of-sand-and-leaf

[of-sand-and-leaf]

"I'M SORRY, I JUST HAD TO FIND YOU" PROMPTS *  assorted dialogue for those desperate times when you just have to see them, no matter what anyone else says, adjust as necessary

i couldn't wait another minute apart from you.

did you expect me to just wait around for you to show up?

i did everything i could to find you.

i thought i did a pretty good job covering my tracks.

they helped me track you down.

i needed to see you.

they can't hurt us anymore.

i come all this way to see you, and this is the greeting i get?

i thought you'd be glad to see me.

it took me forever to find you.

how long have you been looking for me?

it's safer for the both of us if we stop seeing each other.

i thought i told you not to find me.

this was for your own good, you know. i leave, and you stay there, unharmed.

can we find somewhere private to talk?

they said if i left, they wouldn't hurt you.

been searching for you for months, believe it or not.

you weren't supposed to expect me.

this was going to be a surprise.

they can't stop me from seeing you.

would you please let me inside?

tell me where you are, or i'll figure it out myself.

i'm not going to let them prevent us from being together.

you and i... we have to be together. no matter what.

you sure don't make it easy to follow you.

i've been tracking you for miles.

so you're real. the legends are true.

you're pretty good at covering your tracks.

i started asking around, and they pointed me in the right direction.

i got your letter and came as fast as i could.

i can reach your window if i climb this tree.

give me a clue. anything. tell me where you're hiding.

think you could come around back and unlock the door for me?

hey. it's me. would you please let me in?

you're the one they speak about, the one that can fix things.

i know i'm not what you expected.

i couldn't wait another minute.

it's starting to rain. why don't you come inside for a minute?

lecture me later. for now, let's appreciate this time we have together.

i know this looks bad, but... i just had to see you.

they think they can stop me from seeing you.

i don't want to leave your side, not for a minute.

the path was treacherous, but the reward was worth every second.

i'd do anything to find you.

i wanted to find you and thank you for what you did for me.

you're taking a big risk by finding me.

you told me to look for you, and so i did.

is there a key to this door?

we're not supposed to be seen together.

i'm going to get you out of there. just hang on.

when i came looking for you, i didn't expect to find you like this.

they told me you had all the answers. they said you could fix things if i tracked you down.

i've been on your trail for weeks now.

it's safer if we're not seen together.

who told you where i was? was it [name]?

i didn't want you to find me like this.

why do you want to hide from me?

we're stronger if we're together.

[of-sand-and-leaf]

BLOOD RELATED PROMPTS

requested by my bestie 

WORDS: 

“  is that your blood?  ”

“  woah—  hold up you’re bleeding.  ”

“  your bandages— you’re bleeding through them.  ”

“  shit,  i think i pulled my stitches.  ”

“  i’ll make them bleed for this.  ”

“  a little blood never never hurt anyone.  ”

“  why the fuck is there blood on the carpet?  ”

“  your nose is bleeding.  ”

“  you can make me bleed all you want,  i’ll never scream for you.  ”

“  you don’t understand,  i had to do it.  i had to kill them.  ”

“  stop fussing— this isn’t my blood.  ”

“  i did what was necessary.  ”

“  why are you bleeding?  what happened?  ”

“  who hurt you?  why is there blood all over you?  ”

“  i think you’ll look quite pretty when you bleed.  ”

“  who did you kill?  whose blood is that?  ”

“  i’m not usually a sadistic sort of person,  but i will take pleasure in spilling your blood.  ”

“  i don’t actually enjoy killing.  it’s messy.  the blood gets everywhere.  it’s just necessary sometimes.  ”

“  it looked kind of beautiful in a fucked up sort of way.  blood on snow.  the kind of thing you usually only see in stories.  ” 

“  i can’t get it off—  i can still feel it on me!  ”

“  just calm down.  breathe.  i’ll take care of this.  ”

“  hold still— you’ve got blood on your face.  ”

