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Robert Crumb - Record Collector

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Au revoir les enfants, 1987 - Louis Malle

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i forgot this was back on today bye 

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My favourite pokemons.

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some lovely vintage art by leo fontan (1884-1965) (via www.pinupmania.blogspot.com)

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Danny Galieote was born and raised in Los Angeles, CA where he has been working out of his studio professionally for over 20 years. He is a figurative painter of the modern American scene and has a strong background in drawing and painting. Galieote has also been an animator for the Walt Disney Animation Studios for more than a dozen years working on such films as, The Lion King, Hunchback of Notre Dame, Hercules, Tarzan, Atlantis, Treasure Planet, Home on the Range, Princess and the Frog and Tangled.

My paintings are hunting for a narrative and because of the way they’re cropped, the characters can be anyone, including the viewer…

Is represented by ARCADIA Fine Arts in NY

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// selected by Tu recepcja

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Every time Woody Allen is back in the news, I revisit that 1979 Joan Didion piece in which she demolishes the prevailing perception that his films are made for an intellectual class; that rather they’re the essence of a Fake Deep, referential comedy made for men like Allen to mistake their insecurities for wisdom:

“This notion of oneself as a kind of continuing career—something to work at, work on, “make an effort” for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s “relationships”—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school. The characters in Manhattan and Annie Hall andInteriors are, with one exception, presented as adults, as sentient men and women in the most productive years of their lives, but their concerns and conversations are those of clever children, “class brains,” acting out a yearbook fantasy of adult life.

…These are not possible constructions, but they reflect exactly the false and desperate knowingness of the smartest kid in the class. “When it comes to relationships with women I’m the winner of the August Strindberg Award,” the Woody Allen character tells us in Manhattan; later, in a frequently quoted and admired line, he says, to Diane Keaton, “I’ve never had a relationship with a woman that lasted longer than the one between Hitler and Eva Braun.” These lines are meaningless, and not funny: they are simply “references,” the way Harvey and Jack and Anjelica and A Sentimental Education are references, smart talk meant to convey the message that the speaker knows his way around Lit and History, not to mention Show Biz.”

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 L'Amour, l'Après-midi (1972) Dir. Éric Rohmer

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Everything you need to know about prog

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A recent cartoon for the Guardian.

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I am tired of being a person. Not just tired of being the person I was, but any person at all. I like watching people, but I don’t like talking to them, dealing with them, pleasing them, or offending them. I am tired.

Susan Sontag, from I, etcetera: Stories (via mercurieux)

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An old comic of mine, reposted for this Valentine’s.

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