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nel-world · 3 hours

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Veerayya runs the Sulabh Complex in a Hyderabad slum near Begumpet. Though his life seems ordinary, Veerayya has an extraordinary dream—to experience space travel, like an astronaut, in a space shuttle. Suffering from a terminal illness, he knows time is running out, but his dream keeps him going. With no close family, Veerayya finds support in his three loyal neighbors: Daniel, a kindhearted auto driver; Koti, a witty cobbler; and Sumathi, a compassionate sex worker.

Despite his declining health, Veerayya’s determination only grows stronger. He saves every rupee from his job maintaining public toilets, taking on extra work as a carpenter, all to fulfill his dream. One day, he asks his boss for an advance of Rs. 10,000 to pay for an astronaut training experience that includes a simulated space shuttle ride. But the boss refuses, and Veerayya is devastated.

Soon after, the boss finds Rs. 50,000 missing from his account and accuses Veerayya of stealing the money. Veerayya is jailed, beaten, and humiliated, but the truth comes out when the boss discovers his own son took the money. Realizing his mistake, the boss withdraws the complaint and gives Veerayya a small compensation, though it’s nowhere near what Veerayya needs.

Refusing to give up, Veerayya performs as a comedian at local exhibitions, bringing joy to children and managing to earn enough to enroll in the astronaut training program. However, on the night he buys his ticket, he and his friends are attacked by a group of rich men driving recklessly, who steal his hard-earned money.

In a moment of selflessness, Koti, who had hidden some of the money, retrieves it and hands it to Veerayya, claiming Sumathi had contributed. This act of kindness moves everyone, reigniting their hope.

With the help of his friends and the kindness of strangers who hear about his journey, Veerayya finally gets the opportunity to participate in the astronaut training program. Veerayya, dressed in a spacesuit, steps into the simulator. As the experience begins, Veerayya is transported into the thrilling world of weightlessness, floating among the stars. Tears of joy stream down his face as he fulfills his dream.

As the simulation ends, Veerayya's story captures the attention of the staff, including Shweta, a kind instructor who is moved by his determination. Inspired by his journey, she arranges for Veerayya to meet a real astronaut, who offers him a VIP tour of an actual space shuttle.

The news of Veerayya’s story spreads, and his bravery touches hearts worldwide. A space organization hears about his dream and invites him to be an honorary guest at a real launch. Veerayya, along with his friends, watches a space shuttle lift off, and he’s invited to experience a zero-gravity chamber, where he feels like an astronaut soaring through space.

In the end, Veerayya’s courage and determination inspire people far beyond his slum. His health may be fragile, but his spirit is unbreakable. Veerayya’s dream is not just fulfilled; it transcends, becoming a symbol of hope and resilience. Veerayya’s story becomes a beacon, proving that no dream is too big, no matter where you come from or what life throws at you.

Veerayya returns to his community, celebrated as a hero who reached for the stars and made it. Surrounded by his friends, he finds peace and joy, knowing he lived his dream to the fullest.

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nel-world · 8 hours

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alyssa

lauryn

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nel-world · 1 day

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SET-UP

EXT. BROOKLYN BRIDGE PARK - AFTERNOON

Anita sets up her camera on a tripod near the waterfront, with the Manhattan skyline as her backdrop. She records a new segment for her vlog, her movements calmer but still holding a hint of her earlier struggle.

ANITA

(to the camera, animated)

Hey, guys! Today, I want to talk about finding your own path in a city that never stops moving.

She pauses, taking out a photo of her in a small town with her family. She looks at it for a moment, her grip tightening slightly.

ANITA

This... this was me before New York. Small town, big dreams. And look, the city can beat you up sometimes, but that’s when you find out what you’re really made of.

Anita turns off the camera and takes a deep breath, staring out at the river. Her eyes linger on the photo, and she folds it gently, tucking it back into her pocket.

EXT. UNIVERSITY PARK - DAY

A wide shot of a bustling park filled with joggers, dog walkers, and students reading on benches. The sun shines brightly, and a cool breeze rustles the leaves.

Anita rushes through the park with bags and coffee. She bumps into Bill, an aspiring filmmaker. Her student ID falls, and Bill picks it up.

BILL

Hey, you dropped this.

He hands her the ID, and they exchange a brief smile.

ANITA

(smiling, embarrassed)

Oh, thanks.

BILL

Do you know where New York Theater is? I wanted to get some pictures, but I'm lost.

ANITA

Sure! Just head down this path, take a left at the fountain, and follow the river. You’ll see it by the waterfront.

BILL

(grinning)

thank u.(pause)

Today is Friday. Got any plans for later?

ANITA

Going to a movie with friends.

BILL

Which one?

ANITA

Avengers. I love it.

BILL

I didn’t know it was back in theaters. Do you have a favorite movie?

ANITA

(grinning)

I’m not telling.

BILL

Come on, I won’t judge.

Anita shows him a poster of Dear John on her phone.

ANITA

Dear John.

BILL

Really?

ANITA

Yep. Don’t judge.

BILL

I actually love it too.

ANITA

Nice to meet you.

BILL

We should hang out sometime.

ANITA

Sure, but I’ve got to run. I’m late for an appointment.

They smile, intrigued by each other. A distant piano melody begins to play softly.

EXT. OUTSIDE ACTING AGENCY - DAY

Bill stands outside an acting agency, surrounded by other hopefuls. The atmosphere is tense. Bill stretches his shoulders and does a few breathing exercises, trying to calm his nerves.

RECEPTIONIST (OFFSCREEN)

Bill ? You’re up next.

Bill takes a deep breath, glances at his script, and walks toward the entrance. Inside, he delivers his lines to an indifferent panel, his voice strained.

BILL

(performance mode)

“You can try to break me, but I’ve been broken before. And every time, I come back stronger.”

The casting directors exchange glances, unimpressed. Bill’s confidence falters as he watches their reactions, and he exits, deflated and visibly upset.

EXT. FLASHBACK - SMALL COMMUNITY THEATER - DAY (BILL’S MEMORY)

Bill, in his early 20s, performs passionately on a small stage in a community theater. He’s full of energy, feeding off the sparse but engaged audience.

BILL

(projecting to the audience)

You think this is the end? Not for me. I rise every time I fall!

The applause, though modest, makes him beam with pride. This was a moment of triumph. Cut back to the present—Bill stands outside the agency, staring at his reflection in the window, feeling like a shadow of his past self.

EXT. PIER AT BROOKLYN BRIDGE PARK - EVENING

Anita watches her old vlogs on her phone while sitting at the end of a pier, her feet dangling above the water. She mimics some of her old gestures, practicing quietly to herself, trying to recapture that spark. Suddenly, she stops, visibly frustrated, and tosses her phone onto the bench beside her.

ANITA

(to herself, mimicking an old vlog)

“New York City, baby! If you can make it here...”

She pauses the video on a moment of her smiling widely at the camera, her expression turning wistful. She paces the pier, trying to feel that energy again, but it’s just not coming.

