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Exploring Ironic Sweden's Sonic Saga: "Media Whore" In this sonorous ballad of bytes, "Media Whore" by the audacious Swedish collective Ironic Sweden, we are taken through labyrinthine electronicsᅳ an echo-scape both somber yet vitally pulsating. It is a bizarre simulacrum, humbly cradled in their southern Swedish studio, steeped in rich synth pop and EDM sensibilities yet seeping into brave new territories. https://open.spotify.com/track/3bPoIUfTNFEIYBNqq8SkbO The hand of UK's Callum Melville ᅳnotorious Calibeatsᅳ that crisply produced this sonic saga is finely felt. Like runic stones etched with modern lore, every vibrant burst and melancholic undertone perfectly echoes its far-reaching theme: the relentless thirst for fame and perpetual price it commandsᅳa media harlot begging for coins of attention. [caption id="attachment_55137" align="alignnone" width="768"] Exploring Ironic Sweden's Sonic Saga: "Media Whore"[/caption] Riddled with influences harking back to pristine synth-pop days akin to 'Lost Eden'ᅳtheir previous endeavorᅳthe band now adopts a more anthemic energy as members Dan, Stefan, and Tezz straddle between familiar rhythm-flows and surprising crescendos. And isn't life too flirtatious often playing dice with our fates; where past meets present forming futures unforeseen? "Media Whore,” then becomes not just sound but paradox-perfume from Ironic Swedenᅳan electronic opus breathed out like virtual vapors twirling amidst trials of celebrity-hood...until they fade away. The song? A masterful nuance cacophony; The review? A chaotic symphony wrapped as words dancing on a fine line called music critique. Follow Ironic Sweden on Website and Facebook

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Meet CHINSON: The DJ/Producer Behind "Want You Now" Presenting CHINSON, a budding EDM artist whose recent single, "Want You Now", is taking listeners by storm. This powerful tune, with the beautiful voice of Karen Inder, is a showcase of the skills of CHINSON as not only a DJ but also as a producer. Set to be released on April 5th, 2024, "Want You Now" is a progressive house anthem composed of the distinctive elements of electronic dance music. CHINSON writing talents are very clear and can be seen in the beats, words, and whole storyline of the song. In addition to its beguiling arpeggios and thumping bass drum the track is more than just a song, it's an experience that promises to leave the listeners spellbound. But do not trust us blindly! CHINSON has proven himself to be deserving with previous remixes being featured on Capital FM's weekend show and BBC Introducing radio station. Most recently, "Want You Now" has become CHINSON's latest single, where the artist is moving forward and expanding the boundaries of electronic music, captivating listeners with their diverse flow and creative sound. In summary, what's the underpinning factor behind CHINSON's triumph? In this one-on-one interview we will find out how they made it from being nobody to such success on the music scene. Come with us on a journey uncovering the factors that inspire their music, their creative process, and the plans they have for their future. Listen to Want You Now below https://open.spotify.com/album/47HPxJGSaBJwEpEoeTBnls Follow CHINSON on Facebook Spotify Soundcloud Instagram Titkok What is your stage name CHINSON Is there a story behind your stage name? It was a nickname I had in high school and it stuck with me ever since. Where do you find inspiration? It come in varies forms like the music I love to listen to, playing video game, watching films or even just going out for a walk or night time drive. What was the role of music in the early years of your life? Music didnt really have a role in my early years, it wasn’t till I was a teenager that music really had an impact and role in my life. Are you from a musical or artistic family? Other than my dad being a mobile DJ in the 70s and 80s I dont really come from a musical family. Who inspired you to be a part of the music industry? I like to think the artists I've listened to over the years like Daft Punk, deadmau5, David Guetta, Swedish House Mafia & Hardwell (In that order) inspired me to make music but the moment happened when i saw Axwell /\ Ingrosso live at Creamfields; thats what pushed me to start making music. How did you learn to sing/write/to play? I learned on my own by making mashups and remixes but watching tutorials on Youtube from big producers and channels specific to music production definitely helped me learn and I am still learning alot to this day as im progressing with my music which is good cause i believe there’s always something new to learn. What was the first concert that you ever went to and who did you see perform? The first ever concert I ever went to was Hardwell's I Am Hardwell World Tour in Manchester at the Victoria Warehouse, I was a huge fan of his music when he became the number 1 DJ so seeing him live was an amazing experience. How could you describe your music? I would currently describe my music as "Melodic / Progressive" as all the elements I use come from genres like Melodic Techno and Progressive House. Describe your creative process. My creative process isn’t always the same, It can start with an idea for a drop, for a breakdown or from vocals ive heard and like which I then build a track around; ive never really had the same creative progress when making music. What is your main inspiration? My inspiration in the early days of CHINSON was to make it big like the artists I love but as ive grown and made my music the inspiration has changed to wanting CHINSON to represent a feeling of emotion and to help, inspire and impact peoples lives.

A quote from deadmau5 that stuck with me was "If you can impact just 1 person with your music it makes it all worthwhile" [caption id="attachment_54883" align="alignnone" width="1440"] A quote from deadmau5 that stuck with me was "If you can impact just 1 person with your music it makes it all worthwhile"[/caption] What musician do you admire most and why? Alot of musicians have inspired me over the years but right now there is a DJ / Producer called Aaron Hibell that is inspiring me the most right now because no producer has had such an impact on me emotionally then his music. Every track or snippet of music hes working on always hits me on an emotional level which I love and aspire to do with my own music. Did your style evolve since the beginning of your career? It definitely did! In the beginning I wanted to make EDM tracks like Big Room and Electric House which then turned into Deep House and Commercial House after I started DJing in commercial / mainstream nightclubs and bars in the UK and now my style has evolve to the Melodic / Progressive concept I have create for CHINSON. Who do you see as your main competitor? I dont have one, I see every DJ / Producer as an equal and ive always had the same feeling back whenever ive talked to one which is great. What are your interests outside of music? I’m a big gamer with the Halo series being my favourite, I like football with Liverpool being the team I support, I love fashion with my favourite brands being Represent, Cole Buxton and Against All Odds and quite recently ive taken an interest into Formula 1. If it wasn't a music career, what would you be doing? Probably what im doing now which is working for my family business as a day job or maybe stick to being a commercial / mainstream DJ in the night life industry. What is the biggest problem you have encountered in the journey of music? Id say for me the biggest problem i've had is staying consistent with making music especially when you're not feeling inspire or have "Producers Block". https://open.spotify.com/artist/1c2aLl08W9dNOAzToMbXYI?si=NnHZSJTSTjCtthnsgZs-BQ If you could change one thing in the music industry, what would it be? I've honestly never thought about that so I dont know what i would change but thats probably for the best cause wanting to change something you can’t can be a distraction which is something want to avoid. Why did you choose this as the title of this project? The title for this project "Want You Now" came after I received the vocals form Karen Inder who did an amazing job! after listening to them I knew instantly what the title of the track was going to be. What are your plans for the coming months? My plans are to finish more projects and hopefully get them released whether thats with a record label or independently and to do it consistently. Do you have any artistic collaboration plans I do have a few projects that im currently working on with more featuring artists which i hope to finish and release in the next few months. What message would you like to give to your fans? Thank you for your continued support over the years, thats been the driving force behind my music and keep your eyes and ears open for whats coming next.

