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Borrowers/Expedition 33 part 2 ! Gustave made it back to the others but how are they going to react ?

This chapter was a handful, I hope you'll like it !

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Stranger - Rabbitology & Small Fools

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Friendship (?)

A glimpse into their dynamic

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Hi! Nimona told him to do a thumbs up (also I hope you get the reference image because I couldn't find it ajkdsad)

There's some mpreg headcanons and drawings under the cut! :D

By the way the limit of images is 30 so I had to make some longer images with comics to save space and put more drawings 😭

-Also, small continuation from the previous drawing:

(I wrote baby album but maybe it should be those albums that people keep of the pregnancy process ajskd)

-When Ballister first started showing, he was a bit insecure about it, but Ambrosius helped with that, in the romantic sense of worshipping and whatever, but also like this:

Translation (did my best to see how to translate it sorry sdjksd it works better in spanish)

1 Ballister: I think it's too soon to be getting fat- Ambrosius: You know what else is getting fat? 2 Ambrosius: Who said that

-Ballister goes through the denial of needing new clothes, so imagine him still wearing the stuff he usually wears and Nimona coming from behind and picking at the clothes by his shoulder and going in a high-pitched voice, as if the shirt was talking - I'm tired, boss while Ballister swats her away and say, leave me alone, it still fits me >:(

(it doesn't)

>Also Ballister absolutely refusing to wear maternity clothes, the only one he got he was like, wearing it and looking very unimpressed, and Ambrosius' like, you don't like it? :( and Ballister says, No. It's ugly as fuck >:(

>So, he just gets bigger shirts and stretch-ier pants and that's it. Also he gets an oversized hoodie and he says that's gonna be his best friend the rest of the pregnancy, and both Nimona and Ambrosius gasp offendedly at that.

So-

Ambrosius (turning to look at Nimona): What the- hey, I am his best friend. Nimona: Course not! You lost that privilege with what happened that one time (she means the movie events, more than five years ago) Ballister: Ambrosius' my best friend, Nimona. Ambrosius: HAH >:D Nimona: Aw :( Ballister: Because you're my sidekick :) Nimona: :D Ambrosius: Hey, what now- that sounds better than best friend :(

-Ballister during most of the pregnancy is like, woo baby :) but at the very last months he's at least half of the time pissed off, tired and done with being pregnant.

(my incredible math skills in the next point)

>70% of that time he's mad at Ambrosius (who made him pregnant), 20% mad at Nimona (who consciously (and sometimes unconsciously) gets on his nerves) and the remaining 10 he's pissed off at Baby (and he gets sad about that one, because he's just a baby, so he redirects it at Ambrosius instead 😔)

>Ambrosius does his best to be of help but usually there's nothing he can do aside from being there (and sometimes getting out of Ballister's sight, if he's really angry- in the sense of 'I don't even want to see you now')

>Most of the time Ballister just cools off.

-Also Ambrosius giving him massages, sometimes randomly on his shoulders or his feet, and sometimes something more elaborated, like Ballister laying down and him using body oil, setting the ambient and all to massage his back (and Ballister almost always falls asleep in those).

>Sometimes tho he just does a 'chop chop chop' at his shoulders (it doesn't do anything besides amusing Ballister and keeping him company)

>Also Nimona said that of course he'd just randomly start chopping Ballister while Ballister does nothing about it, so Ambrosius starts chopping her instead

(made these two drawings with like three weeks of difference ajdkad)

(N/SFW thingies on the next four points and the next four images)

-Also with that previous point imagine Ballister waking up all angry, and Ambrosius just not knowing what he can do for him to stop being mad, but it turns out that Ballister had just woken up horny and pent-up.

>And once he realizes, he's like Ambrosius... (with intentions of getting some), and Ambrosius is like 🧍? because a second ago Ballister wasn't even looking at him.

-Also with this, Ballister is just very much hornier now (after the first trimester which was the worst) and Ambrosius doesn't mind at all - except when his jaw gets sore or he's running late for work because they lost track of time and also other situations ajsdks but usually he's delighted.

