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lucerys: im leaving you
aemond: i will not be participating in fools of april, go away
lucerys: im being serious
aemond: sure whatever you aren’t funny
lucerys: im taking the kids
aemond: bye then
lucerys: im taking naerys
aemond:
aemond: wait hold on
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This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.
Alicent’s Costuming
Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.
Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status
Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement
The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles
Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve
Shoes should stick mostly to slippers, or flat designs
In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.
Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.
Rhaenyra’s Costuming
Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.
Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.
There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.
Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.
Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.
Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.
Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.
Avoid headpieces that are not either a) her crown or b) ceremonial.
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Pray for my mothers they're really going through it
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all bets are off [1/3]
Lucemond High School AU drabble [part 2], She’s All That (1999)
“Am I a bet? Am I a bet, am I a fucking bet?”
“Yes.” It comes out quietly, which makes it all the worse. Luke would have expected Aemond to sneer and look down his long nose at him like the Hightower side of the family had for most of their lives. Luke wishes he would. It would have made it easier. Aemond’s face reflects no relish, or even satisfaction. Instead, it is pale and unreadable. Fitting, perhaps; as it turns out, Luke had read him wrong this entire time.
“Would you have told me before it was over? Before you humiliated me in public?”
The silence speaks for itself.
“Alright,” he scoffs, “that’s it, then.” The bitterness in his voice has an unfamiliar edge, and it sounds mean even to Luke, but it’s right. That’s how he feels. “You played your little game, you had your fun. I get it. It’s over.”
“No.”
“No?”
Keep reading
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Do you have any tips for staying motivated and not burnt out with writing by how much you have written for Lucemond?
I have a few actually.
For starters, creating a story (especially multi-chapter fics) can be stressful at times so you have to make sure you’re writing because it makes you happy. Not for kudos or comments or praise. Though these things certainly make me happy I always tell myself they can’t be my main motivation. Instead, picture your story from beginning to end and use that imagery as motivation! It helps you get through the slower chapters that don’t have as much action and can rekindle your initial excitement when you first began writing.
Second, take breaks! Take as many breaks as you need because if you force yourself to write you’ll end up seeing your fic as a chore rather than a fun hobby. Its okay to not drop a chapter every week or even every two weeks. These things take time and love, don’t make it into a race and just enjoy the process as you go along.
Lastly, don’t compare yourself to others. Its the number one killer of creativity and will leave you in a constant state of disappointment. There are so many amazing writers in this fandom whose works I enjoy and sometimes catch myself comparing my work to which only leaves me feeling drained. So instead, I look back on my earlier writing to see how far I’ve come. It may not work for everyone but I find that I get an instant burst of creativity whenever I look back.
P.s. don’t get involved in fandom drama. It’s silly and will only causes stress which isn’t the best motivator for writing lol
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I’d been avoiding reading nobody nothing nowhere because of the tags, but finally gave it a go after you rec’d it and holy shit that was a fucking depressing read, but it was very good and I don’t know how to feel about it now
Yeah the tags are very accurate, which is good because NNN won’t be most people’s cup of tea. After I finished my first read I felt compelled to go through some Aemond/Luke scenes again with new eyes, which was nice…but even for me I needed to find a fluffy/smutty fic soon after and probably won’t ever do a full reread 💀
All credit goes to @goodbadbaby for making us feel so many things with just the power of prose! A standing ovation is in order! And maybe group therapy for all the readers 😂😂😂
my recent fic recs
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Geowyth and Aemond
Im sharing you the fanart i made for Borne and Bound fic by assortedseaglass.I really love her writing style and i still re-read The Seamstress & The Sailor whenever im feeling lonely.I am so excited that there's chap 3 today.All i can say is i love how the thoughts and actions are inexplicably well written that i can feel the delicious tension between Aemond and Geowyth and we are just in chapter 2. Im so excited for their story to unfold. 😍💚
Also, i made this quick drawing of them when they met in the library..i wish i can draw their interaction well 😅💕

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Artist!Aemond finding a muse in Pianist!Lucerys.
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Seeing Aemond interact with children always gets Lucerys all hot and bothered. It makes him want to smoosh Aemond's face and kiss him!
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RAPUNZEL AU
in which the evil witch mother alicent locks one of her magical children in a (high)tower for almost 20 years.
Rapunzel as Aemond
Flynn Rider as lucerys
(for obvious reasons and because he is so beautiful) who was running away from authorities only to stumble upon a tower in the middle of nowhere.
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Part something of my cousins witty comebacks on their Punkflower edits
"you fucking donkey" 😭😭😭😂😂😂
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MagicalBoyLucerys
Day 2. Reincarnation
Prince Lucerys Velaryon, according to history, was a beautiful and ethereal being. A loyal servant to his mother Queen Rhaenyra, a kind lord and outstanding magician. His powers were of such kind that the needed and the greedy reached out to him, without much detailed the historians say that Prince Aemond Targaryen, Lucerys’ husband, was fed up with the selfishness of people coming to his husband at all times, demanding from him even when he couldn’t give more of himself, decided to punished them. Being Prince Aemond versed in magic and a warrior himself. But in his attempt he lost his beautiful husband too.
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Lucerito blanquito
Y sketches random de las versiones aged up de los muchachos jajaja
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