oliviadavid2025-blog

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I am 29 year old women from Newyork,having 12 year Experience in Art and Designing with M-phill degree in Art and Designing,ask me any thin i am available here.

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How to Use After Effects Templates Easily

How to Use After Effects Templates

Adobe After Effects is a video-based tool that’s used to add elements to moving pictures and animations. Designers use it to create titles, intros, and transitions between video clips to enhance the production value of animations and video projects.

After Effects is one of those tools that’s packed with goodies, including templates that you can use to speed up project workflows. You can create your own templates or find and download them from other sources.

Here, we have a guide to using After Effects so you have everything you need to get started or better use the software.

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Explore After Effects Templates

How to Use After Effects Templates

An After Effects template is a pre-made video/animation project file with design elements you can customize and add to your bigger projects. The best templates are often crafted by professional designers and can help jumpstart projects for those less familiar with the tool or in need of a workflow timesaver.

Using an After Effects template is easy and can help you add a professional flair to a video project with cool transitions or intros and outros.

Most downloadable templates will come with instructions, but here’s the rundown for what to do once you have a file to use.

Open the project and import files you want to add (save templates in a common folder for ease of use)

Locate the compositions where you want to make changes

Replace placeholder elements with your graphics or templates (this is where you do all the customizing)

Repeat as needed for multiple layers of effects

How to Install/Import After Effects Templates

Once you pick out an After Effects template, you’ll want to install it for use on your computer.

First, unzip the template download.

Then copy the template script If necessary), ending in .jsxbin to the After Effects folder on your computer:

Mac: /Applications/After Effects CS[x]/Scripts/ScriptUI Panels

Windows: C:\Program Files\Adobe\Adobe After Effects CS[x]\Support Files\Scripts\ScriptUI Panels

If you do this while After Effects is running, you will likely need to restart.

Then open the template file, ending in .aep. Most downloadable templates also come with instructions if you need help importing/installing the file after download.

If you have a template you love, you can even tell After Effects to load this template with every new project in the Preferences. Just navigate to the saved template and save.

How to Organize After Effects Templates

The key to making any software as efficient as possible is to organize it in a way you understand.

After Effects doesn’t come with a ready-made set of folders for templates, but you can create a template folder structure to make working with templates that much easier.

Create a folder (After Effects Templates) and put it in a location that’s easy for you to remember. You can add it to After Effects program file folders, documents, or even your desktop. The only thing that matters is that you know how you are saving the files.

Then add unzipped template files to this location. (I like to name them based on function, but you don’t have to change the name from the download.)

This will make it easy to find and open these files (or link to load with each new project).

After Effects Templates Work with Your Other Files

After Effects templates can help speed up projects and save time if you use the same motion graphics over and over. The nice thing about using a tool like After Effects is that it is compatible with other Adobe products so that graphics you create can be used across other tools, such as Premiere Pro.

You can also import work you’ve done in other tools to After Effects and even create and save your template. If you aren’t familiar with it, you can almost think of After Effects as the motion graphics version of Photoshop.

You can edit, adjust, and import files across the tool to make more impressive video and animated clips.

5 Reasons to Use After Effects Templates

If you haven’t tried an After Effects template yet, there are plenty of reasons to think about it and start looking for an option you like.

Save time and money: Starting with a template can significantly reduce the amount of time it takes to finish a project – and that’s time and money back in your pocket.

Tech techniques so you can learn the tool: If you are new to the software, templates provide a solid basis for figuring out how to do different things and how After Effects works.

Amp up production: A professional template looks great and can add value to your video project.

Unlimited options: Templates have been around for long enough that almost everything has already been done. If you can dream it u, you can probably find a template for it.

Provide creativity and trends: Look for a template with a more recent release date and you might find some of the latest trends in design included. This can help you think even more creatively about projects, sparking inspiration.

Conclusion

Like templates for other tools, the most significant benefit to an After Effects template is helping to speed up a workflow or produce a specific technique easily. While you can create your own, there are plenty of downloadable options from other sources to choose from. also, check creative templates here

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How to Become a Logo Designer in 10 steps

Get started with logo design: 10-step guide

Before you embark on logo design, you must understand what a logo is and what it is supposed to do. A logo identifies a company or product via the use of a mark, flag, symbol or signature. A logo does not sell the company directly nor rarely does it describe a business. Logos derive their meaning from the quality of the thing they symbolize, not the other way around - logos are there to identity, not to explain. In a nutshell, what a logo means is more important than what it looks like.