“  why is there blood on your knife?  ”

“  oh,  it’s just a little bit of blood.  don’t nutsack out.  ”

“  i’m going to drain every ounce of your blood.  nice and slow.  like you deserve.  ”  

“  i’ll kill anyone who ever makes you bleed again.  ”

“  your/their blood is just too pretty to keep inside.  ”

“  there’s something fascinating about blood.  it’s captivating. ”

“  blood of the covenant is thicker than water of the womb.  ”

“  you made me bleed on my shirt—  i fucking loved this shirt!  ”

“  leave me alone,  it’s shark week and i got blood on my sheets.  ”

“  should i be concerned about why there’s blood in the sink?  ”

“  do i ask questions or do i just help you clean up all this blood?  ”

ACTIONS: 

[ ALONE ]  for sender to show up on receiver’s doorstep covered in blood. 

[ ARRIVE ] for receiver to show up on sender’s doorstep covered in blood. 

[ CLEANSE ] for sender to find receiver trying to clean blood off themselves. 

[ DISCOVER ] for receiver to find sender trying to clean blood off themselves. 

[ AID ] for sender to help receiver clean blood off themselves. 

[ ERASE ] for receiver to help sender clean blood off themselves. 

[ ESCAPE ] for sender to find receiver after they’ve killed someone. 

[ SEEN ] for receiver to find sender after they’ve killed someone. 

[ HELP ] for sender to clean up the aftermath of receiver’s crime. 

[ ACCEPT ] for receiver to clean up the aftermath of sender’s crime. 

[ FOUND ] for sender to discover receiver covered in blood. 

[ EXPOSE ] for receiver to discover sender covered in blood. 

[ ATTACK ] for sender to stab or shoot receiver. 

[ WOUNDED ] for receiver to stab or shoot sender. 

[ BROKE ] for sender to punch receiver hard enough their nose bleeds. 

[ INJURE ] for receiver to punch sender hard enough their nose bleeds. 

[ WITNESS ] for sender to see receiver get hurt enough to bleed.  

[ WATCH ] for receiver to see sender get hurt enough to bleed. 

[ RETALIATE ] for sender to make receiver’s attacker bleed. 

[ DEFEND ] for receiver to make sender’s attacker bleed. 

[ SURVIVE ] for sender to realize receiver is bleeding after getting through a fight. 

[ FABRIC ] for receiver to realize sender is bleeding after getting through a fight. 

[of-sand-and-leaf]

winter soldier (2018 - 2019) taken from the comics.

in the meantime, how are you handling this?

i told you, i’m not hungry. so you can stop asking.

but you’ll need to stay here at least a few days, until you get your strength back.

helping someone and “saving” them are two different things. 

hey. how are you feeling?

you’re a liar.

i’m sorry if you thought i was promising a perfect life.

you’ve been through quite a lot. it’s okay and totally normal to be sick of talking.

fight me! fight me!

i don’t know what to do. where to go. i don’t – i don’t know.

still feels like getting hit by a big truck.

you got heart, buddy.

it’s probably nothing. but it’s always better to be safe.

don’t follow me. don’t look for me.

i’m not great at all this emotion stuff.

you’re not alone. or at least you don’t have to be.

growing boys can’t live on coffee alone.

and you’re welcome to stay as long as you want.

for now, the best thing you can do is be patient.

i’m a big fan.

but you need to know, if we do this, there’s no going back.

would you mind sitting up, please? we’ve talked about this.

your “hero” can’t be trusted.

i know what it’s like. to be turned into something you’re not. to have your life stolen from you.

so do you want to talk about it? or continue to brood in silence?

hey, you know, sometimes adults get held up. i’m sure it’s nothing to worry about, though.

there are a lot of things that people tell us we’re “supposed” to do. but that doesn’t mean we have to.

i don’t want to talk to you. i don’t want to see you.

do you think there’s any chance of a late-night pizza?

hey, hey, it’s okay. we’ve all done things we’re not proud of.