>(In the drawing Ballister just crossed one leg over the other once he heard Ambrosius coming in, because he can't maintain the position too long without getting uncomfortable sdjksj)

-Whenever Ballister is like >:c and looking in Ambrosius' direction, he immediately assumes that his husband is angry at him.

>Y'know when you look intensely at someone so they feel your gaze and look at you back? Ballister here is trying to apply that, but it doesn't work bc of the previous point askdad

-I had written sometime (I think) about them blaming Baby on literally anything that has more or less to do with him. If Ballister's crying, if he forgets stuff, if Nimona coddles Ballister too much and pisses him off, if Ambrosius wastes all the cleaning product in two weeks because he had been cleaning too much (he's nesting and realizes that sometime later), if Nimona and Ballister eat the weirdest stuff that at least he wouldn't eat in normal circumstances- and a long etc.

-During Ballister's pregnancy, Nimona works the most she had ever worked in her existence (in the biscuit factory):

-Both Nimona and Ambrosius are the most supportive c: yippie. Supportive husband/best friend and supportive sidekick/friend/sibling/etc

>An example would be of Ballister being tired, and if the time allows, the other two will immediately suggest a nap.

>Their collective naps usually last hours and they wake up disoriented, sweaty, with drool and the sheets marked on their faces.

>Also they wake up almost always stacked, Nimona always under the other two.

Translation

Nimona and Ballister: (snoring) Ambrosius: Fuck- what year is it? (tries to lift himself up)

-Also Nimona is the self-assigned pregnancy pillow, and at first Ballister had refused to let her do that, but as a sidekick she took it upon herself to make sure that her boss was comfy and could sleep well - and Ballister reminded her that that's not what sidekicks are for. She said, fuck off I'll do it anyways >:c

>Anyways he sleeps great with her help and earns himself a huge told you so from Nimona.

>I had written a thingy where just when she woke up she was like good morning boss :D while Ballister also said good morning and she hugged him while pushing Ambrosius away, even out of bed. I can't remember where I left it but once I find it, I'll see if it's good for posting pipipi Also Ballister and Ambrosius are corny husbands

>Also here I drew my vague idea of a bear bc I was too lazy to look for Nimona bear references sowwy

-Nimona sometimes shapeshifts into Ballister to make fun of him.

(This one joke gets lost in translation which is a shame but I'm gonna share the comic anyways sdjs)

>(She's messing around about names, doing a play in words using Gloreth's name while Ballister is already warning her to stop)

>Nimona urges them to get a name soon because Baby is almost born, and they're like yeah chill we're on it - and they're both sitting on the sofa, with Ballister's legs over Ambrosius' lap, while Ballister goes through their list on his tablet and Ambrosius focuses on giving him a massage on his feet.

They're like-

Ballister: So, Cyril? Ambrosius: No, my horse at the Institute was called that. Ballister: Right, then not that one... What about Casper? Ambrosius: Hmm... no. Ballister: Why not? Ambrosius: I don't know, I just don't really like it. Do you? Ballister: Eh, it's alright, I guess. I don't think Baby looks like a Casper, though Nimona: You don't even know how he looks yet! Ballister: You shut up, kid >:v Ballister: So, what about…

And they're making nearly to none progress but yeah sjdsd

>Also imagine Nimona (as Ballister) imitating what he does now that he's pregnant but x10 times more.

Translations

1 AUGHH- MY BACK 2 FUCKING AMBROSIUS! 3 Ambrosito? Can you get me a sweet treat? 🥺 4 I'M HUGE WAAA

>And while Ballister is like wtf I don't act like that, he turns to Ambrosius like, do I act like that? 😥 And Ambrosius, who was laughing to himself, goes, well... not so intensely, which is good enough for Ballister.

>But Nimona points out to what Ballister is eating with a mocking smile (and it is weird to be mocked by a version of himself that has a pink strand on his hair, but whatever), and he's like ? what? and realizes that he did ask for a sweet treat almost like Nimona depicted he does, because he did pull the big sparkly eyes and he did call Ambrosius Ambrosito while at it.