To illustrate this concept, think of logos like people. We prefer to be called by our names - Jacob, Emily, Tyler - rather than by the confusing and forgettable description of ourselves such as 'the guy who always wears pink and has blonde hair'. In this same way, a logo should not literally describe what the business does but rather identify the business in a way that is recognisable and memorable.

It is also important to note that only after a logo becomes familiar does it function the way it is intended to do, much like how we must learn people's names to identify them. The logo identifies a business or product in its simplest form. Here are 10 vital tips you need to consider on your way to the perfect logo.

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01. Learn logo 101

An effective logo is distinctive, appropriate, practical, graphic, simple in form and conveys an intended message. In its simplest form, a logo is there to identify but to do this effectively it must follow the basic principles of logo design:

A logo must be simple. A simple logo design allows for easy recognition and allows the logo to be versatile and memorable. Effective logos feature something unexpected or unique without being overdrawn.

A logo must be memorable. Following closely behind the principle of simplicity is that of memorability. An effective logo design should be memorable and this is achieved by having a simple yet appropriate logo.

A logo must be enduring. An effective logo should endure the test of time. The logo should be 'future proof', meaning that it should still be effective in 10, 20, 50+ years time.

A logo must be versatile. An effective logo should be able to work across a variety of mediums and applications.

A logo must be appropriate. How you position the logo should be appropriate for its intended purpose. For a more detailed explanation see: What makes a good logo?

02. Establish your own design process

Every designer has his or her own process, and it is rarely linear, but in general this is how the branding process is completed, which can be used as a guide to establish your own.

Design brief. Conduct a questionnaire or interview with the client to get the design brief.

Research. Conduct research focused on the industry itself, its history, and its competitors.

Reference. Conduct research into logo designs that have been successful and current styles and trends that are related to the design brief.

Sketching and conceptualising. Develop the logo design concepts around the brief and research.

Reflection. Take breaks throughout the design process. This allows your ideas to mature and lets you get renewed enthusiasm. Receive feedback.

Presentation. Choose to present only a select few logos to the client or a whole collection. Get feedback and repeat until completed.

03. Ask the right questions

A common pitfall before starting a new branding project is to fail to ask the right questions, which includes research on your behalf too. Before you begin your development, get as much information as you can from the client about their business, goals, target market, etc. If possible, try their service or product, visit their store – really get to know them and their requirements.

Some important questions you should ask your client before beginning:

How much do you plan to dedicate to this project?

Do you have a fixed deadline or timeline in mind for the project?

What are your goals and why?

What product or service does your business offer?

Who is your target audience and who is your most ideal customer?

Who are your competitors and how do you differ from them?

What was the idea behind the business name?

For further questions see: How to write a design brief.

04. Price your work accordingly

"How much?" is the single most frequently asked question and it cannot be easily answered because every company has different needs and expectations. You have to take a number of factors into consideration when designing a logo/brand identity, such as how many concepts need to be presented, how many revisions will be needed, how much research is required, how big the business is and so on.

The best approach is to draw up a customised quote for each client and to do this you should learn how to price your designs, which is another topic in itself.

Jeff Fisher, a notable designer and author, had this great point in his article How Much Should I Charge: "The major point I wish to convey here is that all designers need to work smarter in independently determining what their talent, skill and expertise are worth and charge the client accordingly without question or apology. Being smart in determining what you should charge for your work will hopefully allow you to 'work less, charge more' in the future."

05. Learn from others

By knowing what other brands have succeeded in and why they have succeeded gives you great insight and you can apply that attained knowledge to your own work.

For example, let's look at the classic Nike Swoosh (above). This logo was created by Caroline Davidson in 1971 and it's a great example of a strong, memorable logo, being effective without colour and easily scalable.

Not only is it simple, fluid and fast but it also has related symbolism; it represents the wing in the famous statue of the Greek Goddess of Victory, Nike, which is a perfect figure for a sporting apparel business. Nike is just one of many great logos, but think about other famous brands that you know and check out their logos - what makes them successful?

For more quality logos, check out Logo Of The Day or go to your local library/book store and check out some branding books. Also be sure to check out some of these logo design process case studies.

06. Make use of the resources

There are hundreds of resources available, both offline and online, that are dedicated purely to logo and brand design. Here are some of the best:

The Ultimate List of Logo Design Resources by Just Creative DesignIf you're looking for logo resources, this is the place to go.

Best Logo Design Books by Just Creative DesignLists some great logo design books.

Top 10 Logo Design Inspiration Galleries by Logo Designer BlogA list of the top 10 recommended logo design inspiration galleries.

Logo Design Tips by Steve at The Logo FactoryA great post outlining some very helpful logo design tips.

