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What do you mean the iconic witch hat was born from Glinda's spite and cruelty but became a symbol of her willingness to stand by Elphaba even if it ostracized her from her friends and peers? What do you mean the witch's broom is an item enchanted in a moment of panic and innovation as Elphaba refuses to be cowed and grounded? WHAT DO YOU MEAN the spooky black cloak is a representation of Glinda's selflessness as she wraps it lovingly around Elphaba's shoulders, a threadbare cloak that will maybe, hopefully, keep her best friend (lover) warm? WHAT DO YOU MEAN all these symbols of evil actually represent a deep bond of friendship and love? What do you mean????
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ÂżA dĂłnde van cuando todo va mal?
Nunca entendĂ esa frase, hasta darme cuenta que cuando todo empezĂł a salir mal, no tenĂa a dĂłnde ir.
Robies
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me hizo mierda mi año en oxford. POR QUĂ??? POR QUĂ TENĂA QUE TERMINAR ASI? đđđ
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weird yet cute marriage proposals
"You're my biggest pain in the ass. Would you please annoy me for the rest of our lives?"
"I'm tired of pretending I don't want to share my food with you forever. Marry me?"
"I promise to always kill the spiders if you promise to always make my doctor's appointments. Deal?"
"We're both weirdos. Why not make it official and be weird together forever?"
"Okay, totally weird idea. How about marriage?"
"Will you be my emergency contact, life partner, and snack sharer for life?"
"Can I keep you forever, like you're keeping my favorite hoodie that you'll never give back to me?"
"We could annoy so many people in our lives by marrying each other. Wouldn't that be fun?"
"What would you rather, you marrying me or me marrying you?"
"I want to annoy you until we're old and gray. Say yes?"
"We're both a little weird and we have a bad track record when it comes to relationships. Maybe we're doing every potential partner a favour by taking us off the market."
"Would you marry me? Totally platonically, if you want. Or romantically. If that's what you're into."
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Soft Sentence Starters
"Do you even know how much I miss you?"
"I didn't know who else to talk to, so I came to youâŠ"
"Can I tell you something without you laughing?"
"I saved this for you. I thought you might need it."
"You always make things feel a little less heavy."
"I know it's silly, but⊠it means a lot to me."
"When I think about home, I think about you."
"I really appreciate you so much."
"If I could freeze one moment forever, it might be this one."
"When you smiled at me today, everything felt lighter."
"You make me want things I didn't think I deserved."
"Promise me you'll tell me if you're hurting - even just a little."
"I always notice when you're not around."
"You don't even realize how much you matter to me."
"I didn't realize I was waiting for you until you showed up."
"Can I hold your hand? Just for a minute. Just to feel like I'm not alone."
"I hope one day you will see yourself the way I see you."
"When you come home, I will be waiting for you."
"Your smile is so beautiful. Sorry, it keeps distracting me."
"I don't say this enough, but I'm really grateful for you."
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tuve un sueño gay con una alumna con la que tengo un crush đđđ Julia, QUĂ LE ESTĂS HACIENDO A MI MORAL? tiene 19, yo 26, PERO ES QUE ES MUY LINDA, pero no.
el sueño va de que salimos en la mañana despuĂ©s del desayuno con mis alumnos de las 7, pero yo solo le presto atenciĂłn a ella. le pregunto cosas solo a ella, estoy cerca solo de ella. hasta creĂ© un juego en un Starbucks (de dĂłnde salieron 3 personas desconocidas que querĂan uno mientras Ăbamos a una marcha del 15 de septiembre?????) en dĂłnde agarraba una comida random (como una coca cola), le preguntaba tres ingredientes para que adivinara y eso la hizo reĂr. AHHHHH me muero. de verdad me gusta, pero varias cosas a tomar en cuenta:
- es alumna.
- es mucho menor que yo.
- no sĂ© si es de la comunidad (creerĂa que sĂ)
ahhhhh pero qué crush hasta para soñarla ya jajajaa
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al fin entendĂ por quĂ© la escena entre elphaba y glinda me conmueve tanto al verla: igual que elphaba, finjo que la cosas no me duelen cuando en realidad es lo Ășnico que pasa por mi pecho, dolor. te quiero mucho, ozdust duet
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Dialogue Responses
"You're a bad influence."
"I love succeeding."
"As if you were better."
"So, I'm pretty influential?"
"I would just call it 'having fun'."
"I'll wear that badge with pride."
"You're a good follower of my ways."
"Thank God, you're not a good one on me."
"Coming from you, I'll take that as a compliment."
"Well, someone has to be the fun one around here!"
"If by 'bad' you mean 'awesome,' then guilty as charged!"
