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The Making Of a Haruhiko Mikimoto Illustration

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スペース フォールド

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『超時空要塞マクロス 愛・おぼえていますか』

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Animage (07/1989) - Top wo Nerae!/Gunbuster. Illustration by Haruhiko Mikimoto.

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Design Documents from the Macross Flashback 2012 Graffiti book.

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⚡️💗Im getting really emotional about Lum tonight!! 💗⚡️

#Lum #luminvader #rumikotakahashi #rumicworld #80sanime #ラムちゃん #うる星やつら #figure #animefigure #figurecollection

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1452443409020.jpg

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friend: i’m sorry i don’t like yaoi if they’re still kids

me: don’t worry

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Romanticism and Hikaru no Go

There are but a few works where homosexual feelings can be stated as canon (aside the BL genre). Instead, we often have to make do with subtext and ambiguous sentences, situations, or facial expressions.

The height of frustration, that is.

Not being able to ship two male characters without receiving the fatal “That’s just your yaoist imagination” argument is considerably irritating, and comes from the fact that you just have the subtext on your side, whereas the text will rather be on the side of your adversary.

(Note that your adversary may have already eaten his/her hat on Killua’s case in Hunter X Hunter, where the amount of subtext may have exceeded the amount of text.)

Let’s take the example of Hikaru no Go. The two main reasons that are opposed when shipping Akira and Hikaru to people who can’t even consider the idea are the following :

        1. Hikaru is interested in Akari.

        2. There are not romantic feelings between Akira and Hikaru; they merely see each other as Go rivals.

The first reason is not even worth lingering over. When does Hikaru ever think of Akari, except when he randomly bumps into her at school ?

The second reason is more interesting, and it may concern many other works than Hikaru no Go: that so-called lack of romantic feelings between true rivals.

(Who are so much rivals that they think of each other each hour of the day.)

But what are we exactly saying when waving that “romantic feelings” argument ? Are we speaking about some shojoish sentimental effusion ? Or about unexpressed, bubbling feelings ?

For those who may not know, romanticism is not exactly what the word means to most people nowadays – some insipid, mushy romance that movies, books, animes, and bad shôjo are filled with.

Romanticism, basically, is an artistic movement that aimed at revolting against classicism and rationalization by letting intense emotions run wild out of aristocratic norms. These emotions being multifarious and (fortunately) not limited to love. Romanticism, hence, may be expressed through violence, desperation, morbidity, passion, obsession.

(That is not to say that the romantic movement was free from insipid and mushy romances.)

If we were to take musical exemples : Thais’ Meditation, which everyone of you has at least heard once (and which may have, hence, led you to think that classical music is fundamentally insipid, mushy, and boring) could easily fit in the failures of romanticism, which explains quite well why it now invades the worst tear-jerker works of our time.

Whereas Liszt’s Sonata could, in return, give a perfect example of the masterpieces that romanticism is able to create.

Let’s go back to Akira and Hikaru, now. We all agree there is no confession whatsoever. Actually, their interaction is extremely limited all through the manga, whereas we all have the impression that it constitutes the majority of the book.

That is precisely because both Akira and Hikaru share the same obsessional passion towards each other. They are constantly worried about their own progress in Go, but not only.

Can you remember Akira, panicking as Hikaru, depressed from what happened to Sai, thought of stopping Go ?

Can you remember how easily both of them, and especially the well-mannered Akira, lose their temper when interacting with each other ?

Can you remember the intensity of their long awaited match, for which Akira counted the exact amount of time they had to wait ?

Can you remember how Akira guesses right about Sai, saying he is the one that “understands Hikaru the most”, and how Hikaru reacted as if these were words of confession ?

(That was, actually, more than a confession. That was the irrefutable proof that Akira has cracked the most intimate, and rationally unbelievable, secret of Hikaru.)

Advancing individually on a common path to an upcoming and awaited reunion, yet worrying about the other and thinking obsessively about him to the point of fully understanding him without almost any direct communication ?

Could there really be a more fundamentally romantic background between two characters ?

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wHAT REALLY HAPPENED AT THE SLEEPOVER

thi s is it now I actually lost my mind.

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Endless list of flawless OTPs:

“Since I know you best, I understand. Only I understand. There’s… another person inside of you.”

“For you, yeah… I might tell you someday.”

Hikaru & Akira (Hikaru no GO)

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