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Harmony in Diversity: The Many Faces of Nathalie Bonin's Music Nathalie Bonin, a professional musician and composer with great ability, is admired for her wonderful songs and her charming performances. She has a long time experience in making music and has experimented on different types of beats. For Nathalie Bonin and Simone's album "Taste of Light" the collaboration is nothing less than magic. Each song takes the listeners on a trip, that blends Nathalie's inspiring works with Simone's epic scores to make them experience the movie as if they were there. A song named "Prestigious Emblem" stands out in the album which has received additional attention for being included in the trailer and marketing campaign for the coming season of the Netflix show BRIDGERTON. The album has a total of 10 songs on it and each song has a wild feeling to it, I like the fact each song comes with a unique style. The inclusion of the magnificent Dinamika Ensemble, that has been conducted by the Grammy-winning violinist Nathalie Bonin, helps the song create a scenery full of refined and elegant elements of 19th century British way of life. In this conversation, we'll listen to Nathalie's musical story, how she started learning classical pieces as a kid and now is able to experimenting with all kinds of sounds. We will uncover what drives her, how she managed to learn the art, and what her goals for the future are. Listen to Taste of Light Album below https://open.spotify.com/album/0l2NbHSpijhdZCHUavBtDI Follow Nathalie Bonin on Facebook Twitter Youtube Spotify Soundcloud Bandcamp Instagram Tiktok What is your stage name Nathalie Bonin Is there a story behind your stage name? Not much haha! Where do you find inspiration? In art, nature, meditation, beauty in general and the pure human nature of emotions. What was the role of music in the early years of your life? I started playing the violin when I was 4. My parents are music lovers and so we started every day by listening to Classical music. Music was definitely a large part of my childhood and I became very serious about it at a very young age, participating in National competitions and contests from the age of 8, to becoming a member of a the NY Youth Symphony Orchestra when I was 12 and starting to play professionally in orchestras and recording sessions by the age of 17. Are you from a musical or artistic family? I am from a family of music lovers. My dad was a choir director earlier in his life but did not pursue in music. My mother played cello for a few years. Who inspired you to be a part of the music industry? Initially my mom, by bringing me to that concert as a young child. Later, my mentors and friends that have believed in me throughout my career and have encouraged me to pursue my dream. How did you learn to sing/write/to play? I had private teachers to learn violin, piano and singing and later I went on to study at McGill University in Montreal, Canada where I graduated with a bachelor’s degree in Music Performance. After about 10 years, I got interested in composition and studied with Berklee Online where I got my Master’s Certificate in Composition for Film/TV What was the first concert that you ever went to and who did you see perform? The first concert I remember going to actually became the reason why I am playing today. My mother brought me to a violin school end-of-the-year concert and that is where I asked her if I could also play with them. Later, she took me to a concert with the violin virtuoso Yehudi Menuhin who became somewhat of an idol for many years as I was getting more serious in my music studies. How could you describe your music? Rooted in classical yet always exploring new styles from jazz to pop, world and beyond. I am definitely an “Explorer” type and for me the most important is the story and the message I want to convey. I tend to infuse mystery and soul-stirring emotions in my melodies and other times more passionate and fierce bravoura J

[caption id="attachment_54879" align="alignnone" width="1440"] Harmony in Diversity: The Many Faces of Nathalie Bonin's Music[/caption] Describe your creative process. I usually start by meditating and stretching in the morning which helps clear my mind. Then, depending if I write to picture or not, I will either get into the mood of the story I need to score by watching it numerous times and improvising to it until I find a thread. If I write a piece for an album, I start by imagining the story I want to tell or the core emotion I want to convey. And then, again, it’s about finding that thread until it just “clicks”. I feel it in my heart, and I know it’s right. Once I have the thread, it usually goes like a river flowing at least for part of the cue or piece I am writing. The important thing in the process for me is to be taken by the music I write. I need to be moved by it with some emotion. It may be tears, passion or joy but I need to convince myself. If I don’t, I keep searching or just start over. This is my way of knowing that what I write is authentic and I find that it usually resonates most with my audience. What is your main inspiration? Nature and Love What musician do you admire most and why? This is a tough one! I admire so many musicians and composers, it’s impossible to pick just one, but I’ll say that lately, I’ve really admired the career of Nathan Barr. Not only is he an incredible musician and composer but he is also an innovator, an educator, a creator and quite the entrepreneur having build the incredible Bandrika Studios to house the old Fox Studio Wurlitzer organ he recovered and restored. His passion for music, sound and storytelling is so inspiring! Did your style evolve since the beginning of your career? OMG!! Haha!! I feel like I never stop exploring! This has been actually the most interesting side of my career but also the most challenging as people find it sometimes hard to figure out who I am as an artist. I’ve finally come to peace with it by defining myself as an explorer and a creator. So, I initially started with classical music up to a top professional level, then I went on a journey of exploration through world music performing with a tango ensemble, a Moroccan band and a jazz fusion trio “à la Jean-Luc Ponty/Mahavishnu”, I rocked the stage with Metal bands playing electric violin, performed at the JALC with Wynton Marsalis and Ted Nash, performed, recorded or toured the world with pop stars like Stevie Wonder, Charles Aznavour, YES and Chance the Rapper, composed numerous soundtracks from romantic to horror films and even created my own aerial violin act that I performed for 12 years(!). How did my style evolve through all that? I think my music today is impregnated by all these flavors of culture and styles and it makes my sound what it is today. The sound of an explorer J Who do you see as your main competitor? I have to split this question according to the hats I wear, but on the performance side, I’d say between Lucia Micarelli/Lindsey Stirling/Anne Akiko Mayer while on the composing side, I’d say Rupert Gregson-Williams, Rachel Portman or Alexandre Desplat. What are your interests outside of music? I love biking, hiking, good food and going out with friends If it wasn't a music career, what would you be doing? Nothing else! Seriously, I would not be in music if I thought I could do anything else. No plan B as Hans Zimmer says haha! What is the biggest problem you have encountered in the journey of music? The fact that musicians are given such a small portion of the pie especially since the advent of streaming while the big corporations actually make billions from the art we create. It is a very unfair and hardly sustainable system. https://open.spotify.com/artist/55BZUdbXaLJ19bPLe7YOI6?si=KZTNK1ijQsiidV5Nf_XQEw If you could change one thing in the music industry, what would it be? Give back more to the creatives. They are the soil and seeds of all that blooms in the industry.

Without creatives, the corporations would not make money. Also, I believe in the new blockchain technology and its potential to pay artists their royalties and residuals instantly for their plays or synch licenses (not 1-3 years later which is usually the case at the moment) Why did you choose this as the title of this project? I think we are all in search for more light in our hearts and our lives. This album will hopefully give the listeners a Taste of Light. What are your plans for the coming months? I am working on another project right now with Radhika Vekaria, a wonderful Indian British Singer. This Indian infused cinematic album will be recorded later this summer in Europe. Do you have any artistic collaboration plans Yes, Simone Benyacar and I have continued working on new pieces together; I am finishing the album with Radhika and I have other projects for immersive performances in the next year… What message would you like to give to your fans? I am very excited to share this new album with you and I hope it resonates in ways that will light up your imagination and stir deep emotions.