How NOT to design a logo from Web Designer DepotAn article outlining ways not to go about getting your logo designed.

Iconic Logo Designers by David AireyA mini-website of some of the world's most iconic logo designers.

45 Rules of Creating A Great Logo Design from Tanner Christensen.A fairly accurate list of 'logo design rules.' Take it as a guide only.

80 Beautiful Typefaces for Professional Design from Smashing Magazine.A thorough list of classic typefaces.

07. Choose the right font

When it comes to logos, choosing the right font can make or break the design. Font choice can often take as long as the creation of the logo mark itself, and both the font and mark should work towards the same goal(s).

Spend time researching all the various fonts that could be used for the project, narrow them down further, and then see how each gels with the logo mark, keeping in mind how the logo will used across the rest of the brand identity, in combination with other fonts and imagery.

Don't be afraid to purchase a font, modify one, or create your own. Also stay aware of font licensing issues, especially in free fonts, as they often cannot be used commercially.

For more information read How to choose the right font.

08. Avoid the clichés

Light bulbs for 'ideas', speech bubbles for 'discussion', globes for 'international', etc. These ideas are often the first things to pop into one's head when brainstorming, and for the same reason should be the first ideas discarded. How is your design going to be unique when so many other logos feature the same idea? Stay clear of these visual clichés and come up with an original idea and design.

With this said, please do not steal, copy or 'borrow' other designs. Although, this shouldn't have to be said, it happens too often. A designer sees an idea that he likes, does a quick mirror, colour swap or word change, and then calls the idea his own. Not only is this unethical, illegal and downright stupid but you're also going to get caught sooner or later. Do not use stock or clip art either — the point of a logo is to be unique and original.

09. Limit the concepts sent

Go wild exploring ideas, but don't provide your client with too many options. This means the client will have too much control over the design direction of the project, whereas the designer should be the director - unless you are hired by an agency and have already been given design direction.

If you provide 10 to 20 concepts to a client, more often than not they will choose what you consider the less superior design. A good rule of thumb is to only send one to three concepts that you personally could see working for their business. Of course, the number of concepts you send can change from project to project, but once you feel confident enough as a designer, these one to three concepts should nail the project on the head every time.

10. Deliver the correct files

Delivering the correct files to your client is one way to ensure that your client never comes back asking for revisions or different versions of a logo. It also ensures that the logo gets displayed correctly in all circumstances, which should be supported by a style guide.

You should give your client five high-quality files per logo variation - this means providing a spot-colour file, a pure CMYK file, a pure black file, a pure white knockout file and a RGB file. As a guide, these should generally be in EPS, TIFF (1500x1500 at 300DPI), and JPEG/PNG (800x800 at 72DPI) formats. You could also provide a favicon too.

A closing word

These logo design tips should help you become a better logo designer in theory. However, it's important to state that although lists such as this are a good starting point, they should not hold you back - rules are made to be broken and there is no 'right' way when it comes to logo design. Sketch, explore and create! Then repeat.

Also, it's important to remember that your logo is not your brand, nor is it your identity. Logo design, identity design and branding all have different roles that together form a perceived image for a business or product. Now that you have learned about logo design, you should learn how logos fit into the whole brand identity.

Some Creative Work and Templates Check Here

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Become a Photoshop Expert in 10 Steps

Become A Photoshop Expert In 10 Steps | PS Actions

Being Photoshop users we have to realize everyone that uses Photoshop actions, nobody really knows everything that Photoshop can do. This is amazing and helpful for those how to try to find something new in Photoshop or want to become an expert in Photoshop Actions. Further, if you are a user of Photoshop you should try to learn most of it and keep learning. According to my personal experience, I will recommend the following habits if you want to become a Photoshop Expert.

With the help of this article, we will explain how to become an expert in Photoshop:

Own the Latest Version of Photoshop:

If you don’t have your own copy at home then it’s pretty hard to really experiment with Photoshop. Having the latest version of Photoshop is important too much. Because the latest features usually either make your job easier or give you those facilities that didn’t even exist in prior. According to our experience, we will recommend you try to purchase your own copy because with this you can enjoy lots of features during the creation of photoshop actions for photographpers. So, if you are a teacher or student who is not using Photoshop for commercial purposes, with these professions Adobe allowed you to purchase the educational version at half-price. Further, you can usually purchase this version with all other complete features. When you will buy it then adobe will be allowed you to run your Photoshop software on two systems.

