GANT - The Future of American Sportswear from Maceo Frost on Vimeo.
One of the most fun experiences of 2021 was making this piece for @gant together with these lovely and humble people.
@iamkelseylu @warniermathilde @eliotsumner @kelvinkinderbueno @idlesband @sonny_hall @mto_creative
Pretty much total creative freedom within the concept. Found myself trying new things and improvising a lot and I really apreciated not being micro managed by anyone. One of those rare smooth projects that come about once every blue moon!
Directed by me
Dp @jakescottdp
Edit @_chriszimmermann & me
Composer @orpheenoah
Prod @newland.tv @aprilmayproductions
Color @ioskar
First AD @rawdster
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Renault / Scenic from Niclas Larsson on Vimeo.
Prod: Diplomats Paris
Exc Producer: Solal Michenmacher
DOP : Evan Prosofsky
Line producer : Guillaume Lefrançois
Production designer : Lucie Beauvert
1st AD : Frederic Monnet
Editor : Carla Luff
Colorist : Mathieu Caplanne
Publicis Conseil
Chief creative director : Marco Venturelli
Creative Director : Marcelo Vergara
Copywriter : Mathieu Degryse
Artistic director : Yves-Eric Deboey
Head tv prod : Caroline Petruccelli
Tv prod: Sanae Belkouri
Service production : HVH Films
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Pantera // Mercedes-Benz // Valet Guys from BWGTBLD on Vimeo.
Directed by Pantera
Produced by BWGTBLD
Director of Photography - Nicolas Karakatsanis
Agency - Antoni Berlin
Styled by BRATSK 55
Scored by Gustav Kärlstrom
Graded by Alex Bickel
VO by Jason Filmore
Production design by Jason Hougaard
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Golden Ladder | Jordan Klassen from FARHAD GHADERI on Vimeo.
A reflection on the lives of a woman and her mother, as they heal in the face of intergenerational trauma.
Directed by Farhad Ghaderi
Production Company: Boldly
Executive Producers: Neel Gupta, Shelby Manton, Kristoff Duxbury, Sebastien Galina, Geoff Manton
Producers: Shelby Manton, Joaquin Cardoner
Editor: Alexander Farah
Starring and made in collaboration with Sarinthy Smith, Sarine Smith, Abigail Smith, Merissa Smith, Camille Posadas, Carolyn Yu, Aria Washington
Casting by: Kara Eide, CSA and Kris Woznesensky, CSA
Director of Photography: Farhad Ghaderi
1st AC: Robin Rigault
2nd AC: Solomon Chiniquay
Gaffer: Yannie Yu
Key Grip: Andrei Lyskov
1st AD: Joaquin Cardoner
2nd AD: Rebecca Steele
Production Designer: Charlie Hannah
Art Assistant: Kathleen Cooper
Wardrobe Stylist: Nina Maidment
Hair/Makeup Artist: Jess De Palma
Production Assistant: Grayson Lang
Colourist: Sam Gilling
VFX: Lucas Hrubizna
Sound Design/Mix: Oscar Vargas
Film Scan: Peter Hagge at Film House
Special Thanks: Keslow Camera, Brightside Cinema
Pacific Backlot, Film House, Dariush Ghaderi, Dora Prieto, Hana Amani, David Findlay, Gurbir Grewal, Wes Walker, Jeremy Cox, Jaryl Lim, Janessa Washington.
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Kinashi Noritake "Fukigen Na Mona Lisa" from Gen Ito on Vimeo.
Production: Monkey Wrench
Director: Hideto Hotta
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Amazon Music ‘Life in HD’ (Director’s cut) from Judith Veenendaal on Vimeo.
