guys. guys please listen. i am gently cupping your face as i say this.
the scarf is not "hijab". hijab is not a headscarf. hijab is modesty. it means to cover. the hijab is to cover your body. not just women wear hijab. men have their own hijab too. hijab is the concept of modesty, it does not just refer to a random scarf on your head.
do not call a headscarf a "hijab" for non muslim women who wear them, especially if they are not living a modest lifestyle. hijab is for every person who is muslim, whether it's for a man or a woman or whatever else. it does not refer to the scarf. the scarf is just a small part of what "hijab" is. hijab a concept, not an object.
I know we generally characterize the spectrum of David Tennant characters from “Living Embodiment of Depression” to “Flamboyant Gay Slut” with various shades in between, but I think we’re overlooking the OTHER spectrum he operates on, which is like. “ The Single Most Sopping Wet Autism Creature In Existence” to “Guy Who Kills and Tortures For Fun.”
Hey btw, if you're doing worldbuilding on something, and you're scared of writing ~unrealistic~ things into it out of fear that it'll sound lazy and ripped-out-of-your-ass, but you also don't want to do all the back-breaking research on coming up with depressingly boring, but practical and ~realistic~ solutions, have a rule:
Just give the thing two layers of explanation. One to explain the specific problem, and another one explaining the explanation. Have an example:
Plot hole 1: If the vampires can't stand daylight, why couldn't they just move around underground?
Solution 1: They can't go underground, the sewer system of the city is full of giant alligators who would eat them.
Well, that's a very quick and simple explanation, which sure opens up additional questions.
Plot hole 2: How and why the fuck are there alligators in the sewers? How do they survive, what do they eat down there when there's no vampires?
Solution 2: The nuns of the Underground Monastery feed and take care of them as a part of their sacred duties.
It takes exactly two layers to create an illusion that every question has an answer - that it's just turtles all the way down. And if you're lucky, you might even find that the second question's answer loops right back into the first one, filling up the plot hole entirely:
Plot hole 3: Who the fuck are the sewer nuns and what's their point and purpose?
Solution 3: The sewer nuns live underground in order to feed the alligators, in order to make sure that the vampires don't try to move around via the sewer system.
When you're just making things up, you don't need to have an answer for everything - just two layers is enough to create the illusion of infinite depth. Answer the question that looms behind the answer of the first question, and a normal reader won't bother to dig around for a 3rd question.
I love stories that are love stories but aren’t about romantic love!!!!!!!!! even if they contain romantic love it’s not the focus!!! and love for friends and community and strangers is shown as valuable and worthwhile!!!
a while ago i saw an anti-cnc meme that went something like "if your boyfriend learns not to stop at "no", do you really think he's gonna stop at Pineapple?" and ive been thinking about it a lot. like, it assumes that words have some kind of mystical meta-meaning that persists in all contexts, that if we discard the word "no" we also discard the concept of saying no in a symbolic sense. It's a lingually prescriptivist argument in disguise.