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#RABBITBLED: an independent & selective roleplay blog for shauna shipman/sadecki of the series yellowjackets. both adult and teen timeline based. OC and crossover friendly. dark and triggering material present. 18+ only. written by remi.

personal blogs DNI.

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would anyone maybe be interested in writing on discord?? I'm trying to get back into writing shauna bc I miss writing her but tumblr is just Hard rn. you can like this post or mutuals can just add me/hmu on there (my user is bornasaint)!

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alrighty, I wanna get this blog active again!! so, like this for a lyric based starter! you can also specify if you want teen verse or adult verse.

or! you can send memes <3

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alrighty, I wanna get this blog active again!! so, like this for a lyric based starter! you can also specify if you want teen verse or adult verse.

or! you can send memes <3

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I know I've been terrible at being active here lately but...what if I brought back my lottie blog too 👁👄👁

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psst like this post if you'd like to plot something perhaps 👀 rn I'm rly interested in maybe trying to plot out some AUs (although canon stuff is just as good). also just deep dynamics and connections generally. you can hmu in my dms any time too!!

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GET TO KNOW ME ♡ [2/10] Favorite Relationships Lottie Matthews & Shauna Shipman

No one is eating Shauna’s share.

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"I'm just a dog with no bite" ok? what if I'm a dog with a bite history? what if I'm the dog who bit and left marks every time someone tried to leave? what if I'm the dog who looks scary but all I need is someone who will have the courage to love me?

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#pr3monitions: An independent & selective roleplay blog for Wendy Christensen of Final Destination 3. Dark and triggering material WILL be present. 18+ only. Under heavy construction/temporarily dash only. Written by Remi.

©

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I'm watching this ep a bit later so rn my dash is basically unscrollable dkdkfkg but I'll be here after I watch <33

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𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

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send me questions you have about my character!

anything and everything. favorites. thoughts on people, on events. what they would do in a certain situation. how things would be different if something had/hadn’t happened. simple questions, complex questions. have at it!

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want to know about a song on my muse's playlist? send in a 🎧 & i'll randomly pick a song along with which lyrics i think symbolize them the most!

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SOPHIE NELISSE as SHAUNA SHIPMAN Yellowjackets, ‘12 Angry Girls and 1 Drunk Travis’

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I might actually crash out if I see one more bad take about shauna

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i want to taste you (a threat)

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"I mean, I would be furious if I went through all of that and wasn't even thought of to be the leader."