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Juliana MacDowell Pours Her Heart Out On 'Big Old Yellow Moon' The record kicks off with a heart-wrenching line, "I never thought I would live without you," which immediately paves the way for the next one, the long awaited album of singer-songwriter Julianna MacDowell. The way MacDowell sings, it is evitable that she puts all that she has into her music, her lyrics are something you can connect with, so are her tunes which are both gentle and emotional. "Big Old Yellow Moon" album by MacDowell brilliantly demonstrates her ability to write country-pop songs with the classic old flavor which would still sound original today. Whether harmoniously mixed soulful ballads or vivaciously loud country-pop anthems, each song in this album carries an underlying charm and attraction of the artist. [caption id="attachment_54875" align="alignnone" width="1080"] "Big Old Yellow Moon" album by MacDowell brilliantly demonstrates her ability to write country-pop songs with the classic old flavor which would still sound original today.[/caption] The title song with all its musicianship sprawls as an apt representation of MacDowell's artistry. With well-crafted melodies and a story of finding yourself after breakup- the song brings out emotions and boost the viewer. MacDowell’s intense singing and the song's distinctive harmony, in turn, give birth to a cozy sonority that one fidgets over. Listen to Big Old Yellow Moon https://open.spotify.com/track/2CbWuyCvRwPba5gvOQdZ93 Follow Juliana MacDowell on Facebook Spotify Youtube Instagram

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Introducing Ellery Twining: A Musician Crafting Sonic Narratives Ellery Twining, among the countless maestros, stands out in a unique fashion in the music scene. This multi-talented artist has made his own road with an iron will that led to the emergence of artistic sincerity-a characteristic that is dearly cherished of these fans and critics all around. The singer's musical career began with the intimate album "REVENGE," but he has already been through the transformation of his whole style. Lately, he dropped an album," RESULTS" which is not just a compilation of new songs but an audiovisual fabric that has got to do with the narrative established in his debut album. Not only is this album remarkable, but also what really makes it remarkable is that Twining plays every instrument himself and writes all the lyrics by himself, giving it a unique sound that no one else can possibly make. The song “S.B. Butler” is also worthy of note, accompanied by a powerful music video full of visuals describing Twining’s adventures in the soundscapes of post-pop. Directed by the photographer Michelle from Mystic, CT the video does a detailed piece on meshing together pictures and story that evokes with nostalgic feeling and self-reflection. Filmed in Mystic CT and with model Carly Straub, the video essentializes the song. In our featured session, Twining reveals to us his artistic process, sources of inspiration, and future goals. Since the early days of music to now, he is able to reveal the process of understanding and developing his own style. Come with us as we discover the world of Ellery Twining- an artist breaking rules and offering his fans a trip along the path of self-exploration through his music. Watch S B BUTLER below https://youtu.be/oyTBwjasAkQ Follow Ellery Twining on Facebook Twitter Bandcamp Instagram What is your stage name Ellery Twining Is there a story behind your stage name? Yes. I’m not a big fan of my given name, certainly not as a musician. There was a guy in Mystic when I was a kid who had a mastless sailboat docked next to the drawbridge. Year after year he was there, but no mast was ever raised. I think his name was Charles Thompson, but he had a brother, who was a painter, and occasionally Ellery Thompson would show a few paintings on the deck of his brothers’ boat, complete with sign ELLERY THOMPSON PAINTER. I loved that name, Ellery, even as a kid. When I started to do social media, I decided to use Ellery Twining so I would have a layer of anonymity. Years later when I began to write songs as a solo act, the name was already set up for me. Where do you find inspiration? “I have a million ideas that I ain’t even rocked yet.” What was the role of music in the early years of your life? I was lucky enough to be a kid in the 1970s, and I had no idea disco was “uncool” or that anything WAS anything. There was so much good music on the AM radio, and then the explosion of FM in the late 70s, I was surrounded by music. Great music. But I was setting up pots and pans as early as 4 years old banging away with wooden spoons in the kitchen of my parents home.   Are you from a musical or artistic family? HA! Not at all. I used to think I was mixed up with some other kid at the maternity ward. I do have a kind of funny story about that. I work at Mystic Disc, one of the great American record stores. Every once in a while I get a shy customer who is afraid they are not going to look “cool” in the record store if they ask me a certain question. I always tell them how my parents had no taste in music, but my mother had a bunch of Barry Manilow records. And of course I listened to them incessantly. No one can surmise what music affected you in what way at a certain period of your life. Who inspired you to be a part of the music industry? Seeing The Police live in 1983 at the height of their powers. How did you learn to sing/write/to play? I don’t really sing, so I am not going to claim that, but I did perform extensively on the spoken word poetry scene in the 1990s.

So, what I tried to do was use the syntax of spoken word, and utilize that method to combine the height of the lyric within the proper moment of the song. I basically taught myself how to play the drum set. At first I would bang out vocal melodies on the toms, and gradually figured out how to layer and combine the cymbals and the drums and pace. But where I truly became a drummer was playing snare drum in the marching band during high school. The drum section had 15 additional hours of practice outside of the band practices. It was rigorous and challenging, and you also could not make a mistake. That is where I understood musical discipline. As far as guitar goes, I was in an electro rock band for 5 years in the mid -90s, and I taught myself how to play simply by playing every day and forcing myself to get better at it. When that band ended, I didn’t pick up the guitar for another 24 years. And I had to basically start from scratch. What was the first concert that you ever went to and who did you see perform? The Police in Hartford, CT August 13 1983. REM actually opened the show but no one had ever heard of them before, so I was secretly praying they would be over in at least a half hour. How could you describe your music? Post Pop. What I am trying to do is write without using conventional ABACAB arrangement. I have no choruses in my songs, no verses, and no solos. When I begin to write a song, I want to find four chords, or “figures” that can all revolve around each other melodically. Then, I find another group of four voicings. Then a third set, and often a fourth set. Once I feel I have four “movements” that all relate to each other, I arrange them so the song unfurls like a train of thought, or a novel/narrative. Describe your creative process. When I am working on songs, what I do to begin is come up with nine lyric ideas- a song about the neighborhood fire, for example, and then I will write the entire lyric before I have any music. I will write the entire album full of lyrics before I write a note of music. Once I have nine musical ideas arranged, I match the lyric to the music that matches the intensity or integrity. At that point, I weave the spoken word lyric around the rhythm of the beat, matching emotional levels accordingly. What is your main inspiration? Mystic, Connecticut and my desire to let people know they can do it if I can do it. What musician do you admire most and why? Prince, for obvious reasons. Now, as a kid, we had no idea Stevie Wonder had already achieved what Prince was achieving, because Stevie was just another “singer” on AM radio. [caption id="attachment_54870" align="alignnone" width="1440"] Now, as a kid, we had no idea Stevie Wonder had already achieved what Prince was achieving, because Stevie was just another “singer” on AM radio.[/caption] Did your style evolve since the beginning of your career? As Ellery Twining, yes. My first record REVENGE was fairly stripped down, partly because I wanted to keep things under control, and partly because I didn’t want to take a long time in the recording process. On RESULTS I leaned more into my intuition about how to mix and match frequencies and create more dimension in the music. Who do you see as your main competitor? One of my biggest weaknesses as a young musician is that I brought my athletic background into the music scene, where success was not only being great but beating everyone else. It did not serve me well. I have a pretty funny story about how I think I got my first band banned from New Haven CT clubs because I ripped a local band in an interview. Whoopsie… What are your interests outside of music? I have built extensive gardens at our house that I enjoy watching reveal the seasons. If it wasn't a music career, what would you be doing? I would be running a fastpitch professional Whiffleball league. What is the biggest problem you have encountered in the journey of music? I have an interesting story about that. In

