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potaosoup · 2 months
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I've asked this question before and been surprised by the results, now I have access to more weirdos it's your problem:
It is the middle of a Sunday afternoon. You have nothing on, and aren't expecting visitors, deliveries or post.
Unexpectedly, there is a knock at the door.
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potaosoup · 2 months
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in the future, Braiding Sweetgrass will be assigned to all students to read in school, and mostly they will hate it, because it seems to them like poorly structured rambling about nature and vignettes from the author's life. Soooooooo boring!
We will struggle to explain to them: no, no, this book was actually completely revolutionary for its time. When Kimmerer talks about the honorable harvest, learning to listen to the teachings of the plants, understanding nature as animate and alive, and the relationship of reciprocity and mutual dependence between humans and other life forms, these are ideas that were genuinely new and mind-blowing to us when we were young.
It wasn't just those in power that saw nature as "Resources" or some kind of mechanical system that would be better off without human interference—almost no one else knew another way to think. Yes, yes, we knew about symbiosis, but we hardly ever applied it to ourselves. Kimmerer is serious when she says her cultural perspective was almost wiped out; the culture we inherited as children literally didn't have the concepts she is talking about, and that's why the book was so important!
We will tell the students that it would have been weird even among "environmentalists" of the time to think of trees and insects as your family. I mean, well, yes, we knew that everything was related, but we thought Charles Darwin was the first to come up with that. You don't understand, we will say, most of these ideas about living in right relationship with nature would have been thought of as extra-scientific, sentimental or spiritual crap.
"Did you just not know where food and clothes came from?" they will ask, with eyebrows raised. Yes, but back then, food was mostly grown in enormous fields of only one crop where everything else had been killed with chemicals. We didn't really think of agricultural environments as "ecosystems"—"nature" was a separate thing—I mean yeah, we harvested logs from forests, but that was different. No, we basically thought Earth was divided into "human uses" and "nature," and that people shouldn't be in the "nature" parts. No, really!
The students will be fascinated and ask things like "But what about parks?" "Would a hay field be nature or human uses?" "How about pollinator gardens?" "What about the ocean?" and we will try to explain to them that we really just didn't think that hard about it
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potaosoup · 3 months
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snoopy as gregor samsa
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potaosoup · 3 months
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potaosoup · 3 months
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I should write a homoerotic novel about two lesbian spiders
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potaosoup · 3 months
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REMINDER THAT ANTISEMITES AREN’T WELCOME HERE AND WON'T BE TOLERATED
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potaosoup · 3 months
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potaosoup · 3 months
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potaosoup · 4 months
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*thunder crackling*
THOU ART LISTENING TO
*fireball explosion*
102.3
*bubbling cauldron*
REAL WIZARDS FM
*shimmering mana crystal*
WHERE WE PLAYETH NOTHING BUT CHANTS, CHANTS, AND MORE CHANTS
*wololo*
THIS ART NOT THINE ELDER MATRIARCH'S STATION
*Imagine Dragons - Radioactive starts playing*
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potaosoup · 4 months
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a horror movie about making a horror movie. wait, don't walk away. a horror movie about one of those grueling seventies productions that broke every OSHA rule—long, exhausting shoots in the middle of the woods, presided over by one of those directors convinced of his own genius and certain the only way to get the performances he needs is to relentlessly isolate and gaslight his female lead. the crew are terrified of the director's outbursts and so are going along with it. there's one other woman in the cast but she plays the one who takes her shirt off earlier in the film and then dies, and the director has done everything in his power to turn these two people against each other, the better to keep his female lead unbalanced and unsure, and when the deeply disquieting scary stuff starts happening for real, the female lead has nobody to confide in and assumes it is the director very characteristically going out of his way to fuck with her. one of the camera operators gets possessed and is being flung around the trees, head spinning as he oozes an acidic black liquid and the female lead is like, "i can't let fucking jerry think he's getting to me." and then—this may be too much, idk—the only way the two actresses can figure out what's really going on is to acknowledge that they've been pitted against each other and that they really don't have any reason beyond this not to trust each other, so they compare notes and that's how they discover that hey, this production actually is cursed.
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potaosoup · 4 months
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I made this image for my geology loving friend
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potaosoup · 4 months
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craving pathetic wet old women characters. where is the feminism
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potaosoup · 4 months
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I stg every single time someone says “you are not immune to propaganda” I can barely hear them over the sound of their own subtext screaming “but I am”
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potaosoup · 5 months
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what studying literature feels like
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potaosoup · 5 months
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thank you twitter for you page
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potaosoup · 5 months
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How the Grinch Stole Christmas (2000) dir. Ron Howard Midsommar (2019) dir. Ari Aster
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potaosoup · 5 months
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handy guide
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