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@siancore @softwarenacho @365-4collage @akir4 @artfilemagazine @howtobecomeagraphicdesigner-blog @ellugarsinlimites @alasthelabel-blog-blog @juliadakpan-blog-blog @maybeitsgreat @young-and-totallyscrewed-blog @merz-republic-blog @setmatchrun-blog @862518d @iseetheplacelives-blog @211prachi @thehappynegro @jordandelzell-blog @new-topia @thirstinmore-blog @inaverysimpleway-blog-blog @laurihopkins-blog @b--wavy @retuta 

Ray-Ban Sunglasses

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@siancore @softwarenacho @365-4collage @akir4 @artfilemagazine @howtobecomeagraphicdesigner-blog @ellugarsinlimites @alasthelabel-blog-blog @juliadakpan-blog-blog @maybeitsgreat @young-and-totallyscrewed-blog @merz-republic-blog @setmatchrun-blog @862518d @iseetheplacelives-blog @211prachi @thehappynegro @jordandelzell-blog @new-topia @thirstinmore-blog @inaverysimpleway-blog-blog @laurihopkins-blog @b--wavy @retuta 

Ray-Ban Sunglasses

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The bagh naka is a claw-like weapon from India designed to fit over the knuckles or be concealed under and against the palm. It consists of four or five curved blades affixed to a crossbar or glove, and is designed to slash through skin and muscle. It is believed to have been inspired by the armament of big cats, and the term bagh naka itself means tiger’s claw in Hindi. (Source)

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Anna Olsson

Anna

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If you read one thing today, make it James Baldwin on the creative process and the artist’s responsibility to society.

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flyartproductions

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Paintings by Johan Van Mullem

My Amp Goes To 11: Twitter | Instagram

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The girl in the black tights, Cathy Daley

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FEATURED ARTIST: Elliott Wright

Elliott Wright (b. 1984, lives and works in Brooklyn, NY) creates work that considers liquidity and the mutation that occurs through the process of scanning. Wright utilizes the scanner as a medium/substrate in which the subject, a hand-made object or collage composed of materials that complicate the scanning process, is scanned and compressed through a digital arena that is later expanded and re-materialized in the physical arena. What remains is a subject that is bruised and dissolved by this transmission. The resulting bodies that are affected by the scanners’ threshold are poised upon modular aluminum structures, a framing material mostly utilized to police space within industrial enclosures, clean rooms and corporate displays. The structures themselves take on a skewed-phantasmagoria, through the use of two-way mirrors and complex angled cuts where perspective approaches groundlessness. Wright’s engagement with the subject derives from personal histories, loss, sensory deprivation and a confusion with identification.

Wright completed his MFA from New York University in 2013, and has exhibited work at Non-Objectif Sud, Tulette, FR; Abrons Art Center, NY; Vamiali’s, Athens, GR; Preteen Gallery, Mexico City, MX; Racebrook Lodge, Berkshire, MA; and has contributed digital work to Artmicropatronage.org (curated by Karen Archey) and How to Download a Boyfriend (curated by Badlands Unlimited).  

Elliott Wright,  Nachträglichkeit II [re. coffee service, after Morandini], 2014. Anodized modular aluminum, inkjet, foamcore, gasket. 68 X 26 X 24 inches. (Imposed on a scanned image from a 1978-1980 issue of Architectural Digest). Courtesy the artist. Photo: Colin Loughlin.

https://sculpture-center.org/

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elena boils

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the best sentence in all the world

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quarantine.  検疫。

/ shimokitazawa. tokyo. japan.

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Go West