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Mad Titan, Or Last Man

Please note that this is an incomplete assessment of motivations simply because comic book characters will never have an end to their story. I am also not informed on Thanosâ current exploits in the comics since I have not read Marvel, or any comics for a number of years. The focus will be on an older iteration of Thanos and his fascination with death that I believe derived from him growing up in a utopia of immortals essentially. Also, this is not an explanation of the Hollywood version of Thanos since his motivations make no sense and is clearly just political propaganda from writers that donât know anything about population trends. This is not a super in-depth analysis either, Iâve merely looked at his motivations through the lens of the Nietzschean last man, as well as the underground man from Dostoevskyâs works.
I had difficulty understanding it at first, mostly because I personalized concepts too much that I shouldnât have, namely Lady Death. Which in turn, made Thanosâ motivations look like an outburst of an angsty teenage boy. You canât fully personalize a concept in a story otherwise you miss the point, Lady Death is still death itself, the only real reason it was given form is because thatâs seems to be the easiest way to relate to values expressed in stories; it makes it easier to embody them through secondary personalization, which is a term coined by the psychologist Eric Neumann. Secondary personalization is an act from which the more something is understood, the more it is refined in the consciousness until itâs anthropomorphised completely, creating almost a god image within the individual. Itâs essentially the same as the image of Helen of Troy discovered by Faust when he travels to the realm of the mothers, she was the spirit of unbridled creative generation and freedom that he longed for. Lady Death is the anthropomorphised value of what Thanos desires most, and he expresses it as female because he is male, because itâs that which he lacks, the other part of his reality. That is partly a Jungian notion from which the male takes an inward journey to discover the Anima within, or his inner feminine that is tied to his highest value, making the attaining of that value an almost sexual act of union between being and image, something like that.
âBut waitâ you may say, âthen why is Death a woman to all within the Marvel universe?â Good question, that is because the concept of death has always been a feminine one throughout history; it is the consumptive element of nature that consumes the life that came before so that successive generations may come into being. The easiest picture to express this in is the Ouroboros, the serpent that eats its tail. It is the sphere that contains existence from which death, or consumption is the precursor to new life. Other faces of death are the Babylonian Tiamat, the Malekusian Le-Hev-Hev which translates to âshe who draws us in with a smile so she may consume us.â There is also Nut from Egyptian myth, the mother sky who embraces all in death, which you can see her image placed on sarcophagi, and Ta-Urt who is the bestial guardian of the underworld. Death is Feminine because it is part of nature, or the great mother earth, so itâs not surprising that we will portray it as a woman⊠Most of the time.
For this assessment thought, I want to focus on Lady Death as a very singular expression of his âhighest artâ so to speak, which arised from the stagnancy of Utopianism. So, letâs begin.
What would a man(or eternal) strive for when perfection was already attained? I really needed to think about that for a second because when you think about utopia, the interesting bits are always the struggle to achieve it. Thatâs where the meat is in such a value system, thatâs where all the action is, and thatâs when I had an idea. So, what would a man(eternal) strive for when perfection was already attained? Perhaps he would strive for struggle itself. Perhaps when given eternity, what then would be more desirable than the finite? What could you desire more after you are given the universe through society, than to have it all taken away? It sounds crazy doesnât it, who would ever destroy perfection merely to struggle? Well, a human would⊠Even in the face of eternal happiness and comfort, simply to achieve one semblance (if even for a moment) of the meaning that comes only from the finite and imperfect.
That is the purpose of Thanos, he craves the one thing that was taken from him by his parents, and the society that believed it knew better, namely death. Honestly, what meaning could you ever possibly find in a world where people have already conquered the most meaningful aspect of it? Things have to die, things have to wear down, they need to decay because the universe isnât a structured space of rules and laws. It bends, it curves, itâs constantly changing, itâs a flow of perpetual becoming. The speed of light itself is constantly changing, and that is the speed of causality itself, which is the frame from which events can even happen in reality. Laws, structures, immortality are all societal concepts born from consciousness, more precisely the consciousness of the left hemisphere. Especially the concept of immortality; things are always changing, we just cant perceive most of it. You, are not really you. Everything you are now is the current complexity of a a cosmic lineage that dates back to the very beginning of existence. All the material that makes up your being came from the death of something before you. Whether it be the nutrients you ingest from animals and plants, or the elements of you refined in the cores of long dead stars. You are a process, not an end and to extricate yourself from that process is to produce a fate far worse than death could ever be, an immortal Utopia.