2012 I was asked to play drums in a new band found by a bunch of kids twenty years younger than me who hung out at the Mystic Disc. I hadn’t played a live gig in 7 years, but I agreed to become the drummer. And the manager ,and the roadie, and the booking agent… Our first out of town show is in New Haven at an all ages club whose owners I sort of knew through the years in the “scence.” We had a good bunch of kids travel down from Mystic, we probably played to 80 people. I was so excited by the response, I didn’t even think about getting paid, just getting everyone and all the equipment back to Mystic. The next day I realized I didn’t ask for money, so I emailed the club and asked if there was something we could work out. I’ll never forget that response email: “ You did not make prior arrangements for payment.” And these guys knew me! There was only one conclusion: I had forgotten it was The Music Business. Now magnify by 100. If you could change one thing in the music industry, what would it be? What we really need is a reinvention of the Indie Label / Touring circuit that Michael Azzerod so succinctly describes in his book “ Our Band Could Be Your Life”.I have always felt that the thing that weighed the most on Cobain’s mind is that he knew that the success of Nirvana had destroyed that ecosystem, that culture that allowed a band like REM five albums to hone their craft before signing to a major label. That was all gone in an instant when Nevermind was released. RESULTS by Ellery Twining Why did you choose this as the title of this project? I named my first record REVENGE because I was getting some for all the musician’s I worked with before who left me holding the bag. RESULTS is the name of a collaboration LP between the Pet Shop Boys and Liza Minelli, and it is easily one of most cherished records. So, by actually following up REVENGE itself was RESULTS. What are your plans for the coming months? My plan is to record the third Ellery Twining album by mid-September at Dirt Floor Studios with Eric Lichter. Do you have any artistic collaboration plans? I’m currently recording a new single with my electro rock band from the 1990s Delta of Venus. We are looking at an early June release. What message would you like to give to your fans? If I can do it, you can do it.

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Tee Kae Releases Soul-Stirring Single "My Last" Ghanaian/French singer and songwriter Tee Kae has just dropped her latest single titled “My Last.” This poignant song is Tee Kae’s fourth release since the beginning of her career in 2023. My last tells a story of a toxic relationship that takes away the energy, mind and soul of the victim. Love can sometimes numb the pain of being manipulated and you keep asking yourself if you’re the blame or not and how leaving will affect both the individual and yourself. But Hey! Your mental health comes first before anyone so you have to draw the line when the person you once loved is the same person you hate more than anything Love is really a losing gain! Madeleine Badu, also known as Tee Kae, discovered her passion for music at a young age through singing in and leading her church music group. Influenced by iconic artists such as Alicia Keys and H.E.R, Tee Kae embarked on a journey to create her unique sound, combining Afro-R&B/Soul, Indie vocals, and a hint of Trap with Alté rhythms. Her music effortlessly blends her native languages with French, resulting in an exceptional fusion that sets her apart as a versatile artiste within the Alté genre. Tee Kae fearlessly experiments with genres, drawing inspiration from diverse musical backgrounds. Her artistic versatility shines through as she continuously pushes the boundaries of her music, captivating listeners with every release. Starting with promising acoustic covers of popular songs, Tee Kae showcased her exceptional vocal abilities and musical finesse. After a transformative year of introspection and growth, she emerged with a renewed artistic direction. As an Alté artiste, Tee Kae is at the forefront of redefining contemporary African music. She seamlessly blends cultural influences with global sounds, creating a fresh and captivating musical experience. Tee Kae’s passion for storytelling through music, combined with her unrivaled vocal prowess, positions her as an artist to watch in the industry. Listen to my last on all platforms here. Follow Tee Kae on Instagram | X

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The Resilient Beauty of FARI's 'In the Vein' Hey, did you get a chance to listen to the new track "In the Vein" from FARI yet? This Zimbabwe-trained and Brighton-based artist is introducing some seriously smooth neo-soul/R&B vibes that are completely addictive Yet, despite the smooth beat of the song, the lyrics dive deep into the complexities of life and the persistence of those hard-hitting, heavy emotions of sadness. FARI is exceptional at how she lays down the fast beats and the flavors of beatboxing. They symbolize the strength and variety of life. The atmosphere of the whole song is an outstanding interlacing of styles and ambience. Both the rich guitar licks and moody string twirling amazingly well with FARI’s sensual voice and the sweet bass. It's a sonic odyssey which will thrill you from beginning to end. [caption id="attachment_54845" align="alignnone" width="2000"] The atmosphere of the whole song is an outstanding interlacing of styles and ambience.[/caption] I think that what makes this song so great is that despite the fact that FARI experiments with her own sound, she remains so true to herself as an artist. In "In the Vein," we see a strong character and clear emotions. It's the kind of jam that will have you humming along, even when the song is over. Trust me! Trust me, FARI belongs on the A-list of up-and-coming artists. "In the Vein" is a very serious musical success which will definitely consolidate the position of new, original artist of neo-soul genre. Favor yourself and make this single your new favorite ASAP!It's pure audio bliss. Listen to In The Vein below https://open.spotify.com/track/1ZIdL49Q5nBi5nxkLCulHv?si=8c627fb49b614582 Follow FARI on Spotify Soundcloud Youtube Instagram

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Austin Willacy: Bringing Hope Through Music With 'Gonna Be Alright' Welcome my music fam! Brace yourselves for the best energy that descends from Austin Willacy himself. This singers's new EP titled "Gonna Be Alright" is just purely what we need right now which is motivating and truth be told uplifting songs to keep us happy always. For the past twenty years, Willacy has been dropping pure musical magic and we are glad about that. He went from harmonizing with his dad on the recorder years ago to playing along with legends on huge stages, and his story could not be more of an epic. Not only that, but what I like most about his latest work is the authenticity and warmth to it. Every tune on "Gonna Be Alright" brings as if it's Willacy making the music with you, and making physical contact, you know what I mean. With their catchy tunes and powerful message, they invite you to take an amazing journey through self-love and resilience. It's sort of an album you put on when you need a little reminder that, in spite of all the mess that is going on, in the end everything will be okay. This interview showcases the man himself and the mind behind this musical ray of sunrays. We're talking about creativity behind the songs, stories from the roads, and the whole idea. Strap in and let's run to Willacy's musical world all at once. Whether you have been a loyal fan for long or just awakened to his sound, you must give "Gonna Be Alright" a try. This EP serves as a soundtrack for life with its heady beats and you'll end up rejuvenated and ready to take on the world.Let's dive in! Listen to Gonna Be Alright below https://open.spotify.com/album/5TLWGK1LabLEqjcyGnXFbb?si=yisFmZDVTtqMOdRd0BbcPg Follow Austin Willacy on Facebook Spotify Soundcloud Youtube Instagram What is your stage name?  Austin Willacy Is there a story behind your stage name? “Austin” is my first name.  My parents called me “Keith”--my middle name–when I was growing up. I always loved my dad’s signature, and modeled mine after his, with a flamboyant “A” before my middle and last names.  A lot of people asked me what the “A” stands for and asked if they could call me “Austin”. I’ve always liked the name and always said “sure”. 90% of those people forgot and continued calling me “Keith”.  One of the 10% happened to be the guy who introduced me onstage for a while. He introduced me by my full name, but people started calling me “Austin”, and I liked it. Where do you find inspiration? Sometimes I find inspiration in a word or a phrase. Sometimes I’m moved to write something I read about in the news or by a character in a book I’m reading or a movie I’ve seen.  Sometimes I find it when I’m goofing around. Often, I find it when I’m playing guitar and make a compelling mistake. I’ll mess up and then be like “Ooh! That’s cool!” Then, I just keep asking myself “What comes next?!” I try to follow that initial spark of creation as far as it lights the way. As I’ve gotten more into music production over the past few years I’ve started to find inspiration in beats and textures that tickle my imagination and make me wonder “What comes next?!” What was the role of music in the early years of your life? My earliest musical memory is playing recorder duets with my dad. There was something incredibly sweet about that. I feel like I can still kinda remember the melody of my part–the higher part. After recorder, I took piano lessons for 5 years and played clarinet for a year and sax for 4 years before I quit. After a point, I fell out of love with the music my teacher was having me play.  She wanted me to focus on more traditional music and I wanted to play songs I’d heard on the radio. I didn’t want to practice, and that was that. I never had that sweet, warm feeling I got from the recorder duet when I was playing anything else. My parents listened to a lot of great music, Motown, Bill Withers, Earth, Wind & Fire, blues, and Stevie Wonder. There was always music playing in the car, and when we’d have family game nights.

