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Ideas For A Writing Journal

-brainstorming pages for your book, obviously. every writer working on a book needs this.

-vocabulary. go on wattpad, or pinterest, or literally the internet and type writing vocabulary into the search bar. youll get some new words you can use in your book.

-writing challenges/prompts for yourself. pinterest will have these. you can make one for yourself, if you want (ex: write about a girl drowning). these are good practice for writing scenes in your book and in general pretty fun to write when you’re bored. try it out!

-any writing advice you like? stick it in your journal! this will help you when you’re stuck with writing character development or that battle scene that always seems to fall flat.

-OCs. Write little descriptions/analysises of your characters. youll learn to understand them a little better this way.

-cool metaphors! if youre reading a book and see a metaphor you really like/think is interesting/creative, write it down to use in your own book. take inspiration from other writers, people.

-book reviews. when youre finished reading a book, review it with a star rating system and commentary. not only will this allow you to reflect on what youve read and the messages behind it, this will allow you to once again, TAKE INSPIRATION FROM OTHER WRITERS.

-doodles and poems! these may not be what you want to stick in your WRITING journal, but its good to take a break of writing once in a while and do something else creative. you dont have to put this in your writing journal, but you can still do them on a piece of loose paper. you can thank me later.

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Charlie Jane Anders on Writing (link collection)

The Single Most Important Thing You Can Do To Make Your Writing More Awesome

I Wrote 100 Terrible Stories That I’m Glad You’ll Never Read

The Weirdest Stories Are Sometimes the Most Real

11 Ways to Write a Character-Focused Story That Still Feels Action-Packed

How to Make People Fall in Love With Your Ridiculously Competent Hero

The Two Most Powerful Words That You Can Say To Yourself While Writing

The Difference Between a Great Story and a Shitty Story Is Often Really Tiny

How To Handle Rejection of Your Writing, Without Becoming a Basket Case

10 Writing “Rules” We Wish More Science Fiction and Fantasy Authors Would Break

Help! I Put A Placeholder In My Story — And It Became Permanent!

How to Deal With Harsh Criticism of Your Writing

How To Raise The Stakes In Your Story Without Wrecking Your Characters

10 Ways To Create A Near-Future World That Won’t Look Too Dated

2 Secrets To Writing A Story That People Can’t Tear Themselves Away From

“He Said, She Said��: Is There Any Cooler Way To Show Dialog In Fiction?

10 Ways To Turn Your Real Life Experiences Into Science Fiction

The Difference Between Good Worldbuilding And Great Worldbuilding

How To Create A Killer Opening For Your Science Fiction Short Story

10 Tips And Tricks For Creating Memorable Characters

How To Write About Sex Without Being Boring

One Weird Trick For Cutting Down Your Novel

10 Can’t Miss, Surefire Secrets Of Torturing Fictional People

10 Things That Every Brand New Creator of Science Fiction Should Know

Why is it so hard to write a decent ending?

How to Write Descriptive Passages Without Boring the Reader or Yourself

The 10 Types of Writers’ Block (and How to Overcome Them)

10 Ways to Make Everyone Root for Your Amoral Protagonist

The Only Kind of Sentence You Should Use in Your Fiction

7 Deadly Sins of Worldbuilding

What does it mean when people say your story’s “tone” is wrong?

How to turn a high concept idea into an actual story

What it Means When Someone Tries to Tell You THE Rules of Good Writing

How to Write for Money Without Selling Out Too Much

How to Tell if the First Draft of Your Novel Just Isn’t Worth Salvaging

One Simple and Incredibly Painful Way to Fix Your Novel Draft

How to Write an Omniscient Narrator If You’re Not Actually Omniscient Yourself

What’s the difference between capturing an emotion and creating a mood?

10 Books Every Fantasy Author Should Read

10 Secrets to Creating Unforgettable Supporting Characters

How Not to Be a Clever Writer

You’re about 25 percent of the way through your novel. Time for an Act One Break?