All the Dialogue Responses can be found here.
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quĂ© si te digo que hoy ganamos la europa league? đ„č



not our night, but what a Champions season, Spurs. What a journey this has been. I hope life be long enough to see my spurs in another Champions League final, and not just ending with a medal on their hands.
pd: The crying has led me to want sleep. See ya in a while
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What to Give a Sh*t About While Editing Your Book
âł Emotional Impact
Ask yourself:Â Do I actually feel something here? If a scene is technically âwell-writtenâ but emotionally flat, itâs dead weight. Your readers wonât remember your clever metaphors, but theyâll remember the way a quiet line of dialogue made their stomach drop. So yeahâgive a sh*t about that.
âł Character Motivation That Actually Makes Sense
If your characters are making decisions just because the plot needs them to⊠weâve got a problem. In edits, zoom in on their choices. Are they acting like real, flawed, complex humans? Or puppets? Edit until their actions make you nod and go, âYep. Thatâs exactly what that little disaster would do.â
âł Cutting the âAlmost Goodâ Stuff
This hurts, but itâs necessary. Some lines are nice. Pretty. Kind of smart. But if theyâre not serving the story, theyâve got to go. Save them in a âkill darlingsâ file. Grieve if needed. But donât let âkinda goodâ block the greatness trying to come through.
âł Scene Purpose
Every scene needs to earn its place like itâs paying rent. Does it move the plot? Deepen character? Build tension? Ideally, two out of three. If the answer is âitâs vibes,â that might work for a paragraphâbut not for 3,000 words. Cut. Condense. Clarify. Your future reader will thank you.
âł Pacing That Doesnât Bore People to Death
Look, I love a moody slow burn too. But if your story crawls for 50 pages without conflict, tension, or curiosityâyour reader will ghost you. Read your scenes out loud. If youâre zoning out? So will they. Tighten that sh*t up.
âł Dialogue That Sounds Like Real People (and Not AI)
If your characters sound like they're reading from a very polite script, itâs time to rewrite. Interruptions, unfinished thoughts, weird little phrasesâthose are gold. Make it messy. Make it sound like how people actually talk when theyâre nervous, angry, or halfway in love and lying about it.
âł Themes You Accidentally Nailed (and Can Now Strengthen)
Themes tend to sneak in while youâre drafting. During edits? Time to spotlight them. Donât slap it on with a neon signâbut do lean into the emotional throughline you already created. Itâs probably smarter and more beautiful than you gave yourself credit for.
âł Your Voice
Donât edit your weird out. Editing is for clarity, not sanding down your style until it sounds like generic internet writing. Keep the voicey bits. The odd metaphors. The lines that sound exactly like you. Thatâs what readers fall in love withânot perfection.
âł Trusting That Youâll Need Multiple Rounds
This isnât one-and-done. Your second draft will suck differently than your first. Your third might suck less, but still suck. Thatâs fine. Itâs part of the process. What matters is that each time, it gets sharper, truer, and more you.
âł Not Quitting Halfway Through Just Because Itâs Hard
Editing is hard. But youâve already done the impossible: you wrote a damn book. Thatâs massive. Now youâre just sculpting it. Donât give up because itâs messy. Donât panic because itâs not âthereâ yet. Keep showing up. Even if itâs just one scene at a time. Even if youâre crying into your tea. Especially then.
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Signs a Character Is Falling in Love
à·Â They Start Noticing the Small Things. The way the other person laughs. How they stir their coffee. The exact shape of their handwriting.
à·Â Hyper-Awareness of Touch. A brush of fingers becomes a full-body event. They replay it later. On loop.
෠They Look for Them First in a Room. Just a glance. A check. Not because they care. Obviously.
à·Â Jealousy They Canât Explain. A spike of irritation when someone else makes them laugh. Whatâs that about? They donât want to know.
à· Their Defenses Go Weird. More sarcasm. More teasing. Or less of everything. Silence, suddenly.
à·Â Uncharacteristic Generosity. Lending a book. Making a playlist. Bringing coffee âjust because.â Theyâre not in love. Theyâre just nice.
à·Â They Get Irritated by Their Own Reactions. Why do they care so much? Why are they thinking about this? Why wonât it stop?
à·Â They Start Mirroring. Their speech patterns shift. Their posture echoes the other person. Itâs subconscious. Itâs terrifying.
à·Â They Avoid Eye Contact More Than Usual. Because theyâre afraid if they look too long, the truth will pour out.
à·Â They Rehearse Conversations in Their Head. Over and over, what they could say, what they wish they said. Theyâre not in love. Nope. Definitely not.
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10 Quiet Ways Your Character Is Breaking Their Own Heart (And Pretending It's Fine)
These are the betrayals that arenât loud. They donât come with fireworks or screaming matches. These are the small, slow deaths. The ones that your character lets happen... while smiling politely.
» They say yes when they desperately want to say no. Every. Damn. Time. They show up when they're exhausted. They agree to things they hate. They make themselves smaller, softer, easier, because "good people" donât make waves, right? (Spoiler: they're drowning.)
» They keep chasing people who only love them halfway. It's not even subtle anymore. They know these people leave them on "read," show up late, make them feel like an afterthought. But they cling anyway, spinning every scrap of affection into a story about hope. (Itâs not hope. Itâs hunger.)
» They refuse to believe good things are meant for them. Theyâll hype everyone else up. Theyâll believe in everyone else's dreams. But when something finally good lands in their lap? Theyâll panic. Push it away. Tell themselves it was a fluke. (Because being disappointed feels safer than being lucky.)
» Theyâre waiting for closure that will never come. An apology. An explanation. A miracle where someone says, "You were right, and I was wrong, and Iâm so sorry." They wait years. Decades. Lifetimes. But deep down, they know: some people never come back. Some stories just end without punctuation.
» Theyâre hoarding all their "almosts" like treasures. The job they almost got. The love that almost worked. The version of themselves they almost became. They replay those maybes like a greatest hits album. (Meanwhile, real life is slipping by while they mourn possibilities.)
» Theyâre performing a version of success they secretly hate. Look at the Instagram. Look at the LinkedIn updates. Look at the shiny exterior. It looks like winning. But every trophy they collect feels heavier, not lighter. Every promotion tastes a little more like ash. (Turns out, chasing someone else's dream is still losing.)
» They forgive people who arenât sorry. Not because theyâre enlightened. Not because theyâve healed. But because itâs easier to pretend it didnât hurt than to sit with the fact that it didâand that the person responsible doesn't care. (Some wounds scar better when you stop pretending they were accidents.)
» They punish themselves for still being soft. The world told them, again and again, that soft things get broken. And they believed it. So every time they feel too much? Every time they cry or hope or trust? They tell themselves theyâre weak. Stupid. Embarrassing. (They're not. They're just still alive.)
» They downplay their own magic. They call their talents "lucky breaks." Their beauty "average." Their intelligence "no big deal." They shrug off compliments like they're dangerous. Because deep down, they've been taught that being remarkable makes you a target.
» They cling to the idea that if they just work harder, they'll finally be enough. They believe in meritocracy like itâs a religion. That if they hustle hard enough, self-sacrifice deep enough, burn themselves to ash perfectly enough, someone, somewhere, will finally say, "You're worthy now." (They were always worthy. The system is just broken.)
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hace unos dĂas en tw. lo feliz que me hacen estas reinas
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mañana me voy al viaje de mi vida ahhhh
El Salvador, 12 de abril, 2025. 10 pm
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Enemies/Friends to Lovers & more Masterpost
Enemies to Lovers (and vice versa)
How to write Enemies to Lovers + Dialogue Prompts
Oblivious Enemies to Lovers Prompts
Enemies to Lovers: Falling for the flirt
Enemies to Lovers: Co-worker Edition Part I
Enemies to Lovers: Co-worker Edition Part II
Enemies to Lovers: Meet Ugly College Edition
Enemies to Lovers: Drama Club Edition
Enemies to Lovers: Apocalypse AU
Enemies to Lovers: Band Edition
Enemies to Lovers: Assassins Edition
Enemies to Lovers: Martial Arts Edition
Enemies to Lovers: Given up on life
Lovers to enemies
Reasons for lovers turning to enemies
Exes to Lovers
Exes to lovers prompts
Exes to lovers dialogue
Friends to Lovers
Reluctant allies to friends to lovers dynamic
Friends to lovers Prompts
Flirty friends to lovers Prompts
Friends with benefits to lovers Prompts
Friends to Lovers Ideas
Best friends to lovers Prompts
Childhood friends to lovers Prompts
Childhood friends to enemies to lovers Prompts
More:
Enemies to friends with benefits Prompts
Enemies to friends Prompts
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Physical Contact Masterpost
Hand-Holding Dialogue
Hand-Holding
Touching
Hugs
Hugging Dialogue
Touch Starved Prompts
Touches Ask Games
Super soft intimacy
Casual Affections
Seeking out physical affection
Romantic, non-sexual intimacy prompts
Kisses
First Kisses
First Kiss Prompts
Accidental Kisses
Places for kissing
Angsty Kisses
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I'm haunted by the possibility that I'll live and die alone
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