I heard different music at some of my friends’ houses and loved a lot of it. My ears were wide open. Are you from a musical or artistic family? Yes, and no. My mom loves theater and museums, and both of my parents love music. I grew up hearing them sing along with their favorite songs and seeing them dance at parties or when they loved the song that was playing. My dad even had a short-lived band in college, King Bee & the Yellowjackets. He was King Bee.  They loved music and knew that knowing how to play and read music would help me be a better rounded person. I don’t think either one of them had any idea that I would fall in love with music so deeply. Who inspired you to be a part of the music industry? There wasn’t any one person. I joined a band that had a lot of gigs. In the middle of one of our tours, we had a gig at The Bitter End in NY.  Kenny Gorka was kind enough to let us know there would be some industry peeps in the house that night. We did a killer show and wound up the subject of a minor bidding war.  We got signed to a major label and suddenly, I was in the music industry. I had spent zero time thinking about it before that all happened. How did you learn to sing/write/to play? Because I played instruments so young I feel like I’ve always been familiar with the architecture for some of the basics of pitch, rhythm, and harmony, but I didn’t study it when I was a kid.  I’d officially quit making music the summer before 10th grade. But 2 years later, I got pressured into joining the school chorus by a girl I had a huge crush on. I didn’t want to suck, so I sang a lot during the summer before senior year. In choir, I got put in an octet to sing a barbershop song and was completely floored by what was possible with just 8 voices and 4 parts. I went to college and got into an a cappella group that rehearsed 6-7 hours a week. And suddenly, though I’d only been singing for a year and a half, my range grew rapidly and I started exploring my voice.  I’ve never taken voice lessons, so I guess you could say I’m self-taught, however; I’ve spent a lot of time around very talented singers and tried to absorb as much as I could from them. Every now and then, I’d be moved and I’d write a song, usually for my girlfriend, but I didn’t consider myself a songwriter. I was inspired enough by my experience in the a cappella group that I took music theory so I could learn to arrange music for us to perform.  It was here that I was able to concretize a lot of the stuff I’d been exposed to as a kid that I understood on an instinctual level. [caption id="attachment_54826" align="alignnone" width="1200"] I was inspired enough by my experience in the a cappella group that I took music theory so I could learn to arrange music for us to perform.[/caption] Singing in the a cappella group eventually led me to sing in bands. Because I wanted more agency, and more power in determining the repertoire, I started playing bass. I took 2 months of bass lessons in Cleveland and started writing a LOT when I went back to college.  Suddenly, riffs and chord progressions and melodies and lyrics were just kinda flying out of me. When I decided to take my writing seriously I dissected my lyrics and decided they were too literal and analytical and set about liberating my lyrics. I spent my lunch breaks working and reworking my lyrics and my evenings singing and playing bass for 2-5 hours. Eventually, when I started touring in an a cappella group, I switched to acoustic guitar so I could have more harmonic information to work with in my writing, and because basses are heavy AF and I didn’t want to lug an amp, too.  I’m self-taught on guitar, but I was lucky enough to spend a lot of time around some excellent acoustic guitar players who opened my mind to how much was possible. What was the first concert that you ever went to and who did you see perform? I saw James Brown! He almost never stopped moving. He was a whirling dervish of funk and soul.

He shrieked and keened and hollered and begged and testified and sweated and sweated and danced and danced and it was INCREDIBLE! Thanks Dad! How could you describe your music? I love a lot of different genres of music. Usually, the music that seems to want to come out of me blends rock, pop, blues, and soul. The messages I express in my music are often about empowerment, hope, dignity, self- acceptance, love, and interdependence. Sometimes I share interpersonal observations or offer broader cultural reflections.  Depending on the nature of what I’m expressing, both lyrically and energetically, I'm drawn to lean more or less heavily into a genre and follow the inexorable pull as far as it takes me. As often as possible, I want my music to actively support whoever chooses to sing the lyrics. Describe your creative process. I try to start with whatever is pulling on my attention the hardest. Sometimes it’s a lyric or a lyric attached to a piece of a melody. Sometimes I'm playing guitar and a riff or a chord progression finds me. I do my best  to keep listening to whatever wants to come.  I love that feeling of being pulled and getting into a flow state. Time disappears and it’s just Yes/And…I follow that pull as far as it'll take me. I’ve learned to honor the powerful  singularity of that moment of genesis; I have to tune in to it in that moment or else I can almost never find it again, which can be incredibly disappointing.  That moment is almost like a glowing power up in a video game that’s only active for a certain period of time.  I always try to let each of my modes of expression inform each other, in real time. So, I may start with a lyric and then jump to a chord progression which leads me to a bassline which leads me to a drum groove which suddenly liberates a melody with more words.  As I’ve gotten more into music production, I’ve been able to draw inspiration from a broader spectrum of sources. There are more voices I get to listen to in this “conversation.” (Laughs) And now I recognize how frickin’ weird  all of this might sound. Oh well! What is your main inspiration? I draw a lot of inspiration from people in my life who I love deeply. Sometimes familial-ly, sometimes romantically, sometimes friends who’re going through something that inspire me to whom I want to offer extra support. I'm also inspired by the beauty and the ugliness of the times in which we live and the fact that so many people in the world have so much and are persuaded to believe we have so little, that we are so little…I guess a lot of what inspires me is trying to create space for healing and reconnection, for/with myself and for/with others. What musician do you admire most and why? I have a HUGE amount of admiration for Bruno Mars. He does it all. He plays, sings, and dances his ass off. He doesn't take himself too seriously.He writes incredible songs for himself and for/with others. Even after he became a superstar, he was still willing to do great music written by others. He created a whole new project with Anderson Paak based on a joke they shared on tour. He's able to pay tribute to his influences without ever losing the powerful originality of his own voice. Did your style evolve since the beginning of your career? I don't know that my style has evolved so much since the beginning of my career. My first album is pretty eclectic, and I still write songs I love and variety of genres. That said, I feel more confident tightening the parameters of what I’m writing when I want to.  I also feel confident owning the diversity of musical expressions that comes through me at others. I've also learned to not take myself so seriously; the fate of the world does not hinge on the lyrics, the mix or the chord progression of anything I've ever worked on. So I can't necessarily say my style has evolved, but i guess I can say I have. Who do you see as your main competitor? Interesting question. I don’t think of any person as competition. I think it ultimately all boils down to access.