EXT. ALLEYWAY BEHIND BILL’S APARTMENT - NIGHT

Bill practices lines in a dimly lit alley behind his apartment, using the brick wall as an audience. He rehearses energetically, occasionally punching the air or kicking at a trash can when he misses a line. His frustration is palpable in his movements.

BILL

(to himself, throwing punches in the air)

Just keep fighting... just keep pushing.

He leans against the wall, catching his breath. He scrolls through his phone, watching old clips of himself in community theater productions, trying to find that old spark. He mimics his younger self’s energetic gestures, his frustration melting into determination.

EXT. BROOKLYN PROMENADE - NIGHT

Anita and Bill find a quiet spot on a bench surrounded by greenery, away from the crowds. A gentle breeze rustles the leaves around them. As they talk, a bright red ladybug lands on Anita’s hand, catching her by surprise.

ANITA

Look, a ladybug!

She holds out her hand to show Bill, her expression delighted and childlike. Bill leans in, examining the tiny creature.

BILL

They say ladybugs are good luck. Maybe it’s a sign.

Anita watches the ladybug crawl across her hand, mesmerized. She carefully transfers it to Bill’s palm, and they both watch it silently for a moment.

ANITA

I used to think if one landed on you, it meant you were exactly where you were supposed to be.

BILL

(smiling)

Guess we’re doing something right, then.

The ladybug flies away, and they both look up, following its path until it disappears into the night. The moment is quiet, simple, and filled with unspoken hope.

ANITA

Maybe... maybe it’s telling us not to give up just yet.

BILL

Yeah. Maybe it is.

They sit back, the warmth of the moment settling between them. It’s a small but significant reassurance that they’re on the right path.

EXT. BROOKLYN PROMENADE - LATE AFTERNOON

(Anita and Bill walk along the Brooklyn Promenade, the sun setting over the Manhattan skyline. Anita is vlogging, capturing the beautiful scenery and Bill’s reactions to the city’s charm. They playfully mimic the tourists around them, posing dramatically for Anita’s camera. Bill leans against the railing, pointing towards the skyline with exaggerated flair.)

ANITA

(to the camera)

Hey, everyone! Today we’re at one of my favorite spots in New York—the Brooklyn Promenade. And I’ve got Bill here with me to soak it all in. First time here, right?

BILL

(nods, taking it all in with open arms)

Yeah. I’ve seen it in movies, but being here... it’s different. Makes you feel like anything’s possible.

(Anita smiles, loving Bill’s genuine reaction. They pause by the railing, looking out at the Statue of Liberty in the distance. Bill gestures grandly toward it, like he’s a tour guide.)

ANITA

Let’s play a game. I’ll point out a landmark, and you tell me the first word that comes to mind. Ready?

BILL

(smiling, adjusting his stance)

Sure, hit me.

ANITA

(points to the Statue of Liberty)

Go.

BILL

Freedom.

ANITA

(nods, then points to the Brooklyn Bridge)

And that?

BILL

Adventure.

ANITA

Nice. And what about… (points to the skyline) all of that?

BILL

(sighs, then softly)

Dreams.

(Anita turns the camera off, sensing Bill’s vulnerability. They share a quiet moment, watching the city. Bill leans on the railing, deep in thought.)

EXT. BROOKLYN PROMENADE - GRASSY AREA - EVENING

(They set up a spontaneous picnic on a grassy patch near the promenade, surrounded by trees and fairy lights. Bill has brought snacks from a local bodega, while Anita sets up her camera to capture a casual food tasting segment. They sit cross-legged on the ground, playfully feeding each other bites of food.)

ANITA

for my next vlog.

Alright, it’s time for a taste test. We’ve got Bill’s classic New York pick—bodega sandwich. How are you feeling about this one?

BILL

I’m feeling like this is the real New York experience. You don’t know the city until you’ve had a sandwich wrapped in tin foil.

ANITA

(laughs, throwing her hands up)

True. But what about this? (holds up a strange-looking pastry) I got this from that fancy bakery around the corner. They said it’s their signature “fusion” dessert.

BILL

(making a face, pretending to faint)

Looks like someone dropped their lunch in frosting.

(Anita films Bill’s exaggerated reaction as he takes a bite, playfully gagging. They both burst into laughter, food barely staying in their mouths. Bill mockingly rolls on the grass, “dying” from the taste.)

BILL

Yeah, I’m sticking with my bodega classic.

EXT. BROOKLYN PROMENADE - PHOTO SPOT - NIGHT

(They wander over to a popular photo spot with benches and street performers nearby. Anita and Bill take turns posing for each other, trying to capture the perfect Instagram shot. Bill does dramatic poses, pretending to be a supermodel.)

ANITA

Alright, let’s get one with the skyline. Give me your best ‘brooding actor’ look.

BILL

(putting on a dramatic face, striking an exaggerated pose)

How’s this? Does it say ‘mysterious’ or ‘constipated’?

ANITA

(laughs, snapping pictures)

A little bit of both, honestly.

(Anita snaps a few shots, then hands the camera to Bill. Bill crouches, directing her poses as if they’re on a professional shoot.)

BILL

Your turn. Show me ‘adventurous vlogger’ vibes. Work it!

(Anita strikes a dramatic pose, pretending to hold a microphone like she’s reporting live from the city. They switch between silly and serious, completely losing track of time, even incorporating small jumps and spins.)

EXT. BROOKLYN PROMENADE - STREET PERFORMER AREA - NIGHT

(They encounter a street performer playing an upbeat tune on his guitar. Anita gets an idea and nudges Bill, motioning towards the impromptu dance floor in front of them.)

ANITA

C’mon, let’s dance. We’re in the perfect spot for it.

BILL

(hesitant, backing away slightly)

Dance? Here? In front of everyone?

ANITA

Why not? It’s New York—nobody cares. Plus, it’s not like they know us.

(Bill reluctantly joins in, and they begin to dance to the live music. At first, they’re awkward, but soon they’re laughing and moving more freely, spinning each other around. Bill even throws in a few silly dance moves, like exaggerated moonwalks and air guitar.)

BILL

You’re really good at this whole ‘living in the moment’ thing.

ANITA

It’s the only way to be. Life’s too short not to dance on the Promenade.

(They end with a flourish, bowing to the street performer, who gives them a thumbs up. The crowd claps, adding to the spontaneity of the moment.)

EXT. NEW YORK CITY STREETS - DAY

Anita and Bill are walking through the city, brainstorming ideas for Anita’s vlog. The chemistry between them is evident, but underlying tensions begin to surface.

ANITA

What if we did a segment where we reenact classic movie scenes, but in random New York spots? People would love it.

BILL

(half-hearted laugh)

Yeah... just what I need—more practice being a background extra.

ANITA

(defensive)

Hey, it’s not just about roles. It’s about having fun, you know? Creating moments together.

BILL

(stops abruptly, voice rising slightly)

For you, it’s about building your brand. But for me... (struggling to find the right words) It’s like I’m just... another prop.

Anita is taken aback, her smile fading. She turns away slightly, leaning against a wall, trying to gather her thoughts.

