mr-mimir

[mr-mimir]

[mr-mimir]

The problem isn't the over designed twinks or the silly horse girls or the goofy cookies it's the gambling. You guys know it's the gambling right? I need to you all to know the problem with gatcha games is that they're just normalizing gambling addictions to younger generations.

[mr-mimir]

sickens me to my stomach. how dare this guy get to live my dream.

[mr-mimir]

The best advice i can give any creator is do it before you're good at it, do it BEFORE you're happy, do it while you suck, do it while you're doubting yourself and get stuck the fuck in, because waiting around to be "good enough" is a motherfucking trap of the highest degree. You'll get good along the way and better after ever project is complete. Remember, this is the greatest thing you've ever created, and then you'll do something else. You're only ever gonna get better, but not if you stand still.

[mr-mimir]

OCD symptom i struggle with but don't see talked about a lot: inability to trust your own memory and/or perception.

as an example: i put my headphones in my bag. i say im sure they're in my bag, but what if i imagined putting them in my bag? i have to check, so i stick my hand inside and grab them. but then i have to check *again* because what if i just so happened to have another object shaped and sized exactly like my headphones that i just forgot about? so i have to pull them out of my bag and look directly at them to fully confirm they were in my bag

this is a fairly benign example but this also happens with other worse scenarios for me and it's. not fun

[mr-mimir]

"that doesn't sound sincere- it sounds rehearsed" is one of the most devastating and fucked-up statements you can make to anyone in the neurodivergent/ADHD/Autistic/Schizophrenic/Disordered Personality sphere. yeah bitch it's rehearsed. because i wanted to get it right when i said it

[mr-mimir]

Writing existing character voices for fanfic

Hey, so, I started doing a writeup a week ago about how to get character voices in your fanfic to sound “in character,” in response to a comment from a new writer I was beta-ing for. 

I’ve been told this is a thing I do well.

As someone who studied dialogue extensively for a theatre degree, I tend to do this reflexively now, and I don’t write out each individual step. But I put some thought into how I might break down the process if I was new at it and looking to get better.

I don’t think it’s actually that different than an actor studying character accents, except as a writer you’re breaking down meaning rather than sound.

Let’s take a look at what makes dialogue unique to a character. I’m gonna list these as bullet points first, and then I’ll suggest some exercises to explore these aspects of speech.

Most important aspects - focus on these first

Vocabulary - the words they use. As subset of this:

Complexity of words, which can include:

Syllable length

Likelihood to be used in casual conversation - a character can be very smart and still use very informal language.

Cultural touchpoints

Culture can include pop culture references - think Tony Stark’s nicknames for everyone, i.e. “Point Break” and “Underoos”

How in or out of sync the character is with the story’s setting with regard to both time and place - are they from a different country or era of time than their peers?

Important - Check these out if you have time

How likely the character is to speak their mind vs. change the subject - this could be for any number of reasons, from fear to duplicity

Amount they say / Introvertedness / how reticent they are - This is somewhat related to the above point, but not necessarily, and should be researched from different angles. Subverting a topic is not the same thing as being afraid to talk about it.

Different ways of speaking with different characters - this could be a function of story (i.e. how a character who is captured speaks to their captors as opposed to friends) as well as pure Code Switching

Deep cuts - Advanced aspects of speech

Fluency in the language they are speaking

Accents - You do not have to write a character in an accent, i.e. spell the words differently to show the accent, if you don’t want to. It really depends on the piece (usually how light hearted or humorous you want it to be) whether you do or not.

Okay, this is all well and good, you say. But HOW do I incorporate this into my writing?

Dialogue analysis exercise

Find five (or more, but at least five) representative lines from your character’s canon dialogue.

If they don’t speak, don’t have five lines, do the best you can. (I imagine other forms of communications can probably also be analyzed in this way, but I’m gonna focus on dialogue for now.)

These are going to be your key phrases. They need to be from canon and they need to be words that really show off who your character is.

Say the words out loud. Read them again and again. What do they sound / feel like?

What is the average syllable length? How many long words do they use?

Do any words jump out at you as archaic? What about modern pop culture references?

What is a different way they could have said this? Write some alternate versions of this phrase and figure out WHY the character didn’t say it this way instead. What is the difference between the canon dialogue and the alternative? Try to be as specific as possible. It’s as important to know what they wouldn’t say as what they would.

Look up any of the more complex words and find some similar ones, with a similar level of complexity. Use a thesaurus you trust and possibly also Wordnik. If your character doesn’t use ANY complex words, reflect on that. Why? What’s their reason? How does that fit with the rest of their personality?

Think of some other characters from other pop culture pieces who speak in a similar way. It doesn’t have to be 100% the same, but if it can help your ear get used to some new-but-different phrases, it’s enough. You’re training your brain to speak like the character. Start to sort phrases they would say from ones they wouldn’t. How do these two characters differ?

Now that you have worked thoroughly through your key phrases, start to imagine these lines said in something other than the original context. What if they were said to a different character? WOULD they even be said? What would change? What would happen if your character was scared / hurt / overjoyed / sick?

Finally, after all that, write some NEW dialogue for your character, either as practice, or right into your fic draft. Keep using your key phrases as a guide and go back to canon as much as you need to! You can do this!

After all of this, you should feel significantly more confident in writing that existing character into your story. Huzzah!

If you found this at all helpful, reblog and / or leave me a note. I’m curious to hear what you think.

[mr-mimir]

[mr-mimir]

[mr-mimir]

Nothing slapped my shit back into place like someone pointing out that the "genius gifted child with so much potential who got burnout and mental illness" is just the nerd equivalent to the jock "could have been a pro at sportsball if it wasn't for the injury".

[mr-mimir]

they should make a version of socializing that doesn’t make you feel like you’re still the weird 12 year old kid that doesn’t know why she’s not normal like the other kids

[mr-mimir]

Direct byproduct of being neurodivergent and growing up isolated from your peergroup is having no idea when it's appropriate to define someone as your friend

[mr-mimir]

Things you can watch/do instead of YouTube, For those who may have trouble finding things to do.

1. Internet Archive. Has plenty of videos to watch, plenty of games you can play that are emulated right on the website. You can also find entire collections of roms. For emulators, check out Emulation General Wiki to find the best emulator for the system you want to emulate.

2. r/piracy has a wiki full of safe places to read comics and manga, to watch anime and cartoons, and to watch movies.

3. Virtualbox, you can set up a Windows XP virtual box and get old PC games from Internet Archive. You can also check out CD Game World if you need a no-cd patch.

4. Saltybet. A Livestream of MUGEN with thousands of characters fighting against each other, sometimes things get hilarious. Runs 24/7.

5. The Cutting Room Floor, spend hours reading up on cut content from your favorite games.

6. Lost Media Wiki, read up on lost movie, books, animation, video games, etc.

7. Neocities, learn coding and make your own website!

8. WebDSR, explore shortband radio

9. Radio Garden, listen to radio stations from around the world

10. Every Noise At Once, explore the widest archive of music genres, with samples and Spotify playlists

11. My Retro TV, pick and era and watch popular television from that time period

[mr-mimir]

did hope fail to come with the dawn or am I just sick?

[mr-mimir]

the thing that sucks is that people love saying sleep early is good etc etc and yeah it is. I've seen some benefits before. but I think it sucks to ignore that late night is the only time with any freedom. I think it sucks to not acknowledge the dread in waking up and it's a work day again

[mr-mimir]