to affect the game? They’ve got some really cool streamloots cards that affect it on everyone’s screen, including their own.

Cam’s streams are the highlight of my day, I can’t say that enough. Come visit, have some fun, maybe learn about a new game.

Hey!

You might know me as ZombieCleo's partner! Or, as that mod who "totally banned [you] unfairly!"

Anyway, my name is Camron, I also go by Cam or CamronJK.

I designed Cleo's overlay and a ton of the effects and graphics.

I also handle the Streamloots stuff, bit sounds, etc. Once the bot updates "soon" I will also be adding a ton of stuff for all of you to mess around with.

That said, did you know I stream too? A ton of the ideas and stuff I implement for Cleo are simplified versions of the chaos on my streams. Like, with Streamloots you can actually control my games, flip the screen upside down, change the colours, dress me up in community made costumes, throw things at me.

I honestly feel I have one of the most interactive streams out there. Seriously, that is my goal. I stream to interact with you as much as I can.

We also talk on my stream about game design, graphic design, art, being true to yourself, and just try to chill. That, or ranting about some of the unhinged bans that have happened, cause dear god...

I have a huge project in the works and it's going to take me months mixed with my depression and ADHD.

Come by some time, offer some support? I could really use it!

https://www.twitch.tv/camronjk

[moonlight-and-ash]

NOO GRIAN GET UP

CLEO ABOUT TO GET YOU

(i saw cleo’s post and then next was grian's lmao)

he has been captured!!!! @dailyzombiecleodoodles

[moonlight-and-ash]

Hermitcraft but it’s a bunch of hybrids trying to learn what it’s like to be human while trying to hide the fact they”re hybrids from eachother (while none of them even are human) , so it’s just approximate guesses and rumours about how they act . Tango walking up to skizz and seeing him glow in his sleep and trying to figure out how to do that himself, cuz all humans do that, right? Joe accidentally walking in on Cleo changing out a slightly old , green-tinted arm for a new fresh one, nodding along trying to memorise the process. Scar looking at mumbo wearing a large sun hat / bringing a parasol on their walk and then bringing himself one the next time because he doesn’t wanna stand out! All humans hate the sun! Etc, etc

[moonlight-and-ash]

US Helplines:

Depression Hotline: 1-630-482-9696

Suicide Hotline: 1-800-784-8433

LifeLine: 1-800-273-8255

Trevor Project: 1-866-488-7386

Sexuality Support: 1-800-246-7743

Eating Disorders Hotline: 1-847-831-3438

Rape and Sexual Assault: 1-800-656-4673

Grief Support: 1-650-321-5272

Runaway: 1-800-843-5200, 1-800-843-5678, 1-800-621-4000

Exhale: After Abortion Hotline/Pro-Voice: 1-866-4394253

Child Abuse: 1-800-422-4453

UK Helplines:

Samaritans (for any problem): 08457909090 e-mail jo@samaritans.org

Childline (for anyone under 18 with any problem): 08001111

Mind infoline (mental health information): 0300 123 3393 e-mail: info@mind.org.uk

Mind legal advice (for people who need mental-health related legal advice): 0300 466 6463 legal@mind.org.uk

b-eat eating disorder support: 0845 634 14 14 (only open Mon-Fri 10.30am-8.30pm and Saturday 1pm-4.30pm) e-mail: help@b-eat.co.uk

b-eat youthline (for under 25’s with eating disorders): 08456347650 (open Mon-Fri 4.30pm - 8.30pm, Saturday 1pm-4.30pm)

Cruse Bereavement Care: 08444779400 e-mail: helpline@cruse.org.uk

Frank (information and advice on drugs): 0800776600

Drinkline: 0800 9178282

Rape Crisis England & Wales: 0808 802 9999 1(open 2 - 2.30pm 7 - 9.30pm) e-mail info@rapecrisis.org.uk

Rape Crisis Scotland: 08088 01 03 02 every day, 6pm to midnight

India Self Harm Hotline: 00 08001006614

India Suicide Helpline: 022-27546669

Kids Help Phone (Canada): 1-800-668-6868

FREE 24/7 suicide hotlines:

Argentina: 54-0223-493-0430

Australia: 13-11-14

Austria: 01-713-3374

Barbados: 429-9999

Belgium: 106

Botswana: 391-1270

Brazil: 21-233-9191

China: 852-2382-0000

(Hong Kong: 2389-2222)

