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oh your name is bj? that's cool man. the last guy who lived here had a nickname with those letters too. yeah it stood for big john. on account of his massive cock. woah hey what are you doing to the still

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Once again recommending donations to the Palestinian Children’s Relief Fund. Not only is it a credible organization, you can donate any amount, so even if you don’t have much money, you can still contribute what you can towards humanitarian aid in Gaza. It takes donations via credit, PayPal, and mailed checks.

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HUGE list of free (!!) books by black authors and revolutionaries. includes writings by toni morrison, james baldwin, assata shakur, angela davis, malcolm x, audre lorde and frantz fanon. 

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i think all rpf is justified because rpf doesn’t come from nowhere. they were doing something to deserve it

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I constantly manipulate everyone around me by calculating what would be the nicest thing to do in any given situation, l making a point of doing it when it matters the most. This is supported by subtly, casually tailoring what I talk about to the person I'm speaking to, and saying what I think they may find funny or interesting. the really sick thing is I look just like a normal person and there's no way you can tell me apart from anyone. If I weren't such a monster I would be afraid knowing people like this are out there, but I know I'm on top and have nothing to fear.

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THE BIRDCAGE (1996) dir. Mike Nichols

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BUSTER KEATON in SHERLOCK, JR. (1924) “Keaton told film historian Kevin Brownlow that one scene inspired the entire picture: a man, in this case, a projectionist, tries to enter the movie he is watching. At first he can’t; the characters in the film he is watching throw him out of the screen. When he sneaks back in he suddenly finds that he has no control over the narrative: a nighttime scene in a garden cuts without warning to a busy city street, then to a mountain cliff, then to a jungle filled with lions, to a desert, etc. It is a scene with a precision and clarity that is breathtaking. Keaton, his cameramen, and technical director Fred Gabourie filmed it with surveying equipment to align the separate elements… It may be the first time a filmmaker ever questioned the meaning and function of linear narrative.” — Daniel Eagen

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requiem for a lightweight / fiona apple and jonathan ames

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Lost MASH episode titled ‘BJ’ where BJ gets stuck somewhere on his own and sits in uncomfortable silence nervously glancing right into the camera in one long unbroken slowly zooming in shot

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sleep-deprived Hawkeye saying "I must be obvious or something" about men propositioning him is frankly more damning than any of the jokes he makes in his right mind

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why alan alda his shapes make me so happy. why so good to look at weird tall angley man

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It’s a tony soprano summer

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Ellie Davies (British, 2002) - Blood and Bark (2025)