queenerdloser

[queenerdloser]

i feel like no one really wants to hear that sleep/exercise/nutrition/hydration are major factors in treating mental health issues bc we’ve all talked to that person who thinks your depression would be cured by one good session of goat yoga or whatever but unfortunately they do help and i’m chronically annoyed about it

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t-shirt that says i watched i saw the tv glow and all i got was this ache in my chest from an emotion i cant put the name to

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I read a fair number of recipes on the ten thousand interchangeable recipe blogs that exist, and often they say something like "This recipe is a family favourite!" or "This a crowd-pleaser" etc. and I roll my eyes a little bit every time because of course they are, it goes without saying! People like food! Nearly any special-occasion home-cooked meal is going to be popular.

But there is one recipe, one cake, that has recontextualised all those comments for me and now actually I think those bloggers might be wrong about what a family favourite is. It sure as hell isn't Interchangeable Chocolate Cake No. 7.

I'm telling you this because I need you to know the seriousness of the power I am going to bestow on you. And hey, maybe your friends and family have different preferences than mine do. Maybe you need to find another recipe to fill this role. But you must know that there's a recipe out there, and not even a particularly alluring one or a particularly difficult one, which people will bring up in unrelated conversations to you four years later.

If I so much as say the word cake, my family all turn to face me like a pack of hungry wolves. Even the ones that don't like food!! Health nuts and people who simply don't enjoy eating and people with no appetite and people I have no goddamn memory of ever having cooked for, all of them come up and say to me "Hey remember that cake-" I asked my brother and his girlfriend what foods they're looking forward to, when they return home after three years in Japan, and they say "You know that cake?"

It doesn't sound particularly appetizing. I only made it the first time because it was gluten free and I had a bunch of lemons. Please don't let the name inform your opinion here. This is a fairly fast and simple cake that requires no special equipment and people will literally never stop asking you for it.

It's not even my favourite cake! I'd rather have basque burnt cheesecake, which is harder and more expensive to make and consists almost entirely of fat and sugar but still manages to be a little savoury... But people want the weird corn one.

To be fair, this is the only cake that'll make me dip my fingers into boiling sugar without regret.

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via Trail_Cams

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Protip: if you live in a city, get involved in your local community. It will benefit your mental health significantly

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Listen, sometimes you start crying over Ariadne and the Minotaur and then have to write a short thing from Ariadne's perspective to convey just how much she loved her brother.

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goblin cuisine is defined by its maximalist tendencies. goblin chefs will do their best to combine the "best" of several different flavors and textures into a single dish

other cultures think that it results in dishes that overwhelm the senses, but really each dish is essentially its own charcuterie board. different sections should be eaten after each other, giving the food a tactile nature as its being eaten

though, with the advent of deep-frying, a number of goblins have innovated on the "fried thing on a stick" realm of street-food, and have become some of the most-popular booths seen at large events. fried-midwinter-feast-on-a-stick is a staggering site to behold, and is lauded in goblin culture for being a fantastic meal on the go that can last several afternoons

[queenerdloser]

What we really need is an adaptation of the original 1740 The Beauty and the Beast

So were you aware that the The Beauty and the Beast story we all know is a heavily abridged and rewritten version of a much longer novella by Gabrielle-Suzanne Barbot de Villeneuve?  And that a lot of the plot holes existing in the current versions exist because the 1756 rewrite cut out the second half of the novella, which consisted entirely of the elaborate backstory that explains all the weird shit that happened before?  And that the elaborate backstory is presented in a way that’s kind of boring because the novel had only just been invented in 1740 and no one knew how they worked yet, but contains a bazillion awesome ideas that beg for a modern retelling?  And that you are probably not aware that the modern world needs this story like air but the modern world absolutely needs this story like air?  Allow me to explain:

The totally awesome elaborate backstory that explains Beauty and the Beast

Once upon a time there was a king, a queen, and their only son

But while the prince was still in his infancy, in a neat reversal of how these fairy tales usually go, the king tragically died, leaving his wife to act as Regent until their son reaches maturity

Unfortunately, the rulers of all the lands surrounding them go, “Hmm, the kingdom is ruled by a woman now, it must be weak, time for an invasion!”

And the Queen goes, “Well, if I let some general fight all these battles for me, he’ll totally amass enough fame and power to make a bid for the throne; if I want to protect my son’s crown, I have no choice but to take up arms and lead the troops myself!”