>Then he's wondering if he really complains about his back like that (he does, but as Ambrosius said, he isn't so intense about it, usually just holding his lower back and throwing his head back as he winces. Normal)

>(the yelling insults at Ambrosius is definitely not true. But he does throw daggers at him with his eyes when he's angry, he has to admit to himself)

>Now, about crying because he feels huge- yes. Very much true, but he doesn't wail. Just sobs and cries a river like the sensible, serious adult he is.

-Also that thing of knights don't cry and whatever. This one knight does cry, and he cries a lot (at least while he's pregnant).

>He cried once because he dreamt that Nimona was a little spider and even though he warned Ambrosius to be careful, he accidentally crushed her and he woke up not only incredibly sad but also upset with Ambrosius, even though he was aware that it was silly to get mad with him over a dream.

>Nimona was like boss :( while hugging him, and Ambrosius had to scoot a bit away because Ballister didn't even want to look at him as he wept. Ambrosius said a lot of reassuring words of I'm sorry, I think I didn't see her :( while Ballister was like, but I warned you so many times :'[

>Then he was like, I promise you, I'd never hurt Nimona. And Nimona herself said, yeah boss, I'd crush him first, don't you worry about it :) and Ballister said, but I couldn't protect you :''[ while hugging her harder.

>And both Nimona and Ambrosius are (internally) like, ohh, so that's what it's about.

>Anyways, just a bunch of hugging and comforting gets him to feel a little less sad and also Nimona saying, but you're great at protecting me now :D so, there's all that sdjksd

-Sometimes Ballister just breaks down over seemingly the most trivial stuff too (which is usually just the last straw over a bunch of other stuff going on)

Translation

1 Ambrosius: Balli? What happened? D: Ballister (with one eyeline going up and the other going down): Ambrosito, my eyeline's crooked* *the straw that broke the camel's back (his hair isn't cooperating) (his back hurts) (done) (clothes feel uncomfortable) (the baby won't stay still) 2 Ambrosius (doing Ballister's eyeline): Stay very still, love (focused) 3 (they're in front of the mirror) Ballister (laughing his ass off): BUT HOW DID YOU MAKE IT EVEN MORE CROOKED?! Ambrosius (embarrassed): Aw Ballister (holding his belly): Ow, Baby, don't kick me, sorry, sorry! I'll stay still now-

>(Y'know when a pregnant person laughs the baby inside gets all shaken skdsd I find it funny, so imagine Baby being like ??!! because Ballister keeps laughing too hard and shaking him all around and his kicks are like him going, stay the fuck still D:<) (Ballister's still weepy but now he's crying with laughter, which is better than him crying from being overwhelmed)

-Also Ballister's very scared of giving birth but he's very good at pretending that Baby will simply materialize in his arms rather than him having to push him out.

(Drawings based over this)

Translation

1 Ballister happy because his baby is almost born 2 (Remembers that he has to give birth to him)

-The day that he was in labor and all, imagine the water just breaking and stuff and Nimona being like 'okay everyone DON'T PANIC' while panicking and also Ballister's panicking too (Ambrosius' at work and when he's told he also panics and arrives at the hospital in record time still wearing his armor. The power of first-time father panic)

(But someone gotta be not panicking in the situation, so Ambrosius calms the fuck down and becomes the calming presence that Ballister can rely on c: also Nimona calms down too and goes back to being herself and is very good at distracting Ballister while he goes through contractions and the hours before pushing.)

>Also y'know how in TV sometimes someone else imitates the pregnant person's breathing exercises by going huff huff huff quickly ajsdkjd

>Also Ballister going Nimona what about the bags and also don't carry me there?! and her going shit right and ignoring the second half, then returning for the bags and grabbing them, all while holding Ballister like a doll (a doll with a little doll inside SJDS pregnant barbie)

En español pensaba que fuera = AYÚDENLO, SE LE SALE LA WAWA - NIMONA DEJA DE HACER SHOW

-Wrote a lil something about Baby's birth and Ballister going through kinda a rollercoaster of emotions because at the very beginning of the pushing stage he almost had a panic attack, but then everyone in the room helped him calm down, and when he thought everything was going great, the doctor offered Ambrosius to receive their baby, and of course his husband was very excited about it and said yes, getting dressed up in the medical gown, the facemask, the gloves and all that.