i’ve been down that path. once you’re in that place, you just hate yourself so much that, you can’t imagine how anyone else could ever not hate you.

i trust you. and the more i can show you that, hopefully the more you’ll start to trust me.

you want me to “trust” you? then tell me the truth.

i was made into a weapon.

they were going to hurt you. bad.

all i’m saying is, this is a transition period and it’s okay that it’s uncomfortable.

why are you really doing all this? what do you get out of it?

i’m sick of talking.

you’ve got three seconds to come out! or i come and drag you out!

i don’t know who you think you are, kid, but no one else dies here.

we all build narratives. we tell ourselves stories about who we are. and who – one day – we’re going to be.

i’m doing what you said. finding time to clear my head. letting whatever comes back come back.

more like “embracing the power nap”.

looks like my eyes were bigger than my stomach. you hungry?

it won’t be forever. eventually, things will get better.

most of the time, things don’t work out that way. sometimes they go really wrong.

but that’s what this is about, right? some perfect noble life you’re trying to create, like something from a movie. where you get to be the savior.

[of-sand-and-leaf]

. Shisui returned the look, although it was more narrowed. he really didn't like how tired his older brother was looking, even with them being shinobi. even the best of them got sleep, although it wasn't a lot due to the nightmares that often came with their particular line of work.

. anyone else; anywhere else, he would have dragged them to the apartment. but his Aniki was a different matter altogether and not just because he was his brother. they had all seen the difference in Izuna after the news had come through that Ami had gone missing on the mission, possibly dead. he hadn't taken the news well and this was the result of those five years. they needed each other.

. "Izuna, it's not a party or to be crowded by others that she needs right now. Kakashi's concerned about her; I'm worried about her. We all saw her after her Clan died; this is twice as bad. Something happened on that mission and it's BROKEN Ami. She doesn't need us making things worse; she needs you. And...." his voice went quiet. more serious than ever. "You need her, Aniki."

Izuna gave his younger brother and cousin a tired look, the bags under his eyes the clearest sign of how tired he felt though he smiled cheerfully. "Oh? So my dear student is back from her mission then?"

He didn't wait for either of them to speak, holding up his hand to indicate silence when Itachi went to speak. Closing his eyes he focused on his chakra sense and picked up the faintest familiar sign of the jinchuriki. Opening his eyes he sighed and ran a hand through his hair messing it up even more than it had been.

"Seems like you're right. well I suppose you'll be visiting her soon so take that scroll with you when you do." He pointed at a scroll he'd written out, a few jutsu he'd written for her to use that aligned with what he remembered about her preferred skill type. "Just... remember she doesn't like parties being held so if you do welcome her back keep it quiet, yeah?"

"Izu-nii..." Itachi started, the old nickname slipping out before he could think. He paused then looked at Shisui, hoping that he'd have some ideas of how to convince the elder Uchiha to check on Ami.

[of-sand-and-leaf]

send me    ‘ but, there’s something you’re not telling me… ‘     for my muse’s reaction to yours confronting them about a secret they’re keeping. 

[of-sand-and-leaf]

Prompt: [ intrude ] sender walks in on receiver treating their wounds Timeframe: Chunnin Arc

"Ami-nee?"

"On the roof, Ki."

. the small boy frowned for a moment, studying the window and then pouted. he giggled seconds later when he reappeared on the rooftop of her apartment, before cuddling into her arms. "Why didn't you move to Suna p..per...-" he stumbled over the last word but it didn't bother her.

. "Permanently?" at the nod, the silver eyed jinchūriki gave him a tiny smile and wrapped her jacket around the tired child. "I couldn't risk leaving you and Kaa-chan, not with our father's temper worsening." her words were soft, for Akio had already started falling asleep. she sighed quietly, watching him for a moment and shifted gingerly to her feet.

. the injuries had been gained not from enemies but from her own father's hands. a result of protecting the younger in the clan. it didn't take long for her to return inside and put the sleeping boy to bed. yet her mind was far awake to attempt sleep herself.

