when i get full grown, separate me from my phone. let me know you but offscreen. anything but unalone. jesse faden of remedy's control / @unholywood.
Don't wanna be here? Send us removal request.
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joaquin castillo
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I Saw the TV Glow 2024 | Jane Schoenbrun
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rustin cohle, god & the self
@alunsining on twitter / goodreads review for the mystique of enlightenment / discoelysiumtxt / john ashbery / stable diffusion on francis bacon's portraits / gilbert allen / anthony mcneill via tomsnarsky / true detective (2014) / eduardo c. corral via geryone
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You're not afraid of the dark, because you are the dark. LONGLEGS (2024) dir. Osgood Perkins
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still from She Walks Through Her Sunken Dream by Geoffrey Pugen.
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jesse faden & hotline ft. inspirations from multiple medias.
palindromes— pig baby, the hole (2001), disco elysium: half light (source), episode 1 "good news" of severance, "mosquito gods mandala: i" by attila balla, baby hotline— jack staubers micropop, remedy's control, episode 3 "in perpetuity'" of severance.
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polaris, to me, especially in the cut scenes you can see jesse making eye contact with the player, is a kind of subverted representation of the fourth wall. especially when you think about the fact polaris knew about dylan, knew how he felt and knew the reason he sided with the hiss; but chose to do nothing. polaris wanted jesse to reach her full potential.
it makes polaris more of the narrator, more of the outsider purview, the camera, the lens, the scope; we are polaris.
#the entire franchise if you think about it is like#completely up to you on what you think about it#alan wake and control are like#hello here are some narratives and some metaphors and some realities from some sides#but what is real and who is who#we're all just playing the same game but i realised playing with my girlfriend that like#she absolutely thought that alan was just having a psychotic break lmao
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¹PROFILE. ²PLAYLIST. ³WRITING. ⑊ this is a writing blog for jesse faden of remedy’s control. narrative structure & internal dialogue paradigms inspired & featured from disco elysium (involving specific individualistic imagery of internal processes & attributes of their own voice/design). do not follow if you are uncomfortable with imagery of nostalgia in retrograde, liminal spaces & the visceral unease of other.
an important note: jesse does not have red hair in my portrayal, but to your character, she will. you should describe her hair as red, all shades, at all times. i will describe her as brunette.
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