Right now, the most daunting competitor is the overwhelming volume of content that’s readily available at a moment’s notice. And all of it is vying for attention from people who have limited time and who have devices of infinite distraction on--or near--their person, almost all the time.  Some artists have access to millions of people. Most of us don’t. What are your interests outside of music? I love travel. I love strategy games and word games. I love falling into one-on-one conversations where It feels like time stops. I love cooking with friends. I love going out for great food. I love dancing to great live music and old school hip hop. I love playing with kids. Somehow, no matter where I go, they all seem to want to jump on me! I love reading and listening to well narrated audio books. I love going to movies. https://open.spotify.com/artist/3AeBm4fsHBtIqBgkIYff6l?si=SaW0L2zrRjqIglWuN5eEbQ If it wasn't a music career, what would you be doing? If I wasn't a musician I would either be an actor, photographer, or filmmaker. Much to my parents’ chagrin, those are also unlikely to be lucrative. (Laughs) Why did you choose this as the title of this project? I chose “Gonna Be Alright” as the title of my EP because–in addition to being the title of a song the EP that I adore–it ties together the themes of all of the songs on the EP.  . Do you have any artistic collaboration plans? I do! One of the things I love about where I am as an artist is that my engineering and production skills make it possible for me to collaborate with artists in a lot of different genres.  I have a handful of people I collaborate on a regular basis, and I just met some amazing artists at the Durango Songwriters Expo that I can’t wait to work with! What message would you like to give to your fans? Thank you for taking the time to listen to me and for sharing my music with those who are dear to you. Having an audience is a privilege, not a right.  Thank you for honoring me with your attention.

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Proklaim Has Outdone Himself Again - Listen to 'Scars' MY. GOD. Proklaim just dropped his latest single "Scars" and it is an ABSOLUTE MASTERPIECE! This Namibian lyrical genius has outdone himself yet again. Right from the haunting piano intro, you know you're in for an emotional ride. Proklaim's velvet vocals glide over the melancholic melody, immediately pulling you into his intimate world of vulnerability and self-reflection. The lyrics hit like a semi-truck: "Your secret's safe with me" - goddamn, I felt that deep in my soul. As the beat builds with those atmospheric synths and knocking drums, Proklaim switches into his trademark rap flow and the introspective bars start raining down. His lyrical dexterity is out of this world as he seamlessly blends sung melodies with rapid-fire rhyme schemes. The way he poetically explores embracing your scars and inner demons is nothing short of profound. https://www.musicarenagh.com/proklaim-goes-hard-on-valley/ The production is an audio feast too! Those rich piano refrains intertwine perfectly with the head-nodding hip-hop groove. Each element from the weeping guitars to the stuttering vocal samples creates this lush, cinematic backdrop for Proklaim's words to just soak into your psyche. I'm talking full body chills the entire runtime. "Scars" hits that sweet spot of being vibey and introspective, but still packing enough energy to keep you locked in. Proklaim's versatility to blend genres from neo-soul to rap is so incredibly impressive. Thematically, this track is a massive triumph. The lyrics confront pain, growth, and radical self-acceptance in a way that feels universal yet still viscerally personal to Proklaim's story. It's the kind of song that makes you yudipose at the truth-bombs he's dropping. Musically, lyrically, emotionally - "Scars" is a 10 out of 10 tour-de-force from an artist operating at the peak of his powers. Mark my words, this song is going to be a seminal part of Proklaim's iconic catalog. The hip-hop world better pay attention because this man is truly one of the greats. I'm still speechless, what an incredible song! Taps to the infinity for "Scars"! Listen to Scars below https://open.spotify.com/track/3rmXAyvXYZxtElqQrVmEUr?si=e65145abad484ef9 Follow Proklaim on Facebook Soundcloud Youtube Instagram Spotify

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"A Place Called Home" by Richard Green - An Auditory Quest for Belonging Imagine if Vivaldi took a detour through a 21st-century speakeasy, where the lead act is not another flapper reincarnate but one Richard Green, flourishing in his latest single “A Place Called Home”. With Irene Veneziano’s fingers dancing on ivory keys like fireflies on a meadow at dusk and the Archimia Strings Quartet resonating with the heartbeat of ancient woodlands, you know this neoclassical rendezvous is set to tug at strings—both metaphorically and musically. https://open.spotify.com/album/0FUJDMpKhw0vnC2l5otCws The air within this track vibrates with an almost sentient yearning; longing embodied so palpably that it could well be another guest musician credited alongside. Bittersweet affection oozes from every chord progression as if the music itself wistfully remembers nights spent under foreign stars and craves only the lullaby of its own bed. [caption id="attachment_54816" align="alignnone" width="1483"] Richard Green[/caption] Mixing honeyed nostalgia with sophistication (a linguistic cocktail I like to call 'sophistalgia'), “A Place Called Home” pivots around home's contradictory nature—the permanence in transience, joy in sorrow. The vibrations seem old-soul-esque while concurrently tapping into modern serenity, offering whisperings of what made our funky toes tap during Mr. Green's pandemic partnership with Irene. [caption id="attachment_54815" align="alignnone" width="1200"]  Irene Veneziano[/caption] And yet... amidst classical harmonies harkening back to powdered wigs and majestic halls emerges an unexpected tranquility—a musical oxymoron serving us chill-out previews from his upcoming EP before bowing down gracefully. What even is genre anymore? Who knows! But surely Beethoven would’ve sipped green tea to this? [caption id="attachment_54817" align="alignnone" width="2000"] Archimia strings quartet[/caption] Quixotic comparisons aside – or are they embedded within? – let’s declare “A Place Called Home” less of a song, more of an emotive expedition painted upon silence itself. Its transcendent timbre feels akin to flipping through sepia-tinted photographs but knowing your place isn't just amongst them but beyond them too. Richard Green gifts listeners more than mere melody; he provides passport stamps for auditory exploration—no queues at immigration required—just ears wide open and perhaps eyes gently closed as we bask in homespun bliss till summer whispers anew with chill vibes… Await those tunes as though they’re postcards sent from tomorrow—you won’t want them lost en route. Follow RICHARD GREEN on Facebook, and Instagram.