ANITA

Bill, you’re not just a prop. You’re... (hesitates, searching for words) You’re part of this whole thing. Us.

BILL

(sighs, softer, almost to himself)

Sometimes I feel like... like I’m on the outside looking in. Like I’m stuck in the wings while the real action’s happening on stage.

Anita looks at Bill, her expression softening as she begins to understand. She reaches out, but he steps back, conflicted.

ANITA

I didn’t realize you felt that way. But I need you, Bill. I can’t do this alone.

BILL

It’s not just about needing me. It’s about wanting this together. I just... I want to feel like I’m more than just your sidekick.

They stand in tense silence, the city noise filling the space between them. Anita reaches out and touches his arm gently.

ANITA

I never wanted you to feel that way. Let’s figure it out... together.

EXT. NYC STREET - NIGHT - AFTER ARGUMENT

Bill walks alone, replaying the argument in his mind. He stops at a street performer playing a melancholic tune, feeling drawn to the music. He watches the performer for a moment, lost in thought, before continuing on. He pulls out his phone and types a message to Anita but hesitates, deleting it before sending.

INT. ANITA’S APARTMENT - NIGHT

Anita is in her apartment, scrolling through old footage on her camera. She pauses on a shot of her and Bill laughing during a shoot. She rewinds it, watching the moment over and over. She sits back, overwhelmed with guilt and uncertainty.

ANITA

(to herself)

I’m screwing this up...

She picks up her phone, typing and deleting messages to Bill, before finally sending a simple text: "Can we talk?"

INT. ANITA’S APARTMENT - NIGHT - LATER SCENE

Anita receives an email notification from Netflix. She opens it cautiously, her heart pounding.

ANITA

(whispering to herself)

Please... just be good news.

She reads it, her face falling. She picks up her phone and calls Bill.

ANITA

(speaking quickly)

They passed. Netflix... they don’t want it.

BILL

(on the phone)

Anita, I’m sorry. We’ll figure something out. There’s still time.

ANITA

They said it’s “too niche,” whatever that means. I’m just... I’m so tired, Bill. What if this was it? What if I’m not cut out for this?

BILL

You are.

INT. BILL’S APARTMENT - NIGHT

Bill gets a voicemail from Jake, his old friend from the audition.

JAKE (VOICEMAIL)

(on phone)

Hey, Bill. So, the indie gig I mentioned fell through. But listen, I got invited to this new theater group, focusing on raw stories. They want to experiment with unconventional formats... and I thought of you. Call me back if you’re interested.

Bill pauses, conflicted. He replays the message, his mind racing. He calls Anita.

BILL

(on phone)

I got a call from Jake. There’s an opportunity... but it’s not what I expected. I don’t know if it’s the right thing.

ANITA

I got an offer too... but it’s in Europe. And it’s not perfect, but... it’s something.

BILL

(sighs)

Feels like everything’s either almost or too much. I guess nothing’s ever just right, huh?

ANITA

Maybe we’re not supposed to wait for “just right.” Maybe it’s about making the best with what we’ve got.

BILL

(smiling)

Yeah. Let’s go with that.

INT. ANITA’S APARTMENT - NIGHT - FINAL SCENE

Anita sits at her desk, recording a monologue for her vlog.

ANITA

(to the camera)

So... things don’t always go as planned. Sometimes, you get a yes, but it’s the wrong kind. Sometimes, the no’s feel like punches. And sometimes, you get offers that make you question everything. I’m not sure what’s next. Europe? Maybe. Or maybe it’s about letting go of the fear of what we should be doing and just... doing it.

Anita stops recording and sits quietly, absorbing her own words.

EXT. NYC - DAY - FINAL IMAGE EXPANDED

Anita and Bill meet up at their usual spot on the promenade. They sit together, watching people stroll by, some watching videos on their phones, others lost in their own worlds.

BILL

What are you thinking?

ANITA

I’m scared. I’m scared of leaving, of staying... of failing. But I’m more scared of not trying.

Bill nods, understanding deeply.

BILL

I feel that. But whatever you decide... I’m here. Whether that’s on a video call from Europe or at a café around the corner.

They sit in silence, letting the city’s hum fill the space between them. Anita reaches into her bag and pulls out her camera.

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nel-world · 1 day

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nel-world · 2 days

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EXT. UNIVERSITY PARK - DAY - SCENE 1

A bustling park filled with joggers, dog walkers, and students. ANITA, juggling bags and coffee, rushes through, bumping into BILL, an aspiring filmmaker. Her student ID falls, and Bill picks it up.

BILL Hey, you dropped this.

He hands the ID to her, and they exchange a brief smile.

ANITA (smiling, embarrassed) Oh, thanks.

BILL Do you know where New York Theater is? I wanted to get some pictures, but I’m lost.

ANITA Sure, just head down this path, take a left at the fountain, and follow the river. You’ll see it by the waterfront.

BILL (grinning) Today is Friday. Got any plans for later?

ANITA Going to a movie with friends.

BILL Which one?

ANITA Avengers. I love it.

BILL I didn’t know it was back in theaters. Do you have a favorite movie?

ANITA (grinning) I’m not telling.

BILL Come on, I won’t judge.

Anita shows him a poster of Dear John on her phone.

ANITA Dear John.

BILL Really?

ANITA Yep. Don’t judge.

BILL I actually love it too.

ANITA Nice to meet you.

BILL We should hang out sometime.

ANITA Sure, but I’ve got to run. I’m late for an appointment.

They smile, intrigued by each other. A soft, recurring piano melody weaves through the scene.

EXT. BRIDGE - DAY - SCENE 2

Anita and Bill walk together on a bridge, deep in conversation. A ladybug lands on Bill’s shoulder.

ANITA You’ve got a ladybug on you.

Bill tries to brush it off, but Anita stops him.

ANITA Wait. It’s good luck. Make a wish.

Bill humors her, closes his eyes, and makes a wish before gently blowing the ladybug away.

ANITA What’d you wish for?

BILL For a bit of magic. Maybe some proof that I’m not wasting my time.

ANITA It’s going to happen. You’re dedicated.

Bill hesitates, sensing a pattern in their conversations.

BILL You keep saying that, but what about you? You’re always playing it safe, scared to take the leap. When are you going to take your own advice?

Anita looks surprised, not expecting the direct challenge.

ANITA What do you mean?

BILL You’re talented, but you hold back. It’s like you’re waiting for permission to go all in. No sponsor is going to see that if you don’t.

Anita is taken aback, feeling both defensive and exposed.

ANITA I’m doing everything I can. It’s not that simple.

BILL It never is. But at some point, you have to risk something real.

Anita falls silent, processing Bill’s words. The ladybug flying away symbolizes the fragile nature of their dreams.

EXT. NYC PARK - DAY - SCENE 3

Children play in the background, their laughter blending with street musicians playing a lively tune. Bill picks up a bat lying nearby and hands it to Anita with a playful grin.

BILL Ever play ball?