. a small smile flickered across Ami's features, before she closed the window and slipped into her own room with a sigh. she picked up the first aid kit and started to clean the kunai would on her left. at first it seemed like the 13 year old kunoichi hadn't noticed the intruder. but then..

"You shouldn't be in here."

[of-sand-and-leaf]

𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

basically i was looking over the protective prompts and the hero prompts and it hit me that like. the unbridled angst and vibes of the whole “post-battle” scene, or a scene set after an attack or a disaster or smth, needs to be ADDRESSED!!! and so y’all get the full weight of my angst today, sprinkled with a lot of teamwork and selfless and sacrificing vibes. i hope you enjoy! do NOT add further contributions to this list!!! i will curse your potato crops!!!

DIALOGUE PROMPTS.

“ can you hear me? hey… [NAME], can you hear my voice? “

“ come on… wake up. please… please wake up… “

“ oh! oh, thank god! i thought we lost you… “

“ hey, hey… look at me, okay? you gotta get up now. you think you might be able to walk? ‘cause they sent for back-up, and if they find us… we cannot let them find us. understand? “

“ go, go! save yourself! i’ll buy you some time! “

“ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. “

“ hey, how badly are you hurt? can you move? you think you can walk? “

“ if you can’t walk, i’m gonna have to carry you, alright? we can’t stay here. “

“ hey, look at me. i’m slowing you down, we both know it. it’s okay. i’ll hide and wait for back-up; you get yourself out of here. “

“ you’re gonna need to climb up on my back, you’re slowing us down with that injury. “

“ will you quit talking like that?! i’m not leaving you behind! “

“ what the hell are you doing here?! i told you to get out of here! “

“ you’re shivering… hey. hey, listen to me, okay? everything’s gonna be alright, i promise. here… take my jacket. don’t worry, i’m warm-blooded. “

“ i’ll get blood on your shirt… “

“ hey, don’t you dare close your eyes, you hear me? you die in my arms, and i’m gonna stick the dry-cleaning bill for this shirt in your coffin, that’s a promise! “

“ i know we almost died just now, but… am i the only one who’s hungry? “

“ we need to get you to a hospital… “

“ hey, come on now… you’re okay. you’re good, right? “

“ i must be hurt pretty bad if you’re being this nice to me. “

“ quit playing the martyr. we’re not leaving you behind. “

“ you know, i hate to be the negative voice, but… did… did we just lose? “

“ look at me… i’m not gonna make it. it’s okay, i’m fine with that. but… you can’t stay here. you’ve got a good long life ahead of you. and you’re smart, too; too smart to wait around here and waste that long life. so you get out of here, and you go live that life. live it for both of us. will you promise me you’ll do that? “

“ back-up isn’t coming. is it? we’re on our own, right? “

“ can’t sleep, huh? it’s okay. it’s probably all that adrenaline and shock; i can’t sleep, either. wanna keep each other company? “

“ i don’t give two shits about the back-up; i’m just happy you’re alive. “

ACTION PROMPTS.

as always, add a “+ REVERSE” to switch the roles!

[ CARRY ]:     having found the receiver in an injured/weak/unconscious state, the sender carries them in their arms to safety.

[ TILT ]:     the sender gently tilts the receiver’s chin up so that they can check to see if they’re okay.

[ PULL ]:     sender takes the fallen receiver’s hands and carefully pulls them up so that they’re standing once more.

[ WAIST ]:     sender, while physically supporting and steadying the receiver, loops an arm around their waist for extra support.

[ BACK ]:     sender crouches down slightly to let the wounded receiver climb on their back, giving them a piggy-back ride to safety afterwards.

[ HAIR ]:     while in the process of checking the receiver for injuries or other signs of harm, the sender gently brushes several strands of hair from their eyes.

[ TEND ]:     sender begins to care for the receiver’s injuries.