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Watch 'Together Alone' By Jordan Kinsey My People, have ever heard Jordan Kinsey's cover of "Together Alone" by Melanie Safka? My goodness, it gets down to the nitty-gritty. The moment those sensitive piano keys and doleful violin scratches hit you, you are nowhere else other than this strange communion with humans. The title "Together Alone" itself just shows that the song tackles the paradoxical feeling of being intimately close yet cast-iron alone that is the hallmark of relationships. However, Kinsey raises the bar in terms of her whiskey-smooth, soulful singing. When she gently whispers "I'll be your sister, your mother, your lover", we see the full multiple-faceted complexity of the human connection. To conclude, we should recognize that for Kinsey this is not just another cover. It's sad she sees that music can be a unifying factor which creates a bond between people and also give peace of heart. [caption id="attachment_54811" align="alignnone" width="1169"] To conclude, we should recognize that for Kinsey this is not just another cover[/caption] Nevertheless, her vocals are the one stealing all the show. Kinsey’s voice has this effect on you where she absolutely steals the show with these incredible, yet genuine pipes comparable only to that of a few She doesn't sham the shirk - these feelings are really genuine. The voice reminds you in moments of turmoil for it also helps you find the pathway to healing. Cinematography is just as beautiful in the music video with the slow motions of Kinsey being captured dreamily. I would add that the visuals add that more powerful hit to the emotions evoked by the music. Although "Together Alone" by Kinsey somewhat diverges from the original, it at the same time pays due respect to Melanie Safka's version and leaves her own personal touch in it. Composed with words that'll make you doubt everything, sang in a manner that'll stop you on your tracks, and played with such passion as the tune stays in your ear for ages, the tune is a true work of art. The sky is the limit for Kinsey's popularity now. It's about to go up and up. Watch Together Alone below https://youtu.be/oO1quFFINoQ Follow Jordan Kinsey on Facebook Spotify Youtube

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Cosmic Carousel: kidd noir's "Mr. Who Knows (Messiah)" In a kaleidoscope of sound, kidd noir delves into the labyrinthine psyche with "Mr. Who Knows (Messiah)" – an opus that spins you into the cosmos on a shoegaze carousel laced with indie pop cotton candy and psychedelic rock licorice. This emerging enchanter of auditory experience pitches his tent in the indie/alternative campsite but camps under a sky bursting with stars from distant musical galaxies. https://open.spotify.com/album/0FUJDMpKhw0vnC2l5otCws As percussive Latin grooves shake hands with narcotic vocal harmonies, it feels like Santana took a detour through My Bloody Valentine's dreamscape on their way to The Beatles’ Sgt. Pepper rehearsals. Inside this track lies not just music, but also theatre: the story veers dramatically between light and shadow as we hear duel guitars echo each other in camaraderie before darting away on divergent quests, one for melody, one for dissonance—much like our own internal battles. [caption id="attachment_54805" align="alignnone" width="1360"] Cosmic Carousel: kidd noir's Mr. Who Knows (Messiah)[/caption] The journey through "Mr. Who Knows (Messiah)" is less about finding answers and more about appreciating questions; after all, who needs certainty when you've got entrancing rhythms guiding your tapping feet? Imagine attending choir practice inside Salvador Dali’s mind while he paints hypnotic swirls around you – that's kidd noir singing symphonies alongside voices that compel even shadows to hum along. In summing up this cryptically brief encounter with genius: It's part confession booth wailing against humanity’s own reflections−a chorus omnipotent yet intimate whispers directly upgraded from his soul-stirring “LNBR.” Whether monks chanting ancient verse or neon-clad hipsters nodding to beat poets' rhythm––all ears will perk at something eerily familiar within this new proclamation by kidd noir—an anthem for every Mr., Ms., or mystical being who knows too much or too little...but never enough. Follow kidd noir on Instagram and TikTok.

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Exploring the Depths of Darkness: A Review of Die Kammer's "Ignoring My Safeword" Oh my god, it's insane! Make sure you guys listen to the new song by Die Kammer called "Ignoring My Safeword"! It's gonna blow your mind! Its very first introduction into the song will capture you in an eerie, atmospheric world that blends dark pop and rock in one of the most striking manners. It's like a sonic voyage into the deepest oceans of the human mind! Marcus Testory's unrefined and gruff vocals contribute to the shivers running the length of your back. The lyrics are poetic and introspective exploring those mysterious lines between temptation and destruction. I was totally thrilled singing the songs, unravelling the layers of meaning. But the instrumentals? Bet! With the ambient masterpiece created by Matthias guitar, you'll feel like you are in an emotional, moving dream. She ties them all together with such haunting cello parts you can rarely escape the goosebumps. [caption id="attachment_54801" align="alignnone" width="1890"] But the instrumentals? Bet! With the ambient masterpiece created by Matthias guitar, you'll feel like you are in an emotional, moving dream.[/caption] Bringing all elements together is the tireless driving beat of the bassline, which just sucks you in completely in this extremely enchanting dark world. With every listen, I discovered new delicacies and hues. "Ignoring My Safeword" might be one of those tracks that gets under your skin and gives you feelings of something crucial and very real. Utterly brilliant in terms of moodiness and grimness! To get the introspective, cinematic look that makes you doubt the darker parts of your mind, you absolutely should listen to this song. I have to say that Die Kammer excelled itself entirely here! It is surely the deepest and most mind-blowing musical travel I have ever been on! Do yourself a favor and put this on your replay list immediately! Listen to Ignoring My Safeword https://youtu.be/c82lIJDvd90 Follow Die Kammer on Facebook Spotify Soundcloud Youtube Instagram

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"Tiana" by Legna Hernández and Love Ghost: A Bold Fusion of Pop Punk and Hyper Pop Hip Hop sensation Legna Hernandez is bringing a revolutionary twist to the music industry, collaborating with the American artist Love Ghost in her debut song. If you're on board with pop punk vibes fueled by hyper pop and have badass chicks like Paramore and Avril Lavigne as your role models, then you should come here. Their new single "Tiana" put out on March 22nd is a reality raw examination of past relationships and missed opportunities. But here's the most exciting thing: it is sung in both Spanish and English, so the message goes beyond the language barrier. Regardless of your nationality, truth takes you over. The introductory electronic loops, "Tiana" infect the listeners with the pulsating beats and energy right away. Legna's vocals, which are filled with emotions, and LoveGhost's deep lyrics give this song a spectacular quality that you can't get enough of. The extensive changes in intensity and sonic textures are what make this musical journey one of a kind. Checkout: https://www.musicarenagh.com/love-ghosts-features-camidoh-and-dj-switch-on-mind-blowing-singe-dopeman/ It has to be stated however that "Tiana" is the film about dancing and music . It is a full mood and a mirror of togetherness. And now the music video which deepens the meaning of the song title. The movie reflects a strong message supporting pet adoption through one adorable rescue dog named Tiana. Both Legna and Love Ghost have truly done an incredible job here; they have created a multilayered masterpiece that can be enjoyed for a long time. Listen to Tiana below https://youtu.be/TzZK3aZTT68 Follow Legna Hernandez on Facebook Spotify Youtube Instagram Tiktok