ANITA (smiling) A little. Why, you want a challenge?

Anita steps up to the plate, focused. Bill offers advice.

BILL Just keep your eye on the ball and swing.

Anita swings hard, connecting perfectly.

ANITA (excited) Did you see that?

BILL (clapping, impressed) You’ve got it!

ANITA Actually, we can shoot a TikTok reel.

BILL I haven’t written anything good in a while...

ANITA What, time’s ticking. Think of something. How about this? Let’s improvise the scene like a coach guiding me through their first big hit of the ball.

BILL Sounds great.

ANITA Let’s check the footage.

They continue playing, their laughter and banter filling the park.

BILL (laughing) I can’t believe we just did that.

BILL Actually, I got a call; gotta run.

INT. ANITA'S APARTMENT - NIGHT - SCENE 23

Anita sets up her camera. She’s more nervous than usual, adjusting the lighting, her movements jittery.

ANITA (to the camera) Today’s vlog is important... I’ve put everything into this. I’ve got a meeting later with a potential sponsor who could help take this to the next level.

She hesitates, her phone buzzing. It’s the sponsor, canceling due to “budget constraints.” A notification follows: her credit card is maxed. Anita stares at her phone, overwhelmed.

ANITA (to herself) What am I doing? I can’t keep going like this...

She wipes a tear, realizing she’s on the brink of losing everything she’s worked for.

INT. FILM PRODUCTION OFFICE - DAY - SCENE 25

Bill sits nervously in a sleek office opposite a PRODUCER, who casually flips through Bill’s film proposal.

PRODUCER I see potential here, Bill. But the script needs a rewrite—something more marketable. We’ll have someone else handle that. You’ll direct.

Bill’s face falls.

BILL But the story is personal. It’s what makes it unique.

PRODUCER This is the real world. We need something that sells. Take some time, think it over. But we’re moving forward with or without you.

Bill’s dream teeters on the edge—directorial debut or artistic compromise?

EXT. NYC PARK - DAY - SCENE 3

Bill and Anita playfully challenge each other to a baseball game. As Anita hits the ball, she looks triumphant, but the mood quickly shifts when they start talking.

BILL You’re good at this. Maybe too good. Why don’t you show that confidence in your blog?

ANITA What are you trying to say? That I’m not doing enough?

BILL No, I’m saying you’re holding back. You’ve got the skills, but you’re afraid of going full throttle. You think a half-hearted blog is going to get you noticed?

Anita puts down the bat, irritated.

ANITA I’m not half-hearted. I’m just... trying to be realistic.

BILL Being realistic is what’s holding you back.

The tension grows, and Anita walks away briefly before returning, realizing Bill is pushing her because he cares.

ANITA Maybe you’re right. But I’m scared, okay? Scared of failing, scared of putting everything out there and having it all come crashing down.

BILL We’re all scared, Anita. But sometimes, you just have to jump anyway.

Their conversation, filled with honesty and frustration, deepens their connection.

INT. ANITA’S APARTMENT - NIGHT - SCENE 31

Anita checks her blog analytics, visibly frustrated. Bill enters, sensing her mood.

BILL Slow week?

ANITA I thought people would connect with my stories, but it feels like I’m shouting into the void. And maybe you’re right—I’ve been playing it too safe.

Bill sits down, trying a different approach.

BILL Look, you’re putting yourself out there, and that’s already more than most people do. But if you want to make something that matters, you have to be willing to risk something that scares you.

ANITA I’m scared that no one cares, that I’ll lose everything I’ve put into this.

BILL It’s okay to be scared. Just don’t let it stop you. You’ve got something real. Don’t let the fear drown it out.

The vulnerability between them strengthens their bond as they confront their insecurities together.

EXT. TIMES SQUARE - NIGHT - SCENE 39 (CLIMAX SCENE REVISED)

Anita arrives in the chaotic heart of Times Square, overwhelmed by the bright lights, massive billboards, and bustling crowds. She feels lost, much like her own journey. Bill waits for her at the red steps, sensing her turmoil.

ANITA It’s all falling apart, Bill. I thought I was doing something meaningful, but now it feels like I’m just chasing likes, followers, sponsors. This isn’t what my dad taught me—it’s not about heart anymore. I’ve lost that. I’ve lost him.

Bill listens closely, realizing the depth of Anita’s disconnection from her initial passion.

ANITA My dad used to say, “People will come if they feel the love.” But I’ve been so caught up in trying to prove myself, I’ve forgotten what that even means. I don’t know why I’m doing this anymore. I’m scared I’ve turned his legacy into something hollow, and now I don’t even recognize myself.

Bill places his hand on her shoulder, his own struggles mirrored in her words.

BILL I know that feeling. My dad was all about storytelling—he’d tell me that our stories define us, that they’re worth fighting for, no matter what. But I’ve been scared, too—scared that I’ll lose that spark trying to fit into what everyone else wants.

Anita looks at Bill, seeing her own fears reflected in his eyes.

BILL But your dad’s legacy isn’t lost, Anita. It’s in every word you write and every video you make. It’s in the way you connect with people, even when you can’t see it. Don’t let the noise drown out your voice. You’re not just doing this for him—you’re doing it for yourself.

Anita takes a deep breath, absorbing his words. Bill gestures towards the giant screen, which flickers on, showing a short video he compiled of Anita’s vlogs, intercut with moments from her personal life, her struggles, and candid clips of her father’s restaurant.

ANITA You did this?

BILL You’ve got something real, Anita. It’s not about the followers or the sponsors. It’s about sharing what matters to you. That’s what people connect to.

A ladybug lands on Anita’s shoulder as she watches the screen, a symbol of hope and persistence. She smiles, feeling a renewed sense of purpose and a connection to her father’s legacy.

EXT. ROOFTOP - NIGHT - SCENE 40 (RESOLUTION REVISED)

Anita and Bill sit on a quiet rooftop, overlooking the city. The distant hum of New York surrounds them, contrasting with the silence of their thoughts.

BILL My dad used to bring me up here when I was a kid. He’d point out the city lights and say, “Every one of those lights is a story. Don’t be afraid to tell yours.”

Anita looks out at the skyline, holding her charm bracelet. She reflects on her father’s words and how they’ve shaped her journey.

ANITA I think I lost sight of why I started this. My dad’s restaurant—it wasn’t just about the food. It was about making people feel like they belonged, like they were part of something special. That’s what I want my blog to be. I just... lost my way.

BILL We all do. But you found it again. You’re putting your heart out there, and that’s what matters. I’ve been afraid of losing my voice, too. But maybe that’s what this city does—it challenges us to fight for what we believe in.

Anita smiles, finding comfort in their shared vulnerability. Bill takes out his camera, adjusting the lens as if capturing the city anew.

BILL Maybe it’s time we both stop playing by everyone else’s rules and just... tell our stories the way we want to.

He snaps a photo of the skyline, feeling renewed. Anita watches him, knowing they’ve rediscovered something essential.