(Btw, I want to stress that this woman is not Eowyn or Boudica and nothing in the way her story is presented suggests that she had any interest martial exploits before or in any way came to enjoy them during these battles.  This is a perfectly ordinary court lady who would much rather be embroidering altar covers for the royal chapel and playing with her child until necessity made her go, “Oh no, this sucks, I guess I have to become a Warrior Queen now” and she just happened to kick ass at it anyway.)

And the Queen totally kicked ass, but the whole “twice as good for half the credit” thing meant that no matter how many battles she won, potential enemies refused to take her and her army seriously until she had defeated them so no sooner would she fend off one invasion than another one would pop up on a different border.

So she spent the majority of her young son’s life away from the castle leading armies, but it was OK because she left him in the care of her two best friends, who just happen to be fairies!  This was an awesome idea because a) fairies have magic, and therefore are like the best people to protect the prince from any threats and b) fairies consider themselves to be so above humanity that the lowest fairy outranks the highest mortal, so they’d have no interest in taking a human throne.  Good thing they were both good fairies instead of one good and one evil one!

(Spoiler:  they were not both good fairies.)

So the two fairies basically take turns raising the prince until he’s old enough to rule.  And on the eve of his twenty-first birthday, the evil older one comes into the prince’s bedroom.

“So listen, kid.  You’re about to become king, your mother’s on her way home from the war to see you crowned, and I have a third piece of good news for you!  You see, I’ve actually been spending so much time here lately because Fairyland’s become a bit too hot to hold me for reasons totally not related to me being secretly evil.  And if I have to hang in the human world, I might as well reside in the upper echelons of it, so even though as a powerful fairy I completely eclipse your puny human status in a staggeringly unimaginable way, since you’re about to be king and since my premonition that I should stick this whole guardianship thing out because you would be hot one day has totally proved accurate (go me), I will graciously lower myself to allowing you to marry me.  Please feel free to grovel at my feet in gratitude.  (Btw, we can totally start the wedding night now, we’ll tell your mother about it when she arrives tomorrow.)”

Keep reading

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PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin or that Babel was too heavy-handed just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here

Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn

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Casually asks ‘who domesticated grain in your fantasy world?’ but while ripping her shirt off with a WWE stage and a roaring crowd just behind and slightly to the left. 

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y’all want some cool, muslim-made, modest fashion ideas for your hijabi characters?

absolutely nobody asked but here, have them anyway (all via the Islamic Fashion Institute):

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i've been reading a lot of books about urban naturalism recently, and the one big thing they all talk about is how you HAVE to stop seeing nature as something that happens somewhere else. nature is not just charismatic megafauna and state parks and mountain ranges. nature is that abandoned lot that's growing native milkweed in it. nature is the murder of crows that lives in your block. nature is the moss growing on your roof and the dandelions growing in the sidewalk cracks and the song birds at your neighbor's birdfeeder. and you should care about it! you should notice it! that's YOUR nature!

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I'm a big fan of wizards-as-programmers, but I think it's so much better when you lean into programming tropes.

A spell the wizard uses to light the group's campfire has an error somewhere in its depths, and sometimes it doesn't work at all. The wizard spends a lot of his time trying to track down the exact conditions that cause the failure.

The wizard is attempting to create a new spell that marries two older spells together, but while they were both written within the context of Zephyrus the Starweaver's foundational work, they each used a slightly different version, and untangling the collisions make a short project take months of work.

The wizard has grown too comfortable reusing old spells, and in particular, his teleportation spell keeps finding its components rearranged and remixed, its parts copied into a dozen different places in the spellbook. This is overall not actually a problem per se, but the party's rogue grows a bit concerned when the wizard's "drying spell" seems to just be a special case of teleportation where you teleport five feet to the left and leave the wetness behind.

A wizard is constantly fiddling with his spells, making minor tweaks and changes, getting them easier to cast, with better effects, adding bells and whistles. The "shelter for the night" spell includes a tea kettle that brings itself to a boil at dawn, which the wizard is inordinately pleased with. He reports on efficiency improvements to the indifference of anyone listening.

A different wizard immediately forgets all details of his spells after he's written them. He could not begin to tell you how any of it works, at least not without sitting down for a few hours or days to figure out how he set things up. The point is that it works, and once it does, the wizard can safely stop thinking about it.

