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[plushcroft]

🔹 Saying that it's okay to write or read about dark and taboo topics but only when they're portrayed in a certain way is still censorship.

🔹 Wanting to ban or forbid media that you believe portrays a negative topic in a positive light, by glorifying, romanticizing, or fetishizing it is still censorship.

🔹 There is no objective metric to decide if a story is portraying a negative topic the 'right' way.

🔹 Just because a piece of fiction doesn't explicitly condemn or portray an evil action in a bad light in the text doesn't mean the author thinks its good or is trying to persuade the audience that it is good.

🔹 Survivors of trauma will not always write fiction about their trauma in a way that seems 'right' or 'normal' to you.

🔹 Banning fiction because it portrays dark, taboo topics in a way you consider gross or disgusting is still censorship.

[plushcroft]

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NO photo taken by me

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kind of wild how much fiction still treats torture as something that objectively works when every study has shown that it does not work at all and is possibly the least effective way to get correct information

[plushcroft]

I have a lot of feelings about the rise of he would not fucking say that attitudes in fandom spaces and the paralysing effect it can have on creators. As a writer i think it’s important to just write what feels true to you and not what you think others will “approve” of. Like even as a reader i have enjoyed a variety of different characterisations that all work because the writer makes them work for a particular story. And a fic that’s written out of character to some will be in character to others. Writing fic is not your job you’re not being paid it’s your hobby please. Make them as close to canon as possible. Make them completely different. Who cares! Have fun! Have so much fun! There is an audience for every kind of fic and every kind of character interpretation i promise

[plushcroft]

WAIT!

Before you hit send on that ask, reblog, or reply, remember to stop and PROOFREAD!

am I Pissing on the Poor?

did I Read the post in bad faith?

could I be Overexaggerating?

am I Out of line for saying this?

is it kind of Fucked up to say that to a total stranger?

is what I said Rude?

am I being Egotistical?

am I Angry at words that weren't in the post?

did I Dream up a pretend person to get mad at?

ONLY YOU CAN PREVENT YOURSELF FROM LOOKING LIKE A JACKASS ONLINE!

[plushcroft]

Hello, I saw your article entitled "WHY DEFEND FREEDOM OF ICKY SPEECH?" And I'd like to ask... Are you normalizing lolicon now? It's not just a made-up story where there's inappropriate content with children, where it's portrayed as something terrible. It's portrayed as something normal and sexy😦

This article?

As I point out in the article, I'd not actually read any lolicon, and 16 years later, I still haven't. As I say in it:

Still, you seem to want lolicon banned, and people prosecuted for owning it, and I don't. You ask, What makes it worth defending? and the only answer I can give is this: Freedom to write, freedom to read, freedom to own material that you believe is worth defending means you're going to have to stand up for stuff you don't believe is worth defending, even stuff you find actively distasteful, because laws are big blunt instruments that do not differentiate between what you like and what you don't, because prosecutors are humans and bear grudges and fight for re-election, because one person's obscenity is another person's art.

Because if you don't stand up for the stuff you don't like, when they come for the stuff you do like, you've already lost.

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do you ever not write for so long that you’re almost afraid to? like what if I’m dumb now

[plushcroft]

i do enjoy "living weapon" characters but specifically living weapons who did in fact do absolutely horrific things which at least a part of them enjoyed and thought was good and right at the time, and that no amount of not knowing any better or guilt they feel in hindsight will ever make up for. i love living weapons who are "irredeemable", and no it's not their fault that they were made that way or pointed in the directions they were by the hand that wielded them, and yes they are victims, but so were their victims. living weapons who some people will never be able to forgive, but who still wake up every day and try to do better than what's expected of them. a sword that uses its blade to cut wheat to make bread for the people who once lived in fear of its arc falling on their heads.

[plushcroft]

"But why would you want to imagine, read or write about a relationship that wasn't healthy, good or desirable to you personally?"

I genuinely don't know how to explain the concept of fiction to you.

[plushcroft]

One of the hardest things for me to learn and practice in my writing is that people do not say that much.

My character dialogue frequently feels contrived. They open up to partners too quickly, maintain perfect communication with friends, and hold back exactly the right info from enemies. Yet, irl, I've observed and contributed to much miscommunication, lost opportunities, and unconscious distrust of friendly motivations. Natural speech is not tailored, and appropriately expressing abstract thoughts takes skill.

We've heard film media fans deride "therapy talk" wherein characters uncharacteristically divulge their inner struggles to others and receive perfect, textbook advice in response. This feels inauthentic because most humans don't talk like that! We skirt around our problems, we feel uncomfortable when others vent, we want to avoid conflict and rejection, and our well-meant words often do more harm than good.

People also tend to talk a lot, but say little. As writers, we generally don't want our stories stuffed with useless conversations, banter, and small-talk that don't advance the plot—we want that story grown up and moved out! But please, include those things. Have scenes where friends hide thoughts from friends by joking around or discussing hobbies instead, where a rival saves the MC's thoughtless speech for later, where a happy couple argues over a minor miscommunication. These aspects can add depth to a story that feels manufactured, or life to characters that sound scripted.

If this is you, take your time; natural dialogue takes a while to finesse. Currently, I write the meaning behind the dialogue first then smudge it up in redrafts. As with all the lessons I've learned/shared, each piece of writing advice should come with a "Daily Value" label affixed, lol. Balance is needed and adjustments should be made until you have the story you want.

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[plushcroft]