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HOW TO SHAKESPEARE

HERE’S THE LATEST SERIES OF THINGS. THIS IS YOUR SHAKESPEARE STARTER KIT. IF YOU PARSE THROUGH THESE A LITTLE BIT YOU’LL BE ABLE TO UNDERSTAND A LOT BETTER OR AT LEAST BULLSHIT YOUR WAY THROUGH YOUR CLASS A LOT MORE CONVINCINGLY.

BRIEF BIO

FOLIO VS. QUARTO

AUTHORSHIP AND DUBIOUSNESS

THE LANGUAGE OF SHAKESPEARE

HOW TO READ THIS SHIT

HOW TO CLOSE READ THIS SHIT

WHAT THE FUCK IS IAMBIC PENTAMETER? (BONUS CLEAN VERSION)

HOW THE FUCK IS IT A SHAKESPEAREAN SONNET?

VERSE VS. PROSE

USING VERSE AND PROSE

HOW TO: THOU/THEE/THY/THINE/YE

HOW TO USE -ETH/-EST

IF YOU WANT MORE INFO OR NEED CLARIFICATION LEMME KNOW. ALSO TELL ME IF YOU WANT A CLEAN VERSION OF A POST OR GRAPHIC TO USE AS AN EDUCATIONAL TYPE THING. YOU CAN FIND ALL OF THESE POSTS TAGGED ‘GENERAL’ &/OR ‘HOW TO’ 

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SUMMARIES MASTER POST

ONE POST TO RULE THEM ALL, ONE POST TO FIND THEM, ONE POST TO BRING THEM ALL AND IN THE DARKNESS BIND THEM. 

TRAGEDIES

TITUS ANDRONICUS

ROMEO AND JULIET

JULIUS CAESAR

HAMLET

OTHELLO

KING LEAR

ANTONY AND CLEOPATRA

MACBETH

CORIOLANUS

COMEDIES

THE COMEDY OF ERRORS

THE TAMING OF THE SHREW

TWO GENTLEMEN OF VERONA

THE MERCHANT OF VENICE

A MIDSUMMER NIGHT’S DREAM

LOVE’S LABOR’S LOST

AS YOU LIKE IT

MUCH ADO ABOUT NOTHING

TWELFTH NIGHT

ALL’S WELL THAT ENDS WELL

MEASURE FOR MEASURE

THE MERRY WIVES OF WINDSOR

PROBLEM PLAYS

TROILUS AND CRESSIDA

CYMBELINE

TIMON OF ATHENS

THE WINTER’S TALE

THE TEMPEST

HISTORIES 

KING JOHN

RICHARD II

HENRY IV PART I

HENRY IV PART II

HENRY V

HENRY VI PART I

HENRY VI PART II

HENRY VI PART III

RICHARD III

HENRY VIII 

THERE YOU GO. THAT SHOULD BE EVERY FUCKING PLAY IN THE FIRST FOLIO. 

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Donkey is real, and he is my friend.

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Underused psychological/body horror concept: Character who knows their body was changed without their knowledge or permission, but also realizes their mind was affected because the change itself doesnt bother them at all. They're in a form unrecognizable to how they've been the whole rest of their life, and the most upsetting part is the realization that they're unable to be upset about it.

oh fuck yeah. i'm definitely projecting here, but there is something so satisfyingly horrifying about being able to rationally recognise that you should feel a certain way, but being physically and psychologically incapable of it, because the part of you that would enable you to access those emotions has been cut away, torn up by the roots and cauterised shut before you could feel the pain of the wound it left behind. the added insult to injury of not only having something stolen from you, but taking all of the rage and pain you might have felt at its loss with it. the body-mind entanglement; phantom limbs and phantom grief.

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get in babe we're 30 year old women we're having formative experiences that our teenage years denied us

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narratively I am a fan of romances that don’t ever actually become romances

I don’t mean in an aromantic life partner way, I mean romantic tension that is never resolved or acted upon for whatever reason but by the end it’s clear that both characters experienced the love of their lives without ever acknowledging it as such. but they know. they know.

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pssssst hey. hey. free and expansive database of folk and fairy tales. you can thank me later

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hold on a second man…

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Geological horror. You find a geode and crack it open and the crystal lining its walls is human blood that can't be genetically matched to anyone. You find a human skeleton but every one of the bones is made from rock, a rock that you know can't be whittled into those shapes. You find layers of clay and loam that sport ancient fossils at the top and the still-rotting corpses of modern animals at the bottom.