Costa Rica: 606-253-5439

Croatia: 01-4833-888

Cyprus: 357-77-77-72-67

Czech Republic: 222-580-697, 476-701-908

Denmark: 70-201-201

Egypt: 762-1602

Estonia: 6-558-088

Finland: 040-5032199

France: 01-45-39-4000

Germany: 0800-181-0721

Greece: 1018

Guatemala: 502-234-1239

Holland: 0900-0767

Honduras: 504-237-3623

Hungary: 06-80-820-111

Iceland: 44-0-8457-90-90-90

Israel: 09-8892333

Italy: 06-705-4444

Japan: 3-5286-9090

Latvia: 6722-2922, 2772-2292

Malaysia: 03-756-8144

(Singapore: 1-800-221-4444)

Mexico: 525-510-2550

Netherlands: 0900-0767

New Zealand: 4-473-9739

New Guinea: 675-326-0011

Nicaragua: 505-268-6171

Norway: 47-815-33-300

Philippines: 02-896-9191

Poland: 52-70-000

Portugal: 239-72-10-10

Russia: 8-20-222-82-10

Spain: 91-459-00-50

South Africa: 0861-322-322

South Korea: 2-715-8600

Sweden: 031-711-2400

Switzerland: 143

Taiwan: 0800-788-995

Thailand: 02-249-9977

Trinidad and Tobago: 868-645-2800

Ukraine: 0487-327715

(Source)

[moonlight-and-ash]

Non-redstoners trying to redstone: the magic of the glowing red ores is one of the great mysteries of the world that few have mastered. But with careful study, observation, and practice I too may be able to harness its powers

Literally anyone trying to use an armor stand: Cleo is a witch and if I touch their spell book I will die or be haunted for the rest of my days by the aftershocks of magic I will never comprehend

[moonlight-and-ash]

You know, when I see fictional characters who repress all their emotions, they're usually aloof and very blunt about keeping people at a distance, sometimes to an edgy degree—but what I don't see nearly enough are the emotionally repressed characters who are just…mellow.

Think about it. In real life, the person that's bottling up all their emotions is not the one that's brooding in the corner and snaps at you for trying to befriend them. More often than not, it's that friendly person in your circle who makes easy conversation with you, laughs with you, and listens and gives advice whenever you're upset. But you never see them upset, in fact they seem to have endless patience for you and everything around them—and so you call them their friend, you trust them. And only after months of telling them all your secrets do you realize…

…they've never actually told you anything about themselves.

[moonlight-and-ash]

I wish more people used Magic the Gathering's Color Pie instead of D&D's alignment all of the time.

Like, saying a character embodies the selfishness and impulsivenes of Red Black offers more depth than Chaotic Evil

[moonlight-and-ash]

fantasy characters: “Geez”

me: who the fuck spread Christianity there

[moonlight-and-ash]

You rule a tiny kingdom and all of your citizens are monsters. You gave them a place they can belong, and they’ll defend it to their dying breaths.

[moonlight-and-ash]

Whgskl. Okay.

PSA to all you fantasy writers because I have just had a truly frustrating twenty minutes talking to someone about this: it’s okay to put mobility aids in your novel and have them just be ordinary.

Like. Super okay.

I don’t give a shit if it’s high fantasy, low fantasy or somewhere between the lovechild of Tolkein meets My Immortal. It’s okay to use mobility devices in your narrative. It’s okay to use the word “wheelchair”. You don’t have to remake the fucking wheel. It’s already been done for you.

And no, it doesn’t detract from the “realism” of your fictional universe in which you get to set the standard for realism. Please don’t try to use that as a reason for not using these things.

There is no reason to lock the disabled people in your narrative into towers because “that’s the way it was”, least of all in your novel about dragons and mermaids and other made up creatures. There is no historical realism here. You are in charge. You get to decide what that means.

Also:

“Depiction of Chinese philosopher Confucius in a wheelchair, dating to ca. 1680. The artist may have been thinking of methods of transport common in his own day.”

