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Will someone please get this boy a Xanax
Felicity Steals An Entire Fucking Horse: The Movie (2005)
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"Jesus Christ why do I keep doing this fuck fuck fuck fuck"
Mom-Friend Ben is having his daily aneurysm a little early today
Yes its supposed to make him look slovenly and he's a dickhead but if his shirt were clean, this is just the Slutty Historical Novel look.
you know maybe if your first interaction of the day wasn't immediate and unprovoked violence, the horse might be more inclined to working with you and then you wouldn't have such awful buyer's remorse.
Finally, a task that Ferrari was actually bred for!
You ought to be more mindful of the chaotic good and lawful neutrals hanging out in your weed gardens before you go yelling things like that, Nye.
"No, Felicity, I was trying to not die."
The Ben/Felicity ship dynamic is The Anxious One That Survives To At Least Act 3 Of A Horror Movie and Absolutely Zero Self-Preservation Instincts. Also girl what the fuck is going on with your bangs.
"Girl what the fuck are you talking about that's a domestic animal that wasn't even feral"
Yes, that's a valid point and an important Life Lesson, but I feel like there's a better and more immediate way of introducing to her the concept of Consequences In Horse Theft. Such as "Hey did you know this is the 18th century and what you're doing looks exactly like Horse Theftin' and the punishment for Horse Theftin' is probably death by hanging hahahahahahaha I knew."
Also like, can you image. "I disguised myself in your clothes so I could trespass and steal a horse, then brought you to the scene of my doings instead of just telling you outright, potentially implicating you in crimes punishable by death."
...Felicity did you not just see the horse run away. Did you hear the part about "Give the horse to anyone who can ride her" and stop listening to all the parts about him saying "never come back," she's probably safe from that rn.
"Neither are all the people your family enslave, but that's another story."
That is the look of "...I really. REALLY. Don't have the stomach to be the punishable-by-death crime secret keeper."
And that is the look of "Oh, Goddammit, I'm about to be the punishable-by-death crime secret keeper, aren't I."
"Go down to the creek and buy it off the Dutch pirates!"
what the fuck is she huffing.
wow way to interrupt an outrageously shippable moment. Christ this really is the superior ship.
Annabelle you do realize adding "Forbidden Romance" elements to the ship only makes it stronger.
Felicity I love you but your ADHD-ass is so dense sometimes.
"We are going to die on this hill with all the social awareness of a bitchy potato."
She's a loyalist to you.
When the fourth graders debate politics on the playground and it gets dramatic.
she's either highly amused, screaming internally, or a little day drunk. Maybe all three!
awwww the loyalty themes!
"Bitsy!"
"Oi, fuck off, yeah?"
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thinking about how essentially every relationship john locke formed in the early seasons of lost has completely disintegrated by the time of his death.
of course there's his relationship with jack, which starts tense but manageable and culminates in jack pointing a gun at john's head and pulling the trigger. but even his smaller, less narratively prominent relationships either implode or drift apart. he bonds with walt in season one but then walt leaves the island, which is itself a severing of their bond since it was mainly based on being the only two people who wanted to stay. still, he goes and visits walt off the island so this is probably john's most successful relationship. I dont think i need to explain how he fucked up with boone, "the sacrifice that the island demanded." charlie viewed john as a mentor and claimed to trust him more than anyone on the island, but after the events of fire and water, that trust is destroyed and charlie despises him. at the same time we get john bonding with claire and having a pseudo-paternal dynamic with her, but their closeness basically drops off the face of the earth as he gets less and less involved with the other survivors.
his arc in the series is essentially a gradual distancing from everyone around him. it starts when he abandons hunting (providing for the others) in favor of trying to get the hatch open (it's extremely clear his primary motive isn't any survival applications but getting answers to the mystery). when they do open the hatch, he spends more and more time inside, underground, cut off from other people. he spends more and more time interacting with ben, a human mystery box that he's obsessed with cracking even if it gets him killed. he follows the proverbial white rabbit deeper down the hole and leaves his connection to humanity behind. the island and its mysteries become more important to john than anything or anyone else.
