post-internet-studies

[post-internet-studies]

ESPACE 3-8, Leopold Banchini

[post-internet-studies]

Anish Kappor, Tail Pavilon, 2005.

[post-internet-studies]

Studio Olafur Eliasson, Model Room, 2003

[post-internet-studies]

Martine Syms exhibition at Sadie Coles   HQ

Martine Syms (b. 1988, Los Angeles (CA)) obtained a MFA from Bard College, Annandale-on-Hudson (NY) (2017) and a BFA from The School of the Art Institute of Chicago (IL) (2007). Syms has earned wide recognition for a practice that combines conceptual grit, humour and social commentary. Using a combination of video, installation and performance, often interwoven with explorations into technique and narrative, Syms examines representations of blackness and its relationship to vernacular, feminist thought, and radical traditions. Syms’s research-based practice frequently references and incorporates theoretical models concerning performed or imposed identities, the power of the gesture, and embedded assumptions concerning gender and racial inequalities.

[post-internet-studies]

Eija-Liisa Ahtila : Potentiality for Love

Marian Goodman Gallery, March 2, 2018  - April 11, 2018

[post-internet-studies]

Yuri Pattison, communal table for user, space (2016). Detail. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist; mother's tankstation limited, Dublin; Helga Maria Klosterfelde, Berlin; and Labor, Mexico. Photo: Andy Keate. 

info here 

[post-internet-studies]

Gilberto Esparza, «Plantas autofotosintéticas» (Plantes autophotosynthétiques), vue de l’installation à l’Espacio Fundación Telephónica, Lima, 2014

[post-internet-studies]

Mohamed Bourouissa, Demain c'est loin, 2017 160 x 420 x 150

[post-internet-studies]

Esthétique des ruines

[post-internet-studies]

Christo and Jeanne-Claude, Wrapped Reichstag, Berlin, 1971-95

http://christojeanneclaude.net/projects/wrapped-reichstag

[post-internet-studies]

Daniel Arsham, Selenite Hands in Prayer, 2015 Sculpture 38 x 40,5 x 30,5 cm, Unique Selenite, pulverized marble, hydrostone

Time 

[post-internet-studies]

Claude Lévêque, Aube bleue, 2018. Dispositif in situ, Kamel Mennour, Paris

[post-internet-studies]

Monika Sosnowska, Handrail, 2016–18.  Installation view Hayward Gallery, London, 2018 

© and courtesy the artist. Photo: Mark Blower

[post-internet-studies]

Katja Novitskova | Pattern of Activation | installation | 2014

http://katjanovi.net/patternofactivation.html

[post-internet-studies]

Louise Drulhe — The Two Webs | Mapping the parallel networks | 2017

https://louisedrulhe.fr

[post-internet-studies]

Synchroteam Happy or not borne satisfaction client borne

[post-internet-studies]

Rêveries urbaines - les Bouroullec

Les thèmes abordés par les Bouroullec reprennent leur philosophie de mobilité et d'assemblage : des modules facilement déplaçables et adaptables selon la topographie des villes.

Rêveries urbaines, Fire station, Vitra Campus, jusqu'au 22 janvier.  © Studio Bouroullec