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Time loop video games and why we love (or hate) them

Some essays about time loops in video games:

“Time Loop Narratives Are About Love” by katy (cw: incest)

“Growth is a genuine change in you. Growth is seeing the world differently than you did before because you’re someone different now.”

Games highlighted: The Legend of Zelda: Majora’s Mask, DEATHLOOP, Twelve Minutes, Oxenfree

“Time loops are a weird genre for an anxious time” by Jenna Stoeber and Polygon

“Part of why they’re regaining popularity is because the world is a mess and we either don’t know how or don’t have the power to fix it.”

Games highlighted: The Legend of Zelda: Majora’s Mask, Elsinore, Outer Wilds, Undertale, Inscryption, The Stanley Parable, The Forgotten City, Twelve Minutes

“Time Loop Nihilism” by Jacob Geller (cw: graphic violence and incest)

“I eventually came to realize, if I’m going to do this all again, if there are few real consequences for failure… why would I play in a way that’s so boring?”

Games highlighted: DEATHLOOP, Dishonored, Hitman 3, Bloodborne, Twelve Minutes

“Clockwork Games and Time Loops” by Game Maker’s Toolkit

“Every decision you make matters because you’re always spending your most precious currency: time.”

Games highlighted: Outer Wilds, Dead Rising, The Legend of Zelda: Majora’s Mask, The Sexy Brutale, Elsinore, Minit, Vision Soft Reset, Twelve Minutes, DEATHLOOP, Hitman 2, Deus Ex: Human Revolution

“Why Time Loops Work Best in Video Games” by Extra Credits

“Failure doesn’t feel like an inconvenience or a punishment, but is instead a natural and necessary part of the story.”

Games highlighted: Elsinore, The Legend of Zelda: Majora’s Mask, Undertale, DEATHLOOP, Returnal

“The Problem with Time Loop Games | 12 Minutes Analysis” by Ozzy II (cw: graphic violence and incest)

“This is the point I was talking about earlier, where the first half of the game is just worthless.”

Games highlighted: The Legend of Zelda: Majora’s Mask, Outer Wilds, Twelve Minutes, The Sexy Brutale

“Dying Rules in Time Loop Games” by Inside Gaming

“When the sun began to glow and implode, I knew I had no choice but to put down whatever I was doing and accept what was about to happen.”

Games highlighted: Outer Wilds, Into the Breach, Minit, Twelve Minutes, DEATHLOOP, The Legend of Zelda: Majora’s Mask

“The Best Time Loop Games” by The Gadget Show

“Its black-and-white design and funny writing make this one memorable way longer than the minute it takes to complete a loop.”

Games highlighted: DEATHLOOP, Outer Wilds, The Legend of Zelda: Majora’s Mask, Minit, Elsinore

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10 outline techniques for writers

With this post I listed 10 outline techniques to help writes move their story from a basic idea to a complete set of arcs, plots, sequences and/or scenes. Or to simply expand whatever you have in hands right now.

If you have a vague story idea or a detailed one, this post is for you to both discover and organize. A few technique will work perfectly. A few won’t. Your mission is to find the one that works best for you. That said, I advice you to try out as many techniques as possible.

So, are you ready? Open your notebook, or your digital document, and let’s start.

1. Snowflake method: Start with a one-sentence description of the novel. Then, develop this simple phrase into a paragraph. Your next step is to write a one-page summary based on the paragraph, you can write about characters, motivations, goals, plots, options, whatever you feel like. From this point on, you can either start your book or expand the one-page summary into four pages. And, at last, four pages into a brief description of known sequences of scenes. Your goal is to make the story more and more complex as you add information, much like a forming snowflake.  

2. Chapter by chapter: List ten to twenty chapters, give each chapter a tittle and a brief description of what should happen. Then, break each chapter into three to five basic sequences of scenes. Give each sequence a title, a brief description and a short list of possibilities (possibilities of dialogues, scenarios, outcomes, moods, feelings… just play around with possibilities). From this point on, you can either create the scenes of sequences with a one-sentence description for each or jump straight to writing. Your goal is to shift from the big picture to a detail-oriented point of view.

3. Script: This might sound crazy, but, with this technique, you will write the screenplay of your story as if it’s a movie. No strings attached to creative writing, just plain actions and dialogues with basic information. Writing a script will take time, maybe months, but it will also enlighten your project like no other technique. Your goal is to create a cinematic view of your story. How to write a script here. 