EXT. NYC - DAY - FINAL SCENE REVISED

Anita stands in the middle of a busy street, confidently filming her latest vlog. The energy of the city surrounds her, and the charm bracelet is now prominently visible on her wrist.

ANITA (to the camera) Every city has a story, just like every person. It’s the ups, the downs, and the moments in between that make us who we are. Don’t be afraid to get lost—because that’s often where you find what you’re truly looking for.

She smiles, no longer just a voice in the crowd but someone with a story that’s uniquely hers. Bill, standing nearby, adjusts his camera, capturing the moment.

A notification pops up on Bill’s phone—it’s an email from a producer interested in his original script. He smiles, feeling validated in his decision to stay true to his vision. He starts jotting down ideas in a small notebook, sketching out his next project.

Bill watches Anita from a distance, proud of her growth and hopeful about his own future. The camera pans up to show the city skyline, reflecting their dreams and the journey that lies ahead. A ladybug lands briefly on Anita’s shoulder before flying off, symbolizing the ongoing adventure.

The screen fades to black.

0 notes

nel-world · 2 days

Text

EXT. UNIVERSITY PARK - DAY - SCENE 1

(A bustling park with joggers, dog walkers, and students. ANITA, juggling bags and coffee, rushes through and bumps into BILL, an aspiring filmmaker. Her student ID falls, and Bill picks it up.)

BILL Hey, you dropped this.

(He hands her the ID. Anita smiles, slightly embarrassed.)

ANITA Thanks. I’ve got a meeting with a sponsor, and I’m late. If this doesn’t work out, I might have to shut down the blog.

BILL I’m on my way to pitch my film script. I’ve got one shot at this, and I’m nervous they’ll ask me to change everything.

(They share a knowing look—both on the edge of major career moments.)

EXT. BRIDGE - DAY - SCENE 2

(Anita and Bill walk together on a bridge, deep in conversation. A ladybug lands on Bill’s shoulder.)

ANITA You’ve got a ladybug on you.

(Bill tries to brush it off, but Anita stops him.)

ANITA Wait. It’s good luck. Make a wish.

(Bill humors her, closes his eyes, and makes a wish before gently blowing the ladybug away.)

ANITA What’d you wish for?

BILL For a bit of magic. Maybe some proof that I’m not wasting my time.

ANITA It’s going to happen. You’re dedicated.

(Bill hesitates, sensing a pattern in their conversations.)

BILL You keep saying that, but what about you? You’re always playing it safe, scared to take the leap. When are you going to take your own advice?

(Anita looks surprised, not expecting the direct challenge.)

ANITA What do you mean?

BILL You’re talented, but you hold back. It’s like you’re waiting for permission to go all in. No sponsor is going to see that if you don’t.

(Anita is taken aback, feeling both defensive and exposed.)

ANITA I’m doing everything I can. It’s not that simple.

BILL It never is. But at some point, you have to risk something real.

(Anita falls silent, processing Bill’s words. The ladybug flying away symbolizes the fragile nature of their dreams.)

INT. ANITA'S APARTMENT - NIGHT - SCENE 23

(Anita sets up her camera. She’s more nervous than usual, adjusting the lighting, her movements jittery.)

ANITA (to the camera) Today’s vlog is important... I’ve put everything into this. I’ve got a meeting later with a potential sponsor who could help take this to the next level.

(She hesitates, her phone buzzing. It’s the sponsor, canceling due to “budget constraints.” A notification follows: her credit card is maxed. Anita stares at her phone, overwhelmed.)

ANITA (to herself) What am I doing? I can’t keep going like this...

(She wipes a tear, realizing she’s on the brink of losing everything she’s worked for.)

INT. FILM PRODUCTION OFFICE - DAY - SCENE 25

(Bill sits nervously in a sleek office opposite a PRODUCER, who casually flips through Bill’s film proposal.)

PRODUCER I see potential here, Bill. But the script needs a rewrite—something more marketable. We’ll have someone else handle that. You’ll direct.

(Bill’s face falls.)

BILL But the story is personal. It’s what makes it unique.

PRODUCER This is the real world. We need something that sells. Take some time, think it over. But we’re moving forward with or without you.

(Bill’s dream teeters on the edge—directorial debut or artistic compromise?)

EXT. NYC PARK - DAY - SCENE 3

(Bill and Anita playfully challenge each other to a baseball game. As Anita hits the ball, she looks triumphant, but the mood quickly shifts when they start talking.)

BILL You’re good at this. Maybe too good. Why don’t you show that confidence in your blog?

ANITA What are you trying to say? That I’m not doing enough?

BILL No, I’m saying you’re holding back. You’ve got the skills, but you’re afraid of going full throttle. You think a half-hearted blog is going to get you noticed?

(Anita puts down the bat, irritated.)

ANITA I’m not half-hearted. I’m just... trying to be realistic.

BILL Being realistic is what’s holding you back.

(The tension grows, and Anita walks away briefly before returning, realizing Bill is pushing her because he cares.)

ANITA Maybe you’re right. But I’m scared, okay? Scared of failing, scared of putting everything out there and having it all come crashing down.

BILL We’re all scared, Anita. But sometimes, you just have to jump anyway.

(Their conversation, filled with honesty and frustration, deepens their connection.)

INT. ANITA’S APARTMENT - NIGHT - SCENE 32

(Anita is checking her blog analytics, visibly frustrated. Bill enters, sensing her mood.)

BILL Slow week?

ANITA I thought people would connect with my stories, but it feels like I’m shouting into the void. And maybe you’re right—I’ve been playing it too safe.

(Bill sits down, trying a different approach.)

ANITA I’m scared that no one cares, that I’ll lose everything I’ve put into this.

BILL It’s okay to be scared. Just don’t let it stop you. You’ve got something real. Don’t let the fear drown it out.

(The vulnerability between them strengthens their bond as they confront their insecurities together.)

INT. ANITA’S APARTMENT - NIGHT - SCENE 38

(Anita sits in her dimly lit apartment, surrounded by unopened bills and rejection emails on her laptop. She picks up an old photo of her family at a bustling food market, a moment captured before her father’s restaurant closed down. She stares at the charm bracelet on her wrist, a gift from her father.)

FLASHBACK TO: EXT. FAMILY RESTAURANT - DAY (PAST)

(Young Anita watches her father, a chef, cook with passion in a small restaurant kitchen.)

ANITA’S FATHER (to Anita) Cooking is about heart. People will come if they feel the love you put into it.

(Anita nods, smiling as she helps serve a customer.)

BACK TO PRESENT

(Anita clenches the charm bracelet, her father’s words echoing in her mind. The weight of her past, her father’s legacy, and her current struggles collide. She picks up her phone and begins drafting a farewell message for her followers, ready to give up on the blog.)

BILL (voice message from phone) Anita, don’t do this. You’re closer than you think. Meet me at Times Square. You need to see something.

(Anita hesitates but decides to go, sensing Bill’s urgency.)