Director: Judith Veenendaal
DoP: Mauro Chiarello
Producer: Gustav Geldenhuys⠀
EP’s: Kamila Prokop & David Richards
Prod company US: division7
Prod company Kiev: Radioaktive Film⠀
PM: Sam Jackson⠀
EP Radioaktive: Sasha Bevka⠀
Local Producer: Serafima Kutsenko ⠀
Production Manager: Emil Shkulskyi⠀
1st AD (Radioaktive): Vadim Yuzba ⠀
1st AD (d7): Sam Powell⠀
1st AC: Peter Chetverykov
Steadicam: Max Salo⠀
Choreographer: Shay Latukolan⠀
Production Design: David Lee⠀
Art director: Natalie Maxovska⠀
Styling: Lissa Brandon ⠀
Stylist: (Radioaktive) Dasha Filshina⠀
Make-up: Martelle
VFX: a52, Kasper Ophof
Shoot VFX Supervisor: Jim Radford
Supervisor US Patrick Murphy
Edit DC: Brian Ent⠀
Colorist DC: Laurens Orij
Motion titles DC: Paul Postma
Sound design DC: Sauvage Sound⠀
Additional Photography: Gilleam Trapenberg
⠀
Agency: Johannes Leonardo⠀
Agency producers: Dennis McKinley & Rebecca O’Neill⠀
ECD: Ray Smiling⠀
Creatives: Mina Mikhail, Matthew Barton, Julia Waicberg⠀
Thanks to everyone involved
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Becoming Jorja Smith (Vevo Lift) from Joel Honeywell on Vimeo.
Directed by Shaun James Grant
Produced by Harri Kamalanathan
Production Company LEMONADE MONEY
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Pantera - Mercedes Benz - Blowfish from BWGTBLD on Vimeo.
Production Company BWGTBLD GmbH
Director PANTERA
Director of Photography NICOLAS KARAKATSANIS
Executive Producer - PHILIPP RAMHOFER
Producer - JULIANE GEUSENDAM
Post Production Producer - PHILIPP WEINRICH
Production Coordinator - BRITTA LIESEN
Casting - DES HAMILTON
Styling - BRATSK
Production Design - JASON HOUGAARD
Editor - CHRISTIAN ZIMMERMANN
Color - Alex Bickel
VFX Company bEPIC
VFX Supervisor - BASTIAN KONRADT & RADOSLAW JAMROG
VFX Producer bEPIC - LION GRAF & COLEBATCH
Digital Artist - FELIX HÖHNE, ROMAN NEUGEBAUER, FLORIAN FRIEDMANN, ANDREAS ROHNE,
Agency Antoni
Executive Creative Director - VEIT MOELLER
Creative Director - LUCAS SCHNEIDER
Creative Director - MALTE BÜLSKÄMPER
Account Manager - HELENA SCHILKE
Client Merzedes Benz
DAMIR MARIC, KATJA OHLY-NAUBER
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The Parents / Volvo from Niclas Larsson on Vimeo.
Agency: Forsman&Bodenfors
Prod Co: New Land Stockholm
With Fares Fares & Ana Gil de Melo Nascimento
Prod: Joel Rostmark & Adam Holmström
Dop: Linus Sandgren
Edit: Carla Luffe
Art: Simone Grau Rooney
Post: Chimney Stockholm
Color: Sofie Burup / Company3
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H&M Group – Calling You from Olof Lindh on Vimeo.
Calling You.
DP. Tim Lorentzen
Editor. Emma Backman
Sound. Kim Creutzer
Music. Zhala
Producer. Sandra Sohlman / BRF
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Champion - "Dare To Be" (DC) from Marcus Tortorici on Vimeo.
Co-Directed with Henry Busby
Featuring Leandre Sanders
DP: Jeff Melanson
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The Deep Place from International Justice Mission on Vimeo.
One small boy. One huge lake. Foli was a slave. Immerse yourself in his story.
Thousands of children between the ages of 6 and 18 live in slavery on Lake Volta, working up to 18 hours a day in the fishing industry. For these young children, the only way out of slavery is to drown or be rescued. Children just like Foli.* Visit ijm.org/foli to send rescue today.
Trailer: vimeo.com/248319522
Director's Cut: vimeo.com/ijm/thedeepplacedc
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This story is a reenactment of the real life events of one young boy. All the names and locations have been changed to protect his real identity.
Directed by Lindsay Branham and Andrew Michael Ellis
Edited by Ben Stamper
Cinematography by Andrew Ellis and Ben Stamper
Original Music by Aled Roberts
Casting by Mawuko Kuadzi
Field Producer Greg Justice, Amy Justice
Script Supervisor Bethany Williams
Production Sound: Greg Justice
Stunt supervision by Hayford Agbedor
Visual Effects by Perry Kroll
Color Correction by Alter Ego
Cast
Foli: Louis Baah Yeboah
Fofo: Godwin Duse
Uncle: Brian Angels
Boys on the Lake:
Antony Antiga
Richmond Ameoyi
Grandfather: Isaac Afako
Grandmother: Veronika Dogolo
Produced by Novo
Executive Produced by International Justice Mission
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THE BAIL PROJECT from Variable on Vimeo.