I had to ask myself, is that really the goal of life, just to transcend it? If like the eternals that happens, what other outcome could you have but a utopia of eternal happiness and complacency? Why would you even want that when what is taken is so much? What other options could you ever have than sacrificing everything that made you human; to place it all at the alter of godhood, so that you could simply keep existing and going through the motions like a machine. Thereâs a reason why vampires are portrayed as impulsive nihilists most of the time, because what the hell else can you do with eternity once you have it. Of course there is a universe full of possibility within the universe, but it will never be achieved by the eternals because they are no longer part of that process and the only kind progress they can achieve is scientific analytical processes which is very indicative of western culture now, because thatâs all they value. Which in turn will probably only lead to them becoming like Celestials, ethereal nothings that donât exist in reality, that donât understand the underlying complexity and importance of emotion, and merely act like computers.
That entire society and Thanos himself is a microcosm, most likely of the projected anxiety of a post-industrialized society that puts far too much (to an almost pathological degree) value in a singular system of linear analytical cognitive progress. My god ladies and gentlemen, if eternity was sitting in a lab continually making it easier for people to live for the eternity they have anyway, where all thatâs left are mere intellectual and habitual procreative pursuits, I would also think death and destruction would be a far more preferable option, it could even become an ideal. Jesus, just try it for a hundred years and get back to me on how you feel about it. I donât blame Thanos for pining after it, lusting after it, making it his muse, his companion, the Galatea to his Pygmalion, his reason for being. Itâs meaning that matters, not more life, not happiness, not perfection, Itâs the meaning in the struggle for more life, itâs the meaning you derive from struggling for happiness, itâs the meaning in life that you derive from struggling for perfection that gives depth to existence. Itâs not the result, itâs the process. Death matters because it makes everything beautiful, everything meaningful, everything is something you will never see again, something that will never be again. Struggle matters because it makes you more than what you were, it allows you to change. Now let me talk about struggle more.
To struggle is to be human, to suffer is to truly life. Humans are the only beings that can say life is suffering and have a smile on their face. And humans are the only beings in the known universe that will willfully suffer in full understanding of it. Each person has a vast ocean of dormant potential in them just waiting to be realized. I donât say that in a metaphorical way, though thatâs the best way to describe it. You have a plethora of dormant genes in you that wait for the right environmental factors to be activated and embodied as new modes of being, because humans are action oriented, not cognitive oriented. Itâs the notion of wishing upon the stars, each one represents a potentiality of what you could be, and you have a choice, you can pick a star and struggle for it. But if you donât have to struggle anymore, if you have forever and everything provided for you, you wonât do it, you wonât experience it, because you donât have to. I say this because Thanos is human, strikingly human, perhaps even the greatest of what humanity could be, essentially he is the underground man on a world of last men.
âI tell you: one must still have chaos in oneself to give birth to a dancing star. Alas! There comes a time when man will no longer give birth to a star. Alas! There comes a time of the most despicable man, who can no longer despise himself. Behold! I show you the last man, âWhat is love? What is longing? What is a star?â So asks the last man and he blinks. The earth has become small, and on it hops the last man who makes everything small.â
âHis species is ineradicable like that of a flea; the last man lives the longest. âWe have invented happinessâ says the last man, and blink. They have left the regions where it was hard to live for one needs warmth. Becoming sick and being suspicious are sinful to them: One proceeds carefully. He is a fool who still stumbles over stones or human beings!â-Thus Spoke Zarathustra p.13
Of course, it would be very rational to want such an existence, and everyone on his world is very rational, but rational isnât reasonable, and reasonable isnât meaningful. People are contradictions unto themselves. They almost never want what they need, or need what they want, or even want what they want. The easy paradisaical life is a beautiful dream full of splendor and joy⊠Only so long as it stays a dream. If man were to make his dream a reality I believe, well, I know that the moment after he would spit on the very ground he toiled so arduously to build and content himself with its absolute destruction, just so something interesting could happen in his utopia. That is the folly of it, and thatâs what I believe Thanos saw, even if he didnât understand it himself. That is essentially Dostoevskyâs notion of utopia and the values of enlightenment which is basically the society the eternals had made.Â