EXT. TIMES SQUARE - NIGHT - SCENE 39 (CLIMAX SCENE REVISED)

(Anita arrives in the chaotic heart of Times Square, overwhelmed by the bright lights, massive billboards, and bustling crowds. She feels lost, much like her own journey. Bill waits for her at the red steps, sensing her turmoil.)

(Bill listens closely, realizing the depth of Anita’s disconnection from her initial passion.)

(Bill places his hand on her shoulder, his own struggles mirrored in her words.)

(Anita looks at Bill, seeing her own fears reflected in his eyes.)

(Anita takes a deep breath, absorbing his words. Bill gestures towards the giant screen, which flickers on, showing a short video he compiled of Anita’s vlogs, intercut with moments from her personal life, her struggles, and candid clips of her father’s restaurant.)

ANITA You did this?

BILL You’ve got something real, Anita. It’s not about the followers or the sponsors. It’s about sharing what matters to you. That’s what people connect to.

(A ladybug lands on Anita’s shoulder as she watches the screen, a symbol of hope and persistence. She smiles, feeling a renewed sense of purpose and a connection to her father’s legacy.)

EXT. NYC SUBWAY - NIGHT - SCENE 39A (REVISED)

(Bill and Anita ride the subway home. The train is packed with commuters, each lost in their own world. Street musicians play a soulful tune in the background, their music echoing through the car. Anita stares at her reflection in the window, mixed with the city lights whizzing by.)

ANITA I used to take this train every day to my dad’s restaurant. It was always crowded, noisy. But he’d tell me that’s where you find the real stories—among all the chaos. It’s messy, but it’s real.

(Bill looks at her, nodding in agreement.)

BILL It’s all part of it. The noise, the mess. That’s where you figure out what really matters. Sometimes you just have to find your voice in the middle of it all.

(They share a quiet, knowing smile as the train speeds on, a metaphor for their unpredictable journeys.)

EXT. ROOFTOP - NIGHT - SCENE 40 (RESOLUTION REVISED)

(Anita and Bill sit on a quiet rooftop, overlooking the city. The distant hum of New York surrounds them, contrasting with the silence of their thoughts.)

BILL My dad used to bring me up here when I was a kid. He’d point out the city lights and say, “Every one of those lights is a story. Don’t be afraid to tell yours.”

(Anita looks out at the skyline, holding her charm bracelet. She reflects on her father’s words and how they’ve shaped her journey.)

(Anita smiles, finding comfort in their shared vulnerability. Bill takes out his camera, adjusting the lens as if capturing the city anew.)

BILL Maybe it’s time we both stop playing by everyone else’s rules and just... tell our stories the way we want to.

(He snaps a photo of the skyline, feeling renewed. Anita watches him, knowing they’ve rediscovered something essential.)

EXT. SMALL NYC CAFÉ - DAY - SCENE 41 (NEW SCENE REVISED)

(Anita sits in a cozy café that resembles her father’s old restaurant, working on her blog with a newfound sense of clarity. The smell of coffee and food fills the air, reminiscent of her childhood. A burst of laughter from a nearby table triggers a brief flashback.)

FLASHBACK TO: INT. FAMILY RESTAURANT - DAY (PAST)

(Young Anita helps her father serve customers, the space filled with warmth, laughter, and the smell of fresh food.)

ANITA’S FATHER (to young Anita) It’s not just about the food—it’s about making them feel at home. That’s what keeps them coming back.

BACK TO PRESENT

(Anita smiles, the memory invigorating her.)

ANITA (to the camera) Today’s post isn’t about a destination—it’s about finding the heart in the everyday. My dad always said, “People will come if they feel the love.” And that’s what I want to share with all of you.

(She types with confidence, her purpose reignited.)

EXT. NYC - DAY - FINAL SCENE REVISED

(Anita stands in the middle of a busy street, confidently filming her latest vlog. The energy of the city surrounds her, and the charm bracelet is now prominently visible on her wrist.)

(She smiles, no longer just a voice in the crowd but someone with a story that’s uniquely hers. Bill, standing nearby, adjusts his camera, capturing the moment.)

(A notification pops up on Bill’s phone—it’s an email from a producer interested in his original script. He smiles, feeling validated in his decision to stay true to his vision. He starts jotting down ideas in a small notebook, sketching out his next project.)

(Bill watches Anita from a distance, proud of her growth and hopeful about his own future. The camera pans up to show the city skyline, reflecting their dreams and the journey that lies ahead. A ladybug lands briefly on Anita’s shoulder before flying off, symbolizing the ongoing adventure.)

(The screen fades to black.)

0 notes

nel-world · 4 days

Text

https://www.getyourguide.com/new-york-city-l59/statue-and-skyline-cruise-aboard-the-luxury-yacht-manhattan-t17115/

0 notes

nel-world · 4 days

Text

talk to me

talk to me is my next

0 notes

nel-world · 4 days

Text

https://vincelanestunts.com/

0 notes

nel-world · 4 days

Text

BILL

Ever play ball?

ANITA

A little. Why, you want a challenge?

BILL

Just keep your eye on the ball and swing.

Anita swings hard, connecting perfectly.

ANITA

(excited)

Did you see that?

BILL

(clapping, impressed)

You’ve got it!

ANITA

Actually, we can shoot a TikTok reel.

BILL

I haven’t written anything good in a while...

ANITA

What, time’s ticking. Think of something. How about this? Let’s improvise the scene like a coach guiding me through their first big hit of the ball.

BILL

Sounds great.

ANITA

Let’s check the footage.

ANITA

I really need to open this café. I want to create a place where people can connect, relax, and enjoy live music.

Bill raises an eyebrow, intrigued.

BILL

A music café... That’s a big step.

ANITA

Yeah, but it’s more than just a business to me. It’s personal.

BILL

(thoughtful, smiling)

Sounds good. But cafés are tough. High overhead, long hours.

Anita nods, a determined look in her eyes.

ANITA

I know, but I need to do this. Something different.

Bill pauses, then a smile spreads across his face.

BILL

Alright. Let’s do it. Let’s make the best music café this city has ever seen.

BILL

(playfully serious)

Alright, so we have a location to scout, and a bunch of other things to sort out.

ANITA

(excitedly)

Exactly! I’ve been thinking about some potential spots. It's right around here; I can show you.

Bill nods, jotting down notes.

ANITA

This space right here.

BILL

Sounds promising. We need to check the lease costs and other expenses.

ANITA

And we need a solid business plan. This place should be a magnet for music lovers.

BILL

We’ll need to put everything into a formal business plan. I can help you with that.

ANITA

Great! I’ll start looking into potential investors.

ANITA

(reflectively)

You know, I didn’t always want to open a café. It kind of found me.

Bill looks intrigued.

BILL

What do you mean?

Anita leans back, her gaze distant.

ANITA

There was this little café upstate—nothing special, just a small place with mismatched chairs. But people would come in as strangers and leave as friends. It felt like magic.

BILL

So, you want to bring that magic to life?

ANITA

(nods)

Yeah, a place where people connect, feel seen—a real community.

BILL

(with a smile)

Then here’s to your café, and all the magic it brings.

