moonrflower
moonrflower
46 posts
jody, twenty-two, too many interests.
Don't wanna be here? Send us removal request.
moonrflower · 25 days ago
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DANNY RAMIREZ as JOAQUIN TORRESS ↳ THE FALCON AND THE WINTER SOLDIER (2021), dir. KARI SKOGLAND ↳ 1x01 "New World Order"
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moonrflower · 26 days ago
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GALE HANSEN as CHARLIE DALTON
in DEAD POETS SOCIETY (1989) dir. by Peter Weir
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moonrflower · 3 months ago
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moonrflower · 3 months ago
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Van Helsing (2004) dir. Stephen Sommers
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moonrflower · 4 months ago
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About to print these out on a Polaroid and tell people he’s my bf
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moonrflower · 5 years ago
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moonrflower · 5 years ago
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It is an extremely common mistake. People think the writer’s imagination is always at work, that he’s constantly inventing an endless supply of incidents and episodes; that he simply dreams up his stories out of thin air. In point of fact, the opposite is true. Once the public knows you’re a writer, they bring the characters and events to you. And as long as you maintain your ability to look, and to carefully listen, these stories will continue
The Grand Budapest Hotel (2014) dir. Wes Anderson
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moonrflower · 5 years ago
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what do people do if they’re not obsessed with anything
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moonrflower · 5 years ago
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moonrflower · 5 years ago
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Tom Hardy @ Attitude Magazine, 2008
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moonrflower · 5 years ago
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“Isn’t this the same desk set…” “Yeah, yeah, they gave me the same thing as last year.” “Oh. Maybe they thought you needed another one.” “Maybe they weren’t thinking about anything at all. The funny thing about this is I didn’t even like it the first time.”
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moonrflower · 5 years ago
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Emma Woodhouse, EMMA (2020)
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moonrflower · 5 years ago
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“Try for some remorse, Riddle.”
— BATTLE OF HOGWARTS, MAY 2ND, 1998.
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moonrflower · 5 years ago
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bisexuals will see someone in period clothes and be like yes
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moonrflower · 5 years ago
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Fast Times at Ridgemont High (1982) dir. Amy Heckerling
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moonrflower · 5 years ago
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moonrflower · 5 years ago
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“The world is their oyster. They believe they’re destined for great things, just like many of you, their eyes are full of hope, just like you. Did they wait until it was too late to make from their lives even one iota of what they were capable? Because, you see gentlemen, these boys are now fertilizing daffodils. But if you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? - - Carpe - - hear it? - - Carpe, carpe diem, seize the day boys, make your lives extraordinary.”
DEAD POETS SOCIETY (1989) dir. Peter Weir
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