(Initially everything after that was supposed to go swiftly, but I thought, no, what if Ambrosius faints like some dads do? and after watching a TikTok of a woman whose partner did faint and they had to pause her birth to hold him up because he was like over 6 feet tall, I was like hell yeah that's it)

>When Ambrosius finally got between Ballister's legs to look, his blood pressure went the fuck down. And since he's pretty tall and the nurse that tried to catch him was pretty short, the other one had to join in and then the doctor too to avoid him slamming on the ground. The thing was that Ambrosius was clearly fighting very hard against unconsciousness, giving the three people holding him false hope about him finally holding his own weight, making them almost drop him multiple times.

>Sensibly, the situation was kinda scary, because the three people assisting his baby's birth were busy trying to hold his husband from fainting. Said husband was clearly fighting with everything he got to keep himself conscious, and Ballister could very much feel his baby crowning.

>But seeing three short people trying to hold Ambrosius up and yelping when they almost dropped him several times, and remembering that Ambrosius had been so excited about it but hadn't been able to even stand the view, and feeling pretty nervous because his main emotional support couldn't even keep himself awake-, made him crack up.

>So, he's laughing out loud and going every once in a while, owfuck- because it still hurts like a bitch, while the other three keep going, YOU'LL DROP HIM. BE CAREFUL, SIR?? SIR, CAN YOU HEAR ME? and Ambrosius' like, yea- (faints again)

>(they're well aware that they gotta deliver the baby, so they're doing their best to hurry Ambrosius to get out of the way)

>The whole thing had made Ballister's body feel weak from the laughter, and he had to try and calm down to have strength again and push the baby out.

>As you'd guess, Ambrosius didn't receive their baby, and had to sit down and eat something sweet to not faint again, but he managed to stay on his feet well enough to cut the umbilical cord yippie.

>So anyways, Baby out, wrapped and all that, Ballister kept laughing more quietly about it and saying that they should mark the date in the calendar to celebrate Ambrosius fainting over almost delivering their baby. And Ambrosius' like hmm, I don't know Balli, maybe we could use this date for our son's birthday, don't you think? and Ballister's like OH RIGHT and now started laughing at himself.

I keep thinking of new stuff that contradicts what I already have posted, sowwy

>Imagine Ambrosius practically begging Ballister to not tell Nimona, while the other says she'd love to know but also is aware that she'd never let Ambrosius live it down, so he agrees on not telling her. Both eventually tell both Nimona and Baby when the latter is older and inquired about his birth, and indeed, Nimona loved the anecdote, and never let Ambrosius live it down, since then.

-Ideas about Nimona infiltrating the room in the form of a nurse after Baby is born and blowing up her cover when she commented on the baby's nose being just like Gol- Mr. Goldenheart's. And also, his hair being black like Bo- Mr. Goldenheart's.

>At the beginning when they had been admiring their baby, Ambrosius had said, he got your hair D': pipipi (he cried the second Baby got placed in his arms, got a drawing of that but I don't like how it came out wah, Ambrosius' wearing a facemask and being all tear-eyed pipipi) and Ballister had said, he got your nose :D but Ambrosius had said no? that's just a baby's nose, how can you even tell. But after Nimona commented on it, Ballister's saying told you so, it's your nose, while Ambrosius' like, Mr. Goldenheart could be either of us (both smiling amusedly because Nimona's too silly and they clearly know it's her, but she's all idk who's Nimona?)

-Also, I don't know how to make that work with the idea that when she got kicked out to the hall for the pushing bit, she went to steal some flowers and balloons with 'it's a boy!' on them for Ballister. But anyways, I'll write that bit too.

-Also this is Goldenheart with their baby, and I drew it a while back but realized that I don't like it anymore, so I'll do a redrawing someday sdjksd

>Imagine that Ambrosius was in the hospital bed with Baby while Ballister was getting ready so they could leave to their home, and Nimona said pictures timeee and then took that pic, with Ballister pointing at Baby and being all :D Also, Ambrosius looked pretty good and all, and Ballister was all unshaven face, kinda messy hair, the hospital band with his name still wrapped on his wrist as he pointed at Baby, and yet there were some people online that were like ??! Ambrosius Goldenloin Goldenheart was pregnant??