âThere are continually turning up in life moral and rational persons, sages and lovers of humanity to make it their object to live all their lives as morally and rationally as possible, to be, so to speak, a light to their neighbors simply in order to show them that it is possible to live morally and rationally in this world. And yet we all know that sooner or later those people have been false to themselves, playing some queer trick, often a most unseemly one. Now I ask you? What can be expected of man since he is being endowed with such strange qualities? Shower upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and then out of sheer ingratitude, sheer spite, man will play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all of this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself(as though it were so necessary) that men are still men and not keys of a piano, which the laws of nature threaten to control so completely that one will be able to desire nothing but by the calendar. And that is not all: even if man were nothing but a piano key, even if this were proved to him by natural science and mathematics,even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive suffering of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction between him and other animals), may be by this curse alone he will attain his object- that is, convince himself he is a man and not a piano key! If you say that all this, too, can be calculated and tabulated chaos darkness and curses, so that the mere possibility of calculating it all beforehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of reason and gain his point!â -Notes From Underground p.230-231
The point Iâm expressing is that people are inherently chaotic, and that they love it too, itâs the source of our greatest freedom, the dancing star. We would also destroy all that was good for us merely to keep it. That chaos is lethal to utopianism and eternity. Thanos killed his people and worshiped death because perfection had a flaw, it was meaningless. They sacrificed everything for it, and in turn missed the sole notion powerful enough even to propel one to remake the whole universe and succeed⊠death. But, thatâs just some guys opinion.Â
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Num instante de folga, no hospital, Ăsis deixou Biba no quarto e foi Ă calçada, comendo chocolate. Sentada no meio-fio, olhando o movimento. Carros entrando e saindo. Dor e alegria. Siegfried estava por ali. Porco! BelĂssimo porco! Mas excitou-a. No quarto, enquanto Biba dormia, ele excitou-a passando as mĂŁos nas coxas, por baixo do vestido. Primeiro quis dizer:âŠâTire essa mĂŁo suja daĂ!â⊠O prazer subia-lhe pelas pernas. Causava calafrios no estĂŽmago e nos seios. Nem sequer tinham medo de que pudessem vĂȘ-los. AlguĂ©m poderia empurrar a porta ou Biba acordar. Agora o chocolate jĂĄ estava no fim. Lambeu os dedos das mĂŁos. E os dedos eram como se fossem muitos falos.â Trecho de Somos pedras que se consomem.
Raimundo Carreiro
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"Cansado de correr na direção contråria sem podium de chegada ou beijo de namorada"
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Sempre se perguntou sobre a futilidade dos homens. NĂŁo suportava aquelas criaturas asquerosas que entendiam mais de seu prĂłprio nariz do que de qualquer outra coisa que nĂŁo fosse compaixĂŁo ou sensibilidade diante do mundo.
Detestava convençÔes, ceias de natal com toda a hipocrisia reinante e tĂpica desse momento. Encontros pĂłs trabalho onde a contabilidade de bens materiais valia mais que abraços sinceros e olhares verdadeiros.
No seu Ăntimo ela sabia que pessoas que decidiram se entregar as normalidades da vida se apequenavam demais frente ao seu mundo vasto e profundo.
Quanto aos romances que tentara alimentar? Ela prefira suas noites solitĂĄrias, sua banheira e sua mĂŁo, que a fazia ter orgasmos como nenhum homem foi capaz.
Um dia ela se apaixonou por um monstro, um desses monstros que a sociedade rejeita, um desses que escandalizam os ditos cidadãos de bem apenas com sua presença desafiadora e diferente.
Ele sabia, e sua monstruosidade residia exatamente nisso, que o mais raro e importante ato de vida Ă© apreciar o que Ă© fundamentalmente humano. Que nenhum valor em metal ou qualquer outro material paga a riqueza de um sorriso feliz. Que um beijo valia mais que mil açÔes na bolsa. Um monstro horrĂvel, o Ășnico que falava a lĂngua dela, o Ășnico a olhar nos olhos. O Ășnico que nunca exigiu beleza.
Dela se sabe que não tem mais o emprego, que deixou a cidade, que abandonou até mesmo sua banheira, sua amante de anos, dela dizem que só restou a felicidade. Sem status social, sem obrigaçÔes.
Dele, dizem que vive com ela no mar. E que ela, que nĂŁo se encaixava em padrĂŁo de beleza algum, Ă© tratada como sereia e vive mergulhada nas ĂĄguas profundas e lĂmpidas da felicidade.

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Para Kant o mundo Ă© muito maior que nossa capacidade de experimentĂĄ-lo, por isso, experimente bem, com todos os seus sentidos, e com a razĂŁo, se vocĂȘ a tiver, o mundo ao seu redor.
Pedro Henrique Teixeira
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âTo those human beings who are of any concern to me I wish suffering, desolation, sickness, ill-treatment, and indignities. I have no pity for them, because I wish them the only thing that can prove today whether one is worth anything or not: that one endures.â
âF. Nietzsche, The Will to Power, §910 (edited).
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VesĂșvio, de Djavan! Ă uma mĂșsica para se apreciar com uma taça de vinho. Que vinho? As uvas mais sofisticadas.
