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Edit: I seen a lot for traction on this post, it is becoming popular , so, I'd like to self advertise. I'm doing an 100 day of drawing everyday challenge, and so far I'm on the 30th+ day, so, please support me if you support human artists. Thanks
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My 'Next Summer' Mabel and Dipper designs <33
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so ok yeah fine i watched gravity falls again and read the book of bill
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I want to KISS the person who made this display, that is AMAZING
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The Handmaiden (2016) dir. Park Chan-wook / Revolutionary Girl Utena (1997) ep. 38 "End of the World"
Inspiration
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Iâve been deliberating for a couple days now and have decided to discuss in-depth about Kim Dokja and the tendencies of putting his life on the line. For most of the novel, I was split on whether I should view KDJ as a self-sacrificial bastard or a suicidal character. And by the end, Iâve reached the conclusion that he is both.

Before I elaborate further, it should be noted that while we all meme about KDJâs dying count, he actually isnât that careless with his life. What I mean is he sacrifices himself usually as a last resort, plans A to F didnât work and itâs the only option left to hope for kimcomâs safety-ditch effort. Usually. Weâll circle back to that when we bring up OD. But his sacrifices are always done as granting his companions salvation, utterly blind to how they feel about it. But to understand his constant need to do this you have to first start with where he learned how to love. Lee Sookyoungâs love was sacrificial, sheâd take the brunt of her husbandâs rage to shield KDJ, sheâd take on blame for his death and be incarcerated for years so Kim Dokja wonât discover the truth. All of this, in my opinion, unbeknownst to KDJ, imprinted onto him this interpretation of love. As nobody else until the scenarios began had loved him (Yes HSY technically but he doesnât know that). Which gives the irony that multiple characters KDJ resent in the story such as Kim Namwoon, his mother, the constellations are ultimately revealed to be reflections of himself.
Another component to his self-sacrificing is âKim Dokja the readerâ. Iâm not going to dive deep into how orv interweaves dissociation and escapism into its narrative, Iâll do that some other day. But KDJ views himself as the reader, an outsider, the sole member in the audience watching the story unfold before him. Yes he grants commentary, the players notice and acknowledge his existence, but he isnât part of the play. So if he decides to step out of the auditorium for a while, if he decides to leave a bookmark where he left off and close the book, nothing should change. The story will continue in his absence, the characters cannot possibly miss him because Kim Dokja was not a character. He was not part of their world so even if heâs gone, the ending will still happen. And that is something I want to stress here.
KDJ says âhe wants to see a certain storyâs epilogueâ. Specific choice of words, âseeâ. He doesnât say heâll be part of it,that heâll be with them, or any close variation of those phrases.
This is where I want to diverge to talk about KDJ's suicidality. You can say âOk then, KDJ has a clear goal in mind to reach the ending he desires. Yes he may feel the need to step out of the story every now and then, but he does so reluctantly. So obviously, he doesnât want to die.â And you wouldnât be wrong really but that simplifies it to an overwhelming degree. Thatâs how I initially thought of it until I realized how complicated it actually is. Because most people who deal with suicidal thoughts arenât searching for death but rather feel thereâs no other choice. It often isnât as clear cut as 1863 YJH who, anyone that read this arc will say with certainty that he was suicidal. Yes KDJ isnât chanting in his mind over and over that he wants to die but why does he want to live? To see the proper ending of a web novel that stopped him from attempting again to begin with. Over the course of orv he finds people he loves and who love him back deeply. People he longs to live for but despite that because of the disconnect between them, his self-loathing, accompanied with what I said before, believing he has no other way out of these threatening situations. Yeah itâs to save his companions but in the end Kim Dokja still feels the need to die. Even if you do not see KDJ as a suicidal character, it is undeniable that so much revolving him, the impact it has on those who care for him, and the visceral descriptions used to convey their thoughts, is a direct metaphor for that.
Or in a few cases, straight up whatâs going on and now we arrive at what I think was the final straw for Kim Dokja. Meeting the Oldest Dream. For me, this is THE scene of orv. The biggest twist and what finally irreparably broke KDJ. Prior to this, Kim Dokja had become the âEnemy of the storyâ but it was unlike his previous dances with death. This time he truly had no intention of dying, he wants to be a part of the ending with his companions, he understands now that his sacrifices do hurt them. That according to him âI, someone of no redeeming quality, could be loved by the others.â That he is a character and that just maybe, he does deserve to live happily ever after with them. And then Kim Dokja meets a 15-year old boy with the same face as his, doodling in a notebook his ideas for Ways of Survival and a notification tells him to âPlease end the Oldest Dreamâ. All of that progress is shattered in an instant.
KDJ tries to excuse himself by recalling his promise to SP to kill OD but we all know if that was any other kid, he would not have tried to kill them. He wouldâve hesitated much more, heâd look for a loophole, he wouldâve tried talking which is his biggest strength for every corner he gets into. Killing them would not be the first option but now it is. Because this isnât an instance of sacrifice anymore, KDJ is sick of himself. OD is a presence that confirms KDJâs worst fears. That heâs meant to be weak and pitiful and alone, that he was always an outsider, that he unintentionally causes pain and misfortune to people he loves, that everyone would be perfectly fine and better even without him. And Kim Dokja is the physical manifestation of them: a monster. And thereâs only one way to get rid of this monster.
The chain of events from him swinging his sword at OD, trying to stab himself with the blade only for YJH to stop it desperately with his hand, everyone restraining and begging him to stop, KDJ crying and screaming for SP + the other Outer Gods to kill OD. Everyone else is forgiving him and KDJ is only thinking of getting a blade.
This is Kim Dokjaâs relapse. Itâs real, itâs harrowing, and he never recovers from it. He reaches the conclusion that he has to be alone, itâs his atonement, it's what he deserves. So he splits himself 49-51. I interpreted this when I first read it as presenting 49% of what you believe people want to see. More real than a facade but itâs not the true you. The true, fucked up version of who you are is trapped in a prison of your making, trapped in a darkness you feel you donât deserve to escape. Which is why itâs so powerful that KimCom went after that 51%. They didnât want just their version of KDJ, they wanted everything KDJ is including the larger side of him that he wishes didnât exist. But the plan fails, they managed to turn that full stop into a comma but they couldnât save KDJ. Because you canât drag someone out of that train, out of that mentality, you canât force someone to love themself. All you can do is reach out to any corner, every worldline you can and let them know youâll always love them. That youâll always love every aspect of their story and hope that perhaps one day, theyâll accept your hand and believe it.

[ID: Omniscient Reader's Viewpoint art by Blackbox: first of Kim DOkja smiling, seen through a space in a bookshelf, and second of astronaut Yoo Joonghyuk floating upside down as letters float around him. End ID]
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