How to Write a Sincere First Draft of Your Science Fiction or Fantasy Epic

The 10 Types of Writers’ Block (and How to Overcome Them)

How to Sell Readers on Your Story’s Main Ideas in 4 Easy Steps

The 7 Types of Short Story Opening, and How to Decide Which is Right for Your Story

What If Your Characters Don’t Want Anything?

How to write yourself out of a dead end

How can you tell if your novel is just an overgrown short story?

The famous writing advice that could seriously mess up your game

How to be a very silly science fiction/fantasy writer

The 5 laws of making a story complicated without creating an ungodly mess

4 Danger Signs To Search For, Before Sending Off Your Novel

20 Great Infodumps From Science Fiction Novels

12 Secrets To Being A Super-Prolific Short-Story Writer

Seriously, What’s So Bad About Adverbs?

Don’t Be The Pushy Author Whose Novel Vanishes Without A Trace

How Do You Bridge The Gap Between Two Cool Moments In Your Novel?

One Of Your Crucial Characters Isn’t Working. What Do You Do?

What Do You Do When Your Novel Goes Off Course?

All Your Characters Talk The Same — And They’re Not A Hivemind!

What’s The Difference Between Denouement And Picking At A Scab?

The One Sentence That Can Ruin Your Whole Day

Make Your Epic Space Novel Live Up To Your “Elevator Pitch”

What’s The Difference Between Story And Plot?

8 Unstoppable Rules For Writing Killer Short Stories

Forget Strong Female Characters! We Need Complicated Female Characters Who Screw Up (A Lot)

10 Tips for Generating Killer Science Fiction Story Ideas

10 Vital Storytelling Lessons I Learned from Buffy the Vampire Slayer

Never Say You Can't Survive series of posts on Tor.com

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Basic Story Structure

Basic story structure looks like this:

Setup/Exposition - we meet the protagonist in their every day life, possibly meet a few other important characters, and learn important basics about the setting. We also learn about the protagonist’s internal conflict.

Rising Action - The inciting incident turns the character’s life upside down, the character responds by forming a goal. The protagonist pursues this goal while the antagonist/antagonistic force throws obstacles into their path, which they must overcome. Sometimes they succeed, sometimes they fail and have to try again or find a way around it. This struggle builds the conflict and increases the tension as the story races toward the climax.

Climax - this is the “big showdown,” where the protagonist faces the antagonist/antagonistic force head-on, and usually (but not always) succeeds.

Falling Action - this is the aftermath of the big showdown, where the dust settles and all the final pieces come to rest. Most of the story’s loose ends will be tied up here if they weren’t tied up already.

Resolution/Denouement - this is where the story is wrapped up once and for all. We see the protagonist (and other characters) settled back in their old life or getting used to a new normal. If there is a moral to the story, it is revealed here. If the story is leading into a second book, a little bit of set-up for the new story will occur here.

•••••••••••••••••••••••••••••••••

Have a writing question? My inbox is always open!

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Writing fight scenes

masterlist. main navigation.

@bluebxlle_writer on Instagram

1. Pacing

A fight scene should be fast-paced and intense. Unless it's a final battle with numerous parties, a fight scene that's too long tends to take away suspense. To speed up your pacing, use active voice to describe movement and don't overdescribe your characters' thoughts. Excessive inner monologue will be unrealistic, as people usually have no room to think during intense combats.

2. Character mannerisms

Here's a point that people often overlook, but is actually super important. Through fight scenes, you should be able to reveal your characters' contrasting mannerisms and personality. A cunning character would play dirty - fighting less and making use of their opponent's weakness more. A violent character would aim to kill. A softer one would only target to disarm their enemies, using weakened attacks. A short-minded character would only rely on force and attack without thinking. This will help readers understand your characters more and decide who to root for.

3. Making use of surroundings

Not only the characters, you also need to consider the setting of your fight scene and use it to your advantage. Is it suitable for fighting, or are there dangerous slopes that make it risky? Are there scattered items that can help your characters fight (e.g. nails, shards of glass, ropes, wooden boards, or cutlery)? Is it a public place where people can easily spot the fight and call the authorities, or is it a private spot where they can fight to the death?