ANITA

We need to get the business plan done in one week.

BILL

(looking stressed)

I know. Let’s focus on the numbers and the pitch deck. Investors will want to see a clear financial plan.

ANITA

(nods)

Right. We need to show them how this café will make money and why it’s unique. And why it’s personal.

BILL

Where’s Section 3? The pages marked in red should go into this folder.

ANITA

(irritated)

Sorry about the mess.

BILL

If we organized from the start, we wouldn’t be searching like this.

Anita gives him a look, sensing a deeper tension.

ANITA

So, you want a personal assistant?

BILL

(defensive, then softens)

No, I just... I know this matters.

BILL

(carefully)

I have some ideas for the café—props, posters to make it stand out.

ANITA

(firmly)

It should feel real, not gimmicky.

BILL

(shrugging)

Just trying to give it character, something people will talk about.

ANITA

It’s about the atmosphere, the music. This café is personal to me, and it feels like you just want a big break.

BILL

Maybe I do! I want it to be bold and noticed. Maybe we’re not on the same page.

ANITA

Maybe we’re not.

BILL

Fine. Maybe we should just end it here.

BILL

Let’s start fresh. I have an idea... what about an anonymous confessions project? An online art initiative...

ANITA

Bill, stop talking about random stuff.

BILL

I am sorry. I did not mean to push my ideas on you. No more props, no more posters. I’ve been stressed.

ANITA

(softly)

What’s really bothering you?

BILL

(exhales deeply, looking away)

The rent, work... my dad’s health. I thought if this worked, I could fix things.

Anita steps closer, her face softening.

ANITA

You don’t have to do it alone.

Bill hands her the stack of papers, his hands trembling slightly.

BILL

I revised the plan, added your ideas. It’s your café; I want to do it right.

Anita looks at him, touched.

ANITA

(quietly)

Thank you.

BILL

(softly, without looking at her)

I wasn't trying to be difficult... I just really want this to succeed, you know?

Anita nods, her expression softening.

ANITA

(quietly)

I know. I do too. I guess we’re both a little too passionate about it.

ANITA

I want people to walk in and feel at home, not like they're in some flashy concept store. Just... something real.

Bill looks at her, understanding.

BILL

I get that now.

ANITA

Come on, let’s go. We’ve got to work on the menu, and we’ve got to work on some theme music for the music café.

BILL

How about something like this? More upbeat.

ANITA

Yeah, but maybe add a softer intro. Something welcoming.

BILL

This could be it. The theme that sets the tone for the café.

ANITA

(grinning)

I can hear it already, playing in the background.

ANITA

We need to get the business plan done in 48 hours and submit it.

BILL

I know. Let’s focus on the numbers and the pitch deck.

ANITA

(nods)

Right. We need to show them how this café will make money.

BILL

We’ll make them see it.

BILL

Oh no. The loan application got rejected. Feels like we keep getting pushed back.

ANITA

We knew it wouldn’t be easy.

BILL

(after a pause, softly)

Maybe I just hoped... just this once it would work.

ANITA

We’re still in it. We keep trying.

ANITA

Bill, I got an offer...

BILL

That’s great.

ANITA

But is it? I have to move to Chicago.

BILL

What about the music café?

ANITA

I’ve thought about it. This is a chance to finally do what I’ve always wanted... to move from business to something more creative in Chicago.

BILL

You’ve always had that spark, but...

ANITA

Yeah, I feel like... this could be my chance to really find myself, you know? To create something that matters.

BILL

(gently)

You have to do what’s right for you.

ANITA

If I go, it’s not because I’m giving up on the café... or us. It’s because I have to follow this... to see where it leads.

BILL

Then go. Go and find what you’re looking for.

0 notes

nel-world · 4 days

Text

BILL Ever play ball? ANITA (smiling) A little. Why, you want a challenge? Anita steps up to the plate, focused. Bill offers advice. BILL Just keep your eye on the ball and swing. Anita swings hard, connecting perfectly. ANITA (excited) Did you see that? BILL (clapping, impressed) You’ve got it! ANITA Actually, we can shoot a TikTok reel. BILL I haven’t written anything good in a while… ANITA What, time’s ticking. Think of something. How about this? Let’s improvise the scene like a coach guiding me through their first big hit of the ball. BILL Sounds great. ANITA Let’s check the footage. // ANITA I really need to open this café. I want to create a place where people can connect, relax, and enjoy live music. Bill raises an eyebrow, intrigued. BILL A music café… That’s a big step. ANITA Yeah, but it’s more than just a business to me. It’s personal. BILL (thoughtful, smiling) Sounds good. But cafés are tough. High overhead, long hours. Anita nods, a determined look in her eyes. ANITA I know, but I need to do this. Something different. Bill pauses, then a smile spreads across his face. BILL Alright. Let’s do it. Let’s make the best music café this city has ever seen. // BILL (playfully serious) Alright, so we have a location to scout, and a bunch of other things to sort out. ANITA (excitedly) Exactly! I’ve been thinking about some potential spots. It's right around here; I can show you. Bill nods, jotting down notes. ANITA This space right here. BILL Sounds promising. We need to check the lease costs and other expenses. ANITA And we need a solid business plan. This place should be a magnet for music lovers. BILL We’ll need to put everything into a formal business plan. I can help you with that. ANITA Great! I’ll start looking into potential investors. //

ANITA (reflectively) You know, I didn’t always want to open a café. It kind of found me. Bill looks intrigued. BILL What do you mean? Anita leans back, her gaze distant. ANITA There was this little café upstate—nothing special, just a small place with mismatched chairs. But people would come in as strangers and leave as friends. It felt like magic. BILL So, you want to bring that magic to life? ANITA (nods) Yeah, a place where people connect, feel seen—a real community. BILL (with a smile) Then here’s to your café, and all the magic it brings. // ANITA We need to get the business plan done in one week. BILL (looking stressed) I know. Let’s focus on the numbers and the pitch deck. Investors will want to see a clear financial plan. ANITA (nods) Right. We need to show them how this café will make money and why it’s unique. And why it’s personal. BILL Where’s Section 3? The pages marked in red should go into this folder. ANITA (irritated) Sorry about the mess. BILL If we organized from the start, we wouldn’t be searching like this. Anita gives him a look, sensing a deeper tension. ANITA So, you want a personal assistant? BILL (defensive, then softens) No, I just… I know this matters.

BILL (carefully) I have some ideas for the café—props, posters to make it stand out. ANITA (firmly) It should feel real, not gimmicky. BILL (shrugging) Just trying to give it character, something people will talk about. ANITA It’s about the atmosphere, the music. This café is personal to me, and it feels like you just want a big break. BILL Maybe I do! I want it to be bold and noticed. Maybe we’re not on the same page. ANITA Maybe we’re not. BILL Fine. Maybe we should just end it here. // BILL Let’s start fresh. I have an idea… what about an anonymous confessions project? An online art initiative… ANITA Bill, stop talking about random stuff. BILL I am sorry. I did not mean to push my ideas on you. No more props, no more posters. I’ve been stressed. ANITA (softly) What’s really bothering you? BILL (exhales deeply, looking away) The rent, work… my dad’s health. I thought if this worked, I could fix things. Anita steps closer, her face softening. ANITA You don’t have to do it alone. Bill hands her the stack of papers, his hands trembling slightly. BILL I revised the plan, added your ideas. It’s your café; I want to do it right. Anita looks at him, touched. ANITA (quietly) Thank you.