[ LEAN ]:     the wounded sender leans against the receiver for physical support.

[ SUPPORT ]:     the sender encourages the wounded receiver to lean against them for physical support.

[ PUSH ]:     the sender gently pushes the receiver back to lie down so they can check them properly for injuries.

[ COAT ]:     sender removes their jacket and drapes it around the shoulders of the trembling receiver.

[ BLANKET ]:     just as they’re all about to go to sleep, the sender covers the receiver with their own blanket.

[ AWAKE ]:     the sender, unable to sleep, gets up to go for a walk, and finds that the receiver is also unable to sleep.

[ TOGETHER ]:     when the receiver awakens, they discover that the sender has been sleeping next to them, arms wrapped around one another for warmth, comfort, protection ( or something more… )

[ BANDAGE ]:     the sender sits down across from the receiver and begins to bandage their wounds.

[ DRAG ]:     unable to leave them behind, the sender drags the wounded receiver out of danger and into a safe hiding place for both of them to wait until help arrives.

[ TOUCH ]:     the sender nudges or touches the receiver to check and see if they’re alright after the attack.

[ CLEAN ]:     the sender gently and carefully begins to bathe the blood/soot/ash/dirt from the receiver’s skin during a moment of calm.

[ PRIORITY ]:     when they arrive at a designated safe place, the sender refuses to be examined or cared for until the receiver is taken care of first.

[ PROMISE ]:     before leaving to get help/food/water/a rescue mission etc, the sender assures and promises the receiver that they’ll return safely, refusing to bring them along or to stay behind.

[ BROKEN ]:     after having promised the receiver that they’d return, it’s learned that the sender died during their mission. how does the receiver respond?

[ TRAPPED ]:     after having promised the receiver that they’d return from a mission, the receiver learns that the sender has been kidnapped or otherwise trapped, requiring a rescue mission to bring them home.

[ RESCUE ]:     the sender and receiver reunite after the sender embarked upon an infamously perilous rescue mission to save the receiver.

[ FOUND ]:     after a massive rescue mission to try and find the missing receiver, the sender is the first to find them just as the efforts are about to be abandoned.

[ HOPE ]:     just as the receiver is about to lose hope in ever finding the sender again, a message or clue of some kind is discovered that essentially guarantees that the sender is still alive, restoring the receiver’s hope once more.

[ CLING ]:     having finally been reunited, the sender pulls the receiver into a tight, overwhelmingly relieved embrace, clinging to them and burying their face in their shoulder. the whole deal. make it EMOTIONAL–

[ TEARS ]:     having finally found the receiver, or having finally been found by the receiver, the sender breaks down in tears of relief, fear, and many other emotions as they officially reunite.

[ SACRIFICE ]:     knowing that the circumstances only allow one of them to survive, the sender sacrifices their life in order to guarantee the receiver’s survival and safety.

[of-sand-and-leaf]

. rare was it that the Firesword heiress would allow herself to show emotion in a place that her father could easily see. even alone, she rarely let that mask fall. just letting Itachi in like this invited unseen danger; not from her best friend or his Clan. but from her own Clan Leader. kissing him hadn't ever been in the plan, until their joint ANBU mission together and things altered between them. she didn't have the physical strength to pull away from his warm hands as silver met obsidian.

"For now."

. a silent acknowledgement that this between them now, their shifting friendship, probably wasn't going to last. Ami leaned into his touch very slightly, a rare smile that only he could see on her lips. then she sighed softly, her words spoken with faint amusement.

"We should probably move away from here or your fan club will find us."

ㅤOne of his very best friends, betraying him like this. Mercilessly [and effortlessly, from the looks of it] reducing his brain to a little pile of goo. As their lips part, his own instinctively chase hers for a split second longer, the time needed for his best sense to catch up and remind him that, one, they aren't completely in private and, two, this is no proper manner for a clan heir to be carrying himself. The problem with doing the supposedly wrong things is that, so often, they feel so right. And so Itachi leaves his hands where they are, comfortably rested on Ami's hips, because it's not like she's pulling away from it, either.

