pellerestored

[pellerestored]

Hello, I have read on old mayhem blog that you started learning about satanism and stuff. I want to ask what do you want to learn or what do you think about this all? What are your sources?

Hello!

I’ve always been deeply interested in the occult. At the beginning of this year, I made a promise to myself that I would evolve spiritually... though, at the time, I believed my path would be something entirely different.

I started consuming Luciferian content purely out of raw curiosity.

And by the way, it’s important to make a clear distinction:

Luciferianism is not the same as Satanism, although some people confuse the two due to the shared symbol of Lucifer.

Satanism, depending on the branch (LaVeyan, Spiritual, Theistic, etc.) can have a more theatrical, nihilistic, or devotional approach toward Satan as an entity

Luciferianism, on the other hand, doesn’t necessarily worship Satan. It’s a philosophy that sees Lucifer as an archetype of hidden light, knowledge, conscious rebellion against dogma, and self-deification. It’s a path rooted in personal development and spiritual empowerment, often influenced by Hermeticism, Gnosticism, and Chaos Magick.

My awakening came in intense waves. I started studying out of curiosity, but soon there were too many synchronicities to ignore dreams, names appearing out of nowhere, oracle readings pointing toward a spiritual path until it became obvious that there was something much bigger calling me.

I didn’t rush to find a "priest" or make a pact. I observed, studied (and still am), and questioned everything around me.

When I finally found a serious mentor, I did an Oracle reading to understand whether I had a path with Lucifer or not... and that’s when I received my official calling.

I also discovered the daemons that guide me according to Luciferian Goecia, but I’m taking baby steps.

Before anything else, it’s crucial to leave limiting beliefs behind in order to open yourself to something new. And let me be clear: Lucifer won’t cradle you, stroke your head, and whisper that everything will be okay.

He will rip your wounds wide open, speed up your karmic processes, and leave you to face yourself, because you’ll only become light once you’ve confronted your darkness.

It’s not an easy path, and it’s not for everyone. Lúcifer will not make your rich or tallented. It’s not about listening to black metal and drawing pentagrams on the floor.

It’s a serious philosophy.

If you truly want to learn more, Michael W. Ford is a great author to start with. I recommend reading

- "Apotheosis: The Ultimate Beginner's Guide to Luciferianism & the Left-Hand Path"

- "The Bible of the Adversary"

Despite being very direct and “masculine” in its language, the book will help you figure out whether you have what it takes to walk the Left Hand Path!

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Good quality henhouse video

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The Transylvania Dream: A Glimpse into Per Ohlin's Soul

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Pelle's mind was a whirlwind of intensity, constantly seeking meaning in a world that often felt shallow and uninviting.

He was the type of person who didn’t just exist passively, he lived deeply, in his mind, feeling every moment with a weight that others might not even notice.

For Pelle, nothing was ever just surface-level. Every song, every piece of art, every story held layers of significance waiting to be uncovered. It was this very nature, his relentless search for understanding and his ability to dream beyond the constraints of reality, that drew him to the myths of Transylvania.

Transylvania, with its gothic allure and historical mystique, was more than just a fictional land of vampires. To Pelle, it represented a world where darkness was embraced, not feared. It was a place where the shadows told stories and the night sang its own haunting melody. For someone who often felt misunderstood and out of place, Transylvania became a symbol of acceptance, a land where his fascination with death and beauty, his need for solitude and meaning, could coexist without judgment.

In his imagination, Transylvania might have been the one place where he could truly belong. The quiet isolation of its forests and the timelessness of its castles reflected the way he saw himself: a soul yearning to escape the trivialities of modern life and find a sanctuary where his intensity would not be a burden but a strength. It was a dreamer's paradise, a canvas for his inner world to come alive.

This dream wasn’t just escapism; it was deeply tied to who Pelle was as a person. He didn’t crave the superficial comforts of society, he craved depth, connection, and meaning. Transylvania, as he imagined it, was not just a geographical place but an emotional refuge, a metaphorical "home" where he could be seen, understood, and perhaps even find happiness. In a world that often felt like it couldn’t contain the breadth of his thoughts and feelings, Transylvania was a place where he could exist fully, without compromise.

For Pelle, this fascination was both poetic and deeply human. It spoke to his yearning for a world that aligned with the intensity of his own inner life, a world where he didn’t have to dull his edges to fit in, but where those edges were celebrated.

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Ps: Picture edited by @mayhem_archives

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Vampires and Pelle's Mind: The Dark Connection Between Life, Death, and Immortality

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Pelle’s connection to vampires was not merely an interest in folklore but a reflection of his internal battles. Vampires represented his fears, hopes, isolation, and pain. They were not just monsters, they were mirrors of his own condition, standing at the threshold of life and death, grappling with the same longing for transcendence that defined much of Pelle’s journey.

