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on top of the hill, looking at the city and thinking about what was new and unknown. me first

Kodak ColorPlus 200
Lisbon, Portugal
August, 2018
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Paolo Veronese 1528-1588
Pair of hands holding a glove, and studies figures and camels
Pen and brown ink and wash
Sotheby’s
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Detail from Christ Crowned With Thorns, Dieric Bouts, 1470.
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Alberto Giacometti, “L’homme sur le précipice qui regard dans la vide” e “La montagne” (1965)
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Teatro Greco di Siracusa, Ifigenia in Aulide di Euripide, Agamennone di Eschilo (1918). Duilio Cambellotti. Colour lithograph print on paper poster.
The Greek fleet is about to sail from the port of Aulis, under the command of Agamemnon, to avenge the affront of Paris, the kidnapper of the beautiful Helen, wife of Menelaus. At the beginning of the tragedy the king tells an old servant that the goddess Artemis, angry with the Greeks, blocks the fleet with a calm and that the soothsayer Calcante has announced that to placate the wrath of the goddess it is necessary to sacrifice Iphigenia, daughter of Agamemnon.
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