notallthere96

[notallthere96]

HEY *slams hands on table* It’s all me *punches self in chest* In. My. Head. *whips head backwards* I’m the one who burned us DOWN *flips chair* but it’s not *drops to the floor* WHAT I *screams* MEANT

[notallthere96]

Don’t know what else to do

Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.

Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.

I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.

This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.

Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.

I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.

I love you guys and I thought you should know what’s been going on.

Taylor

[notallthere96]

[notallthere96]

The way she sings “listen” in Cornelia Street, feels like a hug. Like the kind of just most comforting way. Or like when you were a kid freaking out about something and your mom would come in and calm you down and be like “listen , it’s gonna be okay” and that is the same kind of way Taylor sings it. And it gets me everytime

[notallthere96]

[notallthere96]

taylor swift & christian owens: 1989 era vs. Lover era 💖

[notallthere96]

Taylor performing You Need to Calm Down live in Central Park

[notallthere96]

“I guess I’m just not good enough for people my own age. Or maybe I’m just not bad enough... ✌🏻”

—Taylor Swift at 13

[notallthere96]

I can imagine us saying THERE WERE FIVE HOLES IN THE FENCE in the same tone as

[notallthere96]

Taylor are you well rested

[notallthere96]

R.I.P ME. I DIED. @taylorswift 💗🏹

[notallthere96]

Most fun I ever had…

And I’d do it over and over and over again if I could

[notallthere96]

[notallthere96]

I’m just so grateful that I’ve had taylor to look up to for all of these years, I honestly can’t even imagine what my life would be like without her in it.

[notallthere96]

when there’s a stamp on may 13th on the calendar but nothing happens

[notallthere96]

[notallthere96]

when u get attacked by an open sharpie