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Pelle's connection to vampires transcended a simple fascination with mythical creatures. It unveiled a profound complexity in his psyche, where inner pain, existential angst, and a quest for refuge intertwined with a dark, romantic view of life and death.

Vampires, immortal beings caught between life and death, symbolized more than power or allure to Pelle. They became a metaphor for his struggles, desires, and the paradox of existence.

Pelle’s relationship with death was ambivalent. While he romanticized its finality as an escape from suffering, vampires embodied a "transcended death."

Existing but not truly alive, they mirrored his yearning to surpass human frailty. Vampires offered a vision of eternal existence, free of life's vulnerabilities but haunted by its own burdens, a reflection of Pelle’s inner dichotomy.

The loneliness, both of Pelle and the vampires, is a central trait that unites them. Vampires, by their nature, are detached from humanity and often forced to live in isolation, trapped in an endless cycle of solitude and despair.

For Pelle, this existential isolation resonated deeply. He saw himself as someone apart from the world, someone who belonged neither to the living nor the dead. Vampires, with their existence on the fringes of human life, were the embodiment of his sense of disconnection. The search for understanding and acceptance was a constant theme for him, and by identifying with these mythical beings, Pelle seemed to find a reflection of his own pain: a being condemned to live but unable to fully integrate with what surrounds him.

For someone grappling with a world that often felt uncontrollable, the power vampires wielded over life and death might have symbolized a reclaiming of agency. They were beings beyond human limitations, a stark contrast to the fragility Pelle experienced daily. In imagining himself as a vampire, he perhaps sought a form of transcendence, escaping not just mortality but the constraints of his own existence.

Pelle often expressed disdain for the trivialities of human life, feeling alienated from its conventions. Vampires, removed from the mundane and elevated above humanity, represented an ideal of detachment. They embodied what Pelle longed for: an existence untouched by the banality and pain of being human.

While immortality may seem appealing, vampires often carry the weight of eternity as a curse. For Pelle, who viewed the world as empty and devoid of meaning, this eternal struggle mirrored a fear of living endlessly without purpose. Vampires' burdens reflected his own existential dread, a paradoxical longing for immortality tinged with the despair of existence itself.

Vampires inhabit a liminal space between life and death, belonging to neither. Pelle’s alienation, his sense of being a "walking contradiction," aligned with this existential exile. This state of in-betweenness, alive yet not truly living, felt like a mirror to his own existence.

Pelle’s fascination with immortality wasn’t solely about eternal life but about leaving an indelible mark. Through his art, he sought to transcend mortality, much like vampires etch themselves into legend.

Their timelessness mirrored his wish to be remembered beyond the confines of his brief existence.

Ps: Not my drawing, claim if it's yours!

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[01/16/1969] - Happy Birthday Pelle !

It's crazy. He'd be 56 this year! I hope he's chilling and living his best life out there wherever he is. Only black is true, only death is real! Gore is trend! No fun- No trends!

Posting a tad early in my timezone because I know I won't be able to post it when I'm working soon 🖤

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Credit to @vpouuz on tiktok

PS, The clip was reposted by other person, but it was originally made by vpouuz

Best quality clip I've ever seen!

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I mean, the idea of ​​bots that emulate people, especially figures like Pelle, raises questions about how someone's memory and image can be shaped in almost artificial ways.

These bots may seem harmless, but they distort reality by creating a "proximity" that never existed.

Often, these interactions end up romanticizing or even fabricating characteristics that do not represent who the person really was. In Pelle's case, it is even more delicate, because he has already been greatly dehumanized by the media and by certain narratives.

These bots can reinforce this depersonalization, creating a version of him that serves more as an object of fantasy than as a real tribute to the person he was.

When these bots are used to sexualize someone, especially someone like Pelle, who has had his image disrespected so many times, it is extremely problematic.

It is a reflection of how some people treat public or historical figures as if they were characters to fantasize about, ignoring the fact that they were real human beings, with their own complexities and vulnerabilities.

In Pelle's case, this goes completely against what he represented and even against the memory he left behind.

Sexualizing him in this way disrespects his history and turns him into a product for consumption, which is exactly the opposite of how he would like to be remembered.

It is scary to think that these tools can perpetuate this type of behavior, but it is important to discuss and bring this issue to light.

Sorry for my ranting, but this subject have been bothering me a lot

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But then the morning comes You were there looking for me but I, I was gone

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[ Loss / Reunion ]

● This is meant to be read top to bottom

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Lords of chaos

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Hey guys, I just wanted to share my Pelle Playlist. Here we have all of his songs by its release order

Spotify

Deezer

Enjoy! 🦇

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