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GRIAN CHATTEN and AMYL AND THE SNIFFERS
📸 : @poonehghana on instagram!
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GRIAN CHATTEN of FONTAINES D.C. at U Street Music Hall, Chicago, 2019 (📷: Mickey McCarter)
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I love that we have a generation of young bands who, right from the offset are so vocal about their political causes, through speaking up, fundraisers, working with charity organisations and all. And now these bands are getting big. Fontaines D.C. can’t ’lose fans’ because of their constant and vocal support for Palestine, you’d get laughed out of the venue. Who was surprised when Carlos called everyone else out at the Rolling Stone UK Awards and expressed his strong support for Palestinian independence? They’d have said you’re out of the loop.
Lambrini Girls made it a point early doors: Phoebe has talked about how they were playing a venue in Germany and said if you’re a zionist, leave, and it was half the crowd back then. They’re now one of the most anticipated releases of 2025. They’ve stuck to this principle throughout their rise: their songs are anti-misogynistic, anti-transphobia, anti discrimination. By the time Phoebe scaled the top of a Glastonbury tent to plant a Palestinian flag, there were only cheers.
Bands like Kneecap. They opened their show at Glastonbury, a televised slot shown on national television on the BBC, with a message about imperialism by Britain in Ireland and Palestine. They have gone around with their projectors and projected this fact on public buildings. They’ve talked on stage about how more people were killed in Gaza in 6 months than the entirety of the Troubles. And now, their film is going to the Oscars. They swept the British Independent Film Awards, they’ve been nominated for a BAFTA too. And at that late stage if you complain that Kneecap are being political? Hahaha mate, you’re having a laugh.
Fans of all these bands tend to also follow their beliefs. It’s what draws you into their music, right? When you hear the lyrics to Lambrini Girls’ TERFs Out, or God’s Country, or Bob Vylan’s He’s A Man or We Live Here. Kneecap’s CEARTA, Enola Gay’s PTS.DUP or Through Men’s Eyes. Amyl and the Sniffers’ Knifey or Comfort To Me. Unless you’re actively stuffing a finger in your ears going ‘la la la I can’t hear you’, you must know.
And so I love that I see Fontaines fan accounts, ones with pretty large followings and engagement with a description that basically says ‘Fontaines D.C. fan account. Free Palestine.’ (And it’s not just performative, they too have used their platform to organise fundraisers and work with charity organisations to make sure their action is as direct as can be.) Fandoms can sometimes be places where it’s almost taboo to break the veneer of pretending your time spent loving a band somehow doesn’t exist in the real world, and I see this a lot with older fandoms/older bands’ fandoms. ‘Just stick to the music’, ‘we’re all just here to love this band, let’s leave the politics out of it’ okay grandma. Your band themselves have spoken out but just because they do it less frequently doesn’t warrant the ‘no politics’ rule of your fanclub.
So I’m glad to see how actively involved our new bands are, they were vocal before they had a platform and a big chunk of their listeners are now either people that came up with them, supporting this, or those who even learned something along the way. And as we’ve seen from Taylor Swift fans, mobilised fandoms can do a LOT, that’s really where the power of music to make difference lies, so I’m glad to see how fandom in music by these young bands is not resistant to it!
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And basics I guess I get the gist There's not that much to miss You choose or you exist
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CARLOS O'CONNELL of FONTAINES D.C. Rock en Seine Festival, Saint-Cloud, France (August 25, 2022) — Photos by David Servant
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CARLOS O'CONNEL of FONTAINES D.C. performing "Roman Holiday" live on KEXP
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GRIAN CHATTEN of FONTAINES D.C. (📷: Kevin W Condon)
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his dead stare and bad smoking habits captivated me
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GRIAN CHATTEN of FONTAINES D.C. — Various portraits by Kevin W Condon
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Home is a pin rusting through a map...
FONTAINES D.C. - Big Shot (Glastonbury festival, 2024)
One of my favourite lines from Big Shot. Here's Grian singing it during Fontaines' headline set on the Park Stage at Glasto 2024. Figured it was also a decent shot, the pensive mood, Grian's tricolour band he sets up on his mic at every show the band play now, the beauty of all that in context of the line he's singing. And of course, for Grian in the eyeliner; I am a people pleaser at heart. I've been meaning to gif that moment since June.
[Note: Tumblr killed the quality so click it n be a bit patient if you want to see the proper gif :/]
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GRIAN CHATTEN of FONTAINES D.C. Rockaway Beach Festival, Bognor Regis, England (January 12, 2020) — Photos by Paul Hudson
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GRIAN CHATTEN of FONTAINES D.C. at Leeds Academy, 2021 (📷: Steve White)
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GRIAN CHATTEN of FONTAINES D.C. at U Street Music Hall, Chicago, 2019 (📷: Mickey McCarter)
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FONTAINES D.C. - Finsbury Park Announcement, 05 July 2025
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