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HONEY BOY (2019) dir. Alma Har'el

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The Watermelon Woman (1996), dir. Cheryl Dunye

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“I feel something new.”

Portrait of a Lady on Fire (2019) dir. Céline Sciamma

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“But the more I think it, the more I want her, the more my desire rises and swells.”

The Handmaiden directed by Park Chan-wook based on the 2002 novel Fingersmith by Sarah Waters

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LITTLE WOMEN (2019) directed by Greta Gerwig

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Crain Siblings as the Five Stages of Grief.

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Knives Out behind the scenes photography by writer/director Rian Johnson

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ACCORDING TO METACRITIC, “LEMONADE” BY BEYONCÉ IS THE MOST ACCLAIMED FEMALE ALBUM OF THE DECADE.

You find the black tube inside her beauty case where she keeps your father’s old prison letters. You desperately want to look like her. You look nothing like your mother. You look everything like your mother. Film star beauty. How to wear your mother’s lipstick. You go to the bathroom to apply your mother’s lipstick. Somewhere no one can find you.

You must wear it like she wears disappointment on her face. Your mother is a woman and women like her cannot be contained. Mother dearest, let me inherit the earth. Teach me how to make him beg. Let me make up for the years he made you wait. Did he bend your reflection? Did he make you forget your own name? Did he convince you he was a god? Did you get on your knees daily? Do his eyes close like doors? Are you a slave to the back of his head?

Am I talking about your husband or your father?

LEMONADE (2016)

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This case is like a donut with a hole in the middle…a donut hole. Knives Out (2019) dir. Rian Johnson

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I’m always gonna love you. I’m always gonna love you, too. La La Land (2016) dir. Damien Chazelle

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I know I’m not easy. I’m not looking for easy.

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Why’d ya spill yer beans.

The Lighthouse (2019) dir. Robert Eggers

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The Lighthouse (2019) Dir: Robert Eggers

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younger sibling mindset is genuinely enjoying watching someone else playing video games for hours on end

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You know what kind of plan that never fails? No plan. No plan at all. You know why? Because life cannot be planned.

기생충 | Parasite (2019) dir. Bong Joon-ho

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Parasite / 기생충 (2019): First vs Last shot

“I think that one way to portray the continuing polarization and inequality of our society is as a sad comedy. We are living in an era when capitalism is the reigning order, and we have no other alternative. It’s not just in Korea, but the entire world faces a situation where the tenets of capitalism cannot be ignored. In the real world, the paths of families like our four unemployed protagonists and the Park family are unlikely ever to cross. The only instance is in matters of employment between classes, as when someone is hired as a tutor or a domestic worker. In such cases, there are moments when the two classes come into close enough proximity to feel each other’s breath. In this film, even though there is no malevolent intent on either side, the two classes are pulled into a situation where the slightest slip can lead to fissures and eruptions.

In today’s capitalistic society there are ranks and castes that are invisible to the eye. We keep them disguised and out of sight and superficially look down on class hierarchies as a relic of the past, but the reality is that there are class lines that cannot be crossed. I think that this film depicts the inevitable cracks that appear when two classes brush up against each other in today’s increasingly polarized society.” — Bong Joon-ho

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Eve Polastri + Season 2 of Killing Eve (2018-)