Don't let this die. Taylor Swift is the Pollution Queen now. We need meme edits with her photoshopped onto backgrounds of wildfire-ravaged landscapes and oil refineries chugging out black smoke.
Photo of smudgy black eye shadow? That's THE Taylor Swift-inspired look now, it represents fossil fuels.
We need parodies of Taylor Swift songs about pollution and killing polar bears.
Give her representatives a full-time job for the rest of their lives defending her from the phrase "Pollution Queen." Make this meme a the figurehead of an entire fleet of other celebrity-terrorizing memes.
"But this doesn't dismantle the system that—" Shut. Don't care. Isn't it great that such a huge portion of environmental damage is being done by human individuals with egos, whose feelings can be hurt when people are mean?
Money can save you from physical harm, but can it save you from looking ridiculous?
You really can always tell if someone has read Homestuck. And no it's not just in the way they draw or the music they listen to or the references they make. Homestucks are genealogically, neurologically, aesthetically, and dialectically distinct from all other people. Homestuck is basically like a type of extremely powerful spore or perhaps radiation that makes someone different in diverse yet identifiable ways when given long term exposure. Basically.
Had the funniest experience earlier of my swiftie coworker putting the new white girl breakup songs™️ album on the speaker at work and the moment she left the room long enough for her phone to disconnect from Bluetooth our older coworker immediately put on 10 hours of relaxing tibetan flute music instead and we all collectively sighed in relief
In the late 1980s I was making paintings about computer games. In January 1991 I bought an Amiga computer and made a series of fictional videogame stills using Deluxe Paint II. I photographed them straight from the screen as there was no other way to output them that I knew of apart from through a very primitive daisy wheel printer where they appeared as washed out dots.
The effect of the photographs perfectly reproduced the highly pixellated, raised needlepoint effect of the Amiga screen image. Conceptually this means of presentation was also appropriate in that it made it seem like I had gone into a videogame arcade and photographed the games there, lending authenticity to the fiction.
The first seven works on this page form a series titled, ‘Q. Would you recognise a Virtual Paradise?’
Many of these works were shown in London at the Edward Totah Gallery in March 1992 (view installation) and later that year at the Exeter Hotel in Adelaide, Australia. In 1995 the ‘Q. Would you recognise a Virtual Paradise?’ series was shown in London at the Royal Festival Hall in the exhibition It’s a Pleasure, curated by Leah Kharibian.
Recent venues: Somerset House, London, 2018 view installation ; Akron Art Museum, Ohio, USA 2019 and tour; Moderna Museet, Stockholm, Sweden, 2019/20 view installation
The original Amiga floppy disks which stored the image files are corrupt, but the photographic art works remain.