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Perdi alguma coisa que me era essencial, e que jĂĄ nĂŁo me Ă©
mais. NĂŁo me Ă© necessĂĄria, assim como se eu tivesse perdido uma
terceira perna que até então me impossibilitava de andar mas que
fazia de mim um tripé eståvel. Essa terceira perna eu perdi. E
voltei a ser uma pessoa que nunca fui. Voltei a ter o que nunca
tive: apenas as duas pernas. Sei que somente com duas pernas Ă©
que posso caminhar. Mas a ausĂȘncia inĂștil da terceira me faz falta
e me assusta, era ela que fazia de mim uma coisa encontrĂĄvel por
mim mesma, e sem sequer precisar me procurar.
Sobre gh.
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Salve todos os homens femininos da terra! Todos os homens de alma de mulher, que desvendam segredos que só elas sabem, mas que nunca desvendarão todos, por que a mulher é o mistério glorioso da natureza.
Salve todos os homens de alma feminina porque sĂł eles tem a sensibilidade de perceber a lĂĄgrima da mulher, o perfume que combina melhor com sua pele, ou a maneira como ela morde os lĂĄbios quando quer seduzir.
Salve todo homem feminino que tem a poesia de Safo correndo no sangue, inundando o coração!
"Basta que eu te veja (mulher) para que minha lĂngua se paralise, e eu sinta sob a carne impalpĂĄvel fogo a incendiar-me as entranhas".
Salve todos aqueles que beijam os seios femininos com a delicadeza certa e sente em sua boca o arrepio dos mamilos eriçados de paixão...
Salve o homem feminino, que sabe que elas reviram os cabelos e riem alto quando querem se mostrar para eles, que percebem até o olhar mais råpido e nervoso de desejo que só elas sabem doar.
Salve os homens femininos que sabem que as palavras que saem de sua lĂngua sĂŁo tĂŁo excitantes quantos o toque que ela dĂĄ na pele mais sensĂvel da mulher.
Salve os homens que por terem tanta mulher em si, nunca abandonam uma quando a tormenta vem, sĂŁo sensĂveis como a mulher, mas tem o espĂrito feminino incrivelmente lĂ©sbico, para desejar eternamente a carne da fĂȘmea, eternamente devora-la, amando-a!
São homens que abraçam suas mulheres, perdidas de amor, e as faz encostar seus rostos em seu peito para dizer: Eu te amo, meu homem!
Salve os homens que sĂŁo bonitos pela virilidade, porque nĂŁo aceitaram o padrĂŁo feminino de beleza!
Salve todo aquele homem que ama uma mulher.
Salve Chico Buarque de Holanda, o maior de todos os homens de alma feminina! Quantas mulheres hĂĄ dentro de ti? Quantas vocĂȘ fez gozar? Quantas escreveram teu nome em suas peles com a tinta verde dos teus olhos, e marcaram o amor em si, como tatuagem?
Salve Vinicius de Moraes, que escolheu viver sem amor porque que sua poesia era movida a paixĂŁo. Salve suas nove esposas todas amadas ao extremo "enquanto durou". Salve Vinicius e sua entrega ĂĄ mulher: "VocĂȘ quer fazer verso? Ă tĂŁo simples!... VocĂȘ assina e ninguĂ©m vai saber."
Salve Djavan, que enfrenta o deserto e seus temores, cavalga na dor, pra tocar a alma de uma mulher.
Salve Aldir Blanc, sentindo o gosto de lĂngua no cĂ©u, daquela coisa rara de ver, que Ă© a mulher! Da delicia sensual de maça saboreada em deliciosa manhĂŁ!
Salve João Bosco, seu harém de poetisas, e seu Califado de quimeras!
Salve Vercilo: "Teu cabelo perfumando o vento, primavera bem antes do tempo".
Salve Chico CĂ©sar, que vĂȘ no corpo da mulher um templo sagrado e se derrete como neve em vulcĂŁo...
Salve Marcelo Camelo, de barba largada, amando sua pequena!
Salve homem de alma feminina, por vocĂȘ, nesse exato momento, uma mulher morde os lĂĄbios, sozinha em seus segredos ao lembrar de ti! E em tuas palavras que ainda ecoam em sua cabeça, ela sente o veneno se espalhar e umedecer o meio de suas pernas. Ela contrai suas coxas para esconder sua vontade.
Salve todo aquele que ama uma mulher!
Salve a paixĂŁo!
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"Quando o verde dos teus olhos se espalhar na plantação..."