«Then you have me. I am right here.»

ㅤPragmatic and to the point. Which shouldn't be surprising, when it comes to him - but, this time, he adds an extra layer of subliminal meaning and sentiment by now moving one of his hands up, leaving it instead to cup her cheek while rubbing gentle circular motions with that thumb.

[of-sand-and-leaf]

. across the village, in the Hokage's office, a newly arrived young woman was handing in her report from a secret five year ANBU mission she had taken part in. after the meeting, she said goodbye to the team of ANBU she had been working with and slipped away. it didn't take long for her reappearance to become noticed by the Clans. a reappearance that soon had the Uchiha clan heir and his cousin, Shisui taking note.

. Ami wasn't unaware of the twin black eyes watching her. the reason? because of Shisui's elder brother. yet the formerly missing kunoichi didn't go to find him, unsure of what Izuna's reaction would be to her return. instead, she brought an apartment on the floor above his and three doors down. it didn't take long to set up traps and chakra based seals for protection, before she then collapsed on the couch in a restless sleep. thinking that the only one who could dismantle her protections, didn't know she was back.

. but the two Uchihas weren't letting her off that easily for leaving without a word. and Shisui, in the face of causing trouble, decided to let his brother know. his coffee drinking elder brother and the man who hadn't taken her disappearance very well. "Aniki, I've seen Ami."

Izuna sat holding his coffee cup tightly. His eyes were focused in the middle distance as he looked across the room. He lifted his cup to his mouth then paused before looking at it. A frown crossed his face as he looked at the cup, half empty. "I think.... I think that caffeine is basically my blood type at this point."

Glancing up he frowned deeper and tilted his head trying to decide if he really cared. While he thought about just giving in and sleeping, giving opening for the nightmares, he decided he preferred to keep going. Sooner or later he'd be able to pass out and rest peacefully... just hopefully not while he was training with anyone.

[of-sand-and-leaf]

Comment or like this if you would like to have a starter sent your way

RPs are generally set during Naruto Part `1, time-skip, Shippuden and post war. Open to others but never seen/read Boruto.

[of-sand-and-leaf]

for: Bard | @menelvagor verse: Hobbit :: Desolation of Smaug/Battle of the Five Armies | au

. the flicker of a frown made itself at home upon her face as silver eyes tracked the small group of boats heading towards the Lonely Mountain. despite the unshakeable loyalty that many of the Dwarves had in their King, she knew that the infamous Dragon Sickness would most likely take another victim as soon as they reached Erebor. sharp silver pupiless eyes were still watching the fog hidden boats long past the point of even Elvish eyes, when her name sounded from the bottom of the Bell tower.

"Ami?"

. "Up here, Legolas." pausing to set an alarm on the mountain to warn her if Smaug depart from his current lodgings, the silver haired mortal made her way down and walked with the Mirkwood Prince. it didn't take them long to reach the house where Bard and his family lived, having been discussing options and plans in fast Sindarin. but then they split ways after she passed over a energy potion for Kili to drink.

. Ami had never gone into the bowman's home, despite having been given multiple invitations by both himself and his children. her guilt kept her away though; guilt that was misplaced because she wasn't the one who had attacked Dale and Erebor. but Smaug was still one of her kind and that weighed heavily on her mind. in fact it was enough of a distraction to give the taller man a chance to appear beside her with little warning.

"Bard."

[of-sand-and-leaf]

Akio had his eyes closed as he listened to the Hokage and Itachi speak, not moving too much due to his injuries. Sleep was calling but something made him look back in the direction of his sister; so he was the first to notice her moving. "...Nee-chan?"