>And the people that knew even if a little bit about the Goldenheart's life, and also because they still went out and whatever, were like ? no? didn't you see Ballister like, a week ago? (Where he was very obviously pregnant and Ambrosius clearly wasn't sdjkdj)

>Every once in a while, Nimona would remember about this and repost it again, even after Baby is much older.

And that's it! If you read till here, bless you ajsdkadj

I've got more stuff about mpreg, both written and drawn, so I hope to make another post like this sometime, they're very fun to make :D

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Posted this on ao3, suppose i should post it here too

What if Gustave is an Immortal, roams around the continent and is a creation of Verso into the canvas. A result of grief over a lost friend.

Character design sheet

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part 2 after all (direct continuation)

hahah whoops qwq!

EDIT: part 1 here

(deltarune)

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When you have to do your families‘ taxes while your parents are arguing singing a boss battle theme in the room next door

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« For Those Who Come After »

.

I truly loved playing this game — the story, the gameplay, the characters… everything is so beautifully done.

It was such a joy to play as amazing, strong women like Maëlle, Sciel, or Lune — so well written (and so fun to draw too, hehe)!

If you haven’t played it yet, please do — it’s an absolute gem and a real masterclass.

(It even made me fall in love with turn-based combat, haha!)

Thank you so much to @sandfallgames for creating this game — my little French heart is so proud that it’s made here!

@expedition33official is my personal GOTY of the year 🥖

🥖 🍷 💙🤍❤️ 🍷🥖

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You don't know the absolute joy I'm feeling at FINALLY being able to draw these two the way I wanted 13 years ago (is this the hijack Renaissance or what? Ppl are being too active on tumblr and ao3!)

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An extra Lune and Sciel sketch!

Went with the Verso and Sciel romance not knowing Lune was a possibility, thinking about it i would've loved to have an option for those two, their scenes under the stars were really sweet !

I wish we could've seen more or them together.

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EXPEDITION 33 CHARM PREORDERS

💫 SHOP + DETAILS

running from 07/05 - 07/19

💫 clear acrylic 2.5 inch double-sided charms

💫 available: sophie, verso, maelle, sciel, gustave, lune, monoco & esquie

💫 made to order + ships internationally

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EXPEDITION 33 CHARM PREORDERS

💫 SHOP + DETAILS

running from 07/05 - 07/19

💫 clear acrylic 2.5 inch double-sided charms

💫 available: sophie, verso, maelle, sciel, gustave, lune, monoco & esquie

💫 made to order + ships internationally

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Introducing the AO3 Tag Blocker!

This is a browser extension designed to permanently block tags on the Archive of Our Own. This includes relationships, characters, fandoms, and additional tags. It also blocks ratings and archive warnings. It will remember all this between sessions, so you won’t have to enter them more than once.

Once you’ve given it the tags, ratings, or archive warnings you’d like blocked, they will be blocked on every page on AO3 where works can be filtered. That is to say, almost all of them. I’ve listed the places where it doesn’t work on the About page of this blog.

THIS EXTENSION IS NOT AS USER FRIENDLY AS THE ARCHIVE IS. PLEASE READ THE DIRECTIONS BEFORE TRYING TO USE IT.

This isn’t a professionally developed extension, and it’s the first release, so there are probably some bugs. If you see a tag where it shouldn’t be, the tag blocker breaks something on AO3, or if you’d like to request a feature, feel free to message me.

Since tumblr will shadowblock this post if I put links in it, links to the directions and to download the extension can be found on this blog. Currently, the extension is available in Chrome, Firefox, and Edge, with Opera on the way.