// BILL (softly, without looking at her) I wasn't trying to be difficult… I just really want this to succeed, you know? Anita nods, her expression softening. ANITA (quietly) I know. I do too. I guess we’re both a little too passionate about it. ANITA I want people to walk in and feel at home, not like they're in some flashy concept store. Just… something real. Bill looks at her, understanding. BILL I get that now. ANITA Come on, let’s go. We’ve got to work on the menu, and we’ve got to work on some theme music for the music café.

// BILL How about something like this? More upbeat. ANITA Yeah, but maybe add a softer intro. Something welcoming. BILL This could be it. The theme that sets the tone for the café. ANITA (grinning) I can hear it already, playing in the background. //

ANITA We need to get the business plan done in 48 hours and submit it. BILL I know. Let’s focus on the numbers and the pitch deck. ANITA (nods) Right. We need to show them how this café will make money. BILL We’ll make them see it. //

BILL Oh no. The loan application got rejected. Feels like we keep getting pushed back. ANITA We knew it wouldn’t be easy. BILL (after a pause, softly) Maybe I just hoped… just this once it would work. ANITA We’re still in it. We keep trying. // ANITA Bill, I got an offer… BILL That’s great. ANITA But is it? I have to move to Chicago. BILL What about the music café? ANITA I’ve thought about it. This is a chance to finally do what I’ve always wanted… to move from business to something more creative in Chicago. BILL You’ve always had that spark, but… ANITA Yeah, I feel like… this could be my chance to really find myself, you know? To create something that matters. BILL (gently) You have to do what’s right for you. ANITA If I go, it’s not because I’m giving up on the café… or us. It’s because I have to follow this… to see where it leads. BILL Then go. Go and find what you’re looking for. //

0 notes

nel-world · 5 days

Text

FADE IN:

EXT. NYC PARK - DAY - SCENE 1

A bustling park filled with joggers, dog walkers, and students lounging on benches. The sun filters through the trees, casting dappled light on the path. A busker plays a gentle piano tune nearby, adding a soothing soundtrack to the day.

ANITA, slightly distracted, rushes through the park, juggling bags and a coffee. Her student ID slips from her grasp and falls to the ground unnoticed. BILL, a scruffy aspiring filmmaker, picks it up.

BILL (holding up the ID) Hey, I think you dropped this.

Anita, caught off guard, takes a moment to register his voice.

ANITA Oh, thanks. I’m always losing things.

Bill studies her ID for a beat, then hands it over.

BILL You a student?

ANITA Yeah, trying to juggle too much at once, I guess. You?

BILL Not quite. Just trying to find my way to New York Theater. My friend’s got a show, and I’m kind of lost.

Anita glances at his casual attire and the script peeking out of his bag, sensing more behind his words.

ANITA Just take this path, left at the fountain, follow the river. Can’t miss it.

BILL Thanks. What about you? Any big plans?

ANITA A movie night. A little escape from reality.

BILL What movie?

ANITA Avengers. I need something epic.

BILL You’re one of those, huh? Big on heroes saving the world?

Anita shrugs, a hint of wistfulness in her smile.

ANITA Maybe I just like the idea of things working out in the end.

They share a brief, knowing look, both aware that life isn’t always so simple.

BILL If you had to pick a favorite movie?

Anita hesitates, then shows him her phone screen with the poster of Dear John.

ANITA This. Don’t judge.

BILL No judgment. We all need a good cry sometimes.

Anita smiles, charmed by his honesty.

ANITA Nice meeting you. I’ve got to run.

BILL Maybe we’ll run into each other again. New York’s funny that way.

ANITA Yeah, maybe.

They part ways, but the encounter lingers in the air.

EXT. CAFE - DAY

Anita sits outside a café with her friend LUCY, a vibrant, chatty fashion designer. The city’s noise hums in the background as they sip their coffees.

LUCY So, tell me about this guy. You’ve got that look.

ANITA It wasn’t like that. He just found my ID and… we talked. It was nice.

LUCY Nice? In this city? That’s a sign.

Anita laughs, her thoughts drifting back to the conversation.

ANITA I’ve got too much going on. This travel blog… I want it to be more than just another project. Something real.

LUCY What’s holding you back?

Anita pauses, her fingers tracing the rim of her cup.

ANITA I guess… it’s about proving something. That I can make something that’s mine. My family… they’ve never really understood this creative side.

EXT. BRIDGE - DAY - SCENE 2

A panoramic view of the city skyline as Anita and Bill walk together, lost in conversation. The piano tune from the park lingers faintly, blending with the sound of traffic and the river’s gentle flow.

ANITA You’ve got a ladybug on your shoulder.

Bill glances at it, amused.

BILL A sign, huh? What do they say—good luck?

ANITA Yeah. My mom used to say they bring good fortune. Made me believe in magic as a kid.

Bill closes his eyes, savoring the fleeting moment.

BILL Maybe I could use a little magic.

ANITA So what’s your wish?

BILL For a break. For something to finally go right.

Anita studies him, sensing his vulnerability beneath the bravado.

ANITA I get that. I’m trying to launch this travel blog, you know? It’s not just about travel—it’s about showing people the world through my eyes. And maybe, proving to myself that I can do this.

BILL That’s pretty gutsy. What’s stopping you?

ANITA Fear, mostly. And the feeling that I’m always a step behind.

Bill smiles, understanding more than he lets on.

BILL If you need help, I’m your guy.

ANITA I might just take you up on that.

EXT. NYC PARK - DAY - SCENE 3

The park is alive with energy. Kids play, dogs bark, and the sound of street musicians fills the air. Bill picks up a baseball bat lying nearby and hands it to Anita.

BILL Ever hit a home run?

ANITA Not since I was a kid. But I’m game.

Anita steps up, eyes on the ball, the world around them fading slightly as she connects with the swing. The bat cracks, and Bill watches, genuinely impressed.

BILL Nice swing.

Anita grins, a moment of carefree joy breaking through her usual composed exterior.

ANITA Maybe I needed that. Just a little break from everything.

They share a laugh, the city around them feeling a little smaller, a little more theirs.

EXT. NYC STREET - DAY - SCENE 4

Anita sets up her camera, her focus and determination shining through. Bill watches from the sidelines, his admiration growing as she brings her vision to life.

ANITA Hey everyone, welcome back! Today, we’re exploring my favorite hidden gems of New York. It’s not just about the sights; it’s about finding the magic in the everyday.

Bill smiles, seeing her passion ignite.

BILL You’ve got something here. Just don’t lose sight of why you started.

ANITA I won’t. It’s personal… it’s everything.

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