The Bronx Freedom Fund pays the bail for people accused of misdemeanors who cannot afford their freedom. Who are these people? They are often the most vulnerable in our community and those with the least public voice. They are people like Ramel.
Having Ramel share his story with us was transformative – to be innocent and have your liberty denied is a national shame. His story galvanized us to make this film because his voice not only deserves to be heard, but needs to be heard. His courage, resolve and compassion is an inspiration and it’s time to shine a light on this grave injustice being visited upon far too many of our fellow citizens.
The Bronx Freedom Fund, and now the national Bail Project, is doing their part – Ramel’s story is a stirring reminder that it’s up to all of us to step up and do ours.
The Bail Project is an unprecedented national effort to combat mass incarceration by keeping tens of thousands of low-income Americans out of pretrial detention. The organization grows out of The Bronx Freedom Fund and will expand to dozens of high-need jurisdictions with the goal of reducing the unacceptable human suffering caused by unaffordable cash bail and supporting community efforts to end the racial disparities endemic to this system.
Join the cause at bailproject.org.
--
Featuring Ramel Edwards
Client: The Bronx Freedom Fund
Project Director: Ezra Ritchin
Production Company: Variable
Director: Kevan Funk
Cinematographer: Peter Hadfield
Producer: Alex Friedman
Executive Producer: Tyler Ginter
Production Supervisor: Paige Demarco
Production Coordinator: Rocco Campanelli
1st AC: Oliver Lanzenberg
DIT: Jeff Levine
Gaffer: Brad Burke
Key Grip: Seth Dean
Sound: Corey Poindexter
Production Designer: Curtis Oliveira
Art PA: Syd Richardson
Art PA: Jack De Sousa
PA: Johnny Guevara
PA: Julius Moreno
Editorial: Cartel
Editor: Chris Catanach
Post Producer: Greer Bratschie
Post Executive Producer: Lauren Bleiweiss
Color: Company 3
Colorist: Jaime O’Bradovich
Color Producer: Kate Aspell
Sound Design/Mix: Matt Drake @ White Hart Post
Original Score: Ben Fox
Casting: Nina Day Casting
Supporting Cast:
Young Ramel: Taj Blain
Ramel's Aunt: Donna Glaesner
Neighborhood Kid #1 Ariana Bantoe
Neighborhood Kid #2 Da'jour Jones
Neighborhood Kid #3 Jacquel Gilmore
--
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YETI Presents: Carter Andrews from Talweg Creative on Vimeo.
A fisherman down to the DNA, Carter Andrews has no choice but to go out there and catch everything that swims. Described by a friend as a “wild man”, he does have a certain intensity about him. But you don’t have only anglers as friends unless you’re still lit up with raw joy every time a fish bites.
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FRACTAL - 4k StormLapse from Chad Cowan on Vimeo.
Connect with me on these social media channels for more stuff like this: instagram.com/stormtimelapse twitter.com/stormtimelapse facebook.com/stormlapse
The ingredient based explanation for supercell thunderstorms cites moisture, wind shear, instability and lift as the reasons for their formation. I prefer to focus on the big picture. Supercell thunderstorms are a manifestation of nature's attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or entropy, is what drives all of our weather, and the force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.
This collection of timelapses was gathered over the last six years from Texas to North Dakota and everywhere in between. The project started out as wanting to be able to see the life-cycles of these storms, just for my own enjoyment and to increase my understanding of them. Over time, it morphed into an obsession with wanting to document as many photogenic supercells as I could, in as high a resolution as possible, as to be able to share with those who couldn't see first-hand the majestic beauty that comes alive in the skies above America's Great Plains every Spring. After more than 100,000 miles on the road and tens of thousands of shutter clicks later, this is the result. I hope you enjoy watching it as much as I enjoyed creating it.
Keep an eye out for a much longer version of FRACTAL, hopefully on a much larger screen. If you have any ideas regarding distribution to that end or would like to license my work for your own project, please contact me.
I love teaching people about storms and severe weather and how to safely document them. Feel free to email me if you have any interest in joining me for a chase. June is by far the best time to go out, as the storms are more photogenic and slow moving than any other month.
I'm always open to any sort of work outside of storm season. Let's create something! Open to all inquiries:
[email protected]
Chase on.