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Hi hi! I hope you're having a good day so far! 😊 I have been super appreciating seeing you creating site skins and I saw you said you were self taught. I wanted to ask if you might share some of the resources you've found helpful in learning to make them. I've gone through the posts ao3 has in the FAQ and I have got some limited experience with html from the myspace/livejournal/early tumblr days (though it's been a while since I used them and am definitely rusty lol) so I got a grasp on basics. I can figure out how to make changes like color and font and padding and etc, but where I've been struggling is trying to figure out what the available selectors are and what they control. Like .workskin and .bookmarks. I've tried to find something like a glossary or list of what's available to mess with and I've tried just going through other people's skins to see what I can decipher, but it's definitely been a struggle to process and understand working that way. Any pointers or resource suggestions you might have are greatly appreciated! Thank you!

My main resource for the CSS code skills is W3Schools.com. The tutorials are mostly easy to follow, and most of them have an option where you can run their code and then modify it to run your own version.

If I can't find what I need there then I just google "CSS drop cap" or whatever I'm trying to do and something usually pops on StackOverflow or CSS Tricks.

As for the selectors, that's where you want to be on a computer instead of a mobile device so that you can use your browser's Inspect feature. Right click on the page you want to look at and this menu pops up. You can choose Inspect down there near the bottom.

Using a cut because of length and screenshots.

This is what AO3 looks like with the Inspect window open in the Firefox browser. If you're using Chrome, the window will open along the right hand side instead.

The thing that makes the magic happen is the tiny little arrow inside the tiny little box in the far left upper corner.

Click on that little arrow and then hover your mouse over the website. As you move your mouse around, different areas will highlight. You'll also see some mouseover text telling you the selector for that element.

a.tag is still pretty generic, though. That just tells you it's a link (the html a tag) that is also a tag. So how do you get to know that specific link in particular in that specific part of that specific page?

Click on it. When you do that, the inspect window will shift automatically to that exact area of the code, including selectors

On the left, you can see the favourited tag link is highlighted. On the right, you can see a couple of different snippets of code that start with .splash .favorite a

if I scroll down within that window, I can see more code for that area of the page

this shows me that tag links have a red background and white text when you hover over them

a.tag:hover { background: #900; color: #fff; }

The great thing about the inspect window is that you can do temporary edits in there to try stuff out. So you could change that red to a blue. You could change the white to black. You can add more lines of code like a border or increased padding etc and see it change live on the screen. All changes will revert if you refresh the page.

The other thing, that I only JUST noticed as I was making that medieval skin (or maybe the rustic hospitality one I made just before it?) is that there's also a breadcrumb along the bottom of the lefthand window!

That breadcrumb shows me the exact selector I need for the element I clicked on! In this case, that favourited tag can be styled with

.splash .favorite.module.odd li a

I have no memory of why I know this but you leave off the div when you're writing the CSS

You can get as specific as a link (and even use a pseudo-class like nth-of-type if you want to make each one of those links a different colour) or you can leave off the li a (list item link) and just style the box itself. That's how I added the woman throwing hearts into the favourites in the medieval skin.

This might be too much information or it might make you crave even more, but either way I hope it gets you started? Good luck!

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This au has risen once again, and it makes me so sad but it also has such great comedic potential

Reblog, don’t repost!! Instagram | Twitter - laquilasse

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Hiii, I was just wandering if you wouldn’t mind blabbing about the symbolism and stuff behind some of your design choices with the horse men that you might not have mentioned. Like with pestilence and death specifically I feel like there’s a lot of symbolism I’m picking up on without fully understanding. Like with Death’s sickle, both a homage to the classic scythe and a nod to the “reaping/harvesting” of souls. And with pestilence I feel like there’s something that I’m skirting around without grasping. The multiple legs strike me as a deliberate similarity to insects, and if I’m right I think that the rider is bound in a body bag type deal, similar to how disease and pestilence is so often both spread through the improper disposal of body’s, and how wide spread pestilence leads to mass graves filled with disease and the horrible anonymity that comes with being just one face in a pit of hundreds etc? All of this is, ofc, to say that I’ve adored your series of the horsemen so far and would go absolutely rabid for some insight on some of your design choices<3

My horsemen of the apocalypse! I will add the original commentary and some extras, less about the symbolism and more about what brought me to design them the way I did.