“The earliest records of wheeled furniture are an inscription found on a stone slate in China and a child’s bed depicted in a frieze on a Greek vase, both dating between the 6th and 5th century BCE.[2][3][4][5]The first records of wheeled seats being used for transporting disabled people date to three centuries later in China; the Chinese used early wheelbarrows to move people as well as heavy objects. A distinction between the two functions was not made for another several hundred years, around 525 CE, when images of wheeled chairs made specifically to carry people begin to occur in Chinese art.[5]”

“In 1655, Stephan Farffler, a 22 year old paraplegic watchmaker, built the world’s first self-propelling chair on a three-wheel chassis using a system of cranks and cogwheels.[6][3] However, the device had an appearance of a hand bike more than a wheelchair since the design included hand cranks mounted at the front wheel.[2]

The invalid carriage or Bath chair brought the technology into more common use from around 1760.[7]

In 1887, wheelchairs (“rolling chairs”) were introduced to Atlantic City so invalid tourists could rent them to enjoy the Boardwalk. Soon, many healthy tourists also rented the decorated “rolling chairs” and servants to push them as a show of decadence and treatment they could never experience at home.[8]

In 1933 Harry C. Jennings, Sr. and his disabled friend Herbert Everest, both mechanical engineers, invented the first lightweight, steel, folding, portable wheelchair.[9] Everest had previously broken his back in a mining accident. Everest and Jennings saw the business potential of the invention and went on to become the first mass-market manufacturers of wheelchairs. Their “X-brace” design is still in common use, albeit with updated materials and other improvements. The X-brace idea came to Harry from the men’s folding “camp chairs / stools”, rotated 90 degrees, that Harry and Herbert used in the outdoors and at the mines.[citation needed]

“But Joy, how do I describe this contraption in a fantasy setting that wont make it seem out of place?”

“It was a chair on wheels, which Prince FancyPants McElferson propelled forwards using his arms to direct the motion of the chair.”

“It was a chair on wheels, which Prince EvenFancierPants McElferson used to get about, pushed along by one of his companions or one of his many attending servants.”

“But it’s a high realm magical fantas—”

“It was a floating chair, the hum of magical energy keeping it off the ground casting a faint glow against the cobblestones as {CHARACTER} guided it round with expert ease, gliding back and forth.”

“But it’s a stempunk nov—”

“Unlike other wheelchairs he’d seen before, this one appeared to be self propelling, powered by the gasket of steam at the back, and directed by the use of a rudder like toggle in the front.”

Give. Disabled. Characters. In. Fantasy. Novels. Mobility. Aids.

If you can spend 60 pages telling me the history of your world in innate detail down to the formation of how magical rocks were formed, you can god damn write three lines in passing about a wheelchair.

Signed, your editor who doesn’t have time for this ableist fantasy realm shit.

[moonlight-and-ash]

Person A: “You’ve been staring at me for ten minutes now, got something to say?”

Person B: “Oh, no! I just… I mean, you’ve… you’ve changed a lot since I last saw you…I was shocked, that’s all.”

Person A: “Death tends to have that affect.”

Person B: “…what?”

Person A: “Don’t worry about it.”

[moonlight-and-ash]

Consider the god of salmon.

There is a god of salmon, somewhere in the gravel and the pebbles of the spawning redd. All salmon are aware of it as soon as they are born, in their own, private, fishy ways, and remember their god of salmon when they leave the spawning grounds and journey into the saltwaters beyond.

Theirs is the god of journeys and returnings.

Eventually, every salmon is struck by the urge to return to the holy lands of its ancestors. They pray to the god of salmon, asking for protection against bears and other predators on the journey.

“Deliver us from eagles,” the salmon pray.

All animals get their own gods, and those animal gods get their own prayers. The gods of mice and rabbits and other small, squeaking, hunted things usually get prayers along the lines of, “Oh please, oh please, oh please…”

Unlike those fickle gods, parishioners of the god of salmon get results.

Salmon get miracles.

A salmon returns to freshwater and discovers that it can breathe.

A salmon swimming against the current watches its spine curl, its teeth lengthen, sees grey scales turn red.

A salmon comes to a waterfall and discovers that it can fly…

Eventually the salmon complete their pilgrimage, and return to the holy lands of their ancestors.

Many raucous orgies are held.

Hallelujah.

And then, exhausted, the salmon die. The land flourishes as residual nutrients run through creeks and estuaries.

And the god of salmon continues, buoyed on the souls and prayers of millions of martyrs.

[moonlight-and-ash]

A desperate cleric slamming every healing spell so hard to bring someone back to life the ground is forced to grow plants and flowers around the body.