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"Big whirls have little whirls that feed on their velocity, and little whirls have lesser whirls, and so on to viscosity." - Meteorologist Lewis Fry Richardson ("Weather Prediction by Numerical Process." Cambrige University Press, 1922)
This quote sums up perfectly what I've come to realize about weather and storms over the past 10 years of studying, forecasting and chasing them, and the part that I find most fascinating. On each scale level from synoptic-scale, which covers areas the size of multiple states, all the way down to micro-scale, which could be an area as small as your backyard, the fluid which we call air abides by the same universal physical laws of nature and thus acts in a very similar manner and patterns.
A cold front, for example, is a phenomenon which is widely understood to mean a large scale line of advancing cold air, hundreds of miles long, along which supercell thunderstorms sometimes form. Within these smaller storm-scale environments, something called a rear-flank gust front forms on the southern end of the low pressure area of the mesocyclone, where the rain cooled air wraps around. This is effectively a storm's cold front. The cool air is more dense than the warm air, and because of this, advances into the region of lower density, just like the larger cold front on which the storm formed.
The stunning supercell storm structure we see is along these relatively small, storm-scale cold fronts. This is what forms the "hook" on radar. Here, just as with the larger scale weather systems, the wedge of denser cool air at the surface meets the warm, moist, buoyant air in front of a storm, forcing it aloft and through the cap where the potential energy is realized. Given the right conditions, this development can be explosive.
While Richardson's quote is more regarding turbulence than thermodynamics, his theory from nearly 100 years ago that our atmosphere behaves as a fractal has turned out to be spot on. A "top down" transfer of energy and behavior occurs, resulting in a Russian nesting doll of smaller scale systems that bear a striking resemblance to the larger.
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I would like to offer a special thanks to my good friend Kevin X Barth who helped me edit this together, and found some semblance of a story arc in many disparate pieces. Kevin is an amazingly talented and creative artist in his own right, having won an Emmy as the editor of the ESPN 30 for 30 film WHEN THE GARDEN WAS EDEN. Check out his website if you're looking for an excellent editor or director for your project: kevinxbarth.com
A big thanks to Tom Lowe as well, without whom I would probably still be trying to figure out what an intervelometer is. Tom is the mastermind behind Timescapes, the revolutionary timelapse film from a few years ago. He was kind enough to share his wealth of knowledge, as well as some camera gear.
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UNREMARKABLE from Jared Anderson on Vimeo.
Written & Directed By Jared Anderson
Produced By Sara Nassim
Cinematography By Kai K. Krause (kaikkrause.com)
Production Design By Mari Lappalainen
Edited By Lilit Aloyan
Music By Claudio Olachea
Costume Design By Mary Wuliger
Casting By Becky Silverman
VFX Supervisor Nathan Strong
CAST
EM Tara Platt
BRAD Rick Gifford
JENNA Sofia Checchi
JAX Zane Austin
DRUG DEALER Amon Platis
DRUG DEALER 2 Joe Sabalo
SHOOTER Blake Webb
COURTNEY Gloria Garayua
FORENSIC ATTENDANT Mike Langer
DANIELLE Marion Kerr
IZZY Angela Bullock
TIM John O'Brien
SHARON Aubrey Manning
AUDREY Nina Rausch
DON Stephen Holland
AMANDA Nina Millin
GRANDPA John McCool Bowers
CORONER INVESTIGATOR/TYLER Fernando Huerta
HOMICIDE DETECTIVE #1 Cat Lee McGowen
Stunt Coordinator Deven MacNair
Em's Stunt Double Marie Fink
Line Producer Beatrice von Schwerin
Production Manager Bochen Zhang
First Assistant Director Peter Merwin