Make Mistakes:

We are sure that you will be fully aware of the quote of mistakes make perfect. Without a mistake, you can’t learn anything or can’t get any expertise. So, Experiment and play with the mistake is the key to learning something beyond the basics. Try out all features of Photoshop tools and filters, and see what they do with different settings. With this technique, you really will learn Photoshop. Take a bunch of photos from your computer or from the camera and apply some tips on those images. For example, you can see how blend modes change an overall image as layers are moved around. You can try all of the layer adjustments, and every filter combined with another filter

Take a Class:

To be honest, we have an awful Photoshop expert at InventActions. He did little beyond schedule what we were supposed to complete in the article. We were stopped going at one point. We had learned how not to teach, and five years later we were teaching Photoshop. What a good expert can do is give us assignments and said never dreamed just do. More importantly, a good instructor can give your personal guide when you don’t even realize you made a mistake, or there’s a typo in the textbook, or you accidentally skipped something, and something goes wrong. Finally, a good Adobe or illustrator will give you projects to do that give you real-world scenarios and specifications.

Go to Seminars:

There are many firms that arrange seminars all over the world in special terms, so try to find any seminar related to Photoshop. We are sure you will much more from this technique and further you will increase your professional links. These seminars have to increase professional creativity and efficiency in Photoshop beyond belief. So join any seminars learn to enjoy and build the relationship. Go to one of these seminars if you can, or find something comparable in your area.

Read Photoshop Magazines:

A lot of professional Photoshop experts publish their magazines and share their experiences, research, and expertise. Like, you can read NAPP magazines that are best for Photoshop users and it comes to American Photoshop publications. You can get it from the book store at just $10 and can increase your exposure related to Photoshop. You can become a member of NAAP and can access to online tutorials. This is one of the best learning sources for photographers and designers. If you want to explore further magazines then Layers is another best choice for you. They also offer the latest reviews, tips, and techniques about the latest design products. They have different types of tutorials related to the design of adobe, illustrator, flash, InDesign, and Dreamweaver.

Read Photoshop Books:

This is another best idea for those who want to increase their professional skills, you can find out hundreds of books that are specially published in Photoshop. But before purchasing any Photoshop book you should be clear about what you want to learn. And get an overview of the content of books, images, and other data. Then feel about the book, is it those that you really want to read. Try to find a book that makes you feel like you can create those images that are mention in this book. Decide what work will remain best for you and look at those books that are written in the same way.

Search Online Tutorials:

Being a professional Photoshop expert we love doing online tutorials. Some good places to find Photoshop tutorials are available on YouTube. Many experts share their ideas and skills on their YouTube channels. We are sure after a little bit of research you will find any best online tutorial that will help you a lot. Try to look for any best tutorial that provides enough images, proofread their work, and don’t leave steps out. With the help of these, you will be able to create an awesome result that will look much like. As with tutorials, your skill level will increase without any doubt. So, now push yourself to do more challenging stuff than you’re used to.

Be a Community Member:

Community membership means you want to excel in Photoshop. You can excel because it’s a modern age of technology and the world has become a global village. There are hundreds of forums, websites that connects professional together and try to build professional relations. You can take benefits to join their community, discuss with them ask the question and enhance your creativity. Recently our Photoshop team also hangs out on Twitter and following a large number of fellow graphics and photographers. They are always feeding new links to incredible online resources. But we found a solution in the form of InventActions blog. Our team research and write different types of articles to share their ideas through the blog. Our team is also a member of ADAC and also we share our ideas with these community members. You can also join them, one of the best ideas and further Real-world design club is also a great opportunity to learn all about design in addition to some of the business aspects of freelancing. More importantly, you can come away inspired with fresh ideas by looking at the works of others.

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Learn Other Adobe Programs Too:

There are many times when a Photoshop project is enhanced by the contributions of artwork done in Illustrator, for example. Learn how to save your work for the press using Acrobat. Learn how to create vector artwork in Illustrator and import the paths into Photoshop. Learn how to place your Photoshop files into InDesign. Learn how various Photoshop plugins can expand your design horizons or make your work easier. These are but a few examples. A thorough understanding of Photoshop must include an understanding of how well it plays with others.

Teach Photoshop:

Teaching Photoshop helped me develop my expertise in ways that no other experience can. When you have to communicate how to do something to someone else, you come to understand it in a way that sets it in concrete in your mind. I often get my students to find something new to learn, and then have them turn around and teach it to another student. And when both students make mistakes during this teaching process, they both learn more. Writing tutorials – and finding out if someone can follow them – takes this concept step further. I wasn’t a Photoshop expert when I started teaching Photoshop. I am now, thanks in part to having taught it.

Further:

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