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for just right now,

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Twice is more like “I can have so many bodies” but you get the idea

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ever since i was a little girl i knew i liked problematic tropes

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fight back FIGHT BACK

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or so says the sadist

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The soul gains a little perspective.

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two kris drawings I didnt rlly know if i wanted to post I can't tell if I like or dislike them 😮‍💨 I wanna get good at drawing that armor though I feel like I haven't quite figured them out

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What Kris and Susie are doing for their school project

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Tenner

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Twice is more like “I can have so many bodies” but you get the idea

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so, uh, those new chapters eh?

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sorry op ijust really wanted this on tumblr

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sans and toriel are sooo funny but if i had just had the second worst day of my life and came home to my mother (who i assumed was in grave danger) drunk dancing with the weird guy who owns the local convenience store i think i’d do something heinous

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susie's story (esp in ch4) is so deftly realised. so often you see the "character who thinks little of themself is encouraged to pursue their True Value" storyline unfold in a way that has the character redirected away from "unfitting" desires, like a physically weak character who wants to be physically strong learning to value their personality instead or whatever but susie. susie who is - mechanically, in her stats in the game - best suited to hitting things with an axe, who "doesn't look like she should be playing the piano", is encouraged to pursue a skill she doesn't have because an educator took the time to get to know her and realise what she has genuine passion for. and she's not automatically great at it! she has objectively bad spelling and grammar in her letter to alvin, it's not like she unlocked some secret hidden talent - storytelling and communicating and creative expression in general is something she cares a lot about and genuinely enjoys, but it's something she has to work for. there's a reason why the gerson fight is so long and gruelling. but through this hard work and better understanding of herself we see susie learn how to reject imposed frameworks that occlude her actual personality - she literally shatters the tapestry that tells her the one and only way her story can end, and in doing so prevents Kris from ever having the chance to think of her in that position, whatever it is. it's her story, and she's learning how to tell it.

AND all of this is done without for even a second implying she needs to be even the tiniest bit more feminine than her rough and rude masculine self. hell, from the way she and gerson mirror each other in their loud and abrasive laughs, her unapologetic butchness is presented as a trait that aligns her closer with him and from there with her truest self

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how it feels to pick a dialogue option and then find out that kris clearly didnt want to say/do it

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wet dog nasty