First Assistant Director (Addt. Photography) Kyle Shea
Second Assistant Director Thomas A. Keith
Second Assistant Director (Addt. Photography) Sigurdur Kjartan
Camera Operator Sean Bagley
Steadicam Operator James Goldman
First Assistants Camera Steven Breckon, Ian Avery Holliday
First Assistant Camera (Addt. Photography) Christopher Kistan
Second Assistants Camera Lauren Guiteras, Marhyan Franzen, Jerome Morrow
Camera PA Jose Romero
Script Supervisor Matthew McClelland
Accountant Camille Cornuel
Gaffer Ari Davidson
Best Boy Electric Michael Schmidt
Electricians Charles Tae, Adam Leene, Mikayel Balian, Sophia Stieglitz, Halyna Hutchins
Electricians (Addt. Photography) Joanna Nguyen, Jonny Strellman
Key Grip Shadi Chabaan
Key Grip (Addt. Photography) Avner Mayer
Best Boy Grip Adrian Estrella
Dolly Grip (Addt. Photography) Mike Maggiano
Grips Alec Cotugno, Ryan Mosley, Uriel Brito, Marianne Williams
Grips (Addt. Photography) Tristan Copeland, Christian Tahyar, Diego Castillanos, Jeffrey Taylor
Location Manager Cristian Plesh
2nd 2nd Assistant Director Alfonso Ramirez
Assistant Editor Emily Mendez
Production Sound Mixer Keith Wechsler
Boom Operators Chris Thueson, George Adrian
Boom Operator (Addt. Photography) David Levine
Pathology Consultant. Julie Horst
Embalming Consultant, Howard Huehl
Art Director Randy Kizer
Assistant Art Director Michael Wheelock
Assistant Art Director (Addt. Photography) Daniel Frank
Set Decorator Janice Vasquez
Leadman Joe Rothert
Set Dresser Sarah Dryden
Property Master Steven Keller
Graphic Designer Mike Diaz
SFX Props Jessica Lewis
Construction Coordinator (Addt. Photography) Dylan Corbett
Carpenter Jason Stebbings
Painters Andre Rivera, Hayelee Beisler, Brianna Sealey, Royce Brown
Set Dressers Eli Flesch, Eric Flesch, Yuri K. Lee, Paige Mount
Art PAs Lindsay Theirl, Hanson Reed, Max Romanowski, Matt Kloker, Jesus Aguirre, Drake Cherry, Anna Geisler
Costumers Julia Laftsidis, Kristen Carter
Make-up & Hair Stylist Kimberly Romo
Make-up & Hair Stylist Assistants Patty Jarvis, Briana Vazquez
Make-up Effects Supervisor George Troester
Make-up Effects Artists Linday Gavin, Damien Zimmerman, Alondra Shields Regina Jigante, Miranda Jory
Audio Post Production Services TFX Studios Los Angeles
Sound Design Lisle Engle
Foley Artist Gretchen Thoma
Foley Mixer Ryan Wassil
Sound Re-recording Mixer Lisle Engle
Orchestration Emad Borijan
Score Mixer Seth Waldmann
Additional Score Recordist Cooper Fuqua
Digital Composer Gerry Zimmermann
Digital Intermediate by Technicolor Hollywood
Digital Intermediate Colorist Darin Woolridge
Digital Intermediate Producer Christine Dougherty
Project Manager Laura Borowsky
Studio Teacher Nancy Neumann
Background Casting Director Deanna Roseen
BACKGROUND ARTISTS
PARAMEDIC #1 Rina Restaino
PARAMEDIC #2 Sasha Rhoe
HOMOCIDE DETECTIVE #2 Ryan George
POLICE OFFICERS Jason Lamar, Jasmin Day, Juan Aguirre
CROWD Tomomi Yoshida, Joshua Elizondo, Kerstin Alm, Arcola Kyle, Alexandria Mcalpine, Tyson Marlow, Philip Davis
TRAVELERS Chester Lovegreen, Vanessa Green, Alana Berthiaume, Quetta Boyd
FUNERAL GUEST Kyle Eilerman
OLD MAN Sam Teaford
OLD WOMAN Josie Dapar
LOBBY PATRONS Elester Latham, Lindsey Legako
TIM'S ASSISTANTS Kyle Greene, Jess Matney
Transport Coordinator Michael Lutz
Truck Drivers Hector Gonzalez, Adam Shambour, Sean Cyphers
Picture Vehicle Drivers Daniel Leighton, Dan Leonard, Tim Beers
Key Set PAs Andy Quijano, Brian Contreras, Elli Legerski
Production Assistants Arthur Augustyn, John Clem, Carolina Cora, Mariana Salem, Lauren Tran, Lorin Fields, Kenie Munguia, Lonna Cavette
Craft Service Ni Jiang
Craft Service (Addt. Photography) Olga Aldama
Set Medic Jason Talmadge
Police on Location Shawn Stevens
Location Site Rep - Biltmore Hotel Don Harris
Location Site Rep - Mountain View Mortuary John Morris
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The Art of Shaving: Miles Chamley-Watson from Henry Busby on Vimeo.
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