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"tumblr humor is only funny to tumblr users" NOT true. those bitches on pinterest love us.

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Fourth in a series I of comics about protesting safety tips I made with @this.is.ysabel . This one is about the dangers of police surveillance and how to avoid it if possible. Keep being safe when you go out. Don’t get snatched!

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"I warn you that in times of great economic chaos, especially when people had dreams of affluence that they now are not going to realize-and when they are not able to have even the choices their parents had economically-women are at risk. We will be told, "You were wrong to think you could have it all. You must repent of your aggressive ways, you must repent of your ambition." In times of fear and anxiety people will be looking for false scapegoats, false solutions, and one of those solutions will be that all of this can be solved by sending women home again."

--Betty Friedan

She originally said this in the 80s, btw.

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“Random acts of insurrection are occurring constantly throughout the galaxy”

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“Mon is not fully committed to the Cause yet, she hasn't given up her life and enjoys her status quo—” Mon Mothma is doing money laundry to fund terrorist activity/organization. Do people understand that? I think it's important people understand that.

from the perspectives of Imperial auditors and financial regulators that’s literally what she’ll be charged with if she’s caught. Slush fund accounts and blaming Perrin's gambling and strategic child marriages only cover her tracks until the right financial regulator goes looking; until one civil servant with the same amount of Freak as Syril Karn decides to go after discrepancies and she no longer can paper over the cracks. She's being observed by her own driver. She's got enemies everywhere, yearly financial audits, and multiple obligations to powerful people. She's borrowing time with a highest interest rate known to man and she will have to pay that debt with everything she holds dear.

Mon has long been radicalised; she's put everything on the line as down payment for it. She just puts up a front so well it’s apparently tricked the audience.

Moreover, the political thesis of the show is that resistance is everywhere; it’s an old lady clearing the underground rain tunnels for potential rebels as well as it is manifestos and prison breaks and overt attacks on Imperial buildings.

It’s also one person in the heart of the imperial core committing stunning amounts of financial crime.

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"The Empire is a disease that thrives in darkness, it is never more alive than when we sleep."

ANDOR - S01E12 Rix Road

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I love how s2 of Andor shows us how all the sacrifices the Imperial characters make for the Empire are ultimately worthless. Syril, Dedra, and Partagaz all have different variations on the same ending. and to them Krennic is the big bad guy who represents the Empire but then in Rogue One we learn that essentially he’s in the same situation: giving everything to the Empire and it amounting to nothing in the end.

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ANDOR | 2.07 - 2.09 + TEXT POSTS

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one of the hundred things I love about Andor is that in the end, all the villains were destroyed not in an epic showdown with the rebels or whoever but by the machine that they worked for. syril was a faceless casualty of the genocide he helped create. dedra was done in for putting ambition over conformity to the machine, and she took down partagaz, who essentially created her, along with her. even heert was quite literally killed by his own droid and his own men. all of them were crushed by the wheel they dedicated their lives to keep turning. it's just so deeply deeply satisfying.

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extraordinarily put.

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me: oh yay Andor is back what's going on gang

Andor: undocumented immigrants are facing sexual violence every day. left wing infighting will get everyone killed. rich people buying back things stolen by colonists is still an act of colonialism.

me: right so just a light season then

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I am hopeful that those of you who know me will vouch for my credibility in the days to come. I stand this morning with a difficult message... ANDOR | 2.09

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Sinners is what happens when directors are allowed to experiment with the genres like a horror musical that puts you in a trance and makes you question your existence while also being campy and funny but also breathtakingly beautiful but also haunting and terrifying? Yes please I literally did not want to leave the theater I wanted to just stay there and keep watching it over and over

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i know i shouldnt be suprised but sinners being out for less than a week and already tumblr is fandomifying and 'poor wet pathetic cat'-ifying the main white man villain of the movie is so... disapointing??? like did the fucking point of the movie really go over your heads that badly or are you just willingly ignorant and stupid?

AND BEFORE ANYONE STARTS; im not saying you cant like remmick, he's a very interesting character, a great villain, and jack o'connell gave a great performance playing him, nor do i care if you think hes sexy, I think hes sexy

but i think to come out of a movie where vampires serve as a metaphor for how black american communities have the life sucked out of them by white people via cultural appropriation (remmick wanting to use sammie's gift to summon his own ancestors) and forced assimilation (all the turned vampires singing and dancing along with remmick's irish folk song and dance juxtaposed with the blend of cultures during sammie's song in the juke joint) and for your main take away to be 'aww the main villain is just a misunderstood sadboy' or 'idc abt the atrocities he looked sexy doing them (when the atrocities in question were racism)' then youre just being so disengenuous and antithetical to the whole point of the film?

and dont come at me with the 'let people enjoy things' bullshit, sinners is a movie FUNDAMENTALLY about racism and racial dynamics in the united states, and i do think focusing on your little y/n x [whiteboy of the month] fics and 'hes so babygirl' posts do actually stunt your own critical engagement with the message this movie was trying to convey to its audience

i think its also a disservice to remmick's character; the moral nuance that comes to light when you consider his position as an irish immigrant to the US, a victim of the colonialist british empire just like the black main cast (although in a very different way) and how, whilst his desire to reclaim his ancestry and heritage is understandable and even relatable, his pursuit of sammie and willingness to kill literally everyone else at the juke joint is allegorical for how, regardless of their own marginalisation, white people will prey upon and steal from black culture(s) and destroy/disenfranchise black communities to serve their own interests, and the movie is NOT subtle about this either, delta slim literally lays it out for us "white folks like the blues just fine, they just don't like the people who make them"

idk im yelling into the void here, the ppl im complaining about are never going to give a shit about racism or even just critically engaging with art when theres a new cute whiteboy to write fluff and angst about, but its just soooo annoying to see, yet again, how fandom spaces, which SHOULD be about uplifing and celebrating art in all its diversity and complexity, once again is nothing more than people ignoring anything that actually makes them have to confront reality and filing off the serial numbers to slot characters into pre-determined fanon molds so they can pump out incorrect quotes and coffee shop AUs en masse until the media iliterate heat death of the universe

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if sinners (2025) taught me anything, it's that it IS actually always about race.

you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.

even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on

do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?

i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate

anyway 10/10 movie. highly recommend

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remmick and the vampires present a false dichotomy

Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious

remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency

when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA

when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative

remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people

in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer

remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that

theres a reason vultures are shown early on in this movie

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i know a workplace sitcom slowburn couple HATE to see me coming