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This account is now old news

I moved

@nropay

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I would say that with twitter dying I’m gonna destroy this account and start again...

but I’m also a coward

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One Piece Panel Picks - Chapter 350

The advent of the sea train is proof of humanity’s capability to turn dire situations into opportunities for innovation. It’s also heartwarming that such creations are born out of the intention to give hope to an island’s people.

Such was the legacy of Tom, that Franky’s hardboiled edgy expression changed into a profound and mellow fondness when he mentioned the man’s name

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Franky pre-time skip design sheets.

I hope this helps anyone who is having trouble drawing him, these were a huge help.

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A comic (?) about my love of weird little bats for this halloween

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I like haunted houses in theory BUT I have no idea how to react when the actors speak to you. They ask me a question and I just… answer it…

The scariest part of a haunted house is the unscripted social interaction.

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if i had seen the transition from sepia to color in wizard of oz in 1939 i would have lost my shit i would've started screaming in the theater

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Iron Pirate! General Franky! - One Piece Ep. 1000 - "Overwhelming Strength! The Straw Hats Come Together"

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some franky hairstyles

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looking good.

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I CANNOT get over @asexualzoro​‘s headcanon that Brook doesn’t know who or what the Pirate King is and so I just.

brook ride or die ready to commit regicide for his captain

Edit: it’s canon

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One Piece: 902

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Franky pre-time skip design sheets.

I hope this helps anyone who is having trouble drawing him, these were a huge help.

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𓏲⠀ ꒰ 𝗈𝗎𝗋𝘀𝗲𝗮𝘀 ꒱⠀𔘓⠀⌗ franky 𝗶𝖼𝗈𝗇𝗌⠀⌕

⌗ icons por: @kajusun-blog ₊ criador no spirit: @/kajusun

‹ dimensões: 120 x 120 (asks abertas para pedidos!)

‹ psd por @explosivefeels on deviantart

𓏲⠀ ⌗ 𝗿𝖾𝗀𝗋𝖺𝗌 𝗱𝖾 𝘂𝗌𝗈⠀𔘓⠀꒰ 𝗈𝗎𝗋𝘀𝗲𝗮𝘀 ꒱⠀⌕

⌗ credite @kajusun-blog se quiser₊ like/reblog se pegar

‹ siga o @ourseass no spirit (não altere os icons!)

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I was talking to a bunch of people and when I asked one girl for her name, everyone went really silent, then she whipped out her phone and explained how she’d sold it online for bitcoins, like an NFT.

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For no logical reason whatsoever today I am mentally on fire about the camerawork in Midnight Mass. In the artbook they talk about how scenes are mostly filmed handheld initially and then gradually shift to stationary shots as the story gets more supernatural and just…my god is it effective. When Crockett is filmed handheld like a docudrama in the beginning it feels so freakin’ human. You sense that person standing behind the camera, showing you what they see, at person-level height, moving in a person-like way. The Soolaimon sequence also feels filmed with so much love, like a local islander showing off what makes up this little community they call home. Then in contrast, even in the first episode, there are stationary shots, drained of all signs of life behind the camera, and positioned in places no human could feasibly go. Father Paul drags the trunk into the rectory and we move up onto the freakin’ ceiling to watch him tap on it and get a response from inside. What I find interesting about this too is how the instinct of a horror filmmaker typically is to do the opposite of this. Keep the camera steady at first, make the world feel safe and stable, then switch to shaky handheld when the scares happen to induce anxiety and panic. But handheld-to-stationary makes so much more sense here. Highlighting the imperfect, intimate feel of Crockett Island life vs. the surreal way the mind heightens an experience of fear and trauma. The freeze response of fight/flight/freeze. It isn’t a horror story, it’s a love story hijacked by a horror story, and even the camera is a victim to the horror’s influence.