The symbolism is for you to chose, there is no wrong answer.

WAR

I can't bring myself to represent war with a cool knight. It's horror. War is a bound child crowned with shrapnel, tied to a wounded horse that is being pulled forward by unseen people.

I've read a handful of books regarding war. A lost quote said that it should be shown as horror, it should make generals vomit, it should make you sick. I haven't seen war but my family has.

It was the first horseman I've designed, and it was in my sketchbook for months (maybe over a year, maybe even more) before I had the courage to draw it. I was really scared about how people would react to a mutilated child.

Recommended reading: The Red Crown - Mikhail Bulgakov, a short story about a man coping with the loss of his brother in the war

FAMINE

Someone who lived thro a famine shared that their head was only occupied with thoughts of food. Famine consumes your mind. All animals were eaten. Neighbors gave their pets away cuz they couldn't do it themselves. People walked around town as if in a dazed dream, slowly

Recommended reading: The Last Witnesses - Svetlana Alexievitch, a collection of testimonials of people who were children when WW2 began. Some quotes below;

'''A cat! A cat!' Other children saw it and started chasing it. The educators were local habitants, looked at us as if we were insane. In Leningrad there were no living cats left...A living cat was a dream. Food for one month...We talked about it, but they didn't believe us.''

''During the first year of evacuation, we didn't notice nature, everything that was nature provoked in us only one desire - taste to see if it's edible. Only a year later I noticed the beauty of the Urals''

''I dreamt of catching a sparrow and eating it...''

''A candle burns and the shopgirl cuts the bread pieces. People follow her with their gaze. Her every movement...with burning eyes...crazed...and all that in silence.''

''People walked slowly through the city like shadows. Like in a dream...a deep dream...As in, you see it, but you think you're seeing a dream. Those sluggish movements...floating...As if a person walked on water and not on land.''

''In Leningrad there are a lot of monuments, but one is missing that should exist. They forgot about it. The monument to the dogs of the seige. Dear doggy, forgive me...''

I don't like talking about it. It made no sense to draw Famine with a horse.

PESTILENCE

Based on the notes of a doctor who said the most frightening thing about viral disease was how it didn’t frighten. People didn’t know or didn't care. They lived and spread until it was too late and they became another name on the record

The clothing being made out of shredding plastic is no coincidence; pollution is a form of pestilence too

Recommended reading: Notes from a Countryside Doctor - Mikhail Bulgakov. Roughly translated quote below;

''Ah, I verified that here syphilis was frightening precisely because it did not frighten. That was why I evoked that woman.* I remembered her with a kind of affectionate respect: because she had been afraid. But she was the only one!''

*Early in the chapter, doctor mentions a woman that appeared in the clinic with a letter from her soldier husband, where he wrote that he had syphilis and told her she should go to the doctor too.

DEATH

Recommended reading: Voices of Chernobyl - Svetlana Alexievitch. The Death of Ivan Ilitch - Lev Tolstoi

“Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone - the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.”

Death is the only horseman that doesn’t need to mount their horse; they will reach everyone eventually. Who is the saddle for then? Open ended question because this one you have to figure out personally

Many people pointed out how the horse is a Clydesdale. Good eyes! I purposefully asked a friend to guide me towards what type of horses are the sturdiest and most-friendly looking. I drew the horse grazing. It's not injured, it doesn't gallop. It's grazing peacefully because life moves on.

This is the only design that had a painting serve as a base - The Reaper, by Alexey Venetsianov. Not much or nothing at all is written about, I saw it in a book. It is a literal reaper but it haunted me, as if it's portraying more than a person.

The choice to make it a woman was due to a book about a crematory (Smoke Gets in Your Eyes - Caitlin Doughty) that connected women to death because everyone born is bound to die.

Ahhh, I don't want to give it all away. It's fun to figure things out. About them all. From the enviroment, to the movement, to the horses themselves. Many people even mentioned details that I did not notice and didn't add purposefully that were so inspired and amazing. I truly mean that the interpretations of the public enrich the works even more than my own words. And it's an honor to share that work with everyone.

Thank you anon!

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Testing out acrylic marker by spamtenna