Wizards enjoy each other's company, but you must be circumspect about spellwork. Having another wizard look through your spellbook makes you aware of every minor flaw, and you might not be able to answer questions about why a spell was written in a certain way, if you remember at all.

Wizards all have their own preferences as far as which scripts they write in, the formatting of their spellbook, its dimensions and material quality, and of course which famous wizards they've taken the most foundational knowledge from. The enlightened view is that all approaches have their strengths and weaknesses, but this has never stopped anyone from getting into a protracted argument.

Sometimes a wizard will sit down with an ancient tome attempting to find answers to a complicated problem, and finally find someone from across time who was trying to do the same thing, only for the final note to be "nevermind, fixed it".

[queenerdloser]

okay so far i really love the characters, the gameworld is beautiful, i'm so intrigued plot-wise, the fighting is less painful than usual for me (i really hate fighting in games lmao). but i keep getting FUCKING LOST.

no one tell me anything because playing totally oblivious to the entire plot of the game is going to be fun, but i bought expedition 33 and like. i was so ready to go into this new area with my cool team of people who i already kind of felt attached to since i talked to them all at the festival before the expedition and then they all got fucking murdered.

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had a dream last night that i was in a church and there were angel wings pinned to the walls. i touched a pair and realised then that they weren't made of feathers, but of words - millions of tiny letters overlapping in an imitation of flight, like starling murmurations. when i withdrew my hands the letters had been burned into my skin. they were far too small to read with my naked eyes, but knew exactly what they said somehow, nonetheless.

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I met a girl when I was fresh out of high school in undergrad who frankly, annoyed me quite a bit, but I also had an inkling to continue to be compassionate to her given a few things about her life/background/family

I ran into her two years ago. Last week, her daughter turned 1. This girl, let’s called her “P”, is a really good example of why I never feel comfortable mocking trad wives

Her perfect trad husband, who was a shining young figure in the local religious community, volunteered in all sorts of groups, well loved in his workplace and everything else, beat her up at 1 month post-partum. I reached out to her after seeing her desperately asking for a stroller on a page, confused and slightly concerned knowing both of them came from wealthy backgrounds.

The reality for lots of tradwives living “perfect lives” is this: P was immediately ostracised. All the wealth of her husband and her family meant absolutely nothing if she wasn’t in favour and doing what she was told. Her child and her well-being didn’t matter. P, at 25 years old, was basically deemed an oopsie, and left on her own to figure out how to pay for herself, a baby, find housing, and every other task you can think of.

Having known many of these women (and supported many of these women), another factor most people don’t consider is this: they are intentionally raised to be helpless. When I immediately offered my support to P, she really needed it. This young woman needed to be guided through how to apply for government assistance, how to weigh up rentals and apply for them, how to apply for jobs, how to sign up for childcare. How to sign up for your own power and internet, and how to connect them.

It wasn’t that she was “stupid”, or incapable, or spoiled. While it looks like they’re being sheltered, in reality, these women are practically being held hostage. Sure, they might be allowed to learn things that are expected of them (see: basic cooking, baking, cleaning, child rearing, women’s bible studies, hosting, and so forth) but they are heavily controlled from family life into marriage life, and they are never given the opportunity or the reality of what many of us would consider basic adult tasks.

She’s doing okay now. Her daughter turned 1, is happy and healthy. They live frugally, but they have a roof over their heads and the essentials. I often babysit for her so she can attend counselling, or go to a woman’s support group. She is painfully aware that she has so much to learn about how to live as an adult.

I don’t envy tradwives, but I don’t find any joy in mocking them either. Even when they live the most picturesque lives, they’re also practically living a real life Jenga game. If (and often, when) it comes tumbling down, they’re screwed too, and they often have 0 skills to help themselves or find community (that again, isn’t carefully curated).

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𝔗𝔥𝔦𝔯𝔱𝔶-𝔒𝔫𝔢 𝔇𝔞𝔶𝔰 𝔬𝔣 ℌ𝔬𝔯𝔯𝔬𝔯 𝟸𝟶𝟸𝟺

I felt like one of those dolls asleep in the supermarket. Stuffed. And then I was 21. Like chapters skipped over on a DVD. I told myself, "This isn't normal. This isn't normal. This isn't how life is supposed to feel."

I Saw the TV Glow (2024) dir. Jane Schoenbrun