Here's the thing about Jareth from Labyrinth right?
He's made up.
That's not necessarily the same thing as not REAL. But he, just like all her friends who show up in her room before her adventure as toys and figurines, exist in relation to her, in response to what she wanted and needed. She told the story and there he was, there he always had been. But she's a teenage girl who doesn't know what she wants yet, and Jareth kind of pays the price.
"but the king of the goblins had fallen in love with the girl, and had given her certain powers." He's an archetypal oxymoron. He's both the dastardly baby stealing villain and the royal love interest trying to relieve the heroine's suffering, Cinderella style. He's fucked either way by being both. She doesn't know if SHE wants to be the villain or the heroine until he shows up and then she decides on the heroine, so he has to sneer and menace and challenge but it's too late for him!! it's too late, The King Of The Goblins Had Fallen In Love With the Girl, he's Cinderella's prince too and he has to try, he gives her a poofy dress and takes her to fucking goblin prom, sweeps her around the room like a music box with perfect posture and room for Jesus.
But it doesn't work buddy, it can't work. You're just a story for a teen girl to grow up in, and as the villain you have to be defeated. He's so complex because his tropes contradict themselves, and he doesn't understand why he has to lose when he was only doing the job he was given. In his last scene he is pale as death with shadows under his eyes, backing away and begging for his happy ending with nonsense mishmash promises that belong to both halves of him.
"I am exhausted from living up to your expectations of me." I'm sure you are, Jareth. No wonder.
Growing up Mormon AND with long hair that I didn’t cut because of pressure from my mom, to me the metaphor here is pretty obvious… you can read it how you want though.
A guy doing marine research into phytoplankton is far out to sea and waiting for the samples to be ready when he spots a fast-moving ripple in the water up ahead.
Fully aware that this spot is home to a migratory orca pod, he assumes he's stumbled across an orca hunting a seal and settles against the railing to watch, because it's not every day you get to see that.
The ripples get closer, the shadows in the water more defined, the water choppier, and suddenly the orca and its unfortunate prey are zooming directly towards the boat and he's waiting, breath held, for them to duck right underneath--
When the water breaks, the ocean sprays, and he's suddenly smacked fully in the face by a very wet, very confused, and very pretty merman, throwing them both down onto the deck while the boat rocks as a confused and now quite hungry orca dives beneath it.
The merman, it turns out, thought that the boat was an ice float and didn't realise his mistake until it was too late. But he's very thankful for the impromptu rescue, and wow don't you have nice arms, and holy shit you've got legs, can I touch them? Is that weird? Can I touch them anyway? And your hair--
So of course they get to talking because they're both utterly fascinated with the other, and soon the sun has set and the samples are long-since ready and the moonlight is making the ocean look black and they part with the knowledge that they'll never meet again, and a kiss, and a lingering look over the shoulder for all the things that can't be...
And the researcher gets back to land, moors his boat, readies his samples. He packs up his things, shoves them into his bags, and prepares to go home. He steps onto the jetty boards and thinks of the merman and the solid wood beneath his feet seems to sway for more than one reason.
There's a splash. He turns, pulled as if by the tide, and there's a ripple in the water. A face. A pair of eyes made black by the moonlight.
And this is how the researcher acquires a merman boyfriend who helps him find samples and the merman acquires a human boyfriend who rescues him from whales.