4. Free writing: No rules, no format, no step, just grab a pen or prepare your fingers to write down whatever idea that comes up. Think of possibilities, characters, places, quests, journeys, evolutions, symbolisms, fears, good moments, bad moments, clothing, appearances. Complete five to ten pages. Or even more. The more you write, the more you will unravel. You can even doodle, or paste images. Your mission is to explore freely.

5. Tag: This technique is ideal if you have just a vague idea of the story. Start by listing ten to fifteen tags related to the story. Under each tag, create possible plots. And, under each plot, create possible scenes. Grab a red felt pen and circle plots and scenes that sparkle your interest.

6.  Eight-point arc: With this technique you will divide your story into eight stages. They are Stasis, Trigger, Quest, Surprise, Critical Choice, Climax, Reversal and Resolution. The Stasis is the every-day-life of your main character. Trigger is an event that will change the every-day-life of your character (for better or for worse). Quest is a period of your main characters trying to find a new balance, a new every-day-life (because we all love a good routine). Surprise will take your character away from their new found every-day-life. Critical Choice is a point of no return, a dilemma, your character will have to make the hardest decision out of two outcomes, both equally important. Climax is the critical choice put to practice. Reversal is the consequence of the climax, or how the characters evolved. Resolution is the return to a new (or old) every-day-life, a (maybe everlasting) balance.

7. Reverse: Write down a description of how your story ends, what happens to your characters and to those around them. Make it as detailed as possible. Then, move up to the climax, write a short scenario for the highest point of your story. From there, build all the way back to the beginning. 

8. Zigzag: Draw a zigzag with as many up and downs as you want. Every up represents your main character moving closer to their goal. Every down represents your main character moving further from their goal. Fill in your zigzag with sequences that will take your character closer and farther from the goal.

9. Listing: The focus of this technique is exploring new ideas when your story feels empty, short or stagnated. You’ll, basically make lists. Make a long list of plot ideas. Make another list of places and settings. Make a list of elements. And a list of possible characters. Maybe a list of book titles. Or a list of interesting scenes. A list of bad things that could happen inside this universe. A list of good things. A list of symbolism. A list of visual inspiration. A list of absurd ideas you’ll probably never use. Then, gather all this material and circle the good items. Try to organize them into a timeline.

10. Character-driven: Create a character. Don’t worry about anything else. Just think of a character, their appearance and style. Give them a name. Give them a basic personality. Give them a backstory. Develop their personality based on the backstory. Now, give this character a story that mirrors their backstory (maybe a way to overcome the past, or to grow, or to revenge, or to restore). Based on your character’s personality, come up with a few scenes to drive their story from beginning to end. Now, do the same thing for the antagonist and secondary characters.

So, when is it time to stop outlining and start writing?

This is your call. Some writers need as many details as they can get, some need just an basic plot to use as a North. Just remember, an outline is not a strict format, you can and you will improvise along the way. The most important is being comfortable with your story, exploring new ideas, expanding old concepts and, maybe, changing your mind many times. There’s no right or wrong, just follow your intuition.  

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Absurdist time loop where a guy gets stuck in a time loop for absolutely no apparent reason and tries all this crazy shit and dies a bunch of times and completely reforms his life and then suddenly gets spat out the other side on a completely average loop with no idea what he did that finally fixed it and the answer is like. There was this one (1) ant that he kept stepping on every cycle without even noticing and he doesn’t notice on the last one either he just stopped for an extra three seconds bc he dropped something or whatever. And then didn’t step on the ant. Either the ant is a wizard or a wizard enchanted it to live forever just to see what would happen. The point is the man never knows about it. As far as this guy is aware time just stopped working for six months and then just as randomly started again. He can speak Portuguese and play the viola now.

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Tips for wring amputees: its ok if your amputee can't repair their own prosthetics

There's a trope in fiction for amputees to always be these mechanical geniuses who can make and repair their own prosthetics, endlessly tinkering away and improving them. This isn't a particularly trope, and i dont think its harmful or anything, but in reality, prosthetics are REALLY, REALLY complicated, and a lot of amputees cant do their own repairs. And thats ok. Like, prosthetic creation and repair is way, way harder than I think people expect. Well outside the skillset of your standard mechanic, handy man or craftsperson.