Eyes, now the colour of obsidian and with no pupil, darted around the office, before landing on Akio, Hiruzen and Itachi. She pushed through the pain and shifted back to her feet, one hand keeping pressure on the wound on her side. "Ki." Her voice was less human and more the growl of a dragon, a side effect of pulling on Tatsuya's power. Yet the amount of chakra she was currently using to remain standing was miniscule compared to what she had available. It was under such tight control that even a Uchiha or Hyuuga would have trouble realising she wasn't a civilian.

The Hokage glanced at the barely standing medic and considered her for a moment. He turned back to Itachi and the remaining members of his ANBU team, reworking his original plan. "Keep the remainder of your team with you in case her control doesn't last."

@kiigan | reply to this ::

The Third Hokage studied the small boy in his arms for a brief moment as he turned the Uchiha Heir's words over in his mind, before looking back at him. "I can see your point. The last thing we need is either her or her.. companion losing control if they can't find Akio." He still needed to know what had caused the pair to arrive in the state they did but more importantly, they needed the hospital.

"Call your team here, Itachi." Hiruzen shifted to his feet, suddenly aware of silvery black eyes watching them from the corner. The third floor was secure as it could only be accessed by certain members of staff. It was also the floor with the least amount of people, a good thing. "It'll be easier than having them meet us at the hospital. I'll be bypassing the main two floors."

[of-sand-and-leaf]

Ami sat on the couch and dropped her head in her hands for a moment, silvery blue healing chakra easing the headache slightly. A worn sigh came from her lips, before words gradually followed. "Both Naruto and the Fox lost their collective shit at Danzo. Tsunade had to call me back to get them to calm down."

@sandzephyr | reply to this ::

"...I got called back to Konoha for an emergency." Was her eventual response, mind too shattered to even try coming up with a better reply. Not that she was surprised Temari had been notified of her sudden presence in the village.

[of-sand-and-leaf]

@sandzephyr | reply to this ::

"...I got called back to Konoha for an emergency." Was her eventual response, mind too shattered to even try coming up with a better reply. Not that she was surprised Temari had been notified of her sudden presence in the village.

[of-sand-and-leaf]

❝𝐭𝐞𝐥𝐥 𝐦𝐞❞ rp meme. as always, feel free to change pronouns, tweak, modify, or adjust these prompts as needed!

❛ Tell me how I know you. ❜

❛ Tell me how to help you. ❜

❛ Tell me what you want. ❜

❛ Tell me you want me. ❜

❛ Tell me the truth. ❜

❛ Tell me a lie. ❜

❛ Tell me a story. ❜

❛ Tell me if this hurts. ❜

❛ Tell me what happened. ❜

❛ Tell me who did this. ❜

❛ Tell me to stop. ❜

❛ Tell me you love me. ❜

❛ Tell me to stay. ❜

❛ Tell me if I'm bothering you. ❜

❛ Tell me how you did that. ❜

❛ Tell me you didn't just do that. ❜

❛ Tell me you didn't just say that. ❜

❛ Tell me I'm pretty. ❜

❛ Tell me you didn't think about me too. ❜

❛ Tell me you don't love me. ❜

❛ Tell me you want me to go. ❜

❛ Tell me you don't want me. I dare you. ❜

❛ Tell me what you want me to do. ❜

❛ Tell me when to stop. ❜

❛ Tell me what you were dreaming about. ❜

❛ Tell me about it? ❜

❛ Tell me about him/her/them? ❜

❛ Tell me what I should do. ❜

❛ Tell me you didn't forget. ❜

❛ Tell me I'm yours. ❜

❛ Tell me you're mine. ❜

❛ Tell me everything. ❜

❛ Tell me more. ❜

❛ Tell me what I did wrong. ❜

[of-sand-and-leaf]

send in " knock, knock. " for the sender to show up on the receiver's doorstep, knock on their door, and as soon as the receiver opens the door, the sender grabs them and kisses them passionately.

[of-sand-and-leaf]

send me   “ you’re here…?”   for your muse to wake up in a hospital bed and find my muse holding their hand.      send    “ i’m here. “    for my muse to wake up and find yours.