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Introducing Sūn Byrd: An Exciting Addition to Norway's Soul Music Landscape A vibrant new band is making waves in Oslo's music scene - meet Sūn Byrd, a soulful six-piece group that's eager to launch their first album in April 2024. These potential superstars are reinventing what we know to be classic soul. They are achieving this by combining the old with the new. What gives Sūn Byrd a head start is that the band members have supported major Norwegian artists like Fieh and Bård Berg Electric Band. Their sound is an irresistible mixture of soulful vocals, vibrant instrumentation, a catchy horn section and an overall feeling of happiness. I followed the band to learn more about their story, where their inspiration come from and where they plan to go next. From looking back when they first developed an interest in music to exchanging how their sound develops still, they created a picture of a genuine band that is dedicated to ensuring that the soul stays burning. With Sūn Byrd ready for their album to hit the markets, Norwegian music fans should not lag behind. This is a group that goes for experimentation while giving homage to the soul legends that paved the way. Pencil down your diary for April 2023 - #Sūn Byrd is all set to hit the musical scene in Norway. Listen to Hey Love below https://open.spotify.com/track/2BSot2IvkO343zXOdOjrPp?si=ce061ad3151d48db Follow Sūn Byrd on Facebook Spotify Soundcloud Youtube Instagram What is your stage name - Sūn Byrd Is there a story behind your stage name? - On our way back from recording the upcoming debut album, we drove from Italy to Norway. We knew we needed a name, but struggled to find it. We spent the entire trip coming up with suggestions to each other, when Sūn Byrd popped up. The name is a homage to one of our heroes, Donald Byrd and his band The Blackbyrds. Where do you find inspiration? - We find inspiration in the 70s soul scene, with the greats like Marvin Gaye, Curtis Mayfield, Stevie +++. We also get inspired by going to concerts and discovering new music. A lot a good stuff out there. What was the role of music in the early years of your life? - Music has always been important in our lives. Through childhood is has played different roles for the band members, but in the end that's where we felt at home. Are you from a musical or artistic family? - There's a lot musicality and artistic people in our families, so that has opened up a space for us to learn and grow. Who inspired you to be a part of the music industry? - Donny Hathaway. The recording of "For All We Know". It took me by surprise, and I had to take a couple of steps back. WHAT a song. How did you learn to sing/write/to play? - Mostly by trying and failing I guess. We all studied music, but the writing happend together outside of school. [caption id="attachment_54789" align="alignnone" width="2000"] Mostly by trying and failing I guess[/caption] What was the first concert that you ever went to and who did you see perform? - Ah, I don't quite remember the first concert, but one imporant memory was watching Trondheim Jazz Orchestra playing Savages in Oslo. Amazing show! How could you describe your music? - Passionate and energetic. We love to play togheter, and love to bring people in to our world. Describe your creative process. - Listen to music/go outside/read -> try to express myself by writing our just improvisation with a piano -> try to make it in to something that feels like a song -> bring it to the band. What is your main inspiration? - Hehe, hard to say beacuse it changes often. The ones that stick around are Stevie Wonder and Marvin Gaye. Right now I'm super into Nick Drake. What musician do you admire most and why? - Bosco Mann. The stuff he and the other guys at Daptone bring out are crazy good. Did your style evolve since the beginning of your career? - I feel like it's evolving all the time. This is like a long journey where we try to discover more and more about the soul genre, as well as we bring ourselves into the music.

I both think and hope that we continue to evolve for as long as we play music. Who do you see as your main competitor? - We don't look at other artist like competitors, but as friends and collleagues. Check out Beharie. He is the man!! What are your interests outside of music? - We all have different interests, some love football, others rock climbing. If it wasn't a music career, what would you be doing? - That's a hard question. I think I would be a teacher maybe, but it's hard to see myself doing anything other than music. Maybe I'll end up as a teacher someday. What is the biggest problem you have encountered in the journey of music? - That it's hard! But that's the fun. Everyone wants to write an amazing song that makes an impact on peoples lives. If you could change one thing in the music industry, what would it be? - Haha, I don't know. Mandatory gospel brakes! https://open.spotify.com/artist/32PUtLgz3SzD5Ihjdxoa6r?si=YXLZzQirReiXIyvQdcV5xg Why did you choose this as the title of this project? - The song 'Hey Love' was called 'Hey Love' beacause we sing it like 20 times throughout the song! What are your plans for the coming months? - We are releasing our debut album 12th of April, with a couple of shows coming up. We're also going in studio to work on our next album. Going to be a couple of great months. Do you have any artistic collaboration plans - Maybe. It could be really fun!! What message would you like to give to your fans? - We really appreciate all the feedback and love. Hope you enjoy 'Hey Love'. We're really excited to show you the whole album!!

[musicarenagh]

Sqwerv's Psychedelic Odyssey: "Hors D'oeuvres Part 1" Sqwerv, the indie-psychedelic rock quartet that infuses their jam sessions with unpredictability akin to an astronaut's first spacewalk, has just dropped their transcendental tapestry of tunes titled 'Hors D'oeuvres Part 1.' With Frydenlund’s strings singing secrets, Bulgarelli bending beats into beautiful contortions, Marty casting bass spells, and Kramer hammering rhythms from the very soul of Mother Earth – this EP feels like Salvador Dalí painting a beetle’s dream. https://open.spotify.com/album/4EmHm7uyYtq4BM2a3tzsfx?si=f966qMTPSTWkJuzheMbEIg 'Hors D'oeuvres Part 1', besides winning in the "snackable title" category, is a mélange of dark chocolate sensibilities and kaleidoscopic soundwaves. Floating through genres like a pollen grain on a zephyr, Sqwerv embodies musical metamorphosis. Their previous forays were flirtatious dances around change but dive headfirst they do now – embracing psychedelic fusions with open arms. The vintage warmth could remind one of Jefferson Airplane piloting through Radiohead's storms while flirting dangerously with Tame Impala’s electric skies. Recorded at home yet sounding vast as intergalactic space—their DIY-homestead vibe yells freedom (think avant-garde shack made outta vinyl records). [caption id="attachment_54784" align="alignnone" width="1080"]

[musicarenagh]

The Hill: Crafting Musical Magic with "Get In Line" In the dizzying spin of folk strings and Americana spirit, "Get In Line" emerges like a coyote howl under an indigo sky - haunting yet familiar. The Hill's debut prances through history's backwoods with Jon Kowit as its bard, strumming not just instruments but heartstrings in one fell swoop. This unlikely collaboration between Kowit and Mike “Slo-Mo” Brenner is less a handshake and more a secret pact sealed within smoky vocals that resonate deep into the chest cavity. https://open.spotify.com/album/28xEV0fSN95jOA1xp1h8hp?si=NEcnHWVbSA-G2EDcBRrSEA Diving headfirst into this album is akin to thumbing through a worn journal; each track offers winks to self-reflection, life’s quandaries, twined relationships and inner yearnings so often echoed in alleyways of our own minds. With sounds as sincere as an old front porch chat, it feels both raw cut from burlap sackcloth and silky smooth like whiskey on ice – oh what harmonious dissonance! [caption id="attachment_54778" align="alignnone" width="2000"] Credit: Neil Kohl[/caption] Though fresh-faced as The Hill might be, do not let their novice exterior fool you — there’s decades of soulful penning at work here by composer Kowit. Crisp production courtesy of childhood buddy Brenner ensures no note goes unpolished nor any subtlety missed in this pensive odyssey enriched with allegorical lyricism. Defying all norms for modern releases - available digitally for technophiles or etched into vinyl grooves for traditionalists via Forty4 Music — "Get In Line" stands firmly rooted in tradition while peering curiously at the horizon of folksy futures. Who knew confusion could dance so eloquently on musical notes? Follow The Hill on Website, Facebook, YouTube and Instagram.