People who make and repair prosthetics are called prosthetists. To become a prosthetist, most countries around the world today require you to have completed a bachelor's degree in specifically in prosthetics and orthotics, which covers not only how to make a prosthetics (and orthodics) but a great deal of medical knowledge, physics, how different forces impact "non-standard" bodies, the additional biological wear-and-tear that comes with being an amputee and so much more. This will qualify you to do the job of fitting/making the prosthetic socket (the part that attaches to your body) and putting premade components together to make a functioning device. On top of this, many prosthetists are also expected to have artistic skills, sewing skills, good physical strength and dexterity, IT skills, and more recently, knowledge of 3D modelling and printing.

You want to make all the high-tech components the prosthetists put together to make the full prosthetic? The requirements for that vary country to country, but most will require at least some level study in the field of engineering and/or medicine, on top of what was already required for the prosthetics course.

The reason for all this is because even "basic" prosthetics are extremely finicky, and messing up one thing will have a domino effect on the rest of the body, especially in more complicated prosthetics. It can also result in people getting severally injured if anything is even slightly off. many leg amputees for example end up with spinal issues due to extremely minor issues with their prosthetic that weren't caught until years later, and by then the damage had been done.

Some amputees do learn to do basic repairs. This is most common in places like the US, where a visit to the prosthetist can cost hundred to thousands of dollars (depending on your insurance), but it's also quite common in rural parts of countries like Australia, where cost isn't an issue but access is due to vast distances between major cities. I was personally in this category; as a kid, my nearest prosthetist was 6 hours away. My prosthetist was able to teach my dad, who later taught me, how to do some of the simple repairs, but we still needed to go in every few weeks for the more complex stuff (Kids prosthetic need more adjusting than adults because they're still growing. Also I was rough on my prosthetics and broke them a lot lol).

But even after being taught how to do repairs and having my prosthetics for 20+ years, I only ever did these sorts of repairs to my below-knee prosthetic. I will not do any repairs of any kind to my above knee leg, which is much more technologically complex. Every time I tried, I made it worse to the point where the leg was unusable. I just leave those repairs to the guy who went to university to learn how to do it, and sometimes even he needs to send it off to someone with even more specialist knowledge when it's really badly messed up lol. Last time that happened Australia post lost the package. Not really relevant to this post, I just find the idea of it being sent to the wrong place by accident hilarious, it was one of my more realistic legs too so someone probably had a heart attack when they opened that package lmao.

Anyway, back on track lol.

This isn't even touching on the fact that on some more advanced prosthetics, many features are actually locked behind a security barrier only prosthetists can access. My prosthetic knee has an app on my phone I can pair it to, that allows me to change certain settings and swap between certain modes for different activities that tell the leg to change its behaviour depending on what I'm doing (e.g. a mode for running, a mode for cycling etc). but most of the more in-depth settings I can't access, only my prosthetist can, and he can only gain access to those settings with a security key given to him by the manufacturing company that requires him to provide proof of his credentials to receive it. I don't really agree with this btw, something about being locked out of my own leg's settings makes me feel a bit of an ick, but it's set up like this because people used to be able to access these settings and they would mess with things to the point their leg was virtually unusable. Because altering one setting had a domino effect on all the others, and a lot of folks weren't really paying attention to what they were messing with, all their prosthetists could do was factory reset the whole leg, which causes some issues too. Prosthetic arms are often similarly complex, as I understand it and have similar security barriers in place for more advanced arms. I don't know for sure though, so take that with a grain of salt.

All this to say these are incredibly delicate, finicky and complex pieces of equipment. There's nothing wrong with having a techy amputee character who can do their own repairs, but in reality, that is pretty rare, and its ok to have your character need to see a prosthetist or someone more knowledgeable than them. It's a part of the amputee experience I don't see reflected very often in media. In fact, the only examples I can think of in fiction (meaning not stories based on real people) where this is reflected are Full metal alchemist.

technically I think Subnautica Below Zero also mentions prosthetists are a thing in that world, but its a very "blink and you'll miss it" kind of thing...in fact I did miss it until my last playthrough lol.

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that whole fantasy trope of werewolves and vampires hating each other pisses me off every time. it's like lgbt exclusionism you feel me. like I bet the real ones think it's dumb. they're out there going guys we're all children of the night. in their eyes we're ALL unholy abominations. bet there's posts on darkcreatures.net like vampires and werewolves are actually kissing on the lips rn

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if you’ve ever thought i’m standoffish, politely distant, or generally hard to befriend, know in your heart that i’m exactly the same in real life. my neighbours just showed up at my door drunk on Canada Day celebrations and told me how desperate they’ve been to meet me for the past few months and then tried to fix the water pump in my basement

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my favorite thing is to say "investing in" instead of "buying"