4. Description

The main things that you need to describe in a fight scene are :

• Characters involved in the fight

• How they initiate and dodge attacks

• Fighting styles and any weapons used

• The injuries caused

Be careful to not drag out the description for too long, because it slows down the pace.

5. Raise the stakes

By raising the stakes of the fight, your readers will be more invested in it. Just when they think it's over, introduce another worse conflict that will keep the scene going. Think of your characters' goals and motivations as well. Maybe if the MC didn't win, the world would end! Or maybe, one person in the fight is going all-out, while the other is going easy because they used to be close :"D

6. Injuries

Fights are bound to be dirty and resulting in injuries, so don't let your character walk away unscathed - show the effect of their injuries. For example, someone who had been punched in the jaw has a good chance of passing out, and someone who had been stabbed won't just remove the knife and walk away without any problem. To portray realistic injuries, research well.

7. Drive the plot forward

You don't write fight scenes only to make your characters look cool - every fight needs to have a purpose and drive the plot forward. Maybe they have to fight to improve their fighting skills or escape from somewhere alive. Maybe they need to defeat the enemy in order to obtain an object or retrieve someone who had been kidnapped. The point is, every single fight scene should bring the characters one step closer (or further :D) to the climax.

8. Words to use

• Hand to hand combat :

Crush, smash, lunge, beat, punch, leap, slap, scratch, batter, pummel, whack, slam, dodge, clobber, box, shove, bruise, knock, flick, push, choke, charge, impact

• With weapon :

Swing, slice, brandish, stab, shoot, whip, parry, cut, bump, poke, drive, shock, strap, pelt, plunge, impale, lash, bleed, sting, penetrate

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STAYC ♡ RUN2U (2022)

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“You’re my heart shaker-shaker” 💓⚡

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211114

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dont ever hesitate. reblog this.

Depression Hotline: 1-630-482-9696

Suicide Hotline: 1-800-784-8433

LifeLine: 1-800-273-8255

Trevor Project: 1-866-488-7386

Sexuality Support: 1-800-246-7743

Eating Disorders Hotline: 1-847-831-3438

Rape and Sexual Assault: 1-800-656-4673

Grief Support: 1-650-321-5272

Runaway: 1-800-843-5200, 1-800-843-5678, 1-800-621-4000

Exhale: After Abortion Hotline/Pro-Voice: 1-866-4394253

Trans LifeLine: 1-877-565-8860

Human Trafficking Hotline: 1-888-373-7888

Domestic Violence Hotline: 1-800-799-7233

BDSM Partner Abuse Hotline: 617-742-4911

Substance Abuse Helpline: (800) 784-6776

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Just Vi... Coz she got muscles XD but she is my favorite character from Arcane 💖 there this something I like about masculine women

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maybe it’s a curse

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© (SCAN) cr: teudoongies09 | TWICE 3rd Full Album “Formula of Love” - EXPLOSION VER.

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Tfw when you suddenly start looking more of a mess to everyone around you because you stopped masking.

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IDOL LEAGUE PREVIEW – RYUJIN

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Your vibe is oddly bitter and reeks of insecurity

sounds like someone needs to go in the water

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ok, i’m built like a noble ox. like i am 6′1 and i am sturdy lady. like thighs for days. if you try to move me. you will be moved. body images aside (lol, i am self conscious about my size, yeah it’s life) 

so like, i am very used to girls standing next to me in public places. i end up acquiring a pack of ladies. just because women are like, that lady is a lady men stay away from. i am jerk kryptonite (usually, i get my fair share of creeps, such is life) but most men have self preservation that this 6′1 ox will break them. and i will

so usually i am in my own phone and look up to another lady standing next to me. and i will immediately look up and make eye contact and nod. like, you know, that nod. i see you and you can talk if there is something wrong. i end up on a reg basis being a defacto bodyguard to these young ladies and small women while waiting for buses and in the metro. 

i am a large oak tree. i protect the other birds. 

ladies, we all got roles. find tree in the wild. we’re always happy to provide shelter from the creeps.

i’ve regularly said, “move on, she doesn’t want to be your friend”