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http://www.miui.com/thread-1558375-1-1.html

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skeleton flower

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Syrian Artist Tammam Azzam Pays Homage to Gustav Klimt's 'The Kiss'

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こんなクマ見たことない…ハチミツ手にワナ脱出 社会 YOMIURI ONLINE（読売新聞）

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こんなクマ見たことない…ハチミツ手にワナ脱出 社会 YOMIURI ONLINE（読売新聞）

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髪を隠すスカーフ「ヒジャブ」着用を拒否しているスーダン女性アミラ・オスマン・ハメドさん

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CNN.co.jp 世界一「かわいい」動物は？

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第68回日本大腸肛門病学会学術集会

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田尻松蔵と田尻号

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After Kagemusha won the [Palme d’Or at the 1980] Cannes International Film Festival, until 1982, Kurosawa traveled extensively in Europe and the United States, meeting filmmakers everywhere he went and being warmly welcomed. While he was staying in New York’s Plaza Hotel, he received many surprise visitors, including film greats Jean-Luc Godard, John Milius, Werner Herzog, and Martin Scorsese.

The combination of Godard and Kurosawa was unusual. Probably he was invited along by Milius and went out of curiosity. Producer Tom Luddy might have come with them as well.

We had heard that Milius was a Kurosawa fan, and Kurosawa also had good things to say about his The Wind and the Lion. Milius asked Kurosawa to teach him the martial art of kendo, or Japanese fencing, and did Mifune impersonations, but Godard only sat looking on, smiling, and never spoke to Kurosawa.

Another unusual visitor was the German director Werner Herzog, whose name was then unfamiliar to Kurosawa. There was a book he wanted to give Kurosawa, said Herzog, but he hadn’t been able to find it in the book store and he had a plane to catch, so he had just dropped by to pay his respects. Then the next day, I think it was, he made a special trip to hand-deliver the book—having gone to the trouble of altering his flight reservations to do so. I believe it was a book of drawings. In any case, Kurosawa found this gesture deeply moving.

Later, in Japan, Kurosawa took the first opportunity to go see Herzog’s Fitzcarraldo and was overwhelmed by its tenacious energy.

— Teruyo Nogami, Waiting on the Weather: Making Movies with Akira Kurosawa

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