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CĂąntico Negro
âVem por aquiâ - dizem-me alguns com os olhos doces
Estendendo-me os braços, e seguros
De que seria bom que eu os ouvisse
Quando me dizem: âvem vem por aqui!â
Eu olho-os com olhos laços,
(Hå, nos olhos meus, ironias e cansaços)
E cruzo os braços,
E nunca vou por aliâŠ
A minha glĂłria Ă© esta:
Criar desumanidades!
Não acompanhar ninguém.
- Que eu vivo com o mesmo sem-vontade
Com que rasguei o ventre Ă minha mĂŁe
NĂŁo, eu nĂŁo vou por aĂ! SĂł vou por onde
Me levam meus prĂłprios passosâŠ
Se ao que busco saber nenhum de vĂłs responde
Por que me repetis: âvem vem por aqui!â?
Prefiro escorregar nos becos lamacentos,
Redemoinhar aos ventos,
Feito farrapos, arrastar os pés sangrentos,
A ir por aĂâŠ
Se vim ao mundo, foi
Somente para desflorar florestas virgens,
E desenhar meus próprios pés na areia inexplorada!
O mais que faço não vale nada.
Como, pois, sereis vĂłs
Que me dareis machados, ferramentas e coragem
Para eu derrubar os meus obstĂĄculos?âŠ
Corre, nas vossas veias, sangue velho dos avĂłs,
E vĂłs amais o que Ă© fĂĄcil!
Eu amo o Longe e a Miragem,
Amo os abismos, as torrentes, os desertosâŠ
Ide! Tendes estradas,
Tendes tratados, Tendes filĂłsofos, tendes sĂĄbiosâŠ
Eu tenho a minha Loucura !
Levanto-a, como um facho, a arder na noite escura,
E sinto espuma, e sangue, e cĂąnticos nos lĂĄbiosâŠ
Deus e o Diabo é que guiam, mais ninguém!
Todos tiveram pai, todos tiveram mĂŁe;
Mas eu, que nunca principio nem acabo,
Nasci do amor que hĂĄ entre Deus e o Diabo.
Ah, que ninguĂ©m me dĂȘ piedosas intençÔes,
Ninguém me peça definiçÔes!
NinguĂ©m me diga: âvem por aquiâ!
A minha vida Ă© um vendaval que se soltou,
Ă uma onda que se alevantou,
Ă um ĂĄtomo a mais que se animouâŠ
NĂŁo sei por onde vou,
NĂŁo sei para onde vou
Sei que nĂŁo vou por aĂ!â
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Vou beijar tuas pétalas, poliniza meu corpo,me cobre com tua vida.
Pedro
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Eu sou o jardim onde sĂł cresce um tipo raro de orquĂdea. Eu sou o jardim onde vocĂȘ reina.
Pedro
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Eu sou o jardim das tristezas. Planta felicidade em mim!
Pedro
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Eu sou aquele jardim onde vocĂȘ jogou sementes de saudade.
Pedro
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Deixa que seus companheiros subissem na frente. NĂŁo queria dividir com mais ninguĂ©m o espetĂĄculo absurdo que a natureza colocava diante dele. NĂŁo era apenas aquela lua azul, a terra em que pisava que parecia de prata e o desfiladeiro que se colocava diante de si. Era o vento ameno, cheirando a mar, um cheiro salgado, de peixe, um cheiro de ĂĄgua. Aquele vento no rosto, aquela noite quase silenciosa, as ondas que rebentavam em seu coração triste. Tudo aquilo que vivera naquela noite era para ele como um alento para seus sentidos. Adorava aquela noite. Lembrava dos filmes que vira na TV cuja noite no deserto era apenas uma imagem gravada durante o dia e escurecida artificialmente. Aquela noite era assim, uma noite que era um meio dia agradĂĄvel e mais escuro, sem aquele incomodo da luz. A luz sempre o perturbava. Embora a luz era incomodo, para ele, o sol era um Deus, o Ășnico que ele se dava ao trabalho de acreditar. Achava incrĂvel como mesmo distante dali a luz do sol, refletida na lua, ainda fosse capaz de presentear a natureza com uma noite tĂŁo incrĂvel. Pensava que nĂłs tambĂ©m deverĂamos ser como o sol, iluminar as coisas mesmo em nossa ausĂȘncia. Viver de modo a deixar luz mesmo depois de ter partido, mesmo depois de se pĂŽr. Mas nĂŁo Ă© fĂĄcil ser o sol, nĂŁo Ă© fĂĄcil ser Deus.
Pedro Henrique Teixeira #europe_treasures #italia #athos #mountathos #italy #painter #orientalism #orient #greek #greece #monk #monks #nocturnal #italianart #notte #notturno #moon #novecento #pittore #luna #italianartist #moonlight #arthistory #landscape #paesaggio #roma #rome

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