homage to my hips
by Lucille Clifton
these hips are big hips
they need space to
move around in.
they don’t fit into little
petty places. these hips
are free hips.
they don’t like to be held back.
these hips have never been enslaved,
they go where they want to go
they do what they want to do.
these hips are mighty hips.
these hips are magic hips.
i have known them
to put a spell on a man and
spin him like a top!
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what are some poems/passages that you always go back to?
“The only real love I have ever felt was for children and other women. Everything else was lust, pity, self-hatred, pity, lust.” — Adrienne Rich
“Everyone in our culture desires to some extent to be loving, yet many are in fact not loving. I therefore conclude that the desire to love is not itself love. Love is as love does. Love is an act of will-namely both an intention and an action. Will also implies choice. We do not have to love. We choose to love.” — bell hooks
“[...] heart leaking something so strong
they can smell it in the street.” — Marty McConnell
“[...] I will survive my grief, amen.
I have run into the darkness and arrived in the morning still living, amen.
I have made my home anywhere I still have a name, amen.” — Hanif Abdurraqib
“My heart doesn’t ache; sometimes though it rages.” — Adrienne Rich
“[...] without tenderness, we are in hell.” — Adrienne Rich
“I am a woman searching for her savagery / even if it’s doomed.” — June Jordan
“You (where are you, really?) never leave me to my boredom: numb as I might like to be.” — June Jordan
“I wept and wept. I had come to believe that if I really wanted something badly enough, the very act of my wanting it was an assurance that I would not get it.” — Audre Lorde
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lupita nyong'o via instagram
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The Sea Raiders by Albert Goodwin
Depicts four Snekkjas (Viking longships) at sea amidst a flock of seagulls
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Ella Wheeler Wilcox, “Heaven And Hell”
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ZENDAYA
paying tribute to Venus and Serena Williams’ 1998 Vogue Photoshoot (April 2024)
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The animals in that country
by Margaret Atwood
In that country the animals
have the faces of people:
the ceremonial
cats possessing the streets
the fox run
politely to earth, the huntsmen
standing around him, fixed
in their tapestry of manners
the bull, embroidered
with blood and given
an elegant death, trumpets, his name
stamped on him, heraldic brand
because
(when he rolled
on the sand, sword in his heart, the teeth
in his blue mouth were human)
he is really a man
even the wolves, holding resonant
conversations in their
forests thickened with legend.
In this country the animals
have the faces of
animals.
Their eyes
flash once in car headlights
and are gone.
Their deaths are not elegant.
They have the faces of
no-one.
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