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Oliver Jackson-Cohen in The Haunting of Bly Manor (2020)

#just for science

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The Haunting of Bly Manor

Peter + hands in pocket // hands in pocket as the tell that Peter has possessed someone

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“I think Victoria Pedretti and I, we sort of work in a similar way. That’s why [since The Haunting of Hill House] we have become so close because we do approach stories the same way and she’s an incredibly interesting woman. We’re very, very similar personally as well.” “I feel like me and Oliver work somewhat similarly. When we talk about characters… I feel like we’re coming from a similar place. I feel like he is more technical than I am, still. He definitely pushes me [as an actor].”

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>>x<<

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LET ME SHOW YOU…JUST HOW BEAUTIFUL YOU ARE

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love horror story 

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get to know me meme: favorite movies [5/15] » Scream (1 & 3) (1996-2000)

“Hi, this is Gale Weathers with an exclusive eyewitness account of this amazing breaking story. Several more local teens are dead, bringing to an end the harrowing mystery of the masked killings that has terrified this peaceful community like the plot of some scary movie. It all began with the scream of a 911, and ended in a bloodbath that has rocked the town of Woodsboro.” - Scream (1996)

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Gabriela Mistral, from a letter to Doris Dana c. January 1950 (translated by Velma García-Gorena)

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Count Dracula is the title character of Bram Stoker’s 1897 gothic horror novel Dracula. He is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction. The character has appeared frequently in popular culture, from films to animated media.

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my favorite ways to say “i love you”

here, i killed this for you

i’d commit arson if you asked me to

im obsessed with everything you do

i want us to have matching necklaces with each other’s blood inside

i got you a new dagger/knife

it feels so good when you strangle me

i want to die by your hands

your blood tastes so good, angel

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illustration from a Victorian children’s book c1885

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Nine Inch Nails - We’re In This Together (1999) (Director’s Cut), Dir. Mark Pellington

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