then in season three we get him claiming to go undercover with the others only to unceremoniously tell sawyer that he's actually going to join them. and it doesn't feel shocking, it feels inevitable. because john has spent the entire series becoming less and less connected with the people he arrived with. in that sense he actually makes a fascinating foil to juliet, who is introduced as one of the others and yet never really fits, she's increasingly sympathetic and kind in a way the rest of them aren't, her redemption arc feels so natural that she actually starts referring to her old people as "the others" like she's been one of the crash survivors from the beginning. her and john basically have inverse arcs, which is probably accidental but very neat.
in season five john tries to convince everyone to go back to the island, and fails spectacularly. and of course he does, because he was so consumed by obsession that he stopped maintaining his relationships, and in many cases actively alienated people (this is also basically what happened with helen) and now he can't wrap his head around why they're all so hostile to him. i am forever obsessed with the scene where he confronts kate and she brutally calls him out for wanting to return to the island because he doesn't love anyone. it actually struck me on rewatch how well the two of them got along in season one, and how badly their relationship has degraded by this point. john repeatedly casts aside interpersonal relationships in favor of his obsession with destiny, so when said destiny actually involves persuading the people he once shunned, he's at a loss. this is because john treats purpose as a supplement for connection, destiny as an alternative to love.
as an aside, this aspect of john's character kinda ties into my opinion that several lost characters can be read as allegorically neurdivergent under a certain lens. i know this was absolutely not intended, but as an adhd former gifted kid who struggles socially, there is something uncomfortably familiar about a character who allows their relationships to burn around them because of a single-minded obsession, especially as a result of being promised the fickle status of "special."
tl/dr: john locke is a doomed idiot and i love him
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something something jack and john both being buried on the island something something their fathers being buried there too something something
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There's quite some stuff I didn't realize the first time I watched LOST
The first scene in the pilot is Jack opening his eyes surrounded by bamboo
The last scene on the finale is Jack closing his eyes surrounded by bamboo
On the pilot after Jack calmed Claire and asked Hugo to sit her the first thing he said was "Dude, I'm not going anywhere"
Cue to the last ep Hugo ends up being the guardian of the Island.
I love love love those long arcs (also the leitmotifs)
What a magnificent series
Still teary eyed.
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Y’all ever get fatigue so bad that you’re laying down and it feels like you need to lay down MORE? Advanced laying. Somehow.
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john locke is such an absolute nutjob and im obsessed with him. imagine having the world's most horrendous daddy issues and chosing to cope with this by forcibly adopting everyone you meet. even if they already have a father. john saw micheal's dysfunctional relationship with walt and went "okay, my son now." charlie's struggling with addiction? adoption time. oh claire's mad at him? i am her dad now and also im raising aaron. boone? my son. this random hitchhiker? my son. dude is collecting surrogate children like pokemon, and he's not even a good father figure. he frequently causes problems for the people in question. BUT BY GOD HE DOES NOT LET THAT STOP HIM
that cop eddie knew all he needed to do was get in john's car and trauma dump about his shitty father and john would immediately go "okay yeah you're my son now."
ben probably could've manipulated him twice as effectively if he used this strategy, but instead he was too busy projecting his own daddy issues by trying to make john kill his abusive dad like he did. meanwhile john is reliving the cycle getting conned by ben over and over again just like he trusted his father. they're competing in the daddy issues olympics and no one is winning
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"why does jack cry all the time"
examine your feelings about masculinity
he's frequently not getting enough sleep
he's incredibly stressed out and everything happening in LOST would reduce most people to tears
most people in LOST are crying all the time, we just see jack the most. this is the crying people show
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i told maggie grace i loved shannon and she was like, thank you for being one of the only people who’s ever said that. ????? GIRL GET ON TUMBLR, WE LOVE YOU OVER HERE
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I dream of a future where TV shows explore complicated, emotional and rather weird relationships like that of Jack and John in LOST.
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My four loves

Blondie, you're not gonna believe this. Sawyer and Juliet as Mulder and Scully
(I've never claimed to be a good artist, but I couldn